
By Debra Kaufman
In 2017, newspapers around the world began carrying stories of crimes against the LGBTQ community in Chechnya, a constituent republic of Russia located in the North Caucasus region. Later that year, noted journalist Masha Gessen published a story in The New Yorker that revealed that, despite global political pressure, the Chechen government continued its kidnapping, torture and murder of members of the LGBTQ community but that a small group of activists were clandestinely rescuing individuals at risk and getting them out of the country.
Documentary filmmaker David France (who made the award-winning 2012 movie How to Survive a Plague about the AIDS crisis) read the news reports with growing horror and called Gessen to learn more. Masha put me in contact with the people on the ground and within days I was embedded in the safe house in Russia, filming, he recounts. On his first trip, with a cinematographer, he brought a 4K Sony Handycam which was small enough to look like a tourist's camera. They then left the camera at the safe house so the residents could use it. When we returned to the shelter, we found that people picked up the camera and told their stories in case anything happened to them, says France. They wanted to record their lives and their suffering so something would be left behind. These stories were the spark that grew into the acclaimed documentary Welcome to Chechnya.
When France met the activists and the people they were helping to escape, he made a life-or-death promise to keep their identities safe. During production that meant a tight, secure workflow for getting footage off the cards and onto encrypted hard drives and then overwriting the cards to every trace of the content.
But hiding the identities of the activists and those fleeing persecution was another, more complex security problem. I didn't want to put them deep in shadows or in hoods, says France. I wanted to feel their humanity and see their expressions. As production was wrapping up, France began what became almost a year of R&D and painstaking labor to make good on his promise. I had told everyone we'd render them as cartoons, he says. And we tried out rotomation. But it turned out that this technique amplified their physical characteristics, turning them into easily recognizable caricatures.
France then worked with artists who interpreted the subject's emotions and actions, overlaying that over the footage but, he says, that technique masked their humanity. We tried Snapchat-like technologies to give them dark glasses or masks but that undermined the seriousness, urgency and danger they were encountering, he says. We eventually turned our attention to the idea of transferring one person's face over another. France was leery of using such a deepfake technology but tried to imagine what if it could ethically be used to reveal something real that otherwise could not be conveyed.
After speaking with numerous VFX supervisors, he found Ryan Laney and his partner Johnny Han who believed they could make it work. They came back with a stunning example that showed it would be possible, says France.
Laney noted that what was important to France and his team was to not dehumanize the people in the film. We want to give them a human voice and to keep them safe, he said. David wanted the face replacement to be so good that even their own mothers wouldn't recognize them. When they tested out style transfer (in which, say, Van Gogh's painting style is transferred to a photo of the Golden Gate bridge), Laney said it gave him and Han an understanding of how machine learning could be used to solve the problem.
Next came the code writing, using Google's TensorFlow open-source AI/ML software library. We treated it as if it were a VFX show, says Laney. The style transfer of faces became like a different kind of rendering images, but instead of CG as the result, we were generating a face. In New York, France recruited 23 LGBTQ activists to be the new faces of the Chechen/Russian subjects, shooting them in a bluescreen studio with an array of Panasonic cameras. He made sure to shoot the head in multiple positions and the mouth making every position possible for believable lip-synching.
According to Laney, compositing required a VFX artist to look at every frame to check the fit regarding tracking, color, lighting and anything else. But it wasn't a creative tweak, emphasizes Laney. As an ethical consideration, we constrained it strictly to technical correction. They also placed a soft halo around the face to make it clear that it was a replacement, which was also spelled out in the film's opening. In the first 20 or so shots, we made them very soft so viewers could really see what we were doing and understand the halo, says Laney. When I first saw it work, I got the chills. It was incredible how well the picture matched and the emotion came through, even though it's another face.
France also made sure that anything that identified the subjects was removed, including clothing and jewelry as well as kitchen and bathroom products in safe houses outside of Russia. In the process of obtaining informed consent from the interviewees, Laney reports that one subject said watching it helped him process his experience because it was like watching someone else go through it.
According to France, who is currently working on a documentary on COVID-19, screenings of Welcome to Chechnya on Capitol Hill and in the U.K. and Europe provided the evidence needed to prompt sanctions. But the atrocities continue unabated. Laney, whose team processed over 400 shots and over an hour of screen time, is now providing this and related identity protection services, most recently employed in director Jennifer Ngo's Faceless, a film about the pro-d
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
02/09/2026
IBC2026 will put sport firmly at the centre of the global media and entertainment technology conversation with the strongest sports showing in the event's h...
02/09/2026
PTZOptics will bring a hands-on showcase of intelligent video production to IBC2026 (11-14 September, RAI Amsterdam), with demonstrations spanning new camera te...
02/09/2026
OOONA, a global provider of professional management and production tools for the media localization industry, today announced the launch of OOONA Go, a ready-to...
02/09/2026
EON Media will make its European debut at IBC2026 (September 11-14, RAI Amsterdam) in the show's Future Tech Zone (Hall 14.FT5). The company is launching it...
02/09/2026
Frequency, the engine behind many of the worlds leading streaming television channels, will demonstrate at IBC2026 how integrating intelligence throughout chann...
