Vine FX blends practical and CGI elements for ITVs After the Flood, crafting immersive world-building crucial to the post-disaster thrillers authenticity, writes Robert Shepherd
By Contributor
Published: March 13, 2024 Updated: March 14, 2024
Vine FX blends practical and CGI elements for ITV's After the Flood, crafting immersive world-building crucial to the post-disaster thriller's authenticity, writes Robert Shepherd
target=_blank title=Share on LinkedIn class=share-linkedin>
Vine FX is cementing its reputation in compositing and water-focused effects. Fresh from its notable creation of stormy seas in Boat Story, its latest work sees it play a crucial role in a mystery thriller set in a town hit by a devastating flood.
In the six-part ITV drama, After the Flood, Sophie Rundle portrays Joanna Marshall, a PC fixated on an ostensibly benign flood fatality. Police attribute an unidentified man's demise in a submerged lift to rising waters, but Joanna questions the circumstances, pondering his mysterious presence and anonymity.
The titular flood scenes were shot at Tees Barrage, a specialised white water rafting facility in Stockton. With the capacity to pump 14,000 litres of water per second through an international standard course, it provided the perfect backdrop.
Standout among shots that received the VFX treatment is a drone pull-out above the flooded village. Part of this dramatic reveal was achieved in-camera, with the production building and filling an enormous water tank and placing building facades around its edge. But the rest was realised with CGI.
We took the drone footage and ran it through Reality Capture photogrammetry software, explains Matt McKinney, senior 3D generalist at Vine FX. That gave us a starting point - a sort of virtual set - and we built 3D geometry around it. The plate from production was like how they used to shoot Westerns - building facades with nothing behind them. We masked out the tank and built an entire town around it in 3D geometry.
To enhance the realism of CG elements, Vine FX applied textures derived from the drone footage, projecting real world buildings onto the geometry in Maya, blending pre-existing overcast lighting for a cohesive visual outcome.
It wasn't as easy as it sounds. The water in the wider shot is interesting, adds Jake Newton, senior 3D generalist at Vine FX. It didn't really call for a full simulation, so we used Maya to generate animated vector maps to create the water surface. You get this really nice, believable texture without having to render out an overly detailed simulation. It's all about efficiency and making sure that you do what's needed for the scene at hand.
Along with building a full village environment, Vine FX incorporated CGI elements such as trees, cars, and buildings to give the sense of a lived-in place. The team also included personal belongings in the back of cars. We made a huge library of assets, things like garden furniture and litter, cars, trees, bushes, and ivy that we could use on the buildings. Those small details are what people don't usually take to be CGI, but it's absolutely crucial to making a believable scene, McKinney adds. You get to a point where it doesn't look artificial because there's just so much in there.
During the flooding sequences, people are caught in fast-moving, dangerous water - from drivers becoming stuck in cars to a baby being swept away. To accomplish this, Vine FX turned to its trusted compositing software, Nuke, and some AI-powered tracking plugins. Achieving an accurate 3D track of the prop baby proved challenging, with water and other practical elements often occluding the carrier and hindering the track.
One of the challenges was identifying matte lines that didn't naturally exist. We had to invent areas where a roof or guttering would typically be so we could seamlessly blend live-action footage with computer-generated imagery, adds Newton. Then we added those items in to hide any joins. Visual effects is about staying invisible, working with in-camera footage. And when you have a show that gives the right amount of attention to production and post production, it's going to be something special.
After the Flood is available on ITVX.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
06/04/2026
Michigan legends bring a new voice to the broadcast as TNT Sports and CBS Sports...
06/04/2026
From high school sports all the way up to the major leagues, building high-quali...
06/04/2026
Quickplay, an AI company for the media and entertainment industry, has been accepted into the Advanced tier of the TwelveLabs Ecosystem Partner Program. Quickpl...
06/04/2026
Grass Valley has announced the Future Playmakers Program, a global initiative to...
06/04/2026
El l der de operaciones impulsa la producci n en estudio mientras encuentra insp...
06/04/2026
The ops leader helps lead the charge in studio for the Spanish-language broadcas...
06/04/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, includ...
06/04/2026
The National Hockey League (NHL), in partnership with Verizon and the New Jersey Devils, today announced the opening of the NHL Innovation Lab powered by Verizo...
06/04/2026
Rock League, a new professional curling league, has announced that ESPN+ will stream its inaugural 2026 season for fans in the United States. The first Rock Lea...
