Tech-eye view: Inside the epic remote production for Riot Games' League of Legends World Championship Finals 2024 By Heather McLean
Tuesday, November 5, 2024 - 09:56
Print This Story
For the Riot Games' League of Legends Championships Final 2024, a technical director works from the Dublin RBC
At Riot Games' League of Legends World Championship Finals 2024, which took place at the O2 Arena in London on 2 November, technical services partner on the ground NEP, Amazon Web Services (AWS), and Riot Games' own Dublin-based Remote Broadcast Centre staffed by EMG / Gravity Media crew all contribute to an epic remote production. SVG Europe caught up with Alex Rybalko, broadcast engineering manager at Riot Games, and James Wyld, principal infrastructure engineer at Riot Games, to find out more.
Roles that were previously done on-site that are now done from Riot Games' Remote Broadcast Centres:
Observers
Directors
Technical directors
Graphics
Producers
Audio operators
How is the show packaged to and from Dublin?
AR: As a remote production, our footprint on site in London is a production truck for the Opening Ceremony portion, then we transition into the sports side of the event and all of that is being done from Dublin. We have two control rooms working the world feed in English, and onsite we have four languages (French, English, Chinese, Korean) and eight co-streamers here.
What is AWS's role on the Worlds?
AR: The vertical feed is a new product that we also offer to our co-streamers in addition to the traditional broadcast, and the core of the vertical feed automated production runs with the use of AWS technologies.
Read more Fan-eye view: Riot Games on creating a superior viewer experience and taking fans forwards in esports
As a zero-operator production, we can take the main show and produce a separate bespoke feed with its own set of graphics and assets where we can then dynamically substitute various elements, allowing creators and partners to customise their broadcast in a way that really caters to their specific audience.
When you add the vertical feed, we have more than 30 different versions of our broadcast being distributed around the world from the technical operations centre (TOC) at our Remote Broadcast Centre in Dublin. All of this is possible due to our use of AWS media services technologies.
JW: On the creative side, we've got a couple of specific AWS partnerships that play a large part in this production. One being AWS Win Probability where AWS is running a machine learning model for every second of the game to conduct binary predictive analysis to figure out which team is most likely to win. It's a graphic that viewers will see pop up on screen during appropriate times of a match that ultimately works to enhance the viewing experience for fans.
The other is Global Power Rankings, which was first introduced at the start of Worlds 2024. When you have teams all around that don't always play each other, it can be difficult to determine who has the upper hand going into match. AWS helped us come up with a model with numerous data inputs based around things like past history of the league, relative strengths of the teams within each league, and past international results just to name a few. This all works to create this new rankings system that creates another element of fandom and chatter, building more excitement for upcoming matches.
Separately on the production side, at our Remote Broadcast Centres powered by AWS we have all the operator workstations are running on Amazon Workspaces. Additionally, our distribution pipeline, which is how we compress the broadcast production signals and deliver them to partners and platforms all around the world, runs in the AWS Media Services Suite (AWS Media Connect and Media Live). That allows us to scale our production from a single world feed to 22 language partners around the world.
A Riot Games producer in Dublin, working on last weekend's League of Legends Championships Final 2024
What is the value for Riot Games of the remote production model you use?
JW: With 30-plus variants of the Worlds broadcast coming out of the TOC, while it's a lot to manage, we can see the value of the remote production model because all of the stuff anchored in the facility - observers, encoding, the vertical feed workflow - we've been able to float that from show to show throughout the tournament.
Read more Producer-eye view: Getting the lowdown on the League of Legends World Championships Finals 2024
We started in Berlin about a month ago and that set up has been able to stay relatively static in Dublin. We can throw the production from Berlin (where the earlier rounds of Worlds took place) to Paris (for the semifinals) without changing much in the RBC. Then we come to finals in London where that production is already set up from Paris. We have to do some tweaks, like adding a production truck onsite for the Opening Ceremony, but the core sport production can stay relatively the same in one location, rather than breaking down and setting up at the different stages of the event.
AR: Basically, every position that you would traditionally see in a production truck on site can now be based out of the RBC. We do run a hybrid operation because there are cases where sometimes it still makes sense for a specific role to be on site at the event, but the underlying platform and technology that everything is built on top of allows us to be flexible.
Facts on Riot Games' League of Legends World Championships Finals 2024:
72 cameras
Sony HDC
Sony Venice
Sony P50
Sony FR7
Sony FX3 and FX6
Panasonic POV cameras
Winch cam
2 cable cam
2 techo cranes
4 rail cams
Arri trinity rig
Jimmy jib
80 transmission lines
48 return lines
256 transmission audio channels An observer on the Lea
North America Stories
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
SMPTE , the home of media professionals, technologists, and engineers, today unveiled its educational presentations for the 2026 NAB Show. This year SMPTE will ...
18/03/2026
Maxon, maker of powerful, approachable software solutions for creators working in 2D and 3D design, motion graphics, visual effects, gaming, and more, today ann...
18/03/2026
Digital Alert Systems
Preview
2026 NAB Show
April 19 - 22
Booth C3452
At the 2026 NAB Show, Digital Alert Systems will showcase Version 6.0 of its DASDEC ...
