With the uncertainty surrounding live events in 2021, Arqiva's Chris Alner looks at the broadcast challenges of a congested and fluid sporting calendar and asks whether winning strategies will be defined by conventional wisdom or experimental thinking.
2021 should, in theory, be a big year for sport. Alongside all the usual action, scheduled marque events include the postponed Summer Olympics in Japan and the 2021 UEFA European Championship, a Lions Tour of South Africa, and a Rugby League World Cup. All good news for sports fans and broadcasters.
Of course, there are caveats. Big ones. Aside from the now familiar uncertainty around events going ahead, teams and athletes likely to continue to miss matches and forfeit league positions due to COVID-19 outbreaks, the virus will be the catalyst for a considerable amount of congestion in the sporting calendar. This will be a significant problem towards the middle of the year as events originally scheduled for 2020, such as the Olympics, will now clash with other 2021 major sporting events such as the Lions Tour to South Africa.
Keep eyes on the prize There are a range of issues here. First, multiple events will squeeze audience numbers. Even if some die-hard fans choose to watch multiple, concurrent events on a second or even third screen, most won't.
But getting eyes on content won't be the only problem: scheduling will be tough too, particularly for broadcasters with just one or two linear channels. It seems likely that many will look to leverage investment in online players, and on-demand and catch-up services in response.
I think we'll see broadcasters exploring ways to use new technologies like cloud contribution and distribution to quickly spin up (and then shut down) channels on OTT platforms, affording them more opportunity to combat congestion and reach audiences.
It's not just content availability that will help win the fierce battle for eyeballs in a congested market. The viewing experience for audiences will also be a critical factor too.
Create atmosphere in empty stadia The resumption of live elite sport in 2020 highlighted the issue of empty stadia when it comes to the viewer experience. For many, the lack of a crowd detracts considerably from the excitement. Alongside the option of adding crowd noise, broadcasters have been experimenting with some interesting ways to enhance the experience by adding augmented and virtual reality feeds.
We've also seen some interesting examples of adding real time fan commentary and streamed video of fans to create stadium atmosphere. In one example, basketball's NBA displayed live webcam feeds from remotely attending celebrity viewers and fans on big screens around the court.
These have worked well in some instances, most notably in the National Basketball Association's (NBA) bubble games that closed out the final games of the 2019-20 season and playoffs. It was great to see this kind of innovation, albeit underpinned by a lot of behind the scenes work (in terms of production and logistics) to ensure viewers' high expectations were met.
Experiment but stay focused With necessity the mother of invention, it's important to take these (and other) learnings into 2021 and continue to think out of the box. Whether that's looking at new distribution models, augmenting linear channels or developing new approaches to production. In doing so, we'll be turning live sports events into true media and entertainment showcases, something that will stand us in good stead as social distancing regulations look likely to keep fans out of stadiums for some time.
By definition though, experiments can fail. When you're looking for returns on major sporting investments, there's certainly an element of risk in doing so. The key, I would suggest, is to experiment around production, while ensuring the basics of acquisition and delivery are handled brilliantly (and reliably).
Get comfortable with uncertainty Audience experience aside, there remains a very real threat that many planned events won't go ahead. Despite the best efforts of governing bodies, broadcast partners and others, scheduling in a pandemic is something of a matter of guesswork, and multiple programming contingencies are needed to fill gaps in the schedule when (and if) things don't go to plan.
To my mind this requires something of a cultural shift to ensure broadcasters and rights holders become comfortable with uncertainty. For this to happen, they'll need to be confident in their ecosystem and supply chains. This means that their aggregation, media processing and distribution partners have the technology, the expertise and, crucially, the ambition to adapt to changing circumstances with both agility and confidence. In short, it's a matter of trust.
Work with trusted partners As we move into what is likely to be a very constricted and fluid sporting calendar, it's imperative the industry comes together to plan for uncertainty, so, we can be confident in it. We need to know what works and what doesn't in different scenarios, the kind of contingencies we'll need, when to be experimental and when to double down on what we know works. This way, we'll be prepared for whatever happens. If you'll excuse a final sporting pun, it's about all working together as a team to get the right result.
Talk to Arqiva today about staying in control through uncertainty at sportsandevents@arqiva.com.
Published
15/02/2021
Author
Chris Alner, Director of Commercial Broadcast and Radio
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
In its sixth year, the broadcaster's coverage has become a global brand and ...
01/06/2026
Designed to solve a common problem in broadcasting, the automated workflow detects, identifies, removes, and documents copyrighted music
AudioShake has introdu...
01/06/2026
The sports-analytics company combines its data with proprietary AI to help leagu...
