
Thomas Bostr m J rgensen, CEO, Appear, queries whether broadcasters should go all in on the next generation, or maintain focus on their declining pool of traditional TV viewers
By Contributor
Published: September 29, 2022
Thomas Bostr m J rgensen, CEO, Appear, queries whether broadcasters should go all in on the next generation, or maintain focus on their declining pool of traditional TV viewers
target=_blank title=Share on LinkedIn class=share-linkedin>
Broadband has sparked a revolution across the entire content production and broadcasting value chain, enabling new ways to create, contribute and distribute content. With added flexibility, IP offers broadcasters and content producers the potential for massive cost savings. This is not, however, to say that IP as we know is a silver bullet that will solve all problems with traditional' content contribution and distribution. There are significant considerations to take into account on both a technical front, and with regards to meeting customer expectations. Leaning too far into IP-based offerings runs the risk of alienating a core customer base for many broadcasters, those legacy customers still using linear TV services, but by not developing next-generation OTT offerings there's a significant risk of being left behind the curve and missing the market's next shift. But what is the balance here? And why is customer expectation shifting?
Earlier this year we conducted a survey of players from across the broadcast industry to understand more about the technology areas and developments that would impact them in the year ahead. Of those that answered, 66 per cent believed that streaming services will slightly or rapidly grow, and traditional pay-TV services will decline-a lot or somewhat. For sport, 64 per cent think live streaming of sports and other events will be a similar or better experience to satellite or cable broadcasts of these events.
Two of the most impactful results of the broadband effect , how broadcasting has changed in response to the broadband revolution, are the ways that it has changed OTT and the resulting shift in consumer expectation. OTT, in particular, has rapidly moved from a niche content distribution method to one of the primary distribution methods that broadcasters use today, in order to be able to bring more content to more viewers.
When we think about traditional content distribution, we typically think about content distributed through linear channels in very controlled environments, with equipment designed for that purpose. Though restart and PVR mechanisms do exist for non-OTT services, they aren't capable of providing enhanced experiences that customers have come to expect. Broadband has, however, blown the doors open on this, with remote production teams now able to broadcast content from virtually anywhere that has a fibre connection, and in the future, anywhere with mobile signal, thanks to developments in 5G technology. However, our respondents feel the ability to use 5G for live transmissions of primary content is some way off, with the majority (55 per cent) of respondents saying that 5G networks will have low impact on contribution in the next 12 months.
That being said, OTT's growing popularity is a direct result of a shift in viewer demand to enjoy content on-demand. In days gone by, watching TV was very much a passive experience dictated by broadcasters, who aired content at set times, meaning viewers were very much limited in choice. But the likes of Netflix, Amazon Prime, Disney Plus and others have disrupted the status quo, and today, viewers have much more control in terms of the content they watch and when. There is an ever- growing demand for choice, and viewers want to decide what they watch and when they watch it, completely of their own volition.
Though this demand is very real, and predicted to grow in future years as OTT offerings are the default for many younger viewers, there is still a sizable chunk of broadcasters' customer bases that prefer traditional services. This creates a problem for broadcasters, do they go all in on the next generation, or do they maintain focus on their declining pool of traditional TV viewers? Well, almost paradoxically the answer is both and neither. The way that broadcasters can keep customers happy both today and in future is to negotiate a balance between these two priorities, the exact way this is done depends very much on the demographic of your audience. Some regions or countries may have particularly strong fibre networks, encouraging more of a forward shift, while others may have a particularly dedicated satellite audience which will require a much gentler approach.
In either situation, from a practical standpoint what broadcasters need is flexibility. While hybrid models that incorporate both IP and satellite, cable or terrestrial are likely to dominate for some time to come, in order to make the most of the technology available, flexibility will need to be built into the value chain. With this in place, broadcasters will be able to meet the changing demands of their customers with on-demand content and dynamic viewing experiences.
An important point to grasp for broadcasters is to not just give customers what they want but to understand why they want it. Sports, for example, are one domain where satellite is still the preferred consumption method for many audiences. One key factor for customers is latency, in a die-hard football town, it's no fun hearing your neighbour shout excitedly 30 seconds before you see the goal and spoil the anticipation. Customers also want to be able to view sports on all kinds of devices, in all kinds of network situations, at a quality of experience that is comparable to, or better than, what they are used to. It's in understanding these cases that broadcasters can i
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/11/2026
Mix Analysis, improved Render window & new bundled instrument
The free version of Tracktion's DAW software has recently received an update that introduc...
07/11/2026
The National Film and Video Foundation (NFVF) is a statutory body established to promote and develop the South African film and video industry, including animat...
07/11/2026
NEW YORK - November 5, 2026 - An estimated 31.2 million people watched primetime coverage of the 2026 U.S. midterm elections on Tuesday, November 3, according t...
