Sony Pixel Power calrec Sony

FOX Sports' Wave of UFL Tech Innovation Crescendos With Championship Game This Weekend

14/06/2024

FOX Sports' Wave of UFL Tech Innovation Crescendos With Championship Game This Weekend The production team's mantra is to put cameras, mics almost anywhere' By Jason Dachman, Editorial Director, U.S.

Friday, June 14, 2024 - 10:00 am

Print This Story | Subscribe

Story Highlights

Over the past 11 weeks, FOX Sports has embarked on an odyssey of technical innovation during its inaugural United Football League campaign, building on two seasons of USFL spring football. Those efforts - deploying live drones, Helmet Cams, Ref Hat Cams, Skycams, all-access audio, and much more - culminate this weekend with the UFL Championship game in St. Louis.

The great part about our partnership with the UFL - and with the USFL before that - is that we have the ability to put cameras and microphones almost anywhere we want as long as we don't interfere with play in any way, shape, or form, says Brad Cheney, VP, field operations and engineering, FOX Sports. When you have the drone, Skycam, Helmet and Ref Hat Cams, the level of audio access, and those other pieces of technology, it allows our production team to pick and choose their angles and get looks that are truly impactful to the viewer at home.

In the Middle of the Action: Fox Transitions From HRP to Onsite Model After producing all regular-season games as Home Run Productions (HRPs) remotely from its L.A. broadcast center, FOX Sports' team is fully onsite for the semifinal and championship games. Game Creek Video Gridiron (A and B units) are on hand in the compound.

Live drone captures UFL Arlington Renegades action at Choctaw Stadium in Arlington, TX.

We have the largest [remote productions] today with UFL, says Cheney, but, when you start expanding the show beyond our [regular-season level], it becomes much more of a challenge to pull it off remotely. In creating a show as large as this, it does make sense to bring everyone together.

Bulking Up: FOX Continues To Push Technology for Title Game This Sunday's 1080p HDR production will be equipped with live in-game drones from Beverly Hills Aerials, ActionStreamer Helmet Cams, C360 PylonCam goal-line and line-to-gain systems, Skycam wired aerial systems, Referee Hat Cams from CP Communications, and an adapted RF Megalodon camera (not configured for shallow depth of field) for full on-field capture between plays. Inside-the-game audio will also continue, with 12 players miked for each game, along with access to all coach and referee communications.

We had big shows for the regular season, Cheney notes, but we have certainly ramped it up for the playoffs. We are aiming for all the available angles we can get on the field, with all the microphones and audio capabilities that we've had all season. We've worked well with the UFL technology group all season, especially when it comes to dialing in the coach and player comms.

He credits A1 Mike Del Tufo and his audio team for crafting the soundscape of the UFL this season and CP Communications for providing the tools and technology to make it all happen. In addition to miked players and coaches, Cheney says, parabolic-mic operators have also played a key role in capturing audio from the line of scrimmage without hindering team personnel.

It's not just access to mics on players; it's access on the sidelines, he explains. Being able to traverse the sideline up and down, while staying out of the coaches' way, and working with the teams has been spectacular. The goal is to allow the viewer at home to hear what football sounds like if you're right on the sidelines, and this team has done a phenomenal job of delivering that consistently week after week.

Beyond the UFL: Will We See This Tech on NFL and College Football? The UFL season comes to an end this season, but these production technologies are likely to live on in other FOX Sports properties. Although nothing is definite, Cheney says, the unique camera angles and all-access audio could be seen at some point in the future on FOX's NFL and college-football coverage.

An operator pilots a live drone during a UFL game.

I think we've proven over the last three years, starting with the USFL and now with the UFL, that we are capable of deploying technologies that are well outside the box of traditional football coverage, he says. Now that you've seen the consistency of the technology - whether it's the audio or the images - I think that could open up new opportunities for the NFL, college football, and other sports.

[With the UFL] it's not just the broadcast side, he continues. It's all the things that the UFL is doing behind the scenes: giving the coaches ways to communicate better and [enabling] players on the sidelines to see video faster. That all comes back to what we and ESPN are doing to produce a show. It gives them the ability to see all those angles and have all that access. It all provides [teams] with better tools to call and execute plays on the field.

The Promise of Spring: For UFL, the Future Looks Bright It has been a long, arduous road for spring pro football over the past decade, but the UFL looks to be the most promising league to date, according to early returns.

A UFL official sports a Ref Cam to pick up on-field angles and sounds.

UFL regular-season viewership was well above spring-football efforts in recent years, with regular-season games across FOX, ABC, ESPN, ESPN2, and FS1 averaging 816,000 viewers this season. Not only did the league beat 2023 numbers for the USFL (601,000 viewers) and XFL (622,000 viewers), but it also bested the USFL's performance in 2022, when it was the only spring league (715,000 viewers).

The increase in eyeballs provides a sense of validation for the production team -led by director Mitch Riggin and producer Mark Teitelman - and the operations team
LINK: https://www.sportsvideo.org/2024/06/14/fox-sports-wave-of-ufl-tech-inn...
See more stories from svg

North America Stories

06/05/2026

Wisycom RF Solutions Support Gravity Medias Live Cycling and Marathon Broadcasts

Gravity Media Chief RF Communications Engineer Glenn Willems uses Wisycom RF over Fiber and wireless solutions across major cycling events and international mar...

