
Q: Tell us a little bit about who you are and what you do.
A: I'm the audio operator for Univision Noticias, the news wing of Univision Network, where I've had the privilege of working for roughly seven years. I mostly cover our live network news shows. This includes Primer Impacto, Noticiero Univision, Noticiero Univision en UniM s and Noticiero Univision Edicion Nocturna. I also work on the bigger special news events, such as U.S. State of the Union speeches, U.S. and Latin American election coverage and Papal visits around the globe, among many others.
Q: How did you get into the broadcast audio business? What made you realize this was the career path you wanted to take?
A: I got into broadcast because of my love of audio, our fast-paced schedules and the content we cover. I love working under pressure. Whether a breaking news event across the world or a presidential election here in the states, my team always seems to really shine in these scenarios; and I'm happy to be a part of that. I also gravitated to broadcast because I wanted to mix for a larger audience. The growth potential at the network level to go from live concerts to in-studio and live broadcast is huge, you can't get much larger than a network seen by so many in the U.S. and simulcast to so many other countries around the world.
But my foray into audio dates back to high school, when I was working for a friend of mine who was a DJ at a local radio station. Back then, I made $50 a night, mostly lugging record crates in and out of appearances, and got to hang with them during the events. That was my first experience seeing the power that audio has over listeners' emotions and their way of thinking. I was hooked. I wanted to learn how the recipe was put together. Soon after, I began an apprenticeship with a local club owner who, for the next decade, taught me signal flow, how to mix and even why circuitry behaves the way it does. Mixing live bands solidified my love for audio mixing and the technical prowess needed to do it properly. It was halfway through this apprenticeship that I decided to formally go for a second college degree, this time focused on audio.
Q: What lead you to Univision?
A: It was serendipitous, really. I was working for Avid's Pro Tools Certification School as a student advisor, and Univision called one day because they wanted to look into certifying their audio operators. However, they needed the instructor to be bilingual. The call came to me as I was the only on-site advisor who was bilingual. They invited me to their studios for a tour, and I fell in love with the fast pace and high energy on set. They just so happened to have been looking for a new audio operator, and I jumped at the opportunity.
Q: How have you seen audio technologies, and the way sound is captured, mixed and delivered, evolve over your career? How has this changed programming or the way you work?
A: When I started in audio, we were still using tape- and reel-to-reel, so I think it's safe to say that audio technology has evolved tremendously. The progression from recording in analog to recording on digital and non-linear editing has been the biggest change I've seen. Everything is instantly available to mix and edit. We're able to turn a recorded segment, edit it and send it to master within seconds. This has allowed us to now be able to update any relevant news within minutes and have it ready for the next airing on the next time zone.
On the delivery side, the current broadcast standard may no longer be accurate. The biggest change I've found is that now we're mixing more for on-demand audiences who are tuning in on different platforms. I foresee our format changing in the next few years and adapting to this as a norm. Similar to the way in which music migrated from CD-quality to MP3 formats, so, too, will broadcast evolve in the same manner. Audio engineers will have to overcome the challenge of its viewers tuning in from home theater setups in 5.1 and mono firing speakers from a smart phone streaming live from a social media site. Automating certain tasks will also become more frequent.
Q: What do you see as the biggest change to the way programs will be mixed in the next five years?
A: The biggest change is the immediacy of everything, and the quality it's sent in. The amount of signal loss and compression that occurs when something is streamed is going to be a huge factor in the upcoming years. Everything newsworthy will be based off social media and how quickly we can come on-air to inform our audiences. I just hope we don't lose the artform of mixing in the evolution to social media and automation. When you automate certain audio protocols, you lose that touch that makes our shows so engulfing and emotional. I can lead our audiences through the emotional highs and lows and transitions of our stories on-air and have them feel as though they watched one cohesive show - not just a bunch of random stories smashed together. This is only achieved with actual mixing within proper dynamic range.
Q: What is the workflow that you follow?
A: For most shows, I sit with the director and go through the rundown he created with the rest of production. Based on the show's needs, I'll then go meet with our floor manager and tell him which mics and combos I need, and what the show will require for each individual segment. Everything is dictated based off how much movement we have: how many guests, translation requirements, etc. Then I work with the technical production manager to discuss the live satellite feeds. At that point, we patch the live feeds into one of our Calrec consoles and clean them up as needed so that they are broadcast-quality and level. Lastly, we establish communication with our internal studio and any necessary external sources and fold-back mixe
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
01/04/2026
January 4 2026, 18:00 (PST) DOLBY AND DOUYIN EMPOWER THE NEXT GENERATON OF CREATORS WITH DOLBY VISION
Douyin Users Can Now Create And Share Videos With Stun...
03/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
03/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
03/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
03/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
03/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
03/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/03/2026
NBC Sports selected Imaginary Forces to create the main title sequence for the M...
