Carving powder: Austrian broadcaster ORF on the challenges of bringing the Alpine Ski World Cup on the Rettenbach Glacier to viewers By Heather McLean
Friday, October 11, 2024 - 09:31
Print This Story
ORF is the host broadcaster for the Alpine Ski World Cup 2024, S lden, Austria
The winter season is starting once again at S lden in Austria, where the F d ration Internationale de Ski et de Snowboard (FIS) Alpine Ski World Cup is set to take place for the 30th time on the Rettenbach Glacier for the Alpine Ski Championship Season Opener.
With the women's giant slalom set to take off down the glacier on Saturday 26 October and the men's competition on Sunday 27, the athletes will compete against the mountain, the clock and themselves.
Rettenbach Glacier with one of the steepest pitches on the tour is one of the select few on the World Cup circuit to hold both the ladies' and men's events. Austrian national public broadcaster, ORF, is the host broadcaster for FIS at the Alpine Ski World Cup.
The camera plan for S lden in Austria, where the F d ration Internationale de Ski et de Snowboard (FIS) Alpine Ski World Cup is set to take place for the 30th time on Rettenbach glacier for the Alpine Ski Championship Season Opener CLICK ON THE IMAGE TO SEE A LARGER VERSION
Moving targets
Unlike any other championship that ORF is the host broadcaster for, the glacier causes issues for the broadcast setup, as it is literally always on the move.
Says Michael K gler, ORF head of directors: It's a really demanding scene as it's a glacier and the glacier is always moving each year, so we have to adapt our set up there. We have to adapt the positions every year according to the new circumstances. I'm always going there in between to try and gauge what the situation is.
K gler comments on other challenges the glacier creates for the broadcast during set up: For us, the glacier is a real demanding situation for everybody because for the technical crew to build the setup, it can be foggy, it can be really bad circumstances. So it's always a challenge to be ready in time with all the setup and all the things, because it's a lot of stuff to bring up to the mountain, a lot of cabling.
K gler notes that unlike other mountainous ski events, because of Rettenbach and its annual movement, this is the only one ORF carries out where there is no cabling infrastructure ready to plug into.
He states: Compared to some other great races like Kitzb hel [the FIS Alpine Ski World Cup race, Hahnenkamm World Cup Races, Austria] where we have a lot of fibre lines already in the mountain, you cannot do that on the glacier.
Every single cable has to be brought to its position, and this is a lot of work to do, continues K gler. And it's also challenging because the racecourse is really slippery and icy, and so if the people are not able to walk and to work, especially under this circumstance, it's difficult. It's not like the soccer field. Soccer fields, you go in, it's a plain stadium. You have your outlet there, you have the pre-cabling. So skiing itself, like a biathlon or cross country, is one of those events which are really demanding for the technical staff, especially for the crew to set up. I give them a really big round of applause for what they're doing, because whatever the wish is, they try to make it possible. So this is the challenge we have there.
Rettenbach glacier causes issues for the broadcast setup for ORF, as the glacier moves every year so no permanent cabling can be put in place. Everything must be taken up the mountain in the two days prior to the Alpine Ski Championship Season Opener
Austrian enthusiasm
The technical crew will arrive on site for the setup on the Tuesday prior to the event, then they have Wednesday and Thursday to get everything up the mountain and set up on the glacier, with test day on Friday.
K gler adds: The positive thing there is that people are enthusiastic especially in Austria about these winter sports and alpine races. We have a complete arena in the finish area for the people to watch, which is integrated into the lift station. There are stands, there is a complete setup there; this is really packed and crowded with between 15,000 and 20,000 people in the finish area. And this finish area is on a parking lot, so there is concrete there which makes the situation easier for us to work in, and for fans to congregate in.
Although this season we have a complete change of the setup from the side where we put the cameras in the finish; we were previously on race's right side but this year we go back to the race's left side, which we were doing about 10 years ago, but then for the flow of the audience they had a different concept. But now we are back on the left side, which for us is a big advantage because using a crane camera, we can get a shot like in a soccer stadium with a big crowd in the back.
This is great for us because now we have the celebrating audience in the back and the athletes in the front, so this is giving another dynamic shot for the audience.
On site production
Solden is produced entirely on site, with OB 1, ORF's own truck. Says K gler. This has to be an OB event; it doesn't make sense in this case to say no, I would go with this or with that remote production, we can save money or whatever, because you always have to move and adapt on ski. The handheld positions, for example, I go down on each racecourse before the race and according to the setup of the racecourse, I decide where to put the handheld cameras. You always have to renew the plan and you always have to adapt, and actually the second challenge for cameras is also the safety challenge. You are not allowed to go in certain positions due to safety issues, even though you would have a better angle
North America Stories
20/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
20/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
20/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/05/2026
Cisco and the USGA have announced a multiyear extension of their partnership, which began in 2018. Cisco serves as the Official Technology Partner of the USGA, ...
19/05/2026
Urban Edge Network (UEN), a streaming platform for NAIA sports, has announced a partnership with Spiideo to provide streaming and production tools to UEN's ...
19/05/2026
Warner Bros. Discovery (WBD) will provide live coverage of all 900 Roland-Garros matches across its platforms beginning with qualifiers on May 18. In Europe, 21...
19/05/2026
Tubi, Fox Corporation's free streaming service, has announced the launch of the FIFA World Cup 2026 FOX Hub, a dedicated destination for World Cup programmi...
