
VFX Graduates at Rising Sun Pictures Follow Different Paths to Success
data-src=https://creativecow.net/wp-content/uploads/avatars/263018/5fa08c562aaf4-bpthumb.jpg data-srcset=https://creativecow.net/wp-content/uploads/avatars/263018/5fa08c561c0e7-bpfull.jpg 2x class=lazyload avatar avatar-80 photo height=80 width=80 />
Brie Clayton April 20, 2021
0 Comments
The training programs at Rising Sun Pictures (RSP), operated in partnership with the University of South Australia (UniSA) provide prospective visual effects artists with the essential skills they need to work in industry. The Bachelor of Media Arts and Graduate Certificate programs both have an admirable record for success with its graduates regularly finding employment at visual effects studios throughout Australia and beyond-including at RSP itself.
Sash Elliott, Maddison Green, Ryan Woodcock, Olivia Mitchell and Monica Quan are excellent examples of the value of training at RSP. Each of the six Adelaide natives participated in one of RSP's training programs accredited through UniSA last year and were subsequently hired by the studio in junior roles.
Each of these young artists has a different story, but they share commonalities in their commitment to hard work, eagerness to become accomplished professionals and determination to achieve big things.
Here are their stories:
Sash Elliott completed the visual effects (VFX) specialisation of the Media Arts degree last October and was offered a position with the studio just a few weeks later. Initially hired as a front-line services wrangler, managing data and providing artist support, she moved to the layout department after two months and is currently a junior track and match-move artist. I love layout, she insists. It was challenging at first, but as long as you know the under-pinning principles, you can apply it to the software.
Sash's passion for visual effects ignited when she enrolled in an introductory computer animation course as a Media Arts student at UniSA. It blew me away, she recalls. I immediately saw it as a career opportunity. When I learned that I could specialise in visual effects and take third-year courses at Rising Sun Pictures, I signed up straight away.
The training was demanding, but Sash applied herself diligently and undertook tasks beyond what her instructors required. I did my assignments to the best of my ability, but I also pushed myself further and took on side projects to show my passion and interests, she recalls. At the end of the semester we gave presentations and I shared some of my extra work. It helped me stand out.
Securing her first job so quickly, Sash looks forward to a promising future. I'm focused on improving my skills in layout, she says. I hope to progress to senior artist, but that will take experience. I'm eager to see what happens.
Maddison Green came onboard RSP as a frontline services wrangler in February. Having been cautioned, following her graduation last October, that it could take six months or longer for a position to open, she was pleasantly surprised. The learning curve is steep, she says of her new role, but it's going very well and so much fun. The camaraderie is great. Everyone here loves movies, so it's easy to chat and have good conversations. Everyone's keen to help each other out.
Maddison trained onsite at RSP as a third-year Media Arts student at UniSA. She received intensive instruction in compositing, tracking and other skills, but what she found most rewarding was the opportunity to interact with working professionals. Talking with senior artists and learning how they progressed in their careers was super valuable, she recalls. The teaching assistants, who also trained at RSP, reinforced the principles covered in class. They understood what we were going through and knew how to slow it down and explain things.
Anxious to flex her creative muscles, Maddison is interested in becoming a compositor. However, her experience thus far has taught her that the most important quality for a young artist is adaptability. You need to take advantage of every opportunity, she insists. If you have a chance to talk with senior artists, go talk with them. If you're in class, you need to stay focused and engaged. You need to be a good artist, but you also need to network and cultivate connections.
Ryan Woodcock set his sights on a visual effects career in high school. His interest was piqued by a showcase presentation from the Academy of Interactive Entertainment (AIE). He completed AIE's two-year advanced diploma program, then went onto UniSA and undertook RSP's Graduate Certificate program. By year eleven, I knew I wanted to work in visual effects, but it was only when I got to study at RSP that I learnt how to get my foot in the door, he says. The program is amazing and offers a doorway to industry through its recruiters and connections to other studios.
Ryan is totally absorbed in his work as a junior paint and roto artist in RSP's layout department but he maintains a strong interest in compositing, which was a focus of his training. Compositors apply the final touch before the image goes to the screen, he observes. They put it together and make it look gorgeous. They deliver the shots that people see. I find that so appealing.
Hard work and persistence are obviously essential to success in visual effects but being lucky doesn't hurt. Ryan says that he landed his job, in part, by being in the right place at the right time. I phoned an RSP recruiter just to stay in contact and it happened that the studio's head of 2D had just informed her of an opening, he recalls. She said she'd get back to me on Thursday, but the next day I received an email with a job offer. One week later, I was starting. There's nothing like
North America Stories
25/06/2026
Launching a Career in Broadcast Engineering: Academic Paths and Essential Certif...
25/06/2026
This superstar shooter/storyteller from Central Indiana hopes to make his mark in the blossoming sports-documentary and -features space
In the live-sports-vid...
25/06/2026
Presidio and the National Hockey League have announced a multiyear renewal of their North American partnership. Presidio will remain an Official Technology Inno...
25/06/2026
Strike Fighter League (SFL) is the world's first professional air combat digital sport that combines elite human performance and physical immersion with cut...
25/06/2026
Rise, the award-winning advocacy group for gender diversity in the broadcast and media technology sector, is pleased to announce the global mentoring cohort for...
25/06/2026
The 2026 American Association of Professional Baseball (AAPB) All-Star Game will...
