Light Iron senior colorist Nick Hasson details the color workflow for Yes Day
data-src=https://creativecow.net/wp-content/uploads/avatars/263018/5fa08c562aaf4-bpthumb.jpg data-srcset=https://creativecow.net/wp-content/uploads/avatars/263018/5fa08c561c0e7-bpfull.jpg 2x class=lazyload avatar avatar-80 photo height=80 width=80 />
Brie Clayton April 14, 2021
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Directed by Miguel Arteta and shot by Terry Stacey, ASC, the Netflix original feature Yes Day tells the story of a family of five - parents Allison and Carlos Torres (Jennifer Garner and Edgar Ram rez, respectively), and their kids Katie (Jenna Ortega), Nando (Julian Lerner) and Ellie (Everly Carganilla) - who commit to a single day of saying yes to whatever ideas the kids concoct.
Light Iron provided dailies, final color and finishing services for the production. During prep, Terry came in with some test footage and we decided on the look of the show, which we wanted to have a warm and soft color palette, explains Light Iron senior colorist Nick Hasson. We made LUTs in HDR and in SDR. We did not want the HDR to be distracting or too bright, so we kept things light and airy.
data-src=https://gcs.creativecow.net/wp-content/uploads/2021/04/14183715/ParentTrap1200-1024x512.jpg alt= class=lazyload wp-image-2408051 data-srcset=https://gcs.creativecow.net/wp-content/uploads/2021/04/14183715/ParentTrap1200-1024x512.jpg 1024w, https://gcs.creativecow.net/wp-content/uploads/2021/04/14183715/ParentTrap1200-300x150.jpg 300w, https://gcs.creativecow.net/wp-content/uploads/2021/04/14183715/ParentTrap1200-768x384.jpg 768w, https://gcs.creativecow.net/wp-content/uploads/2021/04/14183715/ParentTrap1200-624x312.jpg 624w, https://gcs.creativecow.net/wp-content/uploads/2021/04/14183715/ParentTrap1200-50x25.jpg 50w, https://gcs.creativecow.net/wp-content/uploads/2021/04/14183715/ParentTrap1200-100x50.jpg 100w, https://gcs.creativecow.net/wp-content/uploads/2021/04/14183715/ParentTrap1200.jpg 1200w data-sizes=(max-width: 1024px) 100vw, 1024px /> The show finished shooting a few weeks before the Covid-19 shutdown, so when it came time for finishing, we were 100-percent remote, Hasson adds. Terry shoots beautifully, and we had set up the look already, so there was not a lot of guesswork in the DI. We knew the look of the dailies was the look of the final show.
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Light Iron senior colorist Nick Hasson details the color workflow for Yes Day 
