In Age of Coronavirus, Sinclair, Altitude, and AT&T RSNs Test MTVG Cloud Control' To Customize Feeds Remotely New remote-production platform is seen as next evolution in the dual-feed model' By Jason Dachman, Chief Editor
Friday, May 22, 2020 - 12:39 pm
Print This Story | Subscribe
Story Highlights
Although no one in the industry can be totally sure what live sports productions will look like when major U.S. leagues return to play, one thing is certain: the footprint and workflow of the production compound will have changed. Instead of the typical setup for an MLB, NBA, or NHL compound often handling three concurrent productions (two RSNs and a national broadcaster), many leagues are pushing for a world-feed model that would reduce the number of people onsite in an effort to maintain social distancing. However, this model would limit RSNs' ability to customize broadcasts for their team partners and passionate fanbases.
With that in mind, Mobile TV Group, which led the innovation of the dual-feed model that has allowed RSNs to create customized telecasts for years, has launched Cloud Control.
Altitude's producer/director at its NOC was able to call the game as if he was in the truck during MTVG's Cloud Control test last week.
The new live workflow enables production personnel normally located in the mobile unit to work at their network offices and remotely control equipment and resources housed in the truck. Cloud Control can be used to produce multiple feeds of a game (world feed, home show, visitor show) with just three or four people per feed in the mobile units. MTVG's dual-feed mobile units (A and B unit) can produce up to two feeds with Cloud Control with the potential of a third feed.
We believe this is the next evolution in the dual-feed model and will allow us to produce a game broadcast focused on the hometown team that will satisfy the needs of our [team partners], says Mike Connelly, EVP, Sinclair/Fox Sports Regional Sports Networks. It keeps our staff close with our teams in our home markets instead of a centralized control room and also allows us to maintain the high quality of a dual feed, which has been one of the biggest game-changers in our business.
https://www.sportsvideo.org/new/wp-content/uploads/2020/05/Video-1.mp4
Last week, MTVG successfully conducted tests of Cloud Control in Denver with Sinclair Broadcast Group/Fox Sports North, Altitude Sports, and AT&T SportsNet Rocky Mountain. The production had immediate control and use of all facilities in the mobile unit, including cameras, EVS replay, super-slo-mo, graphics, scorebox, intercom, and audio with less than 100-ms latency.
The producer and director were able to call the show as if they were at the venue even though they were at their offices, explains Phil Garvin, founder/CEO, MTVG. They said it felt just like being in the mobile unit. Essentially, we're taking all the [crew] that is usually located in the [visitor mobile unit] in a dual-feed model and moving all of that back [to the network's offices]. If you want it to be exactly the same personnel, same level of cameras, replay, and super-slo-mo that you have today, you can do that; the crew is just in a different location.
RSNs See Cloud Control as Viable Alternative to World Feed
As MLB, NBA, and NHL explore options for resuming play in the coming months, RSNs are looking to maintain some version of the dual-feed model in which home and visiting production teams are able to customize telecasts for their respective markets.
MTVG sends back 1080p multiviewer feeds to enhance the resolution for the producer/director back home.
One of the biggest issues in the [RSN] business is the intimate relationships between us and our team partners, says Connelly. We're embedded with these teams to tell their side of the story. Simply put, the world-feed model doesn't allow us to do that. If we get into a REMI model, centralized control room, or world-feed situation, that significantly limits our ability to tell that team's story. This [Cloud Control model] solves that problem.
Ken Miller, GM/executive producer, Altitude Sports, adds, If the choices are world feed or this model, then it's not even close: we choose [Cloud Control]. We have spent a long time perfecting the dual-feed model, and it would be difficult to give that up. A world-feed broadcast typically plays it down the middle, and that isn't going to cut it for what we need.
Notes Erica Ferrero, senior director, AT&T Sportsnet Rocky Mountain, Accessing truck assets from our home studio with minimal latency allows us multiple ways to approach a broadcast.
How It Works: Inside Cloud Control
Cloud Control uses multiviewers, intercom, and control data, rather than sending camera feeds to a central control room as previous at-home systems have done. MTVG sends a 1080p multiviewer feed to enhance the resolution for the producer/director back home.
The production had immediate control and use of all facilities in the mobile unit with less than 100-ms latency.
The only crew members onsite are an engineer, TD, A1, and V1. The producer, director, graphics/scorebug and replay operators, (possibly) talent, and all other personnel are located at the broadcaster's offices.
The system allows almost unlimited camera and replay resources without the need for a high-end control room at the broadcast center. Cloud Control can use a standard office space with a 250- to 500-Mbps circuit to the mobile unit at the venue. MTVG provides networks a list of required equipment (a one-time cost of approximately $20,000 plus $10,000 for each EVS operator position) or will install it on a lease/rental basis (mobile units must be Cloud Control-compatible).
The Test: Cloud Control Goes Live
After more than two years of development, MTVG con
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
08/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/05/2026
Liberty University on why broadcast technology isn't just a technical invest...
08/05/2026
COW Jobs: UGC, On-Camera Video Content
Brie Clayton May 7, 2026
0 Comments
UGC, On-Camera Video Content
April 17, 2026Documentary Editor - US,......
07/05/2026
Journalists reporting on Sudan are working in one of the most complex and fast-m...
