
With the uncertainty surrounding live events in 2021, Arqiva's Chris Alner looks at the broadcast challenges of a congested and fluid sporting calendar and asks whether winning strategies will be defined by conventional wisdom or experimental thinking.
2021 should, in theory, be a big year for sport. Alongside all the usual action, scheduled marque events include the postponed Summer Olympics in Japan and the 2021 UEFA European Championship, a Lions Tour of South Africa, and a Rugby League World Cup. All good news for sports fans and broadcasters.
Of course, there are caveats. Big ones. Aside from the now familiar uncertainty around events going ahead, teams and athletes likely to continue to miss matches and forfeit league positions due to COVID-19 outbreaks, the virus will be the catalyst for a considerable amount of congestion in the sporting calendar. This will be a significant problem towards the middle of the year as events originally scheduled for 2020, such as the Olympics, will now clash with other 2021 major sporting events such as the Lions Tour to South Africa.
Keep eyes on the prize There are a range of issues here. First, multiple events will squeeze audience numbers. Even if some die-hard fans choose to watch multiple, concurrent events on a second or even third screen, most won't.
But getting eyes on content won't be the only problem: scheduling will be tough too, particularly for broadcasters with just one or two linear channels. It seems likely that many will look to leverage investment in online players, and on-demand and catch-up services in response.
I think we'll see broadcasters exploring ways to use new technologies like cloud contribution and distribution to quickly spin up (and then shut down) channels on OTT platforms, affording them more opportunity to combat congestion and reach audiences.
It's not just content availability that will help win the fierce battle for eyeballs in a congested market. The viewing experience for audiences will also be a critical factor too.
Create atmosphere in empty stadia The resumption of live elite sport in 2020 highlighted the issue of empty stadia when it comes to the viewer experience. For many, the lack of a crowd detracts considerably from the excitement. Alongside the option of adding crowd noise, broadcasters have been experimenting with some interesting ways to enhance the experience by adding augmented and virtual reality feeds.
We've also seen some interesting examples of adding real time fan commentary and streamed video of fans to create stadium atmosphere. In one example, basketball's NBA displayed live webcam feeds from remotely attending celebrity viewers and fans on big screens around the court.
These have worked well in some instances, most notably in the National Basketball Association's (NBA) bubble games that closed out the final games of the 2019-20 season and playoffs. It was great to see this kind of innovation, albeit underpinned by a lot of behind the scenes work (in terms of production and logistics) to ensure viewers' high expectations were met.
Experiment but stay focused With necessity the mother of invention, it's important to take these (and other) learnings into 2021 and continue to think out of the box. Whether that's looking at new distribution models, augmenting linear channels or developing new approaches to production. In doing so, we'll be turning live sports events into true media and entertainment showcases, something that will stand us in good stead as social distancing regulations look likely to keep fans out of stadiums for some time.
By definition though, experiments can fail. When you're looking for returns on major sporting investments, there's certainly an element of risk in doing so. The key, I would suggest, is to experiment around production, while ensuring the basics of acquisition and delivery are handled brilliantly (and reliably).
Get comfortable with uncertainty Audience experience aside, there remains a very real threat that many planned events won't go ahead. Despite the best efforts of governing bodies, broadcast partners and others, scheduling in a pandemic is something of a matter of guesswork, and multiple programming contingencies are needed to fill gaps in the schedule when (and if) things don't go to plan.
To my mind this requires something of a cultural shift to ensure broadcasters and rights holders become comfortable with uncertainty. For this to happen, they'll need to be confident in their ecosystem and supply chains. This means that their aggregation, media processing and distribution partners have the technology, the expertise and, crucially, the ambition to adapt to changing circumstances with both agility and confidence. In short, it's a matter of trust.
Work with trusted partners As we move into what is likely to be a very constricted and fluid sporting calendar, it's imperative the industry comes together to plan for uncertainty, so, we can be confident in it. We need to know what works and what doesn't in different scenarios, the kind of contingencies we'll need, when to be experimental and when to double down on what we know works. This way, we'll be prepared for whatever happens. If you'll excuse a final sporting pun, it's about all working together as a team to get the right result.
Talk to Arqiva today about staying in control through uncertainty at sportsandevents@arqiva.com.
Published
15/02/2021
Author
Chris Alner, Director of Commercial Broadcast and Radio
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
23/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/04/2026
Partnership between ARRI and SmallHD brings new Hi-5 license
Configurable monitor overlays adapt to individual working styles
Supported by SmallHD monitors ru...