01/06/2026
Category line-up & sponsors announced
Photo: Paul Clarke
The Production Music Awards (PMA) have announced that submissions are now officially open ahead of...
01/06/2026
New hybrid sample/synthesis instrument revealed
Excite Audio have just released the latest instalment in their Evolve series, which has been developed in co...
01/06/2026
Latest TONEX expansion captures three rare vintage amps
The newest addition to IK Multimedia's ever-growing TONEX line-up introduces a set of three incr...
01/06/2026
Musically intelligent soft synth gets upgraded
Scaler Music will be probably be best known to many for their music theory tools, but their product range al...
01/06/2026
SBS confirms its broadcast sponsors for FIFA World Cup 2026
1 June, 2026
Media releases
SBS has secured Hyundai, Hisense, Macca's, Rexona, bet365, Com...
01/06/2026
Rohde & Schwarz Satellite Industry Days 2026 guided by the motto From Earth to ...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Marshall Electronics is showcasing a comprehensive lineup of next-generation POV cameras, purpose-built to power today's connected AV environments, at InfoC...
01/06/2026
Adobe Announces Concept to Vector
Deepa Subramaniam June 1, 2026
0 Comments
One of the biggest frustrations we hear from designers is how difficult it...
01/06/2026
Vampire Feature Night Patrol Graded with DaVinci Resolve Studio
Brie Clayton June 1, 2026
0 Comments
Colorist shapes dark, gritty tone for horror thri...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Mardi 2 juin 14h00
FilmLight (ARRI), 10 rue Ren Boulanger, 75010 Paris
Rejoignez-nous pour d couvrir comment FLAPI (l'API FilmLight) peut transformer e...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
31/05/2026
Olivia P rez-Collellmir to Premiere Original Work at Gaud Centennial in Barcelona The Berklee graduate and faculty member will debut her choral symphony with...
31/05/2026
Back to All News
Netflix Wins 15 Awards at the Canadian Screen Awards - See Pho...
31/05/2026
Taiwan is home to more than 500 NVIDIA ecosystem partners. More than 1 million N...
31/05/2026
As factories move from isolated automation to plant-wide intelligence, manufacturers need AI systems that can connect live machine signals, quality systems, wor...
31/05/2026
The NVIDIA AI Cloud ecosystem is accelerating the global buildout of AI factory infrastructure. Partners are expanding capacity to meet growing demand from ente...
30/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/05/2026
Zero in on one that says yes (and no)
Andy Marken May 29, 2026
0 Comments
Hero image courtesy of Deposit Photos
For content creators the most difficu...
29/05/2026
With InfoComm 2026 just weeks away, NDI is giving attendees plenty of reasons to...
29/05/2026
Reaffirming a partnership that has defined Canadian sports broadcasting since 19...
29/05/2026
Mobile/tablet is No. 2 device for watching TV, suggesting that the sports-production industry needs to take another look at the format
Ring Digital's Sprin...
29/05/2026
Berliner Ensemble, one of Berlin's five major theater companies, has expande...
29/05/2026
Solid State Logic will showcase its new compact, fly-away TCA Tour audio product...
29/05/2026
Gerald (Jerry) Pierce, a pioneering technologist who helped shape the digital transformation of the motion picture industry, passed away last month on April 12 ...
29/05/2026
Paramount+ will be the English-language U.S. home for Barclays Women's Super...
29/05/2026
Further strengthening its virtualisation strategy to fully support broadcasters ...
29/05/2026
Swiss broadcaster Canal Alpha has deployed Harmonic's award-winning, software-based XOS Advanced Media Processor to modernize playout operations across cant...
29/05/2026
PTZOptics will showcase a new generation of intelligent video workflows at InfoComm 2026, June 17-19, Las Vegas. Visitors to booth N8227 will see how PTZOptics ...
29/05/2026
Arizona's Family has launched the Arizona's Family Sports (AZFS) streaming app, a new direct-to-consumer destination for live, local sports. The app is ...
29/05/2026
Starting in 2027, DAZN will be the exclusive home of The Canadian Football Leagu...
29/05/2026
Comcast Business has detailed the advanced network infrastructure it has deploye...
29/05/2026
In two-day event, leaders from academia and industry explored solutions to chall...
29/05/2026
The Basketball Tournament (TBT), now entering their 13th year of competition, ha...
29/05/2026
Roku has launched FOX One as a Premium Subscription on The Roku Channel in the U.S. Roku customers can now subscribe to FOX One using their Roku account for liv...
With the uncertainty surrounding live events in 2021, Arqiva's Chris Alner looks at the broadcast challenges of a congested and fluid sporting calendar and asks whether winning strategies will be defined by conventional wisdom or experimental thinking.
