
MLB Postseason 2021: MLB Network Excited to Be Back on Site for ALDS By Ken Kerschbaumer, Editorial Director
Thursday, October 7, 2021 - 1:02 pm
Print This Story | Subscribe
Story Highlights
It's playoff time for Major League Baseball and for MLB Network it's a chance to build great studio content around all of the action, hit the road for the World Series, and this week broadcast two games: the Chicago White Sox vs the Houston Astros in Houston on Friday night and the Tampa Bay Rays against vs the Boston Red Sox in Boston on Sunday afternoon.
MLB Tonight is already into full post-season mode and this weekend the network will broadcast two ALDS games.
These two games are our Super Bowl, says Chris Pfeiffer, MLB Network, senior coordinating producer, Live Events. They're a little bit different than a regular season game in June as every pitch means something and it's a different level. And it's more about what's happening on the field and making sure you document everything. That's what's most important and we take a lot of pride in that.
Jason Hedgcock, MLB Network, senior director, remote technical operations, says that the same production facility levels will be deployed in both Houston and Boston. Game Creek Video's Webby and Edit 3 trucks will be at Minute Maid Park in Houston while NEP's EN2 will be at Fenway Park.
We have different mobile unit vendors, but we are still partnering with Fox, so our camera complements are the same, says Hedgcock. In terms of specialty stuff, we're going to have two Phantom cameras in the low camera wells, and we will have a Megaladon to get great shots.
Adds Pfeiffer: Everything will be on site with the exception of our graphics operations like Viz and the score bug which will be done out of Secaucus.
MLB Network will have to compromise a bit on camera positions as fans are fully back in the stands. But Pfeiffer says there will be plenty of other bells and whistles.
There were a lot of really interesting things from a broadcast perspective that we were able to do last year without the fans in the stands, says Pfeiffer. And particularly in the first round of the Division Series we had camera angles that we don't have now interesting technology. So, there's a little bit of a walk back in terms of technology, but then there's also increased dependence on additional Statcast resources like 3D pitch and studio-based graphical elements which we're trying to fully integrate with our roadshows. Thankfully in August we were back on the road and able to come up with good workflows for the postseason.
Tom Guidice, MLB Network, VP, Remote Operations, says that there won't be an on-site studio show for the two Division Series games but that will change once the World Series starts at the end of the month.
We'll be on site with our large presence, on-the-field set and wall-to-wall coverage throughout the day from the field, he says. For the other games we will be on site with reporters for hits throughout the day with Ballpark Cam.
The lack of fans last year allowed all sports to experiment with new camera angles and now, as fans come back, the technology providers behind innovations like the Speed Cam that was a camera dolly on top of the dugout that could hit speeds of 25 mph are trying to figure out how to decrease the footprint so it can be part of the broadcast even with fans in the stands.
We are looking at how do we make that camera smaller, says Pfeiffer. Maybe in the future that camera is on the front lip of the dugout. It was just a cool angle that we always wanted to try, and we were able to do it last year.
The playoffs this year cap off another year that required maximum flexibility as world feed productions ruled early on and the MLB Network team was not back on site until the All-Star Game.
It makes a difference to be on site and we're all heading off to Houston and Boston, so we're excited about it, says Guidice.
The excitement also includes an original show open for the playoff games, something that has become a tradition over the years.
Normally we try to do some kind of nice open for our playoff games and get pretty creative with it, says Pfeiffer. And this year we were talking about comparing, the post-season, our biggest stage, biggest stage, to Broadway. So, we have some Broadway performers and even one of the music directors from Hamilton involved. It will be a cool comparison of the big stage and something you will see on Friday.
More from Sports Video Group
15/01/2026
Milano Cortina 2026: OBS CEO Yiannis Exarchos Previews Production InnovationsFirst Person View drones, AI-based tech target greater fan engagement, efficiencyBy...
15/01/2026
Clever with cameras: Bringing the drama of the 2026 ISU European Figure Skating ...
15/01/2026
No stranger to ice: Host broadcaster Sunset Vine on pressure and planning for th...
15/01/2026
SVG Campus Shot Callers: Leah Gill, Associate Athletic Director, Digital Media, ...
15/01/2026
National Sports Broadcaster Perspectives: What to Expect in Production in 2026Leaders from ESPN, FOX Sports, Netflix, and Warner Bros. Discovery share their pro...
15/01/2026
From Berlin to London: Amazon delivers NBA Europe games for an international aud...
14/01/2026
Tech Focus: Audio Consoles, Part 2 - New Options for Virtual MixingA variety of solutions offer both technical and economic benefitsBy Dan Daley, Audio Editor
...
14/01/2026
Tech Focus: Audio Consoles, Part 1 - Key Component Evolves Toward the Totally Vi...
14/01/2026
SVG Summit 2025: Audio from Monday Workshops Now AvailableListen to sessions from Live Production Innovation, AI Production Tools, Cloud Production, Content Wor...
13/01/2026
NHL Situation Room 2.0: How Sony Hawk-Eye Powers Centralized Officiating, Player...
