As digital platforms redefine how audiences engage with sports, niche events have a unique opportunity to capture global attention. Often these events take place in remote locations, introducing logistical challenges to get equipment, crews, and personnel onsite. Despite these obstacles, innovative technology solutions have paved the way for cost-effective remote broadcasting, transforming the seemingly impossible task of remote broadcasting on a tight budget into a reality.
Take the example of the CX80 World Cup and European Mountain Bike Orienteering Championships (EMTBOC), a major competition with 109 competitors from 20 European countries. This unique event is celebrated by a passionate and knowledgeable audience. Producing a live broadcast from a remote forest might sound like a