
Changing the world: Behind the collaborative production of the 2025 Special Olympics World Winter Games By Kevin Hilton
Monday, April 7, 2025 - 10:14
Print This Story
Snowboarding at the 2025 Special Olympics World Winter Games
The 2025 Special Olympics World Winter Games took place over the week of 8 to 15 March in Turin, the first time the event had been staged in Italy. Featuring a wide variety of sports for participants with intellectual disabilities, including figure skating, floorball, alpine skiing, snowshoeing, and dancesport, the championships involved 1,500 athletes from one hundred countries, and was the first Winter Games since 2017.
This important return to the international sporting calendar received extensive broadcast coverage, with live presentation of the opening ceremony and figure skating and short-track speed skating. The remaining competitions - floorball, alpine skiing, snowshoeing, dancesport, snowboarding and cross-country skiing - were recorded and then made available to participating broadcasters through the Global Media Hub.
An hour-long Recap Show' will be broadcast throughout the US by ABC on 6 April and also air or stream in select regions, including Latin America, Sub-Saharan Africa and the Caribbean through Disney+, as well as on Sky in the UK and Ireland and beIN in France.
Special Olympics are, as Chris Wragg, senior director of broadcast communications and social media engagement for the organisation, explains, more a movement than a conventional sports event like the Olympic and Paralympic Games. Which is why, he stresses, it is not referred to as the' Special Olympics: It's important to clarify that the big difference between ourselves and the Paralympics and definitely the Olympics is that we're not just about games or sports every two years. We have hundreds, if not thousands, of events monthly throughout the world.
The credo of Special Olympics is Changing the World Through Sport
Changing the world
The credo of Special Olympics is Changing the World Through Sport , with the aim being to encourage acceptance and inclusion, but Wragg adds that non-sporting aspects are also key to the programme. Improving health outcomes for people with intellectual disabilities is a big part of our movement, he says. Things like seeking help with their hearing or their teeth, as well as education in general. It's an all-year round thing and although sports is our raison d' tre, the reason we're here is not just for that but also to help our athletes in their everyday life, even outside of sport.
While the existence and purpose of Special Olympics is known and understood in the US, Wragg says, the situation is different in other parts of the world, including Europe. We're constantly getting conflated with the Paralympics as a brand, which is a problem but one we are hell bent on fixing, he comments. The way we do that is through media coverage, messaging and marketing. We're not in competition with the Paralympics. We do work together and have the Olympic name but there are differences.
A crucial part of the media coverage for Special Olympics is broadcasting the Games - both Summer and Winter - to as wide an audience as possible. For this Winter Games, Special Olympics partnered with a group of broadcasters and facility providers to cover each event and make footage available to media outlets. Wragg explains that while there was no host broadcaster in the conventional sense - for various reasons - these responsibilities were split between several organisations.
Collaborative production
The world feed of the Opening Ceremony was produced by Italian live event management and entertainment group Balich Wonder Studio (BWS), with supplementary equipment and commentators provided by ESPN, which Wragg describes as Special Olympics' global broadcast partner . ESPN was also involved in the live world feed of the short-track speed skating and figure skating, produced by Sky Germany, which brought in its own OB vehicles alongside HD18 and Tender 18 from NEP Italy.
The Opening Ceremony was staged at the Inalpi Arena in Turin, while the skating events were held in the city's Pala Tazzoli Ice Arena. Other sports took place in the Piedmont ski resorts of Sestriere, Bardonecchia and Pragelato. Due to their locations in the mountains and each being well over an hour away from Turin, the events at these towns were recorded by ENG crews, with the footage returned over Wi-Fi to the Global Media Hub for editing.
This area was overseen by UK-based production company Restless Films, which Wragg explains has been working with Special Olympics for many years and provided the ENG crews for this year. They gathered interviews and highlights, which, at the end of the day, were fed into a very simple system based on Dropbox, he says. In the absence of a host broadcaster we managed to make a patchwork between the live coverage and the Global Media Hub, with recorded coverage.
Wragg comments that during the Opening Ceremony the Hub editors, also supplied by Restless, were, squirreling behind the scenes, furiously churning out over a hundred clips, that were available within two hours of the event. It was a big undertaking but they delivered, as they have before, he says. To give you an idea of the scale of footage, it was coming from the live world feed to provide clips for the media from each country of their delegation coming out of the tunnel.
The aim of Special Olympics and its broadcast partners, Wragg states, is to have the technical broadcast presentation, on the same pedestal as other international events, because we think our athletes deserve that .
The editing set-up, ENG coverage and OB facilities for the 2025 Special Olympics World Winter Games will be further explored in Part 2 of this feat
More from Sports Video Group
18/02/2026
Audio quality control (QC) is becoming ever more crucial for Olympic Broadcastin...
18/02/2026
The Olympic Games are not only a showcase of athletic excellence, they are also ...
18/02/2026
Netflix is entering the MMA game with a matchup between two of the biggest names ever to compete on the women's side.
Most Valuable Promotions and Netflix ...
18/02/2026
Grass Valley announces that Network18 Media & Investments Ltd., one of India'...
18/02/2026
Cobalt Digital Inc., a designer and manufacturer of video and audio conversion, ...
18/02/2026
Production is divided between a studio in the mountains and a brand-new studio i...
18/02/2026
At the Winter Games IBC in Milan, NBC Sports and Olympics' director of audio...
