
NFL Los Angeles Spotlight (Part 2): Inside NFL Media's New Facility and the Cutting-Edge Technology Behind It IP-based, 4K- and HDR-capable facility sets a new technical watermark for industry By Jason Dachman, Chief Editor
Tuesday, September 21, 2021 - 2:35 pm
Print This Story | Subscribe
Story Highlights
The day before the 2021 NFL season kicked off, the league officially opened NFL Los Angeles. The 450,000-sq.-ft. Class A building at Hollywood Park adjacent to SoFi Stadium features 214,063 sq. ft. of office space and 74,922 sq. ft. of studio and studio-support space. As the new home for NFL Network, NFL.com, NFL RedZone, the NFL app, and other media and business operations, the new facility is among the most technologically advanced in the industry.
NFL Staff arrived on Tuesday, Aug. 31 in Inglewood, CA. (Photo: Dan Steinberg/AP Images for NFL)
When we do tours with people now, we actually look at each other and go, Wow! I can't believe we did this.' It's really quite remarkable, says Bruce Goldfeder, VP, Engineering, NFL Media. I think the team that we put together here is the best team in the country in terms of dealing with this [next-generation] technology, and that shows in the final product.
The state-of-the-art IP-based, 4K- and HDR-capable production facility took nearly four years to conceive, design, build, and integrate based on the SMPTE ST 2110 standard for media-over-IP production. NFL Media is currently producing 1080p60 broadcasts with Dolby 5.1 audio out of the building but is capable of 4K60 with Dolby Atmos 7.4.2 audio and can scale to any format in the future, including HDR or 8K, thanks to its robust IP infrastructure.
CLICK HERE for Part 1 of SVG's NFL Los Angeles Spotlight, focused on how NFL Media launched facility amid a pandemic.
The Studios: Cavalcade of Stages, Flypacks Provide Flexibility Throughout Hollywood Park The NFL L.A. production space houses five stages, led by the 5,970-sq.-ft. Studio 1, which serves as the primary studio for NFL Total Access, NFL Gameday Morning, and other marquee NFL Network studio shows.
The 5,970-sq.-ft. Studio 1 serves as the home to NFL Total Access in at the new NFL L.A. facility.
Our primary stage is multi-use and very flexible, says Shaw. It has windows that you can see SoFi stadium right outside, as well as the demo field that we built with natural turf right outside the building so our talent can walk outside for demos. We're really excited about what we can do with [a studio] like this.
The four other production stages, which serve NFL Red Zone and various digital productions, are Studio 2 (6,276 sq. ft.), Studio 3 (3,089 sq. ft.), Studio 4 (1,751 sq. ft.), Studio 5 (1,559 sq. ft.). In addition, the building houses a podcast studio (550 sq. ft.), a voiceover booth (300 sq. ft.) that is podcast-capable, and another four-person desk built inside the NFL Media Newsroom.
One of five broadcast studios at the new NFL L.A. facility (Photo: Jeff Lewis/AP Images for NFL)
Six production-control rooms and audio-control rooms serve the five stages and the podcast studio. Goldfeder and his team also built three portable flypacks, each comprising four cameras and six microphones, that can roll out anywhere in SoFi Stadium or across the Hollywood Park complex.
All the cameras and control rooms are interconnected so that any camera can be used in any control room, says Goldfeder. We can beef up the camera complement per studio depending on our needs. We also have a unified microphone and IFB system that works from anywhere across the entire property, as well as outside. So the talent can go from room to room without changing the microphones.
IP Backend: Routing, Playout, Postproduction, Audio, and More
The NFL Media production operation is built around a COTS IP routing switch featuring the Magellan SDN Orchestrator (SDNO) to manage the mix of SMPTE ST 2110 IP and HD-SDI baseband infrastructure.
Much of the technology was integrated in Burbank prior to arriving at the new NFL L.A. facility. (Photo: Jeff Lewis/AP Images for NFL)
NFL Media uses an integrated storage and replay-server system for multiple playout uses and installed EVS 12-channel XT VIA production servers across the board for ingest, playout, and quick-turnaround applications - totaling 48 channels of ingest and 48 channels of playback. All media is then input into NFL Media's Arvato media-asset-management system within 60 seconds of ingest so that editors can immediately access the content.
The NFL postproduction operation consists of 18 high-end edit rooms, two audio-sweetening suites, and 90 VDI thin-client desktop editors that can be accessed from anywhere in the building and even from home.
We've created our own virtual environment here in Inglewood that we can leverage so [editors] can work from anywhere and people can even keep working on their projects from home, says Goldfeder. We did 40 TB of content in one day [Sunday of Week 1], and it went well. So now we're looking at archiving and how we can continue to grow and offload that content.
One of six production-control rooms at the NFL L.A. facility (Photo: Dan Steinberg/AP Images for NFL)
On the graphics side, NFL Media also has 70+ graphics-creation stations, including 35 high-powered 3D-graphics systems plus another 35 VDI thin clients.
In terms of audio, all six studios are equipped with SSL audio consoles that are Dante-connected. In all, NFL L.A. has 18,000 Dante connections, 16,000 MADI connections, and 2,048 Riedel intercom channels.
One of the biggest challenges we had with audio was the different timings between audio and video, but we were able to work through that while we were still in Burbank, says Goldfeder. We actually have two different types of PTP - one running the Dante network, the other one running our ST
More from Sports Video Group
20/03/2026
Net Insight will introduce a JPEG XS solution for full IP environments at NAB Sh...
20/03/2026
LTN has expanded its technology partnership with Harmonic ahead of the FCC's...
20/03/2026
Solid State Logic will preview SSL Live V6.2 at NAB Show, booth C6907. The softw...
