
Thomas Bostr m J rgensen, CEO, Appear, queries whether broadcasters should go all in on the next generation, or maintain focus on their declining pool of traditional TV viewers
By Contributor
Published: September 29, 2022
Thomas Bostr m J rgensen, CEO, Appear, queries whether broadcasters should go all in on the next generation, or maintain focus on their declining pool of traditional TV viewers
target=_blank title=Share on LinkedIn class=share-linkedin>
Broadband has sparked a revolution across the entire content production and broadcasting value chain, enabling new ways to create, contribute and distribute content. With added flexibility, IP offers broadcasters and content producers the potential for massive cost savings. This is not, however, to say that IP as we know is a silver bullet that will solve all problems with traditional' content contribution and distribution. There are significant considerations to take into account on both a technical front, and with regards to meeting customer expectations. Leaning too far into IP-based offerings runs the risk of alienating a core customer base for many broadcasters, those legacy customers still using linear TV services, but by not developing next-generation OTT offerings there's a significant risk of being left behind the curve and missing the market's next shift. But what is the balance here? And why is customer expectation shifting?
Earlier this year we conducted a survey of players from across the broadcast industry to understand more about the technology areas and developments that would impact them in the year ahead. Of those that answered, 66 per cent believed that streaming services will slightly or rapidly grow, and traditional pay-TV services will decline-a lot or somewhat. For sport, 64 per cent think live streaming of sports and other events will be a similar or better experience to satellite or cable broadcasts of these events.
Two of the most impactful results of the broadband effect , how broadcasting has changed in response to the broadband revolution, are the ways that it has changed OTT and the resulting shift in consumer expectation. OTT, in particular, has rapidly moved from a niche content distribution method to one of the primary distribution methods that broadcasters use today, in order to be able to bring more content to more viewers.
When we think about traditional content distribution, we typically think about content distributed through linear channels in very controlled environments, with equipment designed for that purpose. Though restart and PVR mechanisms do exist for non-OTT services, they aren't capable of providing enhanced experiences that customers have come to expect. Broadband has, however, blown the doors open on this, with remote production teams now able to broadcast content from virtually anywhere that has a fibre connection, and in the future, anywhere with mobile signal, thanks to developments in 5G technology. However, our respondents feel the ability to use 5G for live transmissions of primary content is some way off, with the majority (55 per cent) of respondents saying that 5G networks will have low impact on contribution in the next 12 months.
That being said, OTT's growing popularity is a direct result of a shift in viewer demand to enjoy content on-demand. In days gone by, watching TV was very much a passive experience dictated by broadcasters, who aired content at set times, meaning viewers were very much limited in choice. But the likes of Netflix, Amazon Prime, Disney Plus and others have disrupted the status quo, and today, viewers have much more control in terms of the content they watch and when. There is an ever- growing demand for choice, and viewers want to decide what they watch and when they watch it, completely of their own volition.
Though this demand is very real, and predicted to grow in future years as OTT offerings are the default for many younger viewers, there is still a sizable chunk of broadcasters' customer bases that prefer traditional services. This creates a problem for broadcasters, do they go all in on the next generation, or do they maintain focus on their declining pool of traditional TV viewers? Well, almost paradoxically the answer is both and neither. The way that broadcasters can keep customers happy both today and in future is to negotiate a balance between these two priorities, the exact way this is done depends very much on the demographic of your audience. Some regions or countries may have particularly strong fibre networks, encouraging more of a forward shift, while others may have a particularly dedicated satellite audience which will require a much gentler approach.
In either situation, from a practical standpoint what broadcasters need is flexibility. While hybrid models that incorporate both IP and satellite, cable or terrestrial are likely to dominate for some time to come, in order to make the most of the technology available, flexibility will need to be built into the value chain. With this in place, broadcasters will be able to meet the changing demands of their customers with on-demand content and dynamic viewing experiences.
