
In Age of Coronavirus, Sinclair, Altitude, and AT&T RSNs Test MTVG Cloud Control' To Customize Feeds Remotely New remote-production platform is seen as next evolution in the dual-feed model' By Jason Dachman, Chief Editor
Friday, May 22, 2020 - 12:39 pm
Print This Story | Subscribe
Story Highlights
Although no one in the industry can be totally sure what live sports productions will look like when major U.S. leagues return to play, one thing is certain: the footprint and workflow of the production compound will have changed. Instead of the typical setup for an MLB, NBA, or NHL compound often handling three concurrent productions (two RSNs and a national broadcaster), many leagues are pushing for a world-feed model that would reduce the number of people onsite in an effort to maintain social distancing. However, this model would limit RSNs' ability to customize broadcasts for their team partners and passionate fanbases.
With that in mind, Mobile TV Group, which led the innovation of the dual-feed model that has allowed RSNs to create customized telecasts for years, has launched Cloud Control.
Altitude's producer/director at its NOC was able to call the game as if he was in the truck during MTVG's Cloud Control test last week.
The new live workflow enables production personnel normally located in the mobile unit to work at their network offices and remotely control equipment and resources housed in the truck. Cloud Control can be used to produce multiple feeds of a game (world feed, home show, visitor show) with just three or four people per feed in the mobile units. MTVG's dual-feed mobile units (A and B unit) can produce up to two feeds with Cloud Control with the potential of a third feed.
We believe this is the next evolution in the dual-feed model and will allow us to produce a game broadcast focused on the hometown team that will satisfy the needs of our [team partners], says Mike Connelly, EVP, Sinclair/Fox Sports Regional Sports Networks. It keeps our staff close with our teams in our home markets instead of a centralized control room and also allows us to maintain the high quality of a dual feed, which has been one of the biggest game-changers in our business.
https://www.sportsvideo.org/new/wp-content/uploads/2020/05/Video-1.mp4
Last week, MTVG successfully conducted tests of Cloud Control in Denver with Sinclair Broadcast Group/Fox Sports North, Altitude Sports, and AT&T SportsNet Rocky Mountain. The production had immediate control and use of all facilities in the mobile unit, including cameras, EVS replay, super-slo-mo, graphics, scorebox, intercom, and audio with less than 100-ms latency.
The producer and director were able to call the show as if they were at the venue even though they were at their offices, explains Phil Garvin, founder/CEO, MTVG. They said it felt just like being in the mobile unit. Essentially, we're taking all the [crew] that is usually located in the [visitor mobile unit] in a dual-feed model and moving all of that back [to the network's offices]. If you want it to be exactly the same personnel, same level of cameras, replay, and super-slo-mo that you have today, you can do that; the crew is just in a different location.
RSNs See Cloud Control as Viable Alternative to World Feed
As MLB, NBA, and NHL explore options for resuming play in the coming months, RSNs are looking to maintain some version of the dual-feed model in which home and visiting production teams are able to customize telecasts for their respective markets.
MTVG sends back 1080p multiviewer feeds to enhance the resolution for the producer/director back home.
One of the biggest issues in the [RSN] business is the intimate relationships between us and our team partners, says Connelly. We're embedded with these teams to tell their side of the story. Simply put, the world-feed model doesn't allow us to do that. If we get into a REMI model, centralized control room, or world-feed situation, that significantly limits our ability to tell that team's story. This [Cloud Control model] solves that problem.
Ken Miller, GM/executive producer, Altitude Sports, adds, If the choices are world feed or this model, then it's not even close: we choose [Cloud Control]. We have spent a long time perfecting the dual-feed model, and it would be difficult to give that up. A world-feed broadcast typically plays it down the middle, and that isn't going to cut it for what we need.
Notes Erica Ferrero, senior director, AT&T Sportsnet Rocky Mountain, Accessing truck assets from our home studio with minimal latency allows us multiple ways to approach a broadcast.
How It Works: Inside Cloud Control
Cloud Control uses multiviewers, intercom, and control data, rather than sending camera feeds to a central control room as previous at-home systems have done. MTVG sends a 1080p multiviewer feed to enhance the resolution for the producer/director back home.
The production had immediate control and use of all facilities in the mobile unit with less than 100-ms latency.
The only crew members onsite are an engineer, TD, A1, and V1. The producer, director, graphics/scorebug and replay operators, (possibly) talent, and all other personnel are located at the broadcaster's offices.
The system allows almost unlimited camera and replay resources without the need for a high-end control room at the broadcast center. Cloud Control can use a standard office space with a 250- to 500-Mbps circuit to the mobile unit at the venue. MTVG provides networks a list of required equipment (a one-time cost of approximately $20,000 plus $10,000 for each EVS operator position) or will install it on a lease/rental basis (mobile units must be Cloud Control-compatible).
The Test: Cloud Control Goes Live
After more than two years of development, MTVG con
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
06/06/2026
Check Out Leading Monitor Brands
We'll have monitors of all shapes and sizes at GearExpo UK, so whether you're looking to upgrade or expand your set...
06/06/2026
Two Originals offerings join MPC line-up
Following on from their partnership announcement at NAMM 2026, Spitfire Audio and Akai Pro have announced the relea...
