
Ang Lee reinvents the 3D as we had never seen him so far El estreno de un avance de la nueva pel cula Billy Lynn's Long Halftime Walk' en IBC 2016 proyectado con Mirage 4KLH de Christie en 3D 4K a 120 fps marcar , sin duda, un antes y un despu s en la concepci n que hasta ahora tenemos de la estereoscop a.
Esta semana, el director de cine Ang Lee ha causado sensaci n y ha hecho historia en IBC 2016 al estrenar algunos clips de su ltima pel cula Billy Lynns Long Halftime Walk en 3D 4K a 120 fps con un un brillo de 28 pies lambert por ojo.
Chosen for this first projector was the Mirage 4KLH of Christie, el nico del mundo capaz de mostrar la pel cula de Ang Lee tal y como ste la concibi , seg n destac el director del IBC Big Screen Experience, Julian Pinn, en la presentaci n de la proyecci n.
The brightest projector on the market
El Christie Mirage 4KLH con sus 120.000 l menes es en la actualidad el proyector m s brillante del mercado. La resoluci n y alta frecuencia de imagen de este modelo son producto de la inversi n de Christie en el desarrollo de su plataforma TruLife, que cuenta con una arquitectura de punto flotante de 1.2 gigap xeles con la que es posible simultanear la alta resoluci n y la alta frecuencia de im genes. La iluminaci n l ser del Mirage 4KLH hizo el resto.
En cuanto al audio, el sistema Dolby Atmos complement la proyecci n l ser para lograr un ambiente totalmente inmersivo.
The director of The life of Pi o Brokeback Mountain destac minutos antes de la proyecci n del avance de su ltima pel cula que siempre ha pretendido sacar el m ximo partido a la tecnolog a para ponerla al servicio de la narraci n. Aunque inicialmente el rodaje se plante a 60 fps finalmente Lee apost por dar un paso m s all y alcanzar los 120 fps, en 4K estereosc pico.
El resultado de lo que pudimos ver en el RAI Center de msterdam fue realmente espectacular. No solo por el brillo de la pantalla que atrapaba al espectador meti ndole en la escena sino tambi n por contar por fin con un sistema estereosc pico donde es posible olvidarse de las gafas y las molestias habituales en la visi n del 3D conocido hasta ahora.
Al frente de la producci n tecnol gica de mano de Sony Pictures estuvo Scott Barbour, qui n opt por rodar con c maras F65 de Sony utilizando obturadores de 360 que permit an capturar hasta el m nimo detalle en formato RAW.
The use of the Trumotion technology of RealD (que parte de dos polarizadores, uno en el proyector y el otro en las gafas) permitir adem s que Billy Lynns Long Halftime Walk pueda proyectarse tras su estreno el pr ximo noviembre en 24, 60 y 120 fps tanto en resoluci n 2K como 4K en 2D o 3D.
Sin duda alguna, Ang Lee y los proyectores Christie Mirage 4KLH han abierto una nueva era en el cine mostr ndonos un 3D desconocido hasta la fecha con una sensaci n totalmente inmersiva que deja al cine totalmente desnudo. ste es precisamente un aspecto sobre el que reflexionar ya que es tal el realismo que por vez primera el cine se asemeja al teatro y, claro, pocos son los actores de la gran pantalla capaces de aguantar el tipo sobre las tablas
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