06/05/2026

Sennheiser Spectera Module Now Available in Bitfocus Companion and Buttons

A Sennheiser Spectera module is now available in Bitfocus Companion and Buttons, enabling direct integration of Spectera with the two software platforms. The mo...

06/05/2026

Ted Turner, Cable Television Pioneer, Sports Broadcasting Hall of Famer, Dead at 87

Ted Turner, the visionary media entrepreneur whose appetite for disruption helpe...

06/05/2026

FIFA World Cup 2026: Peacock Launches Visin de Campo (aka Pitchside Live), Will Stream All 104 Matches in Spanish

Peacock is going all-in on the beautiful game - streaming all 104 FIFA World Cup...

06/05/2026

L3Harris to Boost Polish Navy Combat Power with Advanced Ship System

Polands Miecznik-class frigates are part of the largest contract in Polish shipbuilding history. (Image Credit: PGZ Stocznia Wojenna)...

06/05/2026

FCC's Anna Gomez Urges Rigorous Review of Paramount-WBD Merger

Share Copy link Facebook X Linkedin Bluesky Email...

06/05/2026

Riedel Ups Marc Engroff to CFO, Shifts Frank Eischet to Group COO

Share Copy link Facebook X Linkedin Bluesky Email...

06/05/2026

Amagi Launches In-Content Ads' to Attract More CTV Advertisers

Share Copy link Facebook X Linkedin Bluesky Email...

06/05/2026

Riedel Expands Leadership Structure Appoints Marc Engroff...

Riedel Communications today announced the expansion of its leadership structure as part of a strategic initiative to strengthen both its operational management ...

06/05/2026

Production Sound Mixer Dirk Sciarrotta Delivers Camera Re...

For nearly three decades, Veteran Production Sound Mixer and Five-time Emmy Award Winner Dirk Sciarrotta has helped define the sonic identity of the long-runnin...

06/05/2026

ZEISS CinCraft LensCore: Cinema Lens Looks for Compositing

ZEISS CinCraft LensCore: Cinema Lens Looks for Compositing Brie Clayton May 6, 2026 0 Comments ZEISS announces the launch of CinCraft LensCore, a nove...

06/05/2026

Wisycom Solves Extreme RF Challenges Across Miles of Live Action for Gravity Media

Wisycom Solves Extreme RF Challenges Across Miles of Live Action for Gravity Med...

06/05/2026

NAB Launches Weekly Podcast on Local Broadcast Policy

Share Copy link Facebook X Linkedin Bluesky Email...

06/05/2026

Mavis Launches Mavis Studio iPad For Media Production

Share Copy link Facebook X Linkedin Bluesky Email...

06/05/2026

Narrative Entertainment partners with Encompass to provid...

Narrative Entertainment has partnered with Encompass to deliver high-quality subtitling of its Great! network content using the Altitude Intelligence AI assiste...

06/05/2026

SipRadius extends its seamless creation and connectivity...

SipRadius, widely recognized for making content processing and connectivity secure and seamless, is proud to launch a dramatic new approach to AI content creati...

06/05/2026

Big Blue Marble at ANGA COM - TV as a Service in the spot...

When the broadband and media industry gathers at ANGA COM in Cologne from May 19 to 21, Big Blue Marble will be at the forefront. The international broadcast an...

06/05/2026

Cinegy makes its MPTS debut with software-defined televis...

Cinegy GmbH, a leading developer of software-defined television technology, is proud to exhibit at MPTS for the first time. Visitors to the stand will discover ...

06/05/2026

Val Jeanty Receives 2026 Doris Duke Artist Award

Val Jeanty Receives 2026 Doris Duke Artist Award Jeanty, a composer, percussionist, and turntablist, is the fourth Berklee recipient of the prestigious award ...

06/05/2026

Zeiss Launches CinCraft LensCore

Share Copy link Facebook X Linkedin Bluesky Email...

06/05/2026

Gomez Urges Rigorous FCC Review of Paramount-WBD Merger

Share Copy link Facebook X Linkedin Bluesky Email...

06/05/2026

Wisycom Solves Extreme RF Challenges Across Miles of Live...

When live cycling races and international marathons stretch for miles across cities and countryside, there is no margin for RF failure in live broadcast. As Chi...

06/05/2026

ZEISS CinCraft LensCore - Cinema Lens Looks for Compositi...

Oberkochen/Germany, May 5, 2026 ZEISS announces the launch of CinCraft LensCore, a novel solution for creating physically based cinematic lens looks for visual...

06/05/2026

NVIDIA Spectrum-X - the Open, AI-Native Ethernet Fabric - Sets the Standard for Gigascale AI, Now With MRC

The race to build the world's most powerful AI factories demands networking ...

06/05/2026

May 05, 2026

How changes to proteins can alter drug interactions for new precision therapies Scripps Research team maps how chemical modifications to proteins affect drug bi...

