Cinematographer Pawel Pogorzelski and writer-director Ari Aster began their long-running collaboration when they were both students at the American Film Institute. After making a string of shorts together, they teamed on the lauded horror features Hereditary and Midsommar, which in turn paved the way for their latest collaboration, the feature Beau Is Afraid. The movie, Pogorzelski says, is a beautiful, epic story. It's Homer's Odyssey in the 21st century.
Beau Is Afraid follows the eponymous Beau Wassermann (Joaquin Phoenix) as he sets off to visit his mother a journey that immediately veers off course, sending him down a twisted, darkly comedic detour through the horrors of the modern world. Pogorzelski and Aster began discussing the project well in advance of principal photography, and they enlisted the camera team some six months before production commenced. Additionally, as they had done on their previous feature collaborations, they again worked with Brian Mills, a member of the Special Optics team at Panavision Woodland Hills, to assemble an optics package that would match Aster's singular vision for the story.
In the lead-up to the movie's release, Pogorzelski, Mills, and 1st AC Dany Racine reflected on the creative partnerships that helped guide Beau Is Afraid from its director's imagination to the big screen.
Cinematographer Pawel Pogorzelski.
Panavision: Pawel, when you and Ari first talk about a project, does the look start to take form right away?
Pawel Pogorzelski: Ari is very prepared and has a very clear vision. We'll watch a couple movies and send references. He very much knows what he wants, and I have to deliver. What makes me happy is when I show him a test during prep and he says, This is what I wanted but even more.' Then, Im able to push that in the direction.
Dany, how did you become involved in this project?
Dany Racine: This was my first collaboration with Pawel. I heard that Ari was coming to Montreal for his next movie, and I had seen his work with Pawel, so I got in touch with Pawel right away and I made sure I stayed available. I really wanted to do this project.
When you and Pawel first spoke, how did he describe the project?
Racine: Well, he has this very close relationship with Ari, so he spoke about the last projects they made together, and he said that Ari likes to work very closely with the camera department. Really soon after that, he brought Ari into a meeting so we could all chat together about the project myself, the camera operator, Ari and Pawel. We talked about everything: the needs, the challenges, the budget, the actors. That was about six months before we started shooting, so everybody was included very early in the process.
It was very important to Pawel that Ari knew the core of the camera department and would be well surrounded. He needed to make sure that Ari felt comfortable about how we were going to work and be involved in the project. And that was very exciting. There was the camera operator, Geoffroy St-Hilaires, and the second AC, Soupharak Keoborakoth. The three of us were pretty much always in the room with Ari and Joaquin, just living that moment, tight around the camera.
Joaquin Phoenix and director Ari Aster.
Pawel, when it's time to start choosing your lenses, how do you kick things off with Brian?
Pogorzelski: I send the references from Ari over to Brian, and he'll tell me, It's probably going to be these lenses,' but I'll still go and test everything. We'll watch the tests on the big screen here at Panavision, with the director, and then choose which we like best. From there, I say to Brian, Okay, now we have a foundation. How do we push that?'
Brian Mills: From the initial conversation when Pawels sending me references, I'll dig into the vast inventory of our lenses to find that starting point of what might fit the bill. What camera is he planning to shoot on, what era were the lenses built in, what's the close focus, what intrinsic qualities are contained in the lenses? The obvious question to start with is spherical or anamorphic, and from there, we'll narrow it down to a couple series, and Pawel will test to see what jumps out at him.
During that process, we'll also talk about the story. In the case of Beau Is Afraid, there was a lot of talk about how Beau is an insulated character, and that pointed us in the direction we wanted to go. After the initial test, thats when well discuss the possibilities within the lenses that hes chosen to see how we might be able to tailor them to the picture.
For Beau Is Afraid, what drew you toward the Panaspeeds?
Mills: Part of it was format. Pawel was planning to shoot Alexa LF, so we were looking at lenses that would cover large format. Also the speed of the lenses, close focus, usability, and our ability to customize within that series. We've done this process a few times now, and I think it tends to scream at Pawel when he sees the right one. He's never tentative about it. When he sees it, he says, Thats it, right there.' Then we'll start tailoring the lenses to Pawel's liking, and over the course of a few days we'll narrow down exactly the feeling hes trying to evoke from the lenses.
Pogorzelski: Aris very involved with this. His first experience with this was on Hereditary, and now, this is just how we make movies. Hes so visual, and he has a really great sense of taste and knows how his movie will look in the end. I can ask him, What do you think of this direction?' And hell be like, I think it could be a bit softer,' or Can we get the colors to pop more?' It's a collaboration, and Brian's taste also goes into the lenses. He knows he has to push it.
Mills: For Pawel, more is always better than less. Well go extreme and then pull it back
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
19/08/2026
As the cost of IP nears price parity with traditional SDI, Reynolds argues that ...
19/08/2026
A private 5G bubble was chosen instead of traditional broadcast RF for the race ...
19/08/2026
(L-R) Rafael Manuel and Isabel Sicat attend the Filipi ana premiere during the 2026 Sundance Film Festival at The Ray Theatre on January 23, 2026, in Park Cit...
19/08/2026
Studio owners invited to have their say on rates cuts
The Music Producers Guild (MPG) are inviting UK-based studios to take part in an in-depth survey that ...
19/08/2026
Vintage-inspired desktop interface revealed
Harrison's latest hardware offering sees them head into the world of audio interfaces, delivering a 10-in/12...