25/06/2026
Mediaproxy has named Heartland Video Systems (HVS) as its exclusive partner for US television broadcasting. The Wisconsin-based systems integrator will represen...
25/06/2026
Backblaze has formed an agreement with CoreWeave to create The Essential Cloud for AI.
Under the multi-exabyte, $335 million agreement, Backblaze will provide...
25/06/2026
Clear-Com has announced the successful deployment and testing of FreeSpeak Cell by RTL Deutschland during a live event production at the N rburgring race circui...
25/06/2026
Mobile TV Group (MTVG) has announced the launch of the MTVG Production Platform,...
25/06/2026
Sony Pictures Entertainment (SPE) has announced a $100 million strategic investment in Cosm as lead investor in the company's Series C financing round, acqu...
25/06/2026
FOX Sports and Concacaf have announced a multi-year media rights agreement making FOX Sports the U.S. English-language home of the Concacaf Gold Cup and Concaca...
25/06/2026
Daktronics and Grass Valley have received the rAVe Pubs Best Solution for Large ...
25/06/2026
Cable Gains Share for Second Consecutive Month in Six-Month-High Finish, Boosted...
25/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
25/06/2026
The Eurovision Song Contest 2026 in Vienna was a significant success for the Austrian public broadcaster ORF. In Austria, more than 1.5 million viewers tuned in...
25/06/2026
Wisycom has further strengthened its ecosystem of professional wireless solutions with the MPR60 Wideband IEM/IFB Receiver with expanded multichannel IFB mode, ...
25/06/2026
Ease Live, the interactivity expert, today announced that its graphics overlay platform is powering a new interactive experience on Rally.TV, the official video...
25/06/2026
VFX History: the origin of After Effects
Graham Quince June 25, 2026
0 Comments
Before it was Adobe, it was CoSA. This is the VFX history of Adobe Aft...
25/06/2026
Creative Remote, the provider of remote and hybrid offline editing infrastructure, today announced the opening of 41, its new offline edit facility located at 4...
25/06/2026
Rise, the award-winning advocacy group for gender diversity in the broadcast and media technology sector, is pleased to announce the global mentoring cohort for...
25/06/2026
Emergent, a pioneer in browser-based, AI-enhanced content production environments, today announced a strategic partnership with ROCKET, a premier media-centric ...
25/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
25/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
25/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
25/06/2026
Summer savings are heating up. From the Steam Summer Sale to GeForce NOW membership discounts, this week's GFN Thursday delivers double the deals and more w...
25/06/2026
Immune molecule may drive excessive drinking in alcohol use disorder Scripps Research scientists showed that blocking an immune molecule tied to inflammation r...
24/06/2026
Streaming sets record high of 46.6% of ad supported TV viewing, driven by Super Bowl and Winter Olympics; overall share of ad supported TV remains steady
NEW Y...
24/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/06/2026
RE:Vision Effects Announces Twixtor Standalone v 8.1 and a Sale!
Brie Clayton June 24, 2026
0 Comments
Twixtor v8.1 Standalone adds support for variab...
24/06/2026
Dreamtek Uses Full Blackmagic Workflow for Vercel Next JS Event
Brie Clayton June 24, 2026
0 Comments
Blackmagic cameras, switchers, routers, recorder...
24/06/2026
Chyron LIVE Unveils New Features: Haivision StreamHub Integration, SCTE-35 Ad In...
24/06/2026
Mapping an Education How composer Chloe Clarke Smith navigated her Boston Conservatory experience and brought new meaning to her work
June 24, 2026
By
Sara...
24/06/2026
The Next Act Dean Krisha Marcano's vision for a connected Theater Division, and the fund making it possible
June 24, 2026
Photo by Eric Antoniou
The Or...
24/06/2026
Announcing STAGES Magazine 2026 Marking a decade since Boston Conservatory and Berklee College of Music joined forces, this issue spotlights some of the groun...
24/06/2026
In Brazil's TV 3.0 Trials, Appear's X5 is transporting live signals from Bras lia to S o Paulo over the public internet using secure, reliable next-gene...
24/06/2026
Melbourne, Australia - 24 June 2026: Mediaproxy, the global standard for software-based IP compliance monitoring and multiviewing solutions, has named Heartland...
24/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/06/2026
First Rush Brings SDI Multicam ProRes Recording to Apple Silicon Macs
Brie Clayton June 23, 2026
0 Comments
First Rush is a native macOS application d...
24/06/2026
Vertical Drama Beneath Crimson Sails Created with Blackmagic Design
Brie Clayton June 23, 2026
0 Comments
Thunder Child Productions relies on cameras&...
24/06/2026
Why Dynamic Media Facilities Matter In this series, we explore the technologies, architectures and operational realities shaping modern media operations. Along ...
23/06/2026
When we began planning our transition from an SDI-based infrastructure to a new ...
23/06/2026
Imagine Communications has announced the appointment of Greg Garmon as Senior Vice President, Americas Video Sales. Garmon will oversee account growth and busin...
23/06/2026
Snap has promoted Emma Wakely to Head of Sports and Media Partnerships, Americas, succeeding Anmol Malhotra, who has been elevated to Global Head of Content and...
23/06/2026
YES Network and The Gotham Sports App will air MI New York's Major League Cr...
23/06/2026
The Universal Talent Identifier (HAND) has issued HAND IDs to 34 top projected prospects in the 2026 NBA Draft class, including AJ Dybantsa, Cameron Boozer, and...