06/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/06/2026
Matrox Video today announced the launch of the Matrox Maevex MGX Series, a new lineup of IPMX-ready video encoders and decoders with USB support that is enginee...
06/06/2026
Atomos (booth# S1006) announced immediate availability of Sumo PRO-19, a new 19-inch 4K HDR monitor-recorder-switcher designed as a central production hub for m...
06/06/2026
Cine Gear Expo 2026 DoPchoice introduces a complete light-shaping system for the new Creamsource Vortex2, further expanding the fixture's wide versatility...
06/06/2026
SmallHD will debut a new OLED 4K production monitor with a 16 display, the OLED 16, that combines OLED's industry-benchmark contrast ratio, exceptional col...
06/06/2026
Ed Lachman ASC, Caleb Deschanel ASC, and M. David Mullen ASC Being Honored at the 30th Annual Cine Gear Expo LA
Cine Gear Expo has announced the recipients of ...
06/06/2026
World premiere at Cine Gear Expo Los Angeles, June 5-6...
06/06/2026
See it first at Cine Gear Expo LA, Booth #S1703
DoPchoice introduces the latest addition to its inflatable AIRGLOW series the 8 2 Frame for RuPixel Canvas. ...
05/06/2026
The university-wide initiative has pushed their creative content to a new level
Although collegiate athletics at a single institution can contain numerous spo...
05/06/2026
In-venue and creative video staffers at the professional and collegiate level ha...
05/06/2026
Synamedia has announced that Lumine Group has agreed to acquire its Video Network business. The company is positioning the transition as the start of a new phas...
05/06/2026
Ateme, Broadcasting Center Europe (BCE), and Scaleway have announced a strategic partnership to deliver a cloud-based media supply chain covering ingest through...
05/06/2026
Audinate has announced three new additions to its Dante AVIO Install adapter series: a 4-Channel Analog Input, a 4-Channel Analog Output, and a 2-Ch In/2-Ch Out...
05/06/2026
Sportradar Group AG has announced a multi-year extension of its exclusive global...
05/06/2026
The M6 Group will broadcast FIFA World Cup 2026 matches live and in Ultra High D...
05/06/2026
The Athletic has announced that PGA TOUR highlights will be integrated into its golf coverage beginning with the Memorial Tournament presented by Workday. PGA T...
05/06/2026
When the FIFA World Cup arrives in North America in 2026, it will bring more tha...
05/06/2026
FIFA and DAZN have announced the launch of FIFA exclusively on DAZN, consolidating FIFA's content portfolio within DAZN's sports platform. The move fol...
05/06/2026
Telemundo's exclusive Spanish-language coverage of the FIFA World Cup 2026 G...
05/06/2026
Dolby Laboratories and NBCUniversal have announced that Peacock will stream Tele...
05/06/2026
Formula 1 has announced a 10-year extension to keep the Las Vegas Grand Prix on the F1 calendar through 2037. Las Vegas Grand Prix, Inc., Clark County, and the ...
05/06/2026
The broadcast-engineering team overcomes wind, speed, and salt water - and dista...
05/06/2026
Deploying both onsite and remote crews, the company is providing calibrated-came...
05/06/2026
With Inter&Co Stadium unavailable, ESPN's UFL team rebuilt its broadcast pla...
05/06/2026
One of the most exciting and informative events on the SVG annual event calendar is the Regional Sports Production Summit, an annual gathering of industry profe...
05/06/2026
For the race's third year at the historic racetrack, the broadcaster has added cameras and will incorporate multiple drones
The 158th edition of the Belmon...
05/06/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
05/06/2026
Built from the same recordings as flagship library
Sonuscore's LUX Orchestral Strings has been met with widespread praise since its launch in late 2025,...
05/06/2026
High-end converter, interface & headphone amp upgraded
Said to represent the next evolution of RME's all-in-one reference converter concept, the all-new...
05/06/2026
Win a Soundgas Type 636P & Type G preamps
Soundgas, one of the UK's leading vintage and boutique audio equipment specialists have just announced the lau...
05/06/2026
New leadership of Technology Systems Division at Rohde & Schwarz On July 1, 2026, Hansj rg Herrbold and Andreas H gele will take over as Executive Vice Presid...
05/06/2026
Hitachi and Intel announced a strategic collaboration to explore opportunities t...
05/06/2026
MRI-Simmons and S&P Global Mobility are expanding advanced audience capabilities...
05/06/2026
New Nielsen data shows insurance ad spend grew 11%, while consumers remain highl...
05/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
05/06/2026
ASG Promotes Joe Marchitto to Western Regional CTO
Brie Clayton June 5, 2026
0 Comments
Appointment to Support Engineering Alignment and Client Experi...
05/06/2026
Stargate Studios Colombia Uses DaVinci Resolve Studio for Vertical Microdramas
Brie Clayton June 5, 2026
0 Comments
End to end post in one platform al...
05/06/2026
People Need to Come First When We Use AI
Andy Marken June 5, 2026
0 Comments
It's just surviving. Life's very existence requires destruction....
05/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
05/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
05/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
05/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
05/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
05/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...