An important point to grasp for broadcasters is to not just give customers what they want but to understand why they want it. Sports, for example, are one domain where satellite is still the preferred consumption method for many audiences. One key factor for customers is latency, in a die-hard football town, it's no fun hearing your neighbour shout excitedly 30 seconds before you see the goal and spoil the anticipation. Customers also want to be able to view sports on all kinds of devices, in all kinds of network situations, at a quality of experience that is comparable to, or better than, what they are used to. It's in understanding these cases that broadcasters can i
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
01/05/2025
WASHINGTON The Corporation for Public Broadcasting has filed a lawsuit to stop the Trump administration from firing three of its board members, claiming the pre...
01/05/2025
HONG KONG Riedel Communications today said it has opened a new office in Hong Kong, enhancing its presence in the Asia-Pacific region....
01/05/2025
MUMBAI, India & BALTIMORE In a development that could advance efforts to bring NextGen TV to cellphones, FreeStream Technologies, Lava International and HMD hav...
01/05/2025
01 05 2025 - Media release Screen Australia empowers 100 distinctive Australian narratives
All The Boys Are Here writer/director Goran Stolevski and It s All...
01/05/2025
How PFX Delivered 750 VFX Shots in Just Four Months For Anthony Hopkins Thriller...
01/05/2025
Careline's New Wave Makeup Commercial Shot With URSA Cine 12K LF
Brie Clayton May 1, 2025
0 Comments
CAD Studios relies on large format, full fram...
30/04/2025
Film elements held at the Deluxe warehouse in March of 2015. Photo by Luis Silva...
30/04/2025
EA SPORTS FC 25 fans in Australia and Saudi Arabia, get ready to immerse yourselves in the beautiful game like never before. Spotify is excited to announce a n...
30/04/2025
The past year has been nothing short of a whirlwind for Tucker Wetmore. After th...
30/04/2025
Mexico's love for podcasts is no longer a trend-it's a lifestyle. With m...
30/04/2025
Slam poet Huda the Goddess wins 2025 Les Murray Award
30 April, 2025
Media releases
Australia for UNHCR and SBS are proud to announce that Huda Fadlelmawla...
30/04/2025
SBS, NITV and NIDA partner to empower the next generation of screen creatives
30 April, 2025
Media releases
SBS, National Indigenous Television (NITV) and ...
30/04/2025
By Joyce JC Cataldo
The media and entertainment industry is evolving faster than ever. Technology is shifting the way we create, distribute, and experience c...
30/04/2025
An image of Valencia, Spain, in the OneAtlas Living Library...
30/04/2025
NEWPORT BEACH, Calif. WPSD-TV, the NBC affiliate in Paducah, Ky., has selected Bitcentral's Central Control playout system to upgrade the station's mast...
30/04/2025
AMSTERDAM Zero Density, a global provider of virtual studio productions and on-air graphics, has appointed Baris Zavaroglu as its new CEO. Zavaroglu succeeds Of...
30/04/2025
The Avit Group, a forward-thinking audio-visual technology company, is bringing over 50 years of combined experience in delivering audio-visual design and insta...
30/04/2025
NXTGENbps will be showcasing its latest sustainable battery power solutions at this year's Media Production & Technology Show (MPTS), appearing alongside pa...
30/04/2025
Van Dyke skates and operates on Shoresy | photo by Dave Ferguson
Toronto-based Cinematographer Brett Van Dyke (Heartland, Jann, Carter) stepped into the rink...
30/04/2025
Leading provider of media playout solutions PlayBox Neo will exhibit a vast array of significant upgrades to its range of smart media innovations at CABSAT from...
30/04/2025
ITV Studios is renowned for its award-winning productions, including the reality TV phenomenon I'm a Celebrity Get Me Out of Here! Produced by Lifted Ente...
30/04/2025
The UK's presence at this year's CABSAT brings together 20 innovative companies under the GREAT Britain and Northern Ireland banner. From advanced infra...