07/05/2026
Multi-year partnership positions Victory+ as a free home for Dallas Cowboys orig...
07/05/2026
From sideline reporting to directing and producing, the talented sophomore is building a well-rounded foundation for a career in live sports production
In the ...
07/05/2026
Cobalt Digital has received two Future Best of Show awards at NAB Show 2026. The COBALT blueCORE platform was recognized by TV Tech, and the COBALT PACIFIC ULL-...
07/05/2026
ESPN analyst Mina Kimes will host the televised semifinals and finals of the 202...
07/05/2026
Bitmovin has announced that MUBI, the global film streaming platform, has selected Bitmovin as its cloud VOD encoding partner. Bitmovin's encoding infrastru...
07/05/2026
NBCUniversal Telemundo Enterprises and the U.S. Soccer Federation have announced...
07/05/2026
Angel City Football Club (ACFC) and Victory have announced a regional broadcast partnership bringing live match coverage to fans across the greater Los Angeles...
07/05/2026
Spiideo has announced the launch of AI Highlights inside Spiideo Play, its automated sports production platform. AI Highlights combines video, event data, audio...
07/05/2026
Leostream Corporation has announced a unified remote access ecosystem for high-p...
07/05/2026
The Atlanta Dream has partnered with Victory to stream all locally broadcast Dream games for free, expanding the team's digital distribution strategy and g...
07/05/2026
Riedel Communications has announced the appointment of Marc Engroff as Chief Fin...
07/05/2026
SES and ARD, Germany's largest public broadcasting network, have announced a long-term extension of their satellite distribution partnership through 2039. U...
07/05/2026
UpLight Technologies delivers a flexible video and lighting system for a new televised sportLaunching the Pro Cheer League required more than creating a compell...
07/05/2026
Full Day Productions and GSE Worldwide have announced Spikes Under the Lights, a...
07/05/2026
Seit dem Start im Jahr 2023 hat DJ (Beta) das personalisierte H rerlebnis von 94...
07/05/2026
Da quando stata presentata nel 2023, DJ (beta) ha aiutato a definire un'esperienza d'ascolto pi personalizzata per 94 milioni di utenti Spotify Premi...
07/05/2026
Since launching in 2023, DJ (beta) has helped shape a more personalized listenin...
07/05/2026
Desde o lan amento em 2023, o DJ (beta) j ajudou a deixar a experi ncia de ouvi...
07/05/2026
From our earliest days, Spotify has been built on a simple principle: Great audio should be easy to reach. It's what's driven us to expand from music to...
07/05/2026
Asian and Pacific Islander artists continue to shape the global soundscape, pushing creative boundaries and connecting with fans worldwide. This Asian & Pacific...
07/05/2026
Company announce long-requested choir instrument
In the latest expansion of their Symphonic Elements series, UJAM have introduced an all-new vocal instrumen...
07/05/2026
Modular-inspired sound generation with digital control
Buchla have introduced Ziggy, a new compact synthesizer built around the company's complex oscill...
07/05/2026
Combines analogue voices with digital synthesis and sequencing
Polyend have announced Drums, a new hybrid analogue and digital drum machine that combines sy...
07/05/2026
Control surface now officially supports four DAWs
When Nektar launched the Panorama CS12 control surface, it worked exclusively with Apple's Logic Pro, ...
07/05/2026
In the first quarter 2026, SGL Carbon generated consolidated sales of 184.5 million, which was 49.8 million, or 21.3%, lower than in the prior year (Q1 2025: ...
07/05/2026
Rohde & Schwarz and Greenerwave achieve precise and fast ESA antenna characteriz...
07/05/2026
Two multi-role L3Harris products - the Red Wolf launched effects vehicle and SK...
07/05/2026
L3Harris will be developing key features of a secure and resilient digital infra...
07/05/2026
Alysa Liu and Shohei Ohtani Help Drive Viewership as 91 of the Top 100 Broadcast...
07/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/05/2026
Cobalt Digital Wins Two Future Best of Show Awards at 2026 NAB Show
Manufacturer Recognized by TV Tech and TVBEurope for Innovation in signal processing
Cobal...
07/05/2026
Software and hardware platforms, AI power and user-friendliness on show...
07/05/2026
Intinor will demonstrate its latest technical enhancements for the Direkt series at BroadcastAsia 2026. With a continued focus on reliable contribution and remo...
07/05/2026
Bitmovin has announced that MUBI has chosen Bitmovin as its cloud VOD encoding partner, replacing MUBI's legacy on premises encoding setup to improve scalab...
07/05/2026
Meet Graduates from Berklees Class of 2026 Members of this years graduating class reflect on their proudest moments at Berklee and look ahead to whats next.
...
07/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/05/2026
At BroadcastAsia 2026, Interra Systems will demonstrate its latest innovations in automated quality control (QC), real-time monitoring, and captioning. The comp...
07/05/2026
At this year's Broadcast Asia, PlayBox Neo is set to unveil recent innovations across its PlayBox Neo Suite and integrated range of broadcast media solution...
In Age of Coronavirus, Sinclair, Altitude, and AT&T RSNs Test MTVG Cloud Control' To Customize Feeds Remotely New remote-production platform is seen as next evolution in the dual-feed model' By Jason Dachman, Chief Editor 