02/03/2026
The NFL announces the launch of the NFL Draft Innovation Challenge, a new crowds...
02/03/2026
The World Teleport Association (WTA) has named Skyline Communications' DataMiner SatOps solution as a finalist for the 2026 Teleport Technology of the Year ...
02/03/2026
Ventum Tech announces a strategic partnership with Pixotope, a real-time graphic...
02/03/2026
Victory , a free, ad-supported sports streaming service, announces the launch of...
02/03/2026
Global powerhouse Delta Goodrem to represent Australia at this year's Eurovi...
02/03/2026
SBS brings together prominent voices to discuss rising social division and seek ...
02/03/2026
NITV Unveils Wednesday Night Sport Night
Media releases
A Midweek Hub for Blak Sport
Flagship NRL program Over The Black Dot moves to Wednesdays at 9:30pm
...
02/03/2026
Rohde & Schwarz demonstrates FR1-FR3 carrier aggregation, advancing 6G readiness Rohde & Schwarz and Qualcomm Technologies, Inc. have reached another pivotal ...
02/03/2026
MELBOURNE, Fla., March 2, 2026 - L3Harris Technologies (NYSE: LHX) today announc...
02/03/2026
Harvey Norman tops New Zealand's biggest ad spenders as retail leads and telcos and beverages sure Auckland March 3, 2026 - Nielsen's New Zealand'...
02/03/2026
aconnic AG (ISIN: DE000A0LBKW6), Munich, and Arqit Quantum Inc. (Nasdaq: ARQQ, A...
02/03/2026
Advanced Systems Group, LLC (ASG), a technology and services provider for media creatives and content owners, has appointed Jody Boatwright as Chief Strategy Of...
02/03/2026
Lightware, an industry leader in signal management, is reinforcing its commitment to simplifying complex AV environments with the continued evolution of its TPN...
02/03/2026
ZEISS Cinema opens its doors to an exclusive screening, filmmakers Q&A and hands-on showcase of the new ZEISS Aatma lens family on Tuesday, March 10, 6:00-9:00 ...
02/03/2026
To expand the creative potential of the compact Astera QuikBeam, DoPchoice introduces the SNAPBAG Round. The new light-shaping accessory transforms the powerfu...
02/03/2026
Douglas Dubler
On a rooftop in New York City, veteran photographer Douglas Dubler watched the sun's angle shift across the urban landscape, his internal cl...
02/03/2026
ZEISS is expanding its Otus ML lens family with the introduction of the new ZEISS Otus ML 1.4/35. This manual-focus lens is designed for photographers who live ...
02/03/2026
Matthews Studio Equipment now offers the new Dinkum Systems White FlexiMount and Phone Mount Kit, a compact, highly adaptable setup for mobile content creation...
02/03/2026
Luxembourg, February 26, 2026 - SES and Africa Mobile Network (AMN) have expande...
02/03/2026
02 03 2026 - Media release Ausfilm and Screen Australia launch joint UK market initiative
Ausfilm and Screen Australia have announced Partner with Australia (...
02/03/2026
Monday 2 March 2026
Saturday Night Live UK announces writing team
L-R: Jonno Johnson; Charlie Skelton; Celya AB; Omar Badawy; Gr inne Maguire; Laura Claxton; ...
02/03/2026
Back to All News
Netflix Unveils the Trailer for 53 Sundays, the New Film by Cesc Gay
Entertainment
02 March 2026
GlobalSpain
Link copied to clipboard
Dis...
28/02/2026
With two features seen in Formula 1 coverage, the broadcaster aims to bring view...
28/02/2026
Secretary of War Pete Hegseth addresses a crowd of approximately 1,500 L3Harris employees in Camden, Arkansas, as part of his Arsenal of Freedom tour....
28/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
28/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
28/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
28/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
28/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
28/02/2026
Berklee Presents Mambo Mania: Eguie Castrillo and the Berklee All-Stars Big Band...
28/02/2026
Berklee Announces Two New Summer Programs in Los Angeles The Berklee Music Business Program and Electronic Music Production and Sound Design Workshop bring imme...
28/02/2026
AI-RAN is moving from lab to field, showing that a software-defined approach is ...
28/02/2026
Autonomous networks - intelligent, self-managing telecommunications operations -...
28/02/2026
Back to All News
Final Trailer for BEASTARS Final Season Part 2' Roars Tow...
28/02/2026
New way to intentionally discover molecular glues could expand drug discovery Scripps Research scientists and colleagues show how drugs that eliminate certain d...
27/02/2026
The E.W. Scripps Company names Oliver Gray as Vice President, Network Sports and...
27/02/2026
The Gotham Sports App, the exclusive direct-to-consumer streaming home of MSG Networks and the YES Network, is now available for purchase through Prime Video fo...