30/04/2025
Lightware continues to strengthen its Environmental, Social, and Governance (ESG) initiatives by fostering diversity, inclusion, and community engagement within...
30/04/2025
LiveU is demonstrating for the first time in the UK, its revolutionary technological breakthrough in IP-video transport, LiveU IQ (LIQ ) and bringing its expand...
30/04/2025
Stand: A40
Calrec has been putting sound in the picture for more than six decades and is still pushing the boundaries of audio broadcasting with a full range o...
30/04/2025
Buckinghamshire New University (BNU) has opened its new virtual production studio, designed and integrated by CJP Broadcast. The installation equips students wi...
30/04/2025
Independent news producer in India focuses on delivering stories
nxtedition has supplied a complete newsroom system to Collective Newsroom, based in New Delhi,...
30/04/2025
Connecting the present, building the future
FOR-A, a cutting-edge video broadcast technology company backed by more than 50 years experience, will showcase it...
30/04/2025
DAD by NTP Technology reports a successful NAB Show in Las Vegas where the company focused on upcoming expansion options in development for its Thunder | Core a...
30/04/2025
CVP and Canon UK & Ireland are proud to announce the winning projects from the third annual Stories in Motion Young Filmmakers Awards, which took place on the e...
30/04/2025
Leading video software provider, Synamedia, today announced that beIN MEDIA GROUP ( beIN'), one of the foremost global sports and entertainment broadcasters...
30/04/2025
The Canadian Premier League (CPL) today launched a new-look website and app, offering supporters of Canada's men's domestic professional soccer league a...
30/04/2025
WASHINGTON In a wide-ranging press conference, Federal Communications Commission Chair Brendan Carr had both good and bad news for broadcasters, stressing that ...
30/04/2025
TORONTO Cignal TV is relying on Quickplay's Shorts tool for its recently launched Pilipinas Live Shorts service, available to millions of users of Pilipinas...
30/04/2025
NEW YORK Steve Lanzano will retire as president and CEO of the Television Bureau of Advertising at year-end, the group said....
30/04/2025
The news production tech provider nxtedition is reporting that it supplied a complete newsroom system to Collective Newsroom, an independent news producer based...
30/04/2025
NEW YORK As part of a major push to advance the role that artificial intelligence (AI) plays in the advertising industry, the Interactive Advertising Bureau has...
30/04/2025
Uzbekistan Airways is the latest airline to choose SES's network, while Thai...
30/04/2025
Loaded Uses Blackmagic Design for shroud Subathon Live Streams
Brie Clayton April 29, 2025
0 Comments
Blackmagic Studio Cameras and Micro Studio Camer...
30/04/2025
Help shape the future of video creator tools with MIDiA
Brie Clayton April 29, 2025
0 Comments
After a successful debut in 2024, MIDiA is calling once...
30/04/2025
Tania Le n and Kelli O'Hara to be Honored at Boston Conservatory at Berklee&...
30/04/2025
Andr 3000 and Sara Bareilles to Receive Honorary Doctorates at Berklee College ...
30/04/2025
Damien Molony will head back to Jersey for a second series of Bergerac, written by Toby Whithouse alongside Ashley Sanders, Emilie Robson and Faebian Averies
D...
30/04/2025
Advancing multi-domain EW operations: Rohde & Schwarz unveils latest innovations...
30/04/2025
Rohde & Schwarz pioneers the future of automotive Ethernet using Analog Devices&...
30/04/2025
Wuppertal April 30, 2025
Riedel Communications Expands Asia-Pacific Presence with New Office in Hong KongRiedel Communications, a global leader in real-time v...
30/04/2025
Back to All News
Mad Unicorn' Trailer Reveals a Riveting Rags-to-Riches Sa...
30/04/2025
Back to All News
Get Ready to Get Wild: Netflix Announces Mating Season, a New ...
30/04/2025
SAN JOSE, Calif. - April 30, 2025 - Harmonic (NASDAQ: HLIT) today announced that...