20/03/2026
FUJIFILM North America Corporation's Optical Devices Division has announced ...
20/03/2026
FUJIFILM North America Corporation's Optical Devices Division has announced ...
20/03/2026
TrueVisions NOW, a streaming platform in Thailand and part of the TrueVisions Group, has selected Bitmovin's Observability product for real-time video analy...
20/03/2026
Marquee Sports Network has announced distribution agreements with Hulu + Live TV and Prime Video ahead of the 2026 MLB season.
Marquee Sports Network is now av...
20/03/2026
FOR-A will exhibit software-defined and AI-driven solutions at NAB Show 2026, bo...
20/03/2026
TNA Wrestling and Eurosport India have entered into a multi-year exclusive progr...
20/03/2026
When Athletes Unlimited brought its professional women's basketball season t...
20/03/2026
In this craft interview, Rick Bernier reflects on a career that has taken him to...
20/03/2026
Lawo will announce a new product ahead of NAB Show 2026 in Las Vegas, where it w...
20/03/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
20/03/2026
Major League Baseball (MLB) has named Polymarket as its Official Prediction Mark...
20/03/2026
With AI now the industry-wide priority, Big Tech companies are uniquely position...
20/03/2026
In-venue and creative video staffers at the professional and collegiate level ha...
20/03/2026
Abundant player mics and RF and other ground-level cameras will be used to captu...
20/03/2026
Regional sites also will receive big boost in production resources, including on...
19/03/2026
Live sports production increases complexity, with dynamic audio levels and an overall philosophy that encourages transient volume spikes
Fourteen years ago, Am...
19/03/2026
Advanced Systems Group, a technology and services provider for media creatives and content owners, announced the appointment of Peter Thordarson to the newly cr...
19/03/2026
For this senior from the Bay Area, the speed and pressure of live sports production play right into her strengths
In the live-sports-video industry, the future...
19/03/2026
Grass Valley has expanded its long-term partnership with University of Pittsburg...
19/03/2026
Audio-Technica has released the ATV-SG1 and ATV-SG1LE On-Camera Shotgun Microphones, designed for use with DSLR, mirrorless SLR, and other cameras.
The ATV-SG1...
19/03/2026
Harmonic (booth W2831) announces updates to its XOS Advanced Media Processor aim...
19/03/2026
DAZN and Top Rank have announced a multi-year partnership that will bring Top Ra...
19/03/2026
IHSE, a provider of KVM systems, has announced a partnership with Cyviz AS, a provider of technology solutions for collaboration and mission-critical operations...
19/03/2026
Net Insight has appointed Larissa G rner-Meeus as Chief Product Officer. She joins the company's executive management team.
G rner-Meeus holds a Dipl-Ing. ...
19/03/2026
Leader Electronics of Europe has appointed Rob Stanley as Regional Sales Manager for the UK and Northern Europe. In the role, he will manage key accounts and ha...
19/03/2026
FIFA has announced that YouTube will be a Preferred Platform for the FIFA World Cup 2026.
Under the agreement, FIFA's Media Partners will be able to publis...
19/03/2026
New features across mobile, connected devices, and automotive platforms undersco...
19/03/2026
PSSI Global Services has appointed Ben Bradshaw as Director of Product and Netwo...
19/03/2026
Cobalt Digital has announced its NAB 2026 product lineup, which includes additio...
19/03/2026
Sportradar has released a new report, Innovation in Sports Media: The Next Era of Sports Viewing, examining how the sports viewing experience in the U.S. is evo...
19/03/2026
Matrox Video has been awarded a three-year framework agreement to supply its Con...
19/03/2026
CBS Sports' Jason Cohen and TNT Sports' Chris Brown lead the charge on n...
19/03/2026
A1 Dave Grundtvig and his team deploy plenty of mics to capture the sounds and energy from the stands as well the court
March Madness is a tournament in which ...
18/03/2026
Newly named chief product officer (CPO), Larissa G rner Meeus will return to Net Insight on May 4.
Larissa G rner Meeus will become CPO of Net Insight on May 4...
18/03/2026
SVG Europe's The Football Summit 2026 explored how the sports broadcasting i...
18/03/2026
The 2026 NAB Show kicks off one month from today and SVG is once again set to cover the show from every angle. SVG's SportsTech@NAB Show Blog is now live - ...
17/03/2026
NASA+'s Rebecca Sirmons and Brittany Brown offer unique look at live streami...
17/03/2026
The transition to IP has fundamentally reshaped professional media infrastructures. Video, audio, and increasingly metadata now circulate as independent, precis...
17/03/2026
Live sports streaming can push every element in your video delivery chain to its limit, exposing every potential weakness in seconds. When the Super Bowl, the O...
17/03/2026
Texas Athletics sought to modernize its media production, enhance fan experience...
17/03/2026
Ikegami USA will demonstrate the latest additions to its wide range of broadcast...
17/03/2026
TNA Wrestling and iHeartMedia announces a new multi-platform collaboration that will integrate iHeartMedia across TNA's premium live events, weekly televisi...
17/03/2026
The goal was to transform Hard Rock Stadium into a global leader in sports and e...
17/03/2026
Spectrum has announced the launch of its new Multiview feature in the Spectrum TV App, giving customers the ability to watch up to four NCAA men's or women&...
17/03/2026
Genius Sports deal also covers data technology, AI, fan engagement, and performance analysis....
17/03/2026
Net Insight is supporting the rollout of a new state-wide centralized operation with Rede Massa, which is an SBT affiliate, the Brazilian regional television ne...
17/03/2026
Featuring audio from practice sessions, qualifying races, and Grand Prix races, the film represents Apple's sports-media ambitions
At Sunday night's Ac...