
VFX Graduates at Rising Sun Pictures Follow Different Paths to Success
data-src=https://creativecow.net/wp-content/uploads/avatars/263018/5fa08c562aaf4-bpthumb.jpg data-srcset=https://creativecow.net/wp-content/uploads/avatars/263018/5fa08c561c0e7-bpfull.jpg 2x class=lazyload avatar avatar-80 photo height=80 width=80 />
Brie Clayton April 20, 2021
0 Comments
The training programs at Rising Sun Pictures (RSP), operated in partnership with the University of South Australia (UniSA) provide prospective visual effects artists with the essential skills they need to work in industry. The Bachelor of Media Arts and Graduate Certificate programs both have an admirable record for success with its graduates regularly finding employment at visual effects studios throughout Australia and beyond-including at RSP itself.
Sash Elliott, Maddison Green, Ryan Woodcock, Olivia Mitchell and Monica Quan are excellent examples of the value of training at RSP. Each of the six Adelaide natives participated in one of RSP's training programs accredited through UniSA last year and were subsequently hired by the studio in junior roles.
Each of these young artists has a different story, but they share commonalities in their commitment to hard work, eagerness to become accomplished professionals and determination to achieve big things.
Here are their stories:
Sash Elliott completed the visual effects (VFX) specialisation of the Media Arts degree last October and was offered a position with the studio just a few weeks later. Initially hired as a front-line services wrangler, managing data and providing artist support, she moved to the layout department after two months and is currently a junior track and match-move artist. I love layout, she insists. It was challenging at first, but as long as you know the under-pinning principles, you can apply it to the software.
Sash's passion for visual effects ignited when she enrolled in an introductory computer animation course as a Media Arts student at UniSA. It blew me away, she recalls. I immediately saw it as a career opportunity. When I learned that I could specialise in visual effects and take third-year courses at Rising Sun Pictures, I signed up straight away.
The training was demanding, but Sash applied herself diligently and undertook tasks beyond what her instructors required. I did my assignments to the best of my ability, but I also pushed myself further and took on side projects to show my passion and interests, she recalls. At the end of the semester we gave presentations and I shared some of my extra work. It helped me stand out.
Securing her first job so quickly, Sash looks forward to a promising future. I'm focused on improving my skills in layout, she says. I hope to progress to senior artist, but that will take experience. I'm eager to see what happens.
Maddison Green came onboard RSP as a frontline services wrangler in February. Having been cautioned, following her graduation last October, that it could take six months or longer for a position to open, she was pleasantly surprised. The learning curve is steep, she says of her new role, but it's going very well and so much fun. The camaraderie is great. Everyone here loves movies, so it's easy to chat and have good conversations. Everyone's keen to help each other out.
Maddison trained onsite at RSP as a third-year Media Arts student at UniSA. She received intensive instruction in compositing, tracking and other skills, but what she found most rewarding was the opportunity to interact with working professionals. Talking with senior artists and learning how they progressed in their careers was super valuable, she recalls. The teaching assistants, who also trained at RSP, reinforced the principles covered in class. They understood what we were going through and knew how to slow it down and explain things.
Anxious to flex her creative muscles, Maddison is interested in becoming a compositor. However, her experience thus far has taught her that the most important quality for a young artist is adaptability. You need to take advantage of every opportunity, she insists. If you have a chance to talk with senior artists, go talk with them. If you're in class, you need to stay focused and engaged. You need to be a good artist, but you also need to network and cultivate connections.
Ryan Woodcock set his sights on a visual effects career in high school. His interest was piqued by a showcase presentation from the Academy of Interactive Entertainment (AIE). He completed AIE's two-year advanced diploma program, then went onto UniSA and undertook RSP's Graduate Certificate program. By year eleven, I knew I wanted to work in visual effects, but it was only when I got to study at RSP that I learnt how to get my foot in the door, he says. The program is amazing and offers a doorway to industry through its recruiters and connections to other studios.
Ryan is totally absorbed in his work as a junior paint and roto artist in RSP's layout department but he maintains a strong interest in compositing, which was a focus of his training. Compositors apply the final touch before the image goes to the screen, he observes. They put it together and make it look gorgeous. They deliver the shots that people see. I find that so appealing.
Hard work and persistence are obviously essential to success in visual effects but being lucky doesn't hurt. Ryan says that he landed his job, in part, by being in the right place at the right time. I phoned an RSP recruiter just to stay in contact and it happened that the studio's head of 2D had just informed her of an opening, he recalls. She said she'd get back to me on Thursday, but the next day I received an email with a job offer. One week later, I was starting. There's nothing like
North America Stories
25/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/04/2026
Churchill Downs Inc. (CDI) has announced a definitive agreement to acquire the intellectual property of the Preakness Stakes and Black-Eyed Susan Stakes from 1/...
24/04/2026
Daktronics has partnered with DCL (Design Communications, Ltd.) to design, manuf...
24/04/2026
Chyron has announced PRIME Translate, a workflow solution that produces live content simultaneously in multiple languages within the PRIME platform. The system ...
