
Steve Thrap, Longtime Staples Center VP of Broadcast Ops and Beloved Industry Stalwart, Dies at 72 Visionary,' pioneer,' great friend' are some of the accolades from colleagues and friends By Jason Dachman, Editorial Director, U.S.
Thursday, May 9, 2024 - 11:00 am
Print This Story | Subscribe
Story Highlights
Steve Thrap, a 44-year veteran of the broadcasting industry who served nearly two decades as VP of broadcast operations at Staples Center in Los Angeles, died May 2 at the age of 72. Thrap, who spearheaded design of the broadcast infrastructure at the venue (now named Crypto.com Arena), was a beloved figure across the industry, from broadcasters and production crews to leagues and live-event organizers and beyond.
Steve Thrap in his signature Hawaiian shirt
Everyone at Cryto.com Arena and AEG was deeply saddened to hear the news of the passing of our friend and colleague Steve Thrap, says Lee Zeidman, president, Crypto.com Arena/Peacock Theater/L.A. LIVE. Steve was one of the first people we hired during the development of Staples Center in 1999; was a trusted, respected, and talented member of our senior-management team for more than 17 years; and is the namesake of the arena's Steve Thrap Broadcasting Center named in his honor when he retired.
During his 18 years at the iconic venue, Thrap was part of countless historic productions, including two NHL All-Star Games, three NBA All-Star Games, seven NBA Finals, and countless Primetime Emmy Award and Grammy Award Shows. During the mid 2000s, when both the San Antonio Spurs-Los Angeles Lakers rivalry and American Idol were at their peak, he oversaw multiple record-breaking broadcasts - notably, the NBA Western Conference Finals and the American Idol finale - on the same night.
Steve Thrap was the mayor of the Staples Center for all broadcast visitors, says Eddie Okuno, senior production operations specialist, ESPN. He welcomed everyone with open arms. From the truck drivers to the crew, everyone was gracefully welcomed, and he made sure everything worked within his facility. If we ran into an issue, he would stop by the truck craft-services table, grab a can of Coca-Cola and a handful of mini Kit-Kats, and say, Let's go figure this shit out.' A can-do attitude, a friendly comforting, and helpful friend to all who will miss him greatly. We were all lucky to have him in our lives.
Thrap played a lead role in configuring the entire broadcast network and patch room for Staples Center, as well as the broadcast capabilities of the surrounding L.A. Live complex, which opened in 2007. His leadership and experience ensured that both the venue and the entire campus were wired to allow easy connectivity and a multitude of broadcast opportunities.
His guidance and oversight during the creation and ultimate operation of our broadcast-services department led to this division becoming one of the jewels of our arena and one that other venues modeled their own departments after, says Zeidman. Steve's counsel and advice was valued by all of us here, not to mention colleagues throughout our industry and hundreds of cameramen, engineers, reporters, and news directors from every media outlet in our city and others across the U.S. and beyond.
Steve Thrap (left) and Crypto.com Arena President Lee Zeidman at the ceremony renaming the venue's Cable Termination Room in Thrap's honor.
Upon his retirement in 2017 and in recognition of his almost 20 years of service, the Cable Termination Room was dedicated in his honor and renamed The Steve Thrap Patch Room, established 1999.
Steve Thrap was a kindhearted professional with a crusty exterior, says Steve Hellmuth, former EVP, media operations and technology, NBA. Steve set up the finest fiber arena infrastructure for broadcasters in the industry, and Lee Zeidman appropriately dedicated the patch room in his honor. Steve delighted in solving technical problems - always on the this can be done side of the equation. A real friend to broadcasters and, I am proud to say, a friend of mine.
Born in New Mexico and reared in Southern California, Thrap began his career in the 1970s as a radio engineer with KLAC Los Angeles. When KLAC acquired the rights to the Los Angeles Lakers in the mid '70s, his career in sports got a kick-start. He moved on to RKO General and then to Westwood One, where he worked on the station's coverage of the Olympic Games. A freelance engineering stint followed, eventually leading Thrap back to the Lakers, as well as the Los Angeles Kings, and a tenure at The Forum, the venue that housed both teams until Staples Center opened in 1999.
Thrap was tapped to oversee plans for the broadcast infrastructure inside Staples Center when it was being built. He worked to ensure that television and radio would have their own dedicated facilities and that the gear in the Cable Termination Room - the patch room that has been dedicated to Thrap - was always operational, functional, and well-maintained. Over the years, he oversaw the transition of the arena's broadcast infrastructure to HD, installation of hundreds of thousands of feet of fiber, and, more recently, adoption of IP-based technology.
The Steve Thrap Patch Room at Crypto.com Arena was decorated with Hawaiian shirt and lei in Steve Thrap's memory.
Steve Thrap was a visionary facilities manager, says Chris Brown, VP, tech operations, TNT Sports. He truly understood how important the relationship between the venue and broadcast entities needed to be. As one of the first (if not the first) venues to become fiber-ready as the HD revolution began, the then-Staples Center led the way with ample connectivity as well as space for multiple broadcasters. Steve will always be remembered as that pioneer and, most important, as a great friend.
With a Lakers, Kings, or C
More from Sports Video Group
04/02/2026
The 11th-annual Summit will not only the unprecedented headwinds facing the business, but also the groundbreaking opportunities for the future....
04/02/2026
Just moments before the 2026 Grammy Awards kicked off, members of the event's audio team assembled for a group photo at the base of the stage inside Los Ang...
04/02/2026
At the Vienna Interdisciplinary Symposium on Aortic Repair (VISAR), Riedel Communications' Managed Technology Division delivered a turnkey technical infrast...
04/02/2026
The Mountain West Conference announces a new media rights package featuring CBS ...
