
Pebbles Jordan Toner reveals his journey in the media tech industry, including building a mini production facility in a van and driving it across 12 European countries in eight weeks
By Jenny Priestley
Published: March 7, 2023 Updated: March 8, 2023
Pebble's Jordan Toner reveals his journey in the media tech industry, including building a mini production facility in a van and driving it across 12 European countries in eight weeks
target=_blank title=Share on LinkedIn class=share-linkedin>
Jordan Toner, customer fulfilment engineer, Pebble Talk us through an average day in your role After completing my morning routine (which includes yoga!) one of my first tasks is to check on support calls that have come through overnight, followed by a regular catch up with my line manager and colleagues on the work to be prioritised and completed for that day. The work varies from a simple configuration of adding another channel to an existing system or helping to build a playout infrastructure from scratch for a new broadcast facility.
I then respond to emails following up on questions from existing customers or requests from our solution architects team detailing future work that will come our way which needs to be planned for.
Some days I'm involved in a kick-off meeting which provides vital information on what is needed for a customer and the timeframe for delivery, others I'm solving the challenge of a complex configuration at a customer site - so looking at the type of channel they play out and the hardware they use to do this alongside our software and then identifying what changes/fixes need to be made to the hardware so that the channel continues to play out successfully. And then there are days where I'm working on a full technology refresh, which means installing new servers whilst ensuring the customers' channel/s stay on air - which is quite the challenge. A tech refresh like this happens in one day!
As you can imagine, working on so many different projects concurrently means that every day is very different!
How did you get started in the media industry? My first job was as a warehouse assistant for a live events company. I helped to design the live events in the warehouse itself, recreating the event locally; my main duties being to test all the kit which ranged from lighting, safety bonds, audio desks (testing faders) microphones, cabling, cameras and finally stress testing the truss.
My next role was working for BFBS as a junior broadcast engineer. I remember my first task was fixing an uplink van - which was quite old! From there, I was then given the task to update the facility's Scala archive system, taking it from the older LTO4 to the newer LTO6 tape generation. I also had to install a whole new robot and chassis as well as a light web interface. At the time, BFBS were using Pebble's Integrated Channel solution which is how I first heard about Pebble!
I also worked for a number of systems integrators to help design and build large-scale production facilities worldwide, the most memorable being for the BBC Lagos Bureau in Nigeria. I experienced a very different side of the world and met some very interesting people; friends I keep in touch with even now.
After some time with TSL, I then moved on to Blackmagic Design as a technical sales specialist for broadcast, where I built a mini production facility in a van and drove it across 12 countries in Europe in eight weeks!
After my time at Blackmagic, I worked on a project for Google Deep Mind to build the best video conferencing facility possible. The backbone of the facility was MTP trunked fibre, enabling a full UHD SMPTE 2110 system - it was all IP, with no SDI at all - across multiple sets of meeting rooms with AI controlled cameras, Shure directional microphones and speakers in the ceilings. This was also recreated in an amphitheatre for a video conferencing experience straight out of the year 3000!
What training did you have before entering the industry? I took a two-year college course in Media Studies aged 16, but didn't return back to education until I was 23. In between, I spent two years working as a 999 call taker for the Ambulance Service, but I eventually went on to study Media Technology at the University of Salford - a big shout out for Laurence Murphy who is the lead lecturer and head of technology there! He undoubtedly helped me land my first job.
Why do you enjoy working in the industry? Because I'm a geek first and foremost! I'd describe myself as a technologist - I like the cutting edge-ness of it all. I've worked on some varied projects in my career so far but never have I worked for a company before with so much trust and freedom like I do at here at Pebble. For me it's the place to be! And I have a fantastic line manager who is very supportive. The industry itself is constantly evolving and there are various debates about the next best thing such as 8K HDR with whispers of 16K on the horizon.
It's also about the people too - especially at Pebble. I recently mentored my colleague Anisa which was really interesting. Having the perspective of a fresh green' engineer who was testing my knowledge was great because she wasn't afraid to ask questions and it was really rewarding to play a pivotal role in her development. It's nice to have someone that you can pass your knowledge on to and challenging the way you do things by constantly checking up on your knowledge. I really enjoy working with my colleagues and all in all I think the team we have at Pebble are the best around!