06/04/2026
Advanced Systems Group has announced the appointment of Andrea (Andy) Cummis as Vice President of Systems Design and Engineering. In this role, she will lead de...
06/04/2026
Backed by Bolt Ventures, the venture brings Bryson DeChambeau, Grant Horvat, and...
06/04/2026
With this environment we can start that collaboration even earlier because we ca...
06/04/2026
Like the immortal lives of vampires, some stories never really end. That's t...
06/04/2026
As podcasting continues to evolve, growth increasingly means building beyond aud...
06/04/2026
Multiband dynamics plug-in enhanced
California-based developer FSK Audio have released a significant update for their innovative multiband dynamics processo...
06/04/2026
Share official & user-created full-rig presets
IK Multimedia's latest TONEX update makes it possible for users of the popular amp and effects modelling ...
06/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/04/2026
Dalet Showcases Dalia Agentic AI and End-to-End Media Workflows at NAB Show 2026
Brie Clayton April 6, 2026
0 Comments
Dalet, a leading technology and...
06/04/2026
OpenDrives Shows Off Sports Expertise in Sports Business Hub located in NAB Show...
06/04/2026
Proton to Demonstrate 3D Application at NAB 2026
Brie Clayton April 6, 2026
0 Comments
Yet further creative potential unleashed through innovation in ...
06/04/2026
Autoscript Highlights Voice-Driven Prompting and PTZ Solutions at NAB 2026
Brie Clayton April 6, 2026
0 Comments
Experience Autoscript Voice, PTZ prom...
06/04/2026
Mediaproxy Highlights Significant Enhancements to its LogServer suite at NAB Sho...
06/04/2026
Wayne, N.J., April 6th, 2026 Phantom High-Speed announces the release of PCC 4...
06/04/2026
April 6th, 2026
TRIBECA STUDIOS AND LILLY ANNOUNCE WINNERS OF INAUGURAL VITAL...
06/04/2026
Back to All News
Netflix Expands Kids Entertainment Lineup With Playground App ...
05/04/2026
Tackles all reported bugs!
SoundBridge have just announced the launch of a new update that introduces a couple of minor changes to their remote collaboratio...
04/04/2026
The University of Arizona's Men's Basketball team has only loss twice th...
04/04/2026
1080p HDR arrives, a new generation of storytelling tools takes center stage, an...
04/04/2026
Michigan legends bring a new voice to the broadcast as TNT Sports and CBS Sports...
04/04/2026
Faster, cleaner and more intuitive than ever
The control software for Flock Audio's digitally controlled patchbay systems has just been treated to an up...
04/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/04/2026
DHD Introduces AI-Based Audio Noise Reduction to XD3 IP Core
Brie Clayton April 3, 2026
0 Comments
The accompanying image shows the rear panel of the ...
04/04/2026
Macnica Redefines ST 2110 Flexibility with Two Speeds on One Card
Brie Clayton April 3, 2026
0 Comments
New for NAB Show 2026, MEP100 SmartNIC now sup...
04/04/2026
Unified Media Workflows for Story-Centric Production
Brie Clayton April 3, 2026
0 Comments
Framelight X unifies field capture, editing and publishing ...
03/04/2026
Michigan's Fab Five will reunite for an alternate presentation of the Mich...
03/04/2026
Avid will exhibit at NAB Show 2026 (April 18-22, Booth N2226, Las Vegas Convention Center), demonstrating its Content Core platform and new AI-driven workflow c...
03/04/2026
Mark Roberts Motion Control (MRMC) has announced the appointment of Nick Barthee as Chief Operating Officer.
The announcement follows MRMC's transition fro...
03/04/2026
Interra Systems has announced that Elite Media Technologies has selected its BATON file-based QC solution for media workflows. Elite Media Technologies speciali...
03/04/2026
Ateme has announced that Moldtelecom has deployed Ateme technologies across its streaming workflow, covering encoding, delivery, operations, and analytics.
Mol...
03/04/2026
Grass Valley will demonstrate Framelight X, its content management platform, at NAB Show 2026. The platform connects capture, ingest, editing, and publishing in...
03/04/2026
Encompass Digital Media and Techex have announced a cloud-native Master Control ...
Vine FX blends practical and CGI elements for ITVs After the Flood, crafting immersive world-building crucial to the post-disaster thrillers authenticity, writes Robert Shepherd