18/02/2026
The Women's Alpine events at the Tofane Alpine Skiing Center, about a 10-minute drive from Cortina d'Ampezzo, featured some of the most exciting Olympic...
18/02/2026
At the Broadcast Center, 14 audio-control rooms handle the sound in a complex routing and processing regimen
We are exactly where we want to be, Karl Malone,...
18/02/2026
With 300 hours of curling competition in two weeks, it's a safe bet that even the most curling-hungry fan will be satiated. It also requires a production te...
18/02/2026
Always seen as one of the more crazy Olympic events, Bobsleigh is a sport in which athletes must have nerves of steel and pilots must navigate high-tech sleds...
18/02/2026
A typical Winter Olympics day - or should I say evening - inside the Warner Bros...
18/02/2026
The Netherlands has dominated Milan's ice rinks, scooping six speed skating ...
18/02/2026
At the Broadcast Center in Stamford, three discrete intercom systems combine into a centralized infrastructure
Into the second week of Milan Cortina 2026, eigh...
18/02/2026
AI is reshaping operations, capital is scaling ownership, sports are converging with media and entertainment, and venues are evolving into year-round platforms...
18/02/2026
DNA Inc. specializes in crafting next level digital experiences in the Media, St...
18/02/2026
Conflicts have increased, but so have solutions, driven chiefly by pragmatism and the threat of AI music
The only persons on the Figure Skating ice at the 2026...
18/02/2026
Canadian rightsholder deploys its most complex setup at an Olympics ever with ...
18/02/2026
A crew of 1,685 people and 13 control rooms produce nearly every on-air minute f...
17/02/2026
Eutelsat announces the renewal of multiple capacity agreements with Viewsat, rei...
17/02/2026
At Milano Cortina 2026, one statistic stood out across industry reporting: 70% of global signal distribution is now happening over public cloud. What began as e...
17/02/2026
CP Communications provided broadcast support for Super Bowl LX in Santa Clara, Calif. at Levi's Stadium, marking 27 years of working around the Big Game. Th...
17/02/2026
Street-level images of iconic Los Angeles landmarks are incorporated into the regular-season look
With NBC Sports just months into its return to NBA coverage a...
16/02/2026
The production infrastructure scaled seamlessly from regular-season games to the...
16/02/2026
The operations team reimagined traditional workflows were reimagined and built a...
16/02/2026
Once again an in-house operation, the league's network is producing shows fr...
16/02/2026
The league is producing its first All-Star with NBC, Intuit Dome, and, once agai...
16/02/2026
When a customer in London needed a 4K video wall that could take 12G input, the media company found no video wall suppliers that could meet their specs and time...
16/02/2026
Grass Valley, a media and entertainment technology innovator, has won a competitive NATO-wide tender to provide the new camera system for NATO's main broadc...
16/02/2026
Comcast Business announces it is again partnering with NBCUniversal to architect and manage critical components of the linear and digital broadcast for three of...
16/02/2026
Week two of the 2026 Milano Cortina Winter Olympics are underway and crucial to the NBC Sports efforts has been the NEP Group which is providing a full range of...
15/02/2026
With new partnership between the league and NBC, workflows distinguish more between live, broadcast sound
There'll be a lot new for the 75th NBA All-Star W...
15/02/2026
After 24-year absence, NBC Sports returns to NBA All-Star Weekend with unique ca...
15/02/2026
New to NBA coverage, the viewer experience offers several angles in addition to ...
15/02/2026
Coverage features 4X-slo-mo Supracam and Steadicam, Nucleus 4K cameras, closer play-by-play angle, 10 player mics
NBC Sports is in the midst of its first NBA A...
13/02/2026
Olympic Broadcasting Services (OBS) has provided an update on its adoption of the cloud as it continues on its journey to fully migrate to IT-based systems by 2...
13/02/2026
France T l visions has successfully launched France 2 UHD featuring Dolby Vision...
13/02/2026
Partnering with Worldwide Olympic Partner TCL, OBS deploys connected Athlete Mom...
13/02/2026
The men's figure skating long-form program is tonight, and it promises to be an exciting night for fans in the stands, fans at home, and even the production...
13/02/2026
With new partnership between the league and NBC, workflows distinguish more between live, broadcast sound
There'll be a lot new for the 75th NBA All-Star W...
13/02/2026
In-venue and creative video staffers at the professional and collegiate level have one major thing in common: the intensity and attention to detail ramps up dur...
13/02/2026
Teradek announces the launch of RF-X Auto Switcher, a revolutionary appliance designed to deliver flawless, uncompromised signal integrity for the world's m...
13/02/2026
Globecast and Synamedia announces that Pitch International (Pitch), the leading London-based sports marketing agency, has gone live with cloud-based distributi...
13/02/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
13/02/2026
Far from the action in the snow and on the ice, the team controls the production...
13/02/2026
The Daytona 500 is called The Super Bowl of Racing for a reason. Whether it's the culmination to five days of action on the track, the sheer size and scop...
13/02/2026
For the Milano Cortina Games, Olympic Broadcasting Services (OBS) is delivering more than 6,500 hours of content, with more than 900 hours of live action, sprea...
13/02/2026
After 24-year absence, NBC Sports returns to NBA All-Star Weekend with unique ca...
12/02/2026
Chyron unveils PRIME 5.3, the latest software release of the company's powerful engine for live production graphics. PRIME 5.3 delivers the first official i...
12/02/2026
The vendor's VP of Product Management explains how quality assurance, monito...