19/05/2026
Telef nica, in collaboration with Sony, has conducted a 5G connectivity trial at the Movistar Arena in Spain using the 26 GHz millimetre wave (mmWave) band. The...
19/05/2026
Ross Production Services (RPS) has installed a Calrec Argo M console into its new Hypermax-1 remote production truck, replacing one of three Argo S consoles pre...
19/05/2026
Panasonic Projector and Display Corporation has announced the acquisition of 100% of the shares of UK-based media technology company Hive Media Control Ltd. (HI...
19/05/2026
Globecast has announced the completion of a nine-month renovation of its Singapore facility, converting it from a traditional linear broadcast operation into a ...
19/05/2026
Grass Valley has announced a three-year enterprise agreement with Phoenix Broadc...
19/05/2026
Bitmovin has announced that Watch Brasil, a streaming platform operating across Brazil and Europe since 2018, has replaced its legacy systems with Bitmovin'...
19/05/2026
Ateme has announced the migration of Dish Home Nepal's Nepal Premier League (NPL) streaming infrastructure to Ateme's TITAN Live solution deployed on Ak...
19/05/2026
CMSI provided workflow, media management, and HDR support for ESPN during coverage of the NCAA Gymnastics Semifinals and Championships. The company supported fi...
19/05/2026
In advance of this year's Sports Emmy Awards, SVG is taking a deep dive into the six production-technologies nominated for this year's George Wensel Tec...
19/05/2026
In advance of this year's Sports Emmy Awards, SVG is taking a deep dive into the six production-technologies nominated for this year's George Wensel Tec...
19/05/2026
Featuring a fully IP infrastructure, Supershooter 11 is intended for large-scale events. Enabling remote and distributed workflows, Supershooter 65 joins the RE...
19/05/2026
By Jessica Herndon
The line wrapped around the building outside Denver's La...
19/05/2026
When all companies in the market are allowed to compete under the same set of ru...
19/05/2026
Battle-proven technology withstands electronic warfare threats across air, maritime surface and subsea domains....
19/05/2026
WESCAM MX-Series EO/IR systems provide high-precision targeting across domains, including counter-UAS applications...
19/05/2026
Champaign, IL - March 16, 2026 Cobalt Digital, the leading designer and manufa...
19/05/2026
CHAMPAIGN, Ill. April 16, 2026 - Cobalt Digital today announced a partnership ...
19/05/2026
Las Vegas - April 18, 2026 Cobalt Digital, the leading designer and manufactur...
19/05/2026
LAS VEGAS April 18, 2026 - Advanced HDR by Technicolor and Cobalt Digital are ...
19/05/2026
LAS VEGAS - May 4, 2026 - Cobalt Digital, the leading designer and manufacturer of signal processing products, and a founding partner in the openGear initiativ...
19/05/2026
London - 11 May 2026 Cobalt Digital, the leading designer and manufacturer of award-winning signal processing products, and a founding partner in the openGear...
19/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/05/2026
Grass Valley has entered into a three-year enterprise agreement with Phoenix Broadcast Solutions as the Singapore-based company expands its live production oper...
19/05/2026
Clear-Com supported Musikal Perahu Kertas, a large-scale musical theater production in Indonesia adapted from the acclaimed novel by Dee Lestari, through the d...
19/05/2026
Actus Digital, a LiveU company, and a leading provider of intelligent media monitoring and broadcast compliance platforms, announced today that METEO CONSULT ha...
19/05/2026
Globecast, a leading provider of managed services for the broadcast and media industry, today announced the completion of a major renovation of its Singapore fa...
19/05/2026
Following a major upgrade to its Connecticut remote production centre with the installation of three 60-fader Argo S consoles in 2023, RPS has switched one of t...
19/05/2026
PlayBox Technology today announced the launch of Celebro Play, a browser-based media orchestration platform designed specifically for broadcast facilities and p...
19/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/05/2026
LYNX Technik, provider of modular signal processing solutions for broadcast, post, and professional AV will showcase its latest signal processing solutions at B...
19/05/2026
Media Links, a leading developer and manufacturer of IP media transport solutions, has announced the integration of its Xscend platform with Skyline Communicat...
19/05/2026
Collaboration expands regional partner ecosystem as Media Links showcases IP media transport solutions on stand 4M4-4 and alongside Clearcast Asia on stand
Me...
19/05/2026
Company Highlights Labor-Saving Control and Custom Branding Opportunities Designed to Increase Integrator Profitability
LynTec, a leading manufacturer of ele...
19/05/2026
Mago Studio Moves AI Video Beyond Prompts with New Production-Focused Tools
Brie Clayton May 18, 2026
0 Comments
New Capabilities Bring Controllable, ...
19/05/2026
It May be Time to Stop and Take an AI Breather
Brie Clayton May 19, 2026
0 Comments
If the rock you stay on starts to roll, jump clean. Or you'll...
19/05/2026
At this year's Google I/O conference, NVIDIA and Google Cloud are accelerating the work of more than 100,000 developers in the companies' joint develope...
19/05/2026
Back to All News
Netflix Unveils the Trailer for RAFA, the Documentary Series A...
19/05/2026
Back to All News
Netflix Expands Consumer Products Footprint with Strategic Con...
Carving powder: Austrian broadcaster ORF on the challenges of bringing the Alpine Ski World Cup on the Rettenbach Glacier to viewers By Heather McLean 
