
Mediapro manages UEFA Champions League Final last-minute location change in just 15 days By Heather McLean, Editor
Tuesday, June 8, 2021 - 09:31
Print This Story
Mediapro switched its entire production from Istanbul to Porto with only moments to spare on behalf of UEFA
Mediapro turned around the last minute location change for the UEFA Champions League Final between Chelsea FC and Manchester City FC from Turkey to Portugal only 15 days before the match, providing a seamless and successful broadcast for the highly anticipated event.
Mediapro, the host broadcaster and technical facilities provider contracted by BeIn Sports, the rights holder for the UEFA Champions League final in Turkey, switched its entire production from Istanbul to Porto with only moments to spare on behalf of the federation.
Managing this feat of logistics and organisation were project manager for the event, Mediapro Turkey CEO, Rodrigo de Araujo, plus Marc Caeymaex, EMEA sales director for broadcast and media services division, in collaboration with the company's head of global sales and operation, Francisco De la Fuente.
Just one day before Mediapro's three OB trucks were due to leave Spain to travel to Istanbul for the final, they were rerouted as part of the new plans to Porto
Speaking to SVG Europe, Araujo says: For me the biggest challenge was to move all the facilities from Istanbul to Porto, the other side of Europe, eight days before starting with the setup installation. We were eight days to Istanbul, when we were told let's go to Porto, and in that eight days we changed all the logistic plans.
UEFA had big concerns, but the trust we had from UEFA in us was very good as we have already been working on several UCL finals with them. The UEFA team has a great experience of such an invent and we worked like partners, not client and supplier.
When the venue was changed to Portugal, with no rights holder for the final in Porto, UEFA took the responsibility to produce the final with Mediapro taking responsibility for the whole broadcast.
Araujo adds: It was very easy for UEFA to say, let's change the country [for the final] but let's keep what we have planned [for the broadcast].
The Mediapro team ready for kick off in Porto
Achieving the impossible
For UEFA, being able to keep the same services provider for the final rather than trying to switch to another that was not already geared up for it not only made sense, but saved the day. Caeymaex adds: The UEFA event team was really happy that in the end the final moved to Porto as they were able to keep the same services provider [Mediapro] and team as was appointed for Turkey, as [we were able] to provide exactly the same service in Portugal.
Just one day before Mediapro's three OB trucks were due to leave Spain to travel to Istanbul for the final, they were rerouted as part of the new plans and went to Porto instead. Notes Caeymaex: It was just in time, so all the equipment was not yet installed in Istanbul, so we just had time to send them West [instead of East].
The trucks sent from Spain for the event were Mediapro's OB 89, the biggest and newest, the most advanced that we have in our fleet, says Araujo. OB 69 was sent as the main backup truck for OB 89, and OB 52 went for UEFA's services, including world camera services and multilateral positions for visiting broadcasters; in Porto Mediapro had to take on the commentary positions and unilateral feed facilities for four broadcasters - RMC Sport from France, Eleven Sports Portugal, Movistar from Spain and TNT WarnerMedia, Brazil on top of the international production for UEFA.
It was very challenging with these [extra responsibilities], but it was a challenge that we met at the end, notes Araujo.
When the UEFA Champions League Final switched location from Turkey to Portugal, Mediapro had to source a total of 200 crew members quickly from Portugal and Spain
Switching plans
The original plan made by Mediapro would have seen part of its team on the ground in Istanbul coming from the wider European team, and around 50 people from Turkey. When plans were suddenly changed, the company had to source a total of 200 crew members quickly from Portugal and Spain. Luckily it has extensive trusted contact lists in both countries so was able to source people and sort out travel arrangements very quickly.
Says De la Fuente: This kind of switchover in just a few days, thanks to our own travel and logistics agencies inside Mediapro, was smooth.
Mediapro was able to fulfil all the requirements for the event internally, with special cameras coming in from Spain and Portugal, plus those two countries also providing all assets and crew.
The Champions League final was finally played in Portugal at FC Porto's Estadio do Dragao
The entire production was carried out on site according to UEFA's requirements, using strict social distancing rules. Adds Araujo: Everyone from the team was tested beforehand, as required by both UEFA and the Portuguese authorities, to avoid any kind of contamination in the TV compound.
De la Fuente concludes on the broadcast of the final: I believe it was very good! UEFA gave us feedback that everyone was very happy with the final result, because of the original plan and also the resulting preparation for the fast response that Mediapro delivered to UEFA; it's not easy to produce a final, but it's not easy to produce a final in 15 days.
Our capacity to adapt and react is, with no doubt, one of reasons that makes Mediapro one of biggest players in the market with capacity to provide any solutions in difficult situations. I'm very happy!
More from Sports Video Group
02/07/2025
Progressive realism: Aurora on taking up the broadcast reins for World RX alongs...
02/07/2025
Great speed: New host broadcaster Aurora on getting the World RX 2025 season pro...
02/07/2025
Seat of its pants: Aurora boxes clever and looks ahead for the FIA as new host b...
02/07/2025
UEFA Women's Euro 2025: EBU, BBC Sport and Sunset Vine talk coverage plans, ...
02/07/2025
UEFA Women's Euro 2025: Women's Super League launches new content series...
02/07/2025
UEFA Women's Euro 2025: Ignite puts fans and players front and centre with t...
02/07/2025
Storytelling in the Live Game Broadcast: ESPN Director Jimmy Platt Breaks Down t...