19/08/2026
Granular effect remains locked to scale and tempo
Described as your dream granular effect , Minimal Audio's latest creation is capable of turning any s...
19/08/2026
First polyphonic SWAM instrument incoming
Audio Modeling's latest physical-modelling orchestral instrument is just around the corner, and is now availab...
19/08/2026
World Cup Games Generate 84 Billion Minutes Across FOX, Fox Sports 1 and NBCU...
19/08/2026
July brought typical peak-holiday drops in viewership, driven primarily by viewers stepping away from screens and a visible decline in reach across both traditi...
19/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/08/2026
Henry joins BCE as the company accelerates its commercial strategy and expands its international presence across the media, broadcast and technology markets. He...
19/08/2026
iWedia, a leading provider of software solutions for connected TV devices, today announced a major milestone in Android platform optimization with the successfu...
19/08/2026
NTP Technology announces that ST 2110-30 audio-over-IP connectivity with AES67 and RAVENNA capabilities is now available for the brand's world-class audio i...
19/08/2026
Net Insight has been selected to provide its Nimbra platform by the service provider Big Blue Marble, formerly ORS Group, as the core media transport solution f...
19/08/2026
LiveU has supported Coventry City FC and several other top-flight UK football clubs through one of their most demanding live production challenges of the year, ...
19/08/2026
Nature Seekers Documentary Shot with Blackmagic URSA Cine 12K LF
Brie Clayton August 18, 2026
0 Comments
Filming endangered turtles required camera...
19/08/2026
Neyrinck Brings D-Control Consoles Back to Life on Apple Silicon with D-Control ...
19/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/08/2026
Riedel Communications today announced that Edith Cowan University (ECU) in Perth, Australia, implemented a comprehensive communications infrastructure that brin...
19/08/2026
QuickLink, a leading provider of award-winning video production and remote guest contribution solutions, will spotlight a major leap forward in remote guest con...
19/08/2026
Integrated platform melds media asset management, playout automation and newsroom workflows
EMAM, PlayBox Neo and SNEWS have officially launched Nuvex, a conne...
19/08/2026
Screen Australia releases the Private Investment Toolkit to strengthen screen in...
19/08/2026
Do Aussies truly value local content? Unpacking Screen Currency 2026 with Deirdr...
19/08/2026
There's an early Christmas gift for Bookish fans, as UKTV confirms the re-commission of the hit U&alibi drama, created by and starring Mark Gatiss. Viewers ...
19/08/2026
Wednesday 19 August 2026
Sky gives sports fans the chance to watch multiple liv...
19/08/2026
On Saturday September 5 Katie Taylor will step into the ring for the fight of her life against Flora Pili in front of 80,000 fans in Croke Park. A legendary fig...
18/08/2026
SportStream 2026, a free three-day virtual event, will take place September 15-17. One registration provides access to all three days of live programming and on...
18/08/2026
BeckTV will introduce BeckFlow to the European market at IBC2026, demonstrated on the Providius stand (10.F53).
BeckFlow is a web-based schematic documentation...
18/08/2026
Boland Communications will introduce a SMPTE ST 2110 input option for its 4K monitors at IBC2026, along with a new 55-inch super-narrow bezel display for video ...
18/08/2026
Dolby Laboratories and the Seattle Seahawks have announced a partnership integrating Dolby OptiView into the Seahawks' live streaming coverage, making the S...
18/08/2026
For BMG Executive Producer of Sports Production, Graham Taylor, producing live s...
18/08/2026
TMRW Sports has appointed Rufus Hack as President of Golf, a newly created role in which he will lead the company's golf businesses including TGL presented ...
18/08/2026
SMT will provide race technology for FOX Sports' coverage of the Freedom 250 Grand Prix of Washington, D.C. on August 23, when the NTT INDYCAR SERIES races ...
18/08/2026
The live, YouTube-native roundtables combine fan voices, credentialed reporters,...
18/08/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, includ...
18/08/2026
The industry legend sounds off on replacing the Heat's iconic Medusa score...
18/08/2026
William F. Rasmussen, the sports fan-turned broadcaster and entrepreneur whose out-of-the-box idea of a 24-hour cable sports network, ESPN, changed forever the ...
18/08/2026
DAZN Group has completed its acquisition of ViewLift, a provider of streaming and digital solutions for sports content owners. The acquisition was first announc...
18/08/2026
The American Association of Professional Baseball (AAPB) has added SI TV, Sports Illustrated's 24/7 streaming channel, as a broadcast partner for the remain...
18/08/2026
The Esports Foundation has announced that the inaugural Esports Nations Cup (ENC), originally scheduled for November 2026 in Riyadh, will be postponed to Novemb...
18/08/2026
Diversified has announced a new Global Managed Services Practice, consolidating the company's managed services capabilities into one organization. Rob Mello...
18/08/2026
Appear has completed a proof of concept with Thoroughbred Racing Productions (TRP), demonstrating multi-camera remote live production over bonded 5G cellular an...
Cinematographer Pawel Pogorzelski and writer-director Ari Aster began their long-running collaboration when they were both students at the American Film Institute. After making a string of shorts together, they teamed on the lauded horror features Hereditary and Midsommar, which in turn paved the way for their latest collaboration, the feature Beau Is Afraid. The movie, Pogorzelski says, is a beautiful, epic story. It's Homer's Odyssey in the 21st century. 