02/09/2026
On-device AI platform gives broadcasters and content creators purpose-built tools for real-time vertical video production and AI-enhanced sports coverage...
02/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/09/2026
Next-Generation Freeform Control Surfaces Lay the Foundation for AI-Enabled Media Operations
At IBC2026 (Sept. 11 14, RAI Amsterdam, Stand #1.B73), Imagine Com...
02/09/2026
Friedrichstadt-Palast in Berlin, the world's largest theater stage, has modernized its backstage production infrastructure with a comprehensive Riedel solut...
02/09/2026
Women in Media announces that it will host the two-day Reel/Forward in-person conference devoted to navigating today's production scene. Guests can enjoy pa...
02/09/2026
The expanded partnership brings Teradek's Live Production solutions to New Media AV's European dealer and integrator network, opening new opportunities ...
02/09/2026
QuickLink, a leading provider of award-winning video production and remote guest contribution solutions, announces a major expansion to its award winning Studio...
02/09/2026
BCNEXXT, the developers of the advanced playout platform Vipe, today announced that premium entertainment brand Foxtel has selected Vipe to underpin playout for...
02/09/2026
SubtitleNEXT helps HOT Telecom's subtitling team keep a cool head with reliable QC capabilities
Profuz Digital, global developer of digital media and local...
02/09/2026
Case Study: Mission Digital Strengthens Battery Safety with Safe-ion
As productions become increasingly dependent on battery-powered equipment, the safe storag...
02/09/2026
LA JOLLA, CA-Influenza viruses constantly shapeshift to evade recognition by the immune system. This shapeshifting occurs in critical proteins like hemagglutini...
02/09/2026
LA JOLLA, CA-Clinicians often use a medical test called a 12-lead electrocardiogram (ECG) to diagnose heart problems, which uses electrodes placed on the chest ...
02/09/2026
LA JOLLA, CA-Proteins may look like rigid molecular structures, but inside our c...
02/09/2026
RT has today announced a major media partnership with Lidl around Katie Taylor's historic Croke Park clash with Flora Pili on Saturday, September 5th.
The...
01/09/2026
Bridge Technologies will announce at IBC2026 (Booth 1.A71) that its VB440 produc...
01/09/2026
DAZN has announced an agreement to acquire EverPass Media, a commercial sports distribution platform serving bars, restaurants, hotels, and other venues in the ...
01/09/2026
The USTA and Kalshi have announced a multi-year partnership making Kalshi the Official Prediction Market Partner of the US Open, beginning with the 2026 US Open...
01/09/2026
MASV will exhibit at IBC2026 (Booth 5.B40, RAI Amsterdam, September 11-14). CTO Majed Alhajry will appear on a panel session, A Tale of Two Feeds: Automation o...
01/09/2026
FingerWorks Telestrators has announced a partnership with Broadcast Rental to ex...
01/09/2026
FOR-A has announced the expansion of viztrick AiDi into two dedicated products: Go Vertical! AiDi and AiDi Sports Hub. Developed by Nippon TV and delivered glob...
01/09/2026
Sony Pictures Television has launched Live TV on PS5, a free ad-supported streaming experience available to PS5 players in the United States. The service is acc...
01/09/2026
Friedrichstadt-Palast in Berlin has installed a Riedel production infrastructure spanning video, intercom, control, and I/O across the venue, implemented in col...
01/09/2026
Arkona technologies GmbH has announced an OEM partnership with BFE Studio und Medien Systeme GmbH to offer arkona-branded control panels for its SDI-IP routing ...
01/09/2026
Cricket Australia has launched Cricket TV, a direct-to-consumer streaming service built on Eluvio's Content Fabric platform. The service is currently in ear...
01/09/2026
Eluvio has announced it was selected to power Pasifika , a new direct-to-consume...
01/09/2026
Layercake, the company behind the intelligent media workflow platform Streamcake, has appointed Jon Marquard as Director and Chairperson. The appointment marks ...
01/09/2026
Gravity Media has announced a multi-year renewal of its agreement with Stawell Gift Event Management to produce the complete broadcast of the Powercor Stawell G...
01/09/2026
Beam Dynamics will exhibit at IBC2026 for the first time (Stand 14.FT29, Hall 14), introducing License Intelligence, a new module for managing software licenses...
01/09/2026
Interra Systems has announced that ZOO Digital has selected BATON for file-based quality control across its media workflows. ZOO Digital delivers localized ente...
01/09/2026
Bridge Technologies has announced the deployment of its VB330 monitoring probe at Sunrise, supporting the Swiss telecommunications provider's IP-based telev...
01/09/2026
Riedel Communications has announced the continued expansion of its managed coach communications partnership with Scottish Rugby Union, now entering its third se...
01/09/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, includ...
01/09/2026
SMPTE today detailed the centerpiece of its IBC2026 program: the SMPTE Roadshow: Future of Media Infrastructure, a full-day workshop on Monday, 14 September, th...
01/09/2026
Inside the Music and Sound of Michael
Sound Particles have announced an upcoming webinar with John Warhurst, the Academy Award- and BAFTA-winning supervisin...
01/09/2026
Piano offers tutorials, lessons & feedback via app
Roland have just launched a new digital piano that integrates with a mobile app in an effort to encourage...