24/04/2026
Eutelsat has announced a new partnership with Co-op Cable, introducing an expand...
24/04/2026
Pitch Dublin, an indoor golf simulation and hospitality venue on Dawson Street i...
24/04/2026
G&D and VuWall have announced two senior leadership appointments, effective Apri...
24/04/2026
Victory , the free sports streaming service from A Parent Media Co. Inc. (APMC), has announced a multi-year agreement to become the exclusive local streaming ho...
24/04/2026
The former business major from Massachusetts has found his home in graphics and bug operation while contributing to live ESPN productions
In the live-sports-vi...
24/04/2026
The Mid-Atlantic Sports Network (MASN) and Spectrum have announced a multiyear carriage agreement making MASN available to Spectrum customers in areas of southe...
24/04/2026
The NFL Draft is rebuilt from the ground up in a new city every year. The three-day fan festival is expected to draw 500,000 or more attendees, with millions fo...
24/04/2026
Diversified has continued expansion of its sports and media capabilities to supp...
24/04/2026
NAB reports that the 2026 NAB Show wrapped with more than 58,000 registered atte...
24/04/2026
Clear-Com has announced significant updates to its Arcadia Central Station and E...
24/04/2026
NAB reports that the 2026 NAB Show wrapped with more than 58,000 registered atte...
24/04/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
24/04/2026
B/R NFL Draft Live' refines the digital giant's productions around footb...
24/04/2026
Study highlights five pillars shaping modern fan engagement as broadcasters reth...
24/04/2026
The 2026 event, the first Draft with NFL Network under the ESPN umbrella, will b...
24/04/2026
In-venue and creative video staffers at the professional and collegiate level ha...
24/04/2026
Integral to the Draft production for three almost decades, the company tells the...
24/04/2026
Championing documentaries that illuminate and expand the artform is at the core ...
24/04/2026
The Peabody Awards spotlight excellent work that endures. This year's winner...
24/04/2026
The NASA 777 aircraft departs the L3Harris facility in Waco, Texas....
24/04/2026
WASHINGTON, April 23, 2026 - L3Harris Technologies (NYSE: LHX) has closed a $1 b...
24/04/2026
In partnership with Airbus U.S. Space & Defense, Inc., L3Harris Technologies is advancing autonomous aviation for the U.S. Marine Corps' Aerial Logistics Co...
24/04/2026
L3Harris' hC2 software, powered by Systematic SitaWare, strengthens battlefield decision-making by using open architectures to connect platforms, sensors an...
24/04/2026
Artist rendering of L3Harris' AERIS X next-generation airborne early warning...
24/04/2026
Recognition for incredible advances in broadcast and enterprise control...
24/04/2026
Dalet Takes Home The Best in Show Award for Dalia at 2026 NAB
Brie Clayton April 23, 2026
0 Comments
Media-aware agentic AI wins big for real-world ef...
24/04/2026
Calrec and Grass Valley Unlock Exceptional Choice and Flexibility for Broadcaste...
24/04/2026
Bitfocus Buttons wins NAB Show Product of the Year Award
Brie Clayton April 24, 2026
0 Comments
Recognition for incredible advances in broadcast and e...
24/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/04/2026
Media-aware agentic AI wins big for real-world efficiencies and time to value
Dalet, a leading technology and service provider for media-rich organizations, to...
24/04/2026
Mediagenix wins for its Scheduling Optimization capabilities that help broadcasters and FAST operators move beyond traditional scheduling automation toward cont...
24/04/2026
Setplex today announced that it has taken home the NAB Show Project of the Year Award in the Distribution category for its innovative deployment with UVOtv. Dur...
24/04/2026
Media and post-production teams are invited to experience next-level resource planning, project management, and connected media workflows at Stand K59 in The Gr...
23/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/04/2026
Partnership between ARRI and SmallHD brings new Hi-5 license
Configurable monitor overlays adapt to individual working styles
Supported by SmallHD monitors ru...
23/04/2026
Lighting Master Cronenweth ASC brings a unique look to each grid world with the help of Astera
Jeff Cronenweth on the set of Disney's TRON: ARES. Photo by...
23/04/2026
DP Chloe Smolkin ( The Late Show, Kidz Bop ) joins director Danielle Beckmann and writer/actor Raji Ahsan behind the camera for the heartfelt short comedy Dr...
23/04/2026
April 23rd, 2026 Press Materials Available Here
TRIBECA FESTIVAL 2026 EXPANDS TRIBECA NOW, SPOTLIGHTING DIGITAL CREATORS
Tribeca Becomes First Major Film Fes...
23/04/2026
Back to All News
Strange Things Are Happening at McDonald's: The Tales From...
23/04/2026
Back to All News
How Netflix Adaptations Are Heating Up the Top 10 and Bestseller Lists
Entertainment
23 April 2026
Global
Link copied to clipboard
Downlo...
23/04/2026
AI agents have revolutionized developer workflows, and their next frontier is kn...
23/04/2026
GeForce NOW is doubling down on what matters most: gamers. This week's upgra...
22/04/2026
Solid State Logic is advancing its System T platform with a stronger focus on IP...