02/07/2025
CONCACAF's Miguel Angel Garcia on the Gold Cup's Enhanced 2025 Productio...
01/07/2025
SVG New Sponsor Spotlight: Spyrosoft's Jonathan Witty on Futher Business Exp...
01/07/2025
The NIL Effect: How the Shifting Business of College Athletics Impacts On-Campus...
01/07/2025
Cherry on the cake: Inside the technical production of the Tour de France 2025 w...
01/07/2025
NESN's Josh Jun on Keeping Alternative Broadcasts Fresh for Boston Red Sox, ...
01/07/2025
TNT Sports Races Back Into NASCAR With Fresh Look, Familiar Edge Production approach emphasizes creative freedom, bold storytelling, casual-fan-friendly tone B...
27/06/2025
How smarter compression is creating a sustainable future By Michael Burns
Monday, June 23, 2025 - 14:13
Print This Story
Live sport is especially vulnerab...
27/06/2025
Behind the Mic: FOX Sports Ratchets Up UEFA Women's EURO 2025 With Top-Class...
27/06/2025
RTL Group To Acquire Sky Deutschland By George Bevir, Editorial Director, SVG Europe
Friday, June 27, 2025 - 8:00 am
Print This Story | Subscribe
Story ...
27/06/2025
Frictionless, At Scale: The Current State of Live Video Streaming Techology Leaders from Bitmovin, Comcast Technology Solutions, Harmonic, IMAX, and Phenix brea...
27/06/2025
Marquee Sports Network's Nick Steger on Meeting the Moment of the Contending...
27/06/2025
NHL Draft 2025: The League Is Primed for First Decentralized Draft in Non-Pandem...
26/06/2025
10th-Annual SVG Regional Sports Production Summit Presents Useful Roadmap for th...
26/06/2025
The Big Cloud Debate: Public vs. Private vs. Hybrid Tech leaders from CineSys, Diversified, and Net Insight breaks down all flavors of cloud By Jason Dachman, ...
26/06/2025
Program Productions' Jess Kowatch on Training the Next and Current Gener...
25/06/2025
SVG College Summit 2025: Select Sessions Now Available to Watch on SVG PLAY Tackling the latest in college sports video: NIL, live production, virtual productio...
25/06/2025
ESPN Is Set To Bring AR Graphics to Wimbledon, Revamps Bunker and Studio 18 VO B...
24/06/2025
2025 NBA Draft: ABC/ESPN Prepares for Two-Day Draft at Barclays Center Partners Game Creek Video, CP Communications, NEP Specialty Capture will be on hand By M...
24/06/2025
Cloud Broadcast Tech Update: Google Cloud's Jane Day on the Impact of AI on ...
24/06/2025
Cloud Broadcast Tech Update: AWS's Dana LaGattuta on Data-Driven Innovation ...
24/06/2025
Lions live: Dublin opener sees Sky Sports take remote route By Fergal Ringrose ...
24/06/2025
Pumas maul Lions as S4C and TG4 deliver first-ever joint host in Dublin By Ferg...
24/06/2025
ABC/ESPN Prepares for 2025 NBA Draft, the First at Barclays Center Partners Game Creek Video, CP Communications, NEP Specialty Capture will be on hand By Mark ...
23/06/2025
Adventures in Live Cloud Production: Stories From the Trenches with MLB, NHL, NB...
23/06/2025
Finding the edge: How Badger & Combes produces live-streamed coverage of county ...
23/06/2025
Masters of Madness: New football format shakes up the rules of sportainment By Adrian Pennington
Monday, June 16, 2025 - 11:38
Print This Story
The ball i...
23/06/2025
New State-of-the-Art Mountain Media Center Launches in Former Starz Encore Build...
23/06/2025
ESPN Says Goodbye to Seaport Studios, Hello to New State-of-the-Art Production F...
20/06/2025
Feeling Unlimited, Part 1: Athletes Unlimited Softball League Deploys Remote Pro...
20/06/2025
A True Test? Cricket's Growth on the Global Stage and the Role Broadcast Can...
20/06/2025
Sky Sports goes large for the British & Irish Lions Tour with AR graphics, UHD a...
20/06/2025
ESPN's Men's College World Series Finals Coverage Combines Innovation, L...
19/06/2025
SVG Rewind: PGA Tour Introduces Drone AR Smart Tracing, Reflects on Winning Geor...
18/06/2025
Technology focus: Fan expectations drive advances in the in-stadium experience By Jo Ruddock
Tuesday, June 3, 2025 - 08:36
Print This Story
For years, att...
18/06/2025
Making connections: How stadiums are meeting the ever-growing demand for data an...
18/06/2025
SVG Venues & Teams Summit Keynote: RWS Global Powers the Stadium Environment at ...
18/06/2025
SVG Rewind: Behind the Scenes of Producing Tottenham Hotspur's Europa League...
17/06/2025
SVG New Sponsor Spotlight: Mercury Intermedia's Tom Richardson, Mike Ligon o...
17/06/2025
Total Sports Performance from Relo Metrics, VideoAmp, Offers Next-Level Media, B...
17/06/2025
From Stage to Stream: Producing Live Esports Events in 2025 Leaders from ESL FACEIT Group, Riot Games, and more break down the latest trends By Jason Dachman, ...
17/06/2025
Inside FIFA 2025 Club World Cup Operations With FIFA's Oscar Sanchez, HBS...
17/06/2025
Production ambitions: Over Exposed on making the National League Promotion Final...