18/03/2026
Setplex today announced that it will showcase its complete, fully integrated Zapflex platform for the first time at the 2026 NAB Show, introducing powerful new ...
18/03/2026
COW Jobs: Seeking DP for Low Budget Dramedy - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Director of Photography for Low Budget Dramedy Fe...
18/03/2026
COW Jobs: Seeking Gaffer for Low Budget Dramedy - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Gaffer for Low Budget Dramedy Feature Film- I...
18/03/2026
COW Jobs: Seeking Location, Sound for Low Budget Dramedy - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Location/Sound for Low Budget Dramed...
18/03/2026
COW Jobs: Seeking Child Wrangler for Low Budget Film - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Child Wrangler for Low Budget Dramedy Fe...
18/03/2026
Calrec Redefines Broadcast Workflows at NAB 2026 with its Most Powerful Hardware...
18/03/2026
Oscar Nominated Two People Exchanging Saliva Posted with DaVinci Resolve Studio
Brie Clayton March 17, 2026
0 Comments
DaVinci Resolve Studio handle...
18/03/2026
Boston Conservatory Presents Celebrated Musical Satire Urinetown Performances for this Center Stage production will take place at Boston Conservatory Theater ...
18/03/2026
Charlie Puth Joins Switched On Pop at Berklee NYC The Berklee alum spoke with host and Berklee NYC professor Charlie Harding for a live taping, answering audi...
17/03/2026
NASA+'s Rebecca Sirmons and Brittany Brown offer unique look at live streami...
17/03/2026
The transition to IP has fundamentally reshaped professional media infrastructures. Video, audio, and increasingly metadata now circulate as independent, precis...
17/03/2026
Live sports streaming can push every element in your video delivery chain to its limit, exposing every potential weakness in seconds. When the Super Bowl, the O...
17/03/2026
Texas Athletics sought to modernize its media production, enhance fan experience...
17/03/2026
Ikegami USA will demonstrate the latest additions to its wide range of broadcast...
17/03/2026
TNA Wrestling and iHeartMedia announces a new multi-platform collaboration that will integrate iHeartMedia across TNA's premium live events, weekly televisi...
17/03/2026
The goal was to transform Hard Rock Stadium into a global leader in sports and e...
17/03/2026
Spectrum has announced the launch of its new Multiview feature in the Spectrum TV App, giving customers the ability to watch up to four NCAA men's or women&...
17/03/2026
Genius Sports deal also covers data technology, AI, fan engagement, and performance analysis....
17/03/2026
Net Insight is supporting the rollout of a new state-wide centralized operation with Rede Massa, which is an SBT affiliate, the Brazilian regional television ne...
17/03/2026
Featuring audio from practice sessions, qualifying races, and Grand Prix races, the film represents Apple's sports-media ambitions
At Sunday night's Ac...
17/03/2026
Live broadcast has always been one of the most demanding environments in media a...
17/03/2026
DirecTV is introducing several new viewing features, including a multi-screen March Madness Mix channel and an updated Sports Central mobile app hub, ahead of...
17/03/2026
Deltatre has announced a multi-year partnership with ATP Media, the media arm of the ATP Tour, covering broadcast graphics, data, and production across the 2026...
17/03/2026
The Detroit Pistons have announced a third consecutive season partnering with Sc...
17/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/03/2026
3D streaming infrastructure provider Miris today announced the launch of a public beta for its new 3D asset streaming platform. Miris is building the infrastruc...
17/03/2026
As media organizations face mounting pressure to produce more content, faster, while maximizing value and operational efficiency, Tedial, a leading provider of ...
17/03/2026
Brainstorm, a leading manufacturer of real-time graphics, augmented and virtual production, is launching the newest version of its platform, Brainstorm Suite 7,...
17/03/2026
Limecraft today announces the release of Limecraft 2026.2, the second platform update in its 2026 release cycle. Limecraft is an AI-powered production platform ...
17/03/2026
Broadcast Solutions, a leading system integrator and provider of innovative solutions for the broadcast and media industry, showcased its latest broadcast and V...
17/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/03/2026
QuickLink's Latest StudioEdge Models to Make North American Debut at NAB 202
Brie Clayton March 16, 2026
0 Comments
The Multi-platform Remote Gues...
17/03/2026
Frankenstein Graded with DaVinci Resolve Studio
Brie Clayton March 16, 2026
0 Comments
Sonnenfeld enhances the controlled interplay between warm and c...
17/03/2026
New Voyavox from Link Electronics with Real-Time Speech-to-Text Captioning to be...
17/03/2026
Berklee City Music Stewards META Fellowship Supporting Massachusetts Music Educa...
17/03/2026
Back to All News
Fantasy Action Series Agent from Above' Puts Contemporary...
17/03/2026
Back to All News
Netflix Presents the Trailer for the Final Season of Turn of the Tide
Entertainment
17 March 2026
GlobalSpainPortugal
Link copied to clipb...
17/03/2026
As AI native applications scale to more users, agents and devices, the telecommu...
Tech-eye view: Inside the epic remote production for Riot Games' League of Legends World Championship Finals 2024 By Heather McLean 