What piece of advice would you offer someone looking to explore a role similar to yours? Be sure this is what you want to invest your time in because it is a challenging job, a lifestyle choice but one that is incredibly rewarding at the same. You nee
More from TVB Europe
15/04/2025
Jan Krupp, VFX supervisor at Scanline VFX, tells TVBEurope how the company created a range of environments for the Netflix film
By Matthew Corrigan
Published...
15/04/2025
Ateliere said that due to the current, unforeseen turbulence in the US and in the global business and financial markets the company is no longer in a position t...
14/04/2025
Stanley has been promoted to the role following seven years as general manager with the company
By Matthew Corrigan
Published: April 14, 2025 Updated: Apri...
14/04/2025
StreamAMG delivers more than 15,000 live events each year, with over 52,000 hours of content watched in 200 countries
By Matthew Corrigan
Published: April 14...
14/04/2025
TVBEurope content director Jenny Priestley sums up her 2025 NAB Show experience, from the end of AI hype to the impact of tariffs, trying out virtual production...
11/04/2025
Two creative projects will receive awards of £35,000 aiming to boost innovation in 5G across the media and entertainment sector
By Matthew Corrigan
Published...
11/04/2025
The London VFX studio has strengthened its pipeline team with two promotions and a new appointment
By Matthew Corrigan
Published: April 11, 2025 Updated: A...
10/04/2025
The report outlined a package of proposed measures to ensure domestic production...
10/04/2025
Attendees travelled from 160 countries around he world to the media and entertainment industrys Super Bowl event
By Matthew Corrigan
Published: April 10, 202...
10/04/2025
Kitty Higinbotham, president of Wall Street Communications, tells TVBEurope why communication skills are essential in an ever-changing industry
By Matthew Corr...
09/04/2025
Located across from Panavision London's camera and optics rental business, the new site is nearly 10,000 sq ft larger than the previous facility
By Matthew...
09/04/2025
The project aims to enable flexibility and integration to ensure consistent graphics experiences across diverse platforms
By Matthew Corrigan
Published: Apri...
09/04/2025
The proposal includes an investment of £20 million in local industry and could create up to 4,000 jobs
By Matthew Corrigan
Published: April 9, 2025 Updated...
09/04/2025
Andy Sumner also joins the company supporting its recent expansion into Liverpoo...
09/04/2025
TVBEurope celebrates the stand-out products on show in Las Vegas
By Jenny Priestley
Published: April 9, 2025 Updated: April 13, 2025
TVBEurope celebrate...
08/04/2025
Channel 4's Top Guns: Inside the RAF puts viewers at the heart of the action, following the service as it carries out operations around the world. Mark Tatt...
08/04/2025
DPP CEO Rowan de Pomerai and CCO Mark Harrison talk to TVBEurope about the organisations first decade, plans for the future and challenges facing the media indu...
08/04/2025
Reports say ProSiebenSat is lining up the investment bank to repel the Berlusconi-owned company as it seeks to retain independence
By Matthew Corrigan
Publi...
08/04/2025
Jodi Morelli, acting head of external communications for Globecast, and growth manager, North America at RISE talks to TVBEurope about the need to stay curious,...
07/04/2025
The company debuted new products, accessories and upgrades ahead of NAB 2025
By Matthew Corrigan
Published: April 7, 2025
The company debuted new products...
07/04/2025
Production company Fulwell 73 and financiers Cain International plan to build 20 premium sound stages at the complex
By Matthew Corrigan
Published: April 7, ...
06/04/2025
TVBEurope content director Jenny Priestley sits down with new Grass Valley CEO Jon Wilson to discuss his vision for the company going forward, what that means f...
04/04/2025
In our latest article on a piece of broadcasting history, Vizrts Russell Leak tells TVBEurope how his Dad created the motor used in a BBC 1 ident from the 1980s...
04/04/2025
The agency aims to bridge gaps in product strategy, development, and go-to-market programmes for media tech companies around the world
By Matthew Corrigan
Pu...