04/02/2026
Earlier this week, the NFL announced it would play regular season games in Madrid, Paris, and Mexico City in 2026 as part of a nine-game international schedule,...
04/02/2026
Custom-built carts carry music speakers for Apple Music Super Bowl LX Halftime S...
04/02/2026
In an era of constrained spectrum, two tactics have emerged: work closely with regulatory bodies and utilize engineering chops
The Federal Communications Commi...
04/02/2026
Three examples of how wireless microphones are deployed to bring fans in deep and up close
Microphone manufacturers have myriad ways to put wireless to work fo...
04/02/2026
The mic manufacturer will join other suppliers in the new Rock Nashville production campus
Sennheiser is relocating its U.S. headquarters from its long-time lo...
03/02/2026
Tagboard, a modern, interactive graphics system for news, sports, and entertainm...
03/02/2026
Studio Network Solutions (SNS) announces the launch of Trio, a new S3-compatible cloud storage service fully integrated with EVO for media backup, archival, and...
03/02/2026
50 Production Trucks at center of 160 U.S.-based productions...
03/02/2026
Nielsen, which specializes in audience measurement, data, and media intelligence, announces that it is piloting a new methodology enhancement to more accurately...
03/02/2026
Appear's X Platform will be used by NBC Sports to deliver video compression, satellite modulation and transport stream aggregation for its production of the...
03/02/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, includ...
03/02/2026
NHL Network announces its comprehensive programming schedule for the upcoming Winter Olympic Games, underscoring the highly anticipated return of NHL players to...
03/02/2026
NBC Sports has chosen Canon to deliver 115 Canon UHD broadcast lenses for its production of the 2026 Winter Olympics and Paralympics. Canon will also send suppo...
03/02/2026
Audio-Technica equipment will be used by NBC Sports to deliver much of its audio capture requirements across all sporting venues for its production of the 2026 ...
03/02/2026
NBC Sports will use Cisco to deliver AI networking technology for its all-IP production of the 2026 Winter Olympics and Paralympics, including the deployment of...
03/02/2026
NBC Sports will utilize Chyron PRIME CG to produce live broadcast graphics to display names, athlete information, scores, statistics, leaderboards, headshots an...
03/02/2026
NBC Sports will utilize Grass Valley to deliver advanced signal conversion, rout...
03/02/2026
NBC Sports will utilize Planar to deliver leading-edge fine pixel pitch LED video wall technology for its production of the 2026 Winter Olympics and Paralympics...
03/02/2026
Taking place in two venues, the 2026 production celebrates the 150th Anniversary of the Super Bowl of Dogs'
When the Westminster Kennel Club Dog Show conc...
03/02/2026
For the indoor production, NEP Specialty Capture has mounted a 100-ft. overhead ...
03/02/2026
MTVG Edge, the production-services supplier's software-based production solu...
03/02/2026
In the league's second year, new partnerships enhance broadcast quality for ...
03/02/2026
Rocket Surgery will showcase the combined creative strength of Ross Video, with ...
03/02/2026
NBC Sports will utilize Sony Electronics to deliver imaging, monitoring, and tec...
03/02/2026
SMT will provide TVI (broadcast television interface) support services for figur...
23/01/2026
WWE's Virtual Production Playbook: How the Professional Wrestling Super Powe...
23/01/2026
Tight set up: Squeezing the PSA's Tournament of Champions into Grand Central...
23/01/2026
Evolving production: The PSA on bringing squash to more viewers at the Tournamen...
23/01/2026
AFC Championship Preview: Behind the Scenes With NFL on CBS' Producer Jim R...
23/01/2026
NFC Championship Preview: FOX Sports Director Rich Russo Talks Technology, Story...
22/01/2026
SVG Students To Watch: Chuck Luarasi, Curry CollegeThe Massachusetts native is cutting his teeth with Harvard Athletics, Cape Cod Baseball LeagueBy Brandon Cost...
22/01/2026
Follow the Money, Episode 4: Talking Tech, Sports, and Private Capital With Sam ...
22/01/2026
Fever pitch: WRC is back for the start of the 2026 season with Rallye Monte-Carl...
22/01/2026
FloSports Prepares To Broadcast Outdoor Hockey Game Amidst Brutally Cold Tempera...
22/01/2026
As Paramount Enters the Octagon, UFC's Craig Borsari Previews Production Pl...
20/01/2026
SVG Sit-Down: BitFire's Jim Akimchuk on the Future of Cloud, Remote, Softwar...
20/01/2026
From architecture to reality: What CBC's Milano Cortina 2026 workflows tell ...
20/01/2026
Milano Cortina 2026: Making the Winter Olympics and Paralympics workflow work fo...
20/01/2026
Countdown to Milano Cortina 2026: SVG Launches SportsTechLive Blog in Lead-up to...
20/01/2026
Grand finale: Rally Saudi Arabia pushes WRC to make the most of cameras and dron...
20/01/2026
State of Change: What's Happening in the Remote-Production Business?NEP Group, Game Creek Video, Dome Productions, Mobile TV Group, Program Productions exec...
20/01/2026
CFP National Championship 2026: A Look Back at SVG's Complete CoverageGo behind the scenes with ESPN, Game Creek Video, Van Wagner, and the champion Indiana...
19/01/2026
CFP National Championship 2026: Indiana Football's Digital Crew Generate Hyp...
19/01/2026
CFP National Championship 2026: Van Wagner Relies on Experience for Indiana-Miam...
19/01/2026
CFP National Championship 2026: Game Creek Video Fields Premiere IP Compound for...
19/01/2026
CFP National Championship 2026: For a Slew of Studio Shows, ESPN Turns Hard Rock...