23/04/2026
Lighting Master Cronenweth ASC brings a unique look to each grid world with the help of Astera
Jeff Cronenweth on the set of Disney's TRON: ARES. Photo by...
23/04/2026
DP Chloe Smolkin ( The Late Show, Kidz Bop ) joins director Danielle Beckmann and writer/actor Raji Ahsan behind the camera for the heartfelt short comedy Dr...
23/04/2026
Apply now to join the 2026 Producer Delegation to TIFF: The Market 23 April 2026
Screen Australia, in partnership with Ontario Creates, has opened application...
23/04/2026
Dermot Bannon's Celebrity Super Spaces airs Sunday 26 April and 3 May on RT ...
23/04/2026
GeForce NOW is doubling down on what matters most: gamers. This week's upgra...
22/04/2026
Solid State Logic is advancing its System T platform with a stronger focus on IP...
22/04/2026
From immersive audio to live streaming, Dolby Laboratories is focused on the fut...
22/04/2026
Shallow depth-of-field cameras have taken the industry by storm. Its debut a han...
22/04/2026
Riedel Communications (Booth C4908) announced that Eastern Kentucky University (...
22/04/2026
The NAB Show is in full swing, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. He...
22/04/2026
Blackmagic Design has announced the URSA Cine 12K LF 100G, a new model in the URSA Cine family adding 100G Ethernet for SMPTE 2110 live production output up to ...
22/04/2026
Celebrating its 40th anniversary, NEP is leaning into hybrid production with the...
22/04/2026
NEP VP, Platform Dan Murphy sits down at the 2026 NAB Show to unpack what NEP P...
22/04/2026
Spotify and the New York Liberty are teaming up to give music and basketball fan...
22/04/2026
New 20-minute documentary explores iconic design The Focusrite Room in Mesa, Arizona, where John Aquilino hosts the Studio Console 005.
In 2025, Focusrite co...
22/04/2026
Offers compact wireless solution for pedalboards
Taiwanese audio brand Cloudvocal have announced the availability of a new pedalboard-friendly wireless syst...
22/04/2026
Latest hybrid sampling/synthesis instrument arrives
Arturia's Augmented series offerings rely on a mixture of sampling and synthesis, allowing users to ...
22/04/2026
Combines three distinct analogue EQ emulations
The latest addition to Acustica Audio's ever-expanding collection of analogue-emulation plug-ins combines...
22/04/2026
Final instalment in vintage-inspired instrument series
Analog Empire: Bass & Lead marks the final instalment in Melda Production's vintage hardware-insp...
22/04/2026
Fuzz pedal joins all-analogue Series A line
Given that Strymons reputation was built on unapologetically digital pedals, it was a little surprising to see t...
22/04/2026
SBS names shortlisted brands for 2026 SBS Media Sustainability Challenge
22 April, 2026
Media releases
National broadcaster also releases its second annual...
22/04/2026
Why Low Band Electronic Warfare Matters...
22/04/2026
The nation unites around football team's World Cup dream
Warsaw, Poland, 20.04.26: Nielsen, a global leader in audience measurement, data, and media intell...
22/04/2026
Warsaw, Poland, 22.04.26: Nielsen, a global leader in audience measurement, data...
22/04/2026
New market intelligence offering gives businesses a clearer view of local consum...
22/04/2026
Glookast Unveils New UX, YouTube and Social Media Connectors, Premiere Panel, Ci...
22/04/2026
Lightcraft Technology to Preview Spark Story at NAB 2026 with Interactive Previs...
22/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/04/2026
22 Apr 2026
VEON's Banglalink to Bring Starlink Mobile to Customers in Bangladesh Bangladesh becomes the third market where VEON and Starlink Mobile partne...
22/04/2026
U have unveiled exclusive first-look images for their six-part police thriller Hit Point, starring Nick Blood (Day of the Jackal) and BAFTA nominee Saffron Hock...
22/04/2026
What can I watch on UKTV and stream on U this week?
This week on UKTV and the free streaming service U, viewers can watch a range of new and returning programm...
22/04/2026
Wednesday 22 April 2026
Sky announces fifth year of WNT Fund with 30,000 bursa...
22/04/2026
Back to All News
This Earth Day, Discover the Sustainable Productions Behind Our Films and Series
Emma Stewart, Ph.D.
Netflix Sustainability Officer
Enterta...
22/04/2026
The move from Retail Media to Commerce Media is about broadening the scope of th...