13/01/2026
NBC Sports Ices the Audio for the 2026 Prevagen U.S. Figure Skating Championship...
13/01/2026
DMF and MXL in practice: Which vendors are adopting it, and how fast is the ecos...
13/01/2026
CES 2026: Five Important Sports-Tech BuzzwordsThe terms highlight innovations for sports production at the showBy Daniel Frankel, SVG Contributor
Tuesday, Jan...
13/01/2026
For TGL Season 2, Unity 6 Boosts Virtual-Graphic Quality; COSM 360 Cameras Impro...
13/01/2026
Resetting Expectations? The State of the Sports Industry with Devoncroft's J...
12/01/2026
Sports and Music Unite: A Look Back at the Operationally Ambitious FIFA Club Wor...
12/01/2026
Nielsen Panel Discussion Highlights World Cup Impact for FOX, Telemundo, MetLife...
12/01/2026
FIFA President Infantino Highlights How AI Will Impact 2026 FIFA World Cup and B...
12/01/2026
Baltimore Ravens' Jack Dana on Telling a Better Story With Media Management ...
12/01/2026
FOX Sports' Brad Cheney on Spectrum Debate's Impact on the Sports-Produc...
09/01/2026
Rock-It Sports' Deron Brown & Laura Rowlands on Launching a New Brand, Suppl...
09/01/2026
Warner Bros. Discovery's Chris Brown on the Broadcaster's First French O...
09/01/2026
NFL Playoffs 2026: CBS Sports Travels to Jacksonville With Packed Arsenal of Pro...
09/01/2026
NFL Playoffs 2026: NBC Sports Is Set To Roll Out New Scorebar, Insert Graphics T...
09/01/2026
NFL Playoffs 2026: Prime Video Production Team Caps Historic Season With Iconic ...
09/01/2026
NFL Playoffs 2026: FOX Sports Kicks Off Postseason Slate With Two-Game Wild Card...
09/01/2026
NFL Playoffs 2026: ESPN's Run Brings Monday Night Football' Flagship Op...
08/01/2026
At CFP Semifinals, ESPN Again Flexes Its Operational Muscle With 20+ MegaCast Vi...
08/01/2026
SVG Students To Watch: Sophie Fowler, University of OregonThe Portland product has honed her skills as a producer, director, and TD at Quack VideoBy Brandon Cos...
08/01/2026
Follow the Money, Episode 3: Inside the Sports-Media Biz With Sam McCleery and K...
08/01/2026
SVG New Sponsor Spotlight: Qualstar's Jeff Sengpiehl on the Enduring Power a...
08/01/2026
Legendary February: Production Leaders at NBC Sports Pull Back the Curtain on Ol...
07/01/2026
SVG Summit 2025: All General Sessions Now Available To Watch on SVG PLAYThe SVG Summit celebrated its 20th edition with a loaded agendaBy Brandon Costa, Directo...
07/01/2026
NBCU's Brings Rinkside Live' and Courtside Live' Features to Peaco...
06/01/2026
Peacock Bringing Dolby Vision and Dolby Atmos to Live Sports ContentPeacock is the first streamer to embrace Dolbys full suite of advanced picture/sound innovat...
06/01/2026
SVG Europe Audio: Listening to the sounds of powder and ice at Milano Cortina wi...
06/01/2026
Quintar Meta Spatial SDK Integration Promises Next-Level XR ExperiencesBy Ken Kerschbaumer, Editorial Director
Tuesday, January 6, 2026 - 9:41 am
Print This...
06/01/2026
Milano Cortina 2026: BBC Sport Previews Broadcast Ops, Studio Setup, Social Medi...
06/01/2026
Dolby's Jason Power on Elevating Live Sports Through Immersive Audio and HDR...
06/01/2026
DAZN's Global CRO Walker Jacobs on the Streamer's Breakout Year in the U...
06/01/2026
California Dreamin': LA28's SVP of Media Jim Bell Previews the Olympic a...
06/01/2026
One Month Out From Winter Olympics Opening Ceremony, NBC Sports in Final Prep fo...
06/01/2026
Advanced HDR by Technicolor and Zinwell Integrated onto ATSC 3.0 Conversion Boxe...
06/01/2026
FOX Sports President and COO Mark Silverman Shifts to Consulting RoleHis successor will be announced soonBy Ken Kerschbaumer, Editorial Director
Tuesday, Janu...
05/01/2026
NFL's Blake Jones on How the League's Latest Video Additions Change How ...
05/01/2026
Spiideo's Scott Bushman on How AI Is Already Powering Live Sports ProductionFrom a line of camera systems to its automated production platform, the tech ven...
02/01/2026
Freezing Florida: NHL's EVP, Entertainment Bob Chesterman on Taking the Wint...
02/01/2026
NHL Winter Classic 2026: TNT Sports Prepares for First NHL Outdoor Game in Sunsh...
30/12/2025
As the College Football Playoff Enters the Quarterfinals, ESPN Blows Out Its Meg...
30/12/2025
SVG's Best of 2025: Original ArticlesTake a look back at all our coverage of big-time productions, game-changing technologies, and state-of-the-art new faci...