04/04/2025
Carole Pigeard, SVP of global sales at Moments Lab tells TVBEurope how diverse perspectives fuel evolution in the media and entertainment space
By Matthew Corr...
03/04/2025
Innovations across Premiere Pro and After Effects deliver AI-powered upgrades and workflow improvements, said the company
By Matthew Corrigan
Published: Apri...
03/04/2025
The new upgrades aim to enable smarter tracking, greater control, and faster workflows while expanding interoperability across robotic systems
By Matthew Corr...
03/04/2025
From a trip to space to the inaugural Sports Summit, and a look behind the camera of Wicked, this is whats on the TVBEurope teams radar at the 2025 NAB Show
B...
03/04/2025
Because of the nature of this sort of sliding scale of tariffs, there are opportunities that werent there before, analyst Alice Enders tells TVBEurope
By Jenny...
02/04/2025
Sally Wallington, SVP of sales at Pebble, explores the mission-critical considerations broadcasters should make when choosing a playout provider
Sponsored Cont...
02/04/2025
TVBEurope meets Tim Claman, chief product officer at Avid, to discuss the compan...
02/04/2025
Submissions will be accepted up until 23:59 PST on 2nd April
By Jenny Priestley
Published: March 24, 2025 Updated: April 3, 2025
Submissions will be acc...
02/04/2025
Leclerc will work with group members to explore and champion UK digital media distribution via broadcast, IP, mobile or hybrid delivery
By Jenny Priestley
Pu...
01/04/2025
Adopting open standards, the solution aims to provide workflow standardisation, allowing for automation and other innovations across a diverse range of markets
...
01/04/2025
Submissions will be accepted up until 23:59 PST on 2nd April
By Jenny Priestley
Published: March 24, 2025 Updated: April 1, 2025
Submissions will be acc...
01/04/2025
The AI issue takes a look at how AI is reshaping broadcasting, including areas such as sports commentary and archiving and storage, plus we discover how Norways...
01/04/2025
Joining the company with more than two decades of experience forging and scaling alliances in the industry, Wastcoats role will support TVUs strategic developme...
31/03/2025
Submissions will be accepted up until 23:59 PST on 2nd April
By Jenny Priestley
Published: March 24, 2025 Updated: March 31, 2025
Submissions will be ac...
31/03/2025
The company is said to be working with KPMG on a deal that could include the sale of a majority or minority stake
By Jenny Priestley
Published: March 31, 202...
31/03/2025
The confidential agreement ends multi-jurisdictional litigation between the parties over the issues
By Matthew Corrigan
Published: March 31, 2025 Updated: ...
31/03/2025
Em Bell, senior client services coordinator at dock10, tells TVBEurope why a can-do attitude and problem-solving mindset is ideal for the TV industry
By Matthe...
28/03/2025
TED-Ed series Ada fuses storytelling with eye-catching animation. The Should We ...
28/03/2025
Rita Madeira, content producer at Digital Azul, tells TVBEurope how the industry thrives on connections and welcomes curiosity
By Matthew Corrigan
Published:...
27/03/2025
The Mini has a footprint equal to the size of an average smartphone and can be placed side by side for use in stereoscopic or volumetric video
By Jenny Priestl...
27/03/2025
The teams behind House of the Dragon, Masters of the Air, Silo and The Lord of t...
27/03/2025
The initiative aims to help young women pursue higher education in broadcast and media technology, offering financial assistance and networking opportunities
B...
27/03/2025
We believe that ProSiebenSat.1 needs a strong shareholder that can provide expertise and experience in the industry, making an active contribution to its growth...
26/03/2025
The Chancellor presented her speech in the House of Commons today
By Matthew Corrigan
Published: March 26, 2025 Updated: March 27, 2025
The Chancellor p...
26/03/2025
The council will guide key focus areas to help grow a more secure, interoperable and effective media creation ecosystem, said the organisation
By Matthew Corri...
26/03/2025
Donna Thomas, executive vice president, Vubiquity talks to TVBEurope about how nurturing an early entrepreneurial streak paved the way for her career
By Matthe...