07/11/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/11/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/11/2026
COW Jobs: Production Manager - Las Cruces, NM
Brie Clayton November 6, 2026
0 Comments
Production Manager
November 5, 2026COW Jobs: Faith-Based UGC ...
06/11/2026
It's been a big week in Australia horse racing as the Victoria Racing Club (...
06/11/2026
Additional gear includes a second, outside drone; a second slo-mo unit; and a wi...
06/11/2026
The University of Alabama has installed a new Daktronics display system at Coleman Coliseum in Tuscaloosa. It includes a 360-degree centerhung with four underbe...
06/11/2026
NEP Americas, part of NEP Group, has expanded its remote production offering with new IP-based flypack production kits deployed from the U.S. and available to c...
06/11/2026
Telestream has appointed Joseph Hopkins Chief Revenue Officer. He has more than two decades of executive experience in media technology. In the role, he will fo...
06/11/2026
In-venue and creative video staffers at the professional and collegiate level ha...
06/11/2026
It's been nearly two years since MLS Productions made the move to WWE's ...
06/11/2026
All 30 clubs take the field Saturday, and every camera, graphic, and feed runs t...
06/11/2026
Latest official Oberheim collaboration arrives
Following on from the launch of their new and improved website, GForce Software have released their latest of...
06/11/2026
Pro Tools Extensions, MPE support & more
Avid have just released Pro Tools 2026.11, which introduces built-in stem separation, a new Extensions format that ...
06/11/2026
Interface range can now run captures on internal DSP
Heritage Audio have just launched a firmware update that makes it possible for their i73 Pro audio inte...
06/11/2026
SMALL TOWN. BIG DREAMS. ABSOLUTE MAYHEM. The crown is up for grabs in bold new S...
06/11/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/11/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/11/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/11/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/11/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/11/2026
Maxon Expands Creative Possibilities with New Touch and Spatial Experiences in Cinema 4D and ZBrush for Apple Products New capabilities let artists interact wi...
06/11/2026
Big Daddy Kane to Be Inducted Into Berklee's Hip-Hop Hall of Fame The Grammy-winning emcee joins an iconic roster of inductees in an event that features s...
06/11/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/11/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/11/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/11/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/11/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/11/2026
Black Friday Deals from Flanders Scientific, Inc - An Atomos Company
Brie Clayton November 5, 2026
0 Comments
Purchase any FSI monitor between now and...
06/11/2026
COW Jobs: Faith-Based UGC Video Creator - Remote
Brie Clayton November 5, 2026
0 Comments
Faith-Based UGC Video Creator (Remote, Part-Time)
November...
06/11/2026
Friday 6 November 2026
That's Christmas Sorted: Sky brings entertainment ic...
06/11/2026
Fox Corporation Completes Acquisition of Roku FOX Is Now One of the Leading Streaming Businesses in the U.S., Inclusive of Roku, Tubi and FOX One
Roku's...
06/11/2026
18-20 November
Hall 6, stand #6413 (Restar Communications)
Come and see us in Tokyo at InterBEE 2026, where you will find us with our partner Restar Communica...
06/11/2026
Discover a week of themed programming and content across RT 's services
Documentaries | Kids | Podcasts | Ireland's city of the future | More
Includes...
06/11/2026
A year ago, NVIDIA open sourced its Aerial wireless software, joining Sionna and...
05/11/2026
The Chicago native has emerged as a leader at Marquette's student-run production operation, directing broadcasts, mentoring peers, and building toward a car...
05/11/2026
Sky Sports will broadcast the inaugural 2026 and 2027 seasons of the women's TGL (WTGL) exclusively in the UK, as part of an expansion of its golf rights th...
05/11/2026
CP Communications worked with Gravity Media to bring Gravity's SMARThead rob...
05/11/2026
Gravity Media developed a remote production solution for Beyond Productions'...
05/11/2026
Canon U.S.A. has announced a firmware update for its Cinema EOS cameras, includi...
05/11/2026
Canon Inc. is celebrating the 15th anniversary of the Cinema EOS System this month, Canon U.S.A. announced. Launched in 2011 for professional video production, ...
05/11/2026
Canon U.S.A. has announced new Cinema EOS Lens Kits and an EOS C50 Videographer Kit. Sales are scheduled to begin in mid-November 2026.
The lens kits pair the ...
05/11/2026
Dick Stockton's broadcasting career was marked by longevity, versatility, an...
05/11/2026
The United Football League Draft is set to take place at Ball Park Village in St. Louis on beginning on November 18 and the UFL today announced that players fro...
05/11/2026
Most compact Qu-series consoles to date
Allen & Heath have just revealed two new additions to their Qu digital mixer line-up, the Qu-3 and Qu-3D. The new ar...
05/11/2026
We take a look at the first touchscreen-equipped Mac Peter Gabriel once sang: I have the touch. Now we all do. The new MacBook Pro with PROLED XDR Display b...
05/11/2026
SGL Carbon's consolidated sales in the first nine months of 2026 totaled 59...