05/05/2026

Samsung Galaxy S26 Ultra Phone Cameras Bring New Excitement to Street League Skateboarding

Three phones were hardwired for power and transmission to the truck; camera feat...

05/05/2026

Case Study: How Zaki Rose Rebuilt Its Production Infrastructure, and What It Means for Sports Content Creators

The creative studio behind campaigns for the NBA, Fanatics Sportsbook & Casino, ...

05/05/2026

Nielsen Co-Viewing Pilot Shows Average 4% Viewership Increase for February Live Events

Nielsen has announced results from a co-viewing pilot program covering February&...

05/05/2026

Nippon TV and FOR-A Win NAB Product of the Year and Future Best of Show Awards for viztrick AiDi

viztrick AiDi, an on-device AI solution developed by Nippon TV, delivered global...

05/05/2026

ARRI Introduces Omnibar LED Linear Fixture for Film, Live Entertainment, and Content Creation

ARRI has announced Omnibar, a battery-powered, IP65-rated multi-color LED linear...

05/05/2026

France Tlvisions Becomes First Broadcaster to Deploy Imagine Communications SNP-XS

Imagine Communications has announced that France T l visions is the first broadc...

05/05/2026

WNBA Announces Historic Canadian Media Rights Agreement with Bell Media

The Women's National Basketball Association (WNBA) and Bell Media today announced a multiyear agreement to broadcast and stream WNBA games in Canada beginni...

05/05/2026

Save the Date: SVG Remote Production Forum Heads to WBD's Techwood Studios in Atlanta on Sept. 23-24

SVG is proud to announce Warner Bros. Discovery's Techwood Studios in Atlant...

05/05/2026

Look Who's Talking: ESPN Integrates New Automated Commentator-ID Technology Into Scorebar Graphic for UFL Coverage

With no operator required, AutoMic workflow automates talent identification on U...

05/05/2026

Return Flight: How Live Broadcast Drones Died - and Were Reborn - on the Ski Slopes of Northern Italy

A crash in 2015 set the industry back, but this winter proved that drones are he...

05/05/2026

L3Harris Provides Key Technologies for Newly Commissioned Navy Submarines

L3Harris provides communications, electronic warfare, sensors and mission systems that enable Virginia-class submarine crews to operate with confidence in conte...

05/05/2026

Gray Media Closes Purchase of 10 Allen Media Group Stations

Share Copy link Facebook X Linkedin Bluesky Email...

05/05/2026

Dang Ly Joins Operative as Chief Product Officer

Share Copy link Facebook X Linkedin Bluesky Email...

05/05/2026

CIMM, TVB Release Local TV Currency Measurement Guidelines

Share Copy link Facebook X Linkedin Bluesky Email...

05/05/2026

ARRI Introduces Omnibar LED Linear Fixture

Share Copy link Facebook X Linkedin Bluesky Email...

05/05/2026

France Televisions Continues ST 2110 Migration With Imagi...

Project Marks First Major Broadcast Deployment of Latest Addition to SNP Lineup Imagine Communications today announced that France T l visions is the first br...

05/05/2026

Shotoku Broadcast Systems Wins 2026 NAB Show Product of t...

Shotoku Broadcast Systems Wins 2026 NAB Show Product of the Year Award Shotoku Broadcast Systems announced today that its Swoop range of robotic cranes has be...

05/05/2026

DigitalGlues creativespace Intelligence Wins Futures Best...

DigitalGlue's creative.space Intelligence Wins Future's Best of Show Award, Presented by TV Tech creative.space Intelligence (CSI), part of the creativ...

05/05/2026

Zixi Showcases Next-Generation Live Video Workflows and M...

Zixi, a leader in live video delivery and workflow orchestration, will showcase next-generation broadcast workflows at the Media Production and Technology Show ...

05/05/2026

Stingr marks its launch with a new approach to second-screen interactivity

Stingr marks its launch with a new approach to second-screen interactivity Brie Clayton May 5, 2026 0 Comments Huge leap forward in revenues and engag...

05/05/2026

Shotoku Broadcast Systems Wins 2026 NAB Show Product of the Year Award

Shotoku Broadcast Systems Wins 2026 NAB Show Product of the Year Award Brie Clayton May 5, 2026 0 Comments Shotoku Broadcast Systems announced today tha...

05/05/2026

DHD to Promote Latest Advances in Audio Production at MPT...

Following a successful NAB Show in Las Vegas, DHD will promote examples from its wide range of broadcast-quality audio production equipment at the May 13th-14th...

05/05/2026

LucidLink Redefines Cloud Media Workflows at MPTS 2026

LucidLink today announced its programme for MPTS 2026, where it will exhibit at Stand M59 at Olympia London, 13 to 14 May. The company will showcase its latest ...

05/05/2026

Limecraft Announces Version 2026-3 of its Cloud-Based Tel...

Limecraft today announces the release of Limecraft 2026.3, the third platform update in its 2026 release cycle. Limecraft is an AI-powered production platform t...

05/05/2026

Stingr marks its launch with a new approach to second-scr...

Huge leap forward in revenues and engagement...