
VariCam puree: Panasonic and Codex come together to offer a unique capture system La nueva propuesta de Panasonic graba se ales RAW puras sin comprimir a hasta 120 fps en el dispositivo Codex Capture Drive 2.0.
Panasonic ha presentado en IBC 2016 una nueva versi n de la VariCam 35 adaptada a las necesidades cinematogr ficas, que incluye un grabador desarrollado conjuntamente con Codex, capaz de capturar RAW 4K sin comprimir.
La VariCam Pure es la ltima incorporaci n a la familia de productos cinematogr ficos profesionales de Panasonic, una iniciativa que ha surgido de la colaboraci n con Codex. En este nuevo dispositivo se combina el cabezal de la VariCam 35 actual con el nuevo grabador CodexV-RAW 2.0, ideal para series y cine.
El grabador V-RAW 2.0 se instala directamente en la parte posterior del cabezal de la c mara VariCam 35. La c mara conserva, por tanto, el mismo sensor S per 35, m s de 14 paradas de latitud y la opci n de grabaci n ISO nativa dual, como la VariCam 35 original.
Luc Bara, responsable de producto de Panasonic, destaca que el nuevo sistema de c mara VariCam Pure graba se ales RAW puras sin comprimir a hasta 120 fps en el dispositivo Codex Capture Drive 2.0 est ndar del sector, ampliamente usado por muchos sistemas de c mara, instalaciones de postedici n y estudios. Existe una importante demanda de grabaciones RAW sin comprimir en el mercado de productos de gama alta. El concepto modular de la VariCam nos ha permitido responder a esta demanda .
Tambi n nos hemos hecho eco de los comentarios de los cineastas y operadores de c mara y nos hemos asegurado de que la VariCam Pure sea una c mara resistente, compacta y ligera, que solo pesa cinco kilos , a ade.
Codex proporcionar los dailies m s eficientes y el flujo de trabajo de archivo disponible en toda su suite de producci n. Asimismo, el sistema Codex Virtual File permite a los usuarios transferir muchos formatos de archivos, incluidos Panasonic VRAW, Apple ProRes y Avid DNxHR.
El uso de la soluci n Codex Capture Drive permite un flujo de trabajo fiable desde la captura digital hasta la postproducci n. Junto con el negativo original de la c mara, tambi n se pueden capturar metadatos de precisi n de fotograma (como objetivos y datos CDL), y simplificar as las tareas de producci n y postproducci n, as como obtener ahorros de tiempo y de costes.
La comercializaci n del grabador V-RAW 2.0 para la Varicam Pure est prevista para finales de este a o.
Access to the special IBC 2016 in Panorama Audiovisual
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