
Fortress Melbourne Alienware Arena Taps Marshall for POV Needs By SVG Staff
Wednesday, November 16, 2022 - 2:41 pm
Print This Story | Subscribe
Story Highlights
Fortress Melbourne is Australia's is home to The Alienware Arena, the largest permanent esports structure in the Southern Hemisphere at nearly 30,000 sq. ft. Featuring a 220-seat retractable grandstand and permanent stage with 12 top-of-the-line Alienware PC stations for live LAN events. The Alienware Arena hosts professional and amateur tournaments for a range of games that are streamed online to worldwide audiences. Chris Stewart, Fortress Production & Broadcast Manager, oversees capturing and delivering these engaging livestreams. To give audiences a fully immersive experience along with the player reactions, Stewart relies on the CV506 POV Camera from Marshall Electronics, supplied by Marshall's local distributor, Corsair Solutions.
Fortress Melbourne relies on Marshall POV cameras.
In esports, you often face limitations around space and positioning that you don't typically encounter with traditional sports, says Stewart. We have all our players on stage, close together, so it is crucial that the cameras we use can fit within the constraints of the small environment. Additionally, POV cameras are, by their nature, required to be either on top of the desk the player is sitting or right beside it, so any gear we use must not interfere with the players' space. That's where Marshall and the CV506 come in.
At Fortress Melbourne, every week is different in terms of games and tournaments. Our cameras need to be flexible in how they can be used. As an example, aside from a typical stage setup, we have used our Marshall cameras to facilitate a wider, down-the-line shot of the team - where the audience is given the perspective of the side profile of the team for celebrations and so on. Additionally, we used four Marshall CV506 cameras recently in an F1 22 racing competition; we had four racing rigs to capture the best lap times on a track, and the cameras served as a way for the audience in-venue to see the participants as they raced as well as being fed into our replay system to provide instant replay of players' reactions as they set new times.
In an environment where livestreams are required to display both gameplay and POV cameras side-by-side, it is key that the camera is synchronized to the gameplay as closely as possible. According to Stewart, Many other possible solutions have limitations such as delay on output, limited number of outputs and so on, but the Marshall cameras not only offer near-zero latency via SDI output but also provide additional outputs, such as an HDMI feed. This workflow provides exceptional capabilities for the live environment while also allowing the cameras to be used in a more casual setting with no additional labor needed for setup.
The CV506 miniature Full-HD camera utilizes a high-performing 2.5-Megapixel sensor to capture crisp HD video streams starting at a wide-angle 85 degrees and up to 1920x1080p resolution at 60fps. A threaded miniature lens mount offers a wide range of prime and varifocal lens options, all which deliver detailed shots while maintaining an ultra-discreet miniature POV perspective. The CV506's straight forward design and ease-of-use make it an affordable option for a wide variety of live broadcast applications including sports coverage, live music, auto racing, production and more. The CV506 offers remote adjustment and match capability, allowing users to adjust color matrix, white balance, black balance, exposure, pedestal and more from a distance using the Marshall RCP, Camera Control Software, and 3rd party controllers including Cyanview CCU, Skaarhoj and others.
Stewart was also able to see the CV506's shine at one of Fortress Melbourne's recent tournaments. We just had a major esports tournament for the game GS:GO called Fortress OCE Masters: A Blast Regional Qualifier,' says Stewart. The competition had four teams flying to Melbourne to participate and play on stage. The tournament was broadcast both locally and sent to a global channel where it was redistributed around the world. Our Marshall cameras got a heavy workout for this. Any time our observers switched perspectives on who was watching, so did the POV cameras that were positioned in the corner. This allowed the audience to see the face of the player who they were watching on screen. Once again, the CV506 excelled and was ideal for this application. We love our Marshall cameras.
More from Sports Video Group
21/05/2026
Game Creek Video Columbia and Celtic, NEP Supershooter 8 will house onsite produ...
21/05/2026
Freshly graduated, this upstart producer, director, and camera operator is already working as an AP on videoboard shows for the Philadelphia Phillies
In the li...
21/05/2026
Media Links has announced a channel partnership with Clearcast Asia, a broadcast...
21/05/2026
SiriusXM and NASCAR have announced a multi-year renewal of their broadcasting agreement. SiriusXM will continue to carry live broadcasts of every NASCAR Cup Ser...
21/05/2026
Audio-Technica held a demonstration event at its Technica House location in New ...
21/05/2026
Ateme has announced that RTL Deutschland has selected Ateme's software-based...
21/05/2026
LiveU has announced that BCC Live deployed the LU900Q intelligent production unit for the first time during the 2026 Memorial Hermann IRONMAN Texas North Americ...
21/05/2026
ATSC has announced that Mark Aitken, President of ONE Media and Senior VP of Advanced Technology at Sinclair Broadcast Group, will receive the 2026 Mark Richer ...
21/05/2026
BBright has published a technical analysis of the Media eXchange Layer (MXL), de...
21/05/2026
The Esports Foundation has announced that the 2026 Esports World Cup (EWC) will be hosted in Paris, France, from July 6 through August 23. The event marks the f...
21/05/2026
Chyron has announced PRIME Scorebug, a scorebug solution built on the PRIME Platform for on-premises sports production, and has expanded Chyron LIVE with purpos...
21/05/2026
Media Links has announced the integration of its Xscend IP transport platform with Skyline Communications' DataMiner xOps platform. The integration will be ...
21/05/2026
As live sports productions continue to demand more flexible, scalable, and cost-...
21/05/2026
In advance of this year's Sports Emmy Awards, SVG is taking a deep dive into...
21/05/2026
Hey Miami & Atlanta post-production folks!
Shade is hosting a free private suite at a Braves game (6/2) and Marlins game (6/5) and have about a dozen extra tic...
21/05/2026
The Suns and Mercury become the first NBA and WNBA teams to make games available under a single broadcast partner across both over-the-air and streaming....
21/05/2026
iPhones are part of the the regular production rotation for Friday Night Baseba...
21/05/2026
In advance of this year's Sports Emmy Awards, SVG is taking a deep dive into...
20/05/2026
True to the Music City theme, the Tennessee Titans plan to make live music a prominent fixture on game days at the new venue
Reflecting the continuing converge...
20/05/2026
The long-term goal is innovation for the next generation of hockey rinks at both the professional and the community level
The National Hockey League (NHL) toda...
20/05/2026
End-users and vendors alike work toward cost-effective yet high-quality solution...
20/05/2026
The National Football League has announced that Nashville will host Super Bowl LXIV in 2030 at the new Nissan Stadium. The announcement was made at the NFL Spri...
20/05/2026
The NFL has announced that the 2028 NFL Draft presented by Bud Light will take place in Minnesota, uniting fans from around the world to celebrate one of the mo...
20/05/2026
As professional AV workflows continue to evolve, expectations around audio, video, networking, and control are rising rapidly. At InfoComm 2026 in Las Vegas, La...
20/05/2026
Haivision will showcase its latest innovations at InfoComm 2026, taking place fr...
19/05/2026
Cisco and the USGA have announced a multiyear extension of their partnership, which began in 2018. Cisco serves as the Official Technology Partner of the USGA, ...
19/05/2026
Urban Edge Network (UEN), a streaming platform for NAIA sports, has announced a partnership with Spiideo to provide streaming and production tools to UEN's ...
19/05/2026
Warner Bros. Discovery (WBD) will provide live coverage of all 900 Roland-Garros matches across its platforms beginning with qualifiers on May 18. In Europe, 21...
19/05/2026
Tubi, Fox Corporation's free streaming service, has announced the launch of the FIFA World Cup 2026 FOX Hub, a dedicated destination for World Cup programmi...
19/05/2026
Telef nica, in collaboration with Sony, has conducted a 5G connectivity trial at the Movistar Arena in Spain using the 26 GHz millimetre wave (mmWave) band. The...
19/05/2026
Ross Production Services (RPS) has installed a Calrec Argo M console into its new Hypermax-1 remote production truck, replacing one of three Argo S consoles pre...
19/05/2026
Panasonic Projector and Display Corporation has announced the acquisition of 100% of the shares of UK-based media technology company Hive Media Control Ltd. (HI...
19/05/2026
Globecast has announced the completion of a nine-month renovation of its Singapore facility, converting it from a traditional linear broadcast operation into a ...
19/05/2026
Grass Valley has announced a three-year enterprise agreement with Phoenix Broadc...
19/05/2026
Bitmovin has announced that Watch Brasil, a streaming platform operating across Brazil and Europe since 2018, has replaced its legacy systems with Bitmovin'...
19/05/2026
Ateme has announced the migration of Dish Home Nepal's Nepal Premier League (NPL) streaming infrastructure to Ateme's TITAN Live solution deployed on Ak...
19/05/2026
CMSI provided workflow, media management, and HDR support for ESPN during coverage of the NCAA Gymnastics Semifinals and Championships. The company supported fi...
19/05/2026
In advance of this year's Sports Emmy Awards, SVG is taking a deep dive into the six production-technologies nominated for this year's George Wensel Tec...
19/05/2026
In advance of this year's Sports Emmy Awards, SVG is taking a deep dive into the six production-technologies nominated for this year's George Wensel Tec...
19/05/2026
Featuring a fully IP infrastructure, Supershooter 11 is intended for large-scale events. Enabling remote and distributed workflows, Supershooter 65 joins the RE...
18/05/2026
Despite a bumpy start to the year, the provider of event-production support and ...
18/05/2026
Daktronics has partnered with the University of North Carolina to manufacture and install 11 LED displays totaling more than 10,000 square feet and more than 14...
18/05/2026
CBS LA has announced a multi-year partnership with the Los Angeles Rams, covering exclusive local broadcasts of Rams preseason games, weekly year-round programm...
18/05/2026
Skyline Communications has announced an integration between its DataMiner xOps p...
18/05/2026
eCLUTCH, the hybrid esports platform powered by iKOMG, has announced an expansion of its distribution across Europe, MENA, Africa, and Asia, along with new cont...
18/05/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, includ...
18/05/2026
With 22 games this season, the production team looks forward to tweaking and enhancing the coverage
After 8,660 days off the air, the WNBA returned to NBC yest...
15/05/2026
Seattle Sounders FC and Seattle Reign FC, in partnership with RAVE Foundation an...
15/05/2026
Dan Brumm has served as sound designer on Bluey, the Australian children's t...
15/05/2026
The Professional Audio Manufacturers Alliance (PAMA) and Shure Incorporated are accepting applications for the 6th annual Mark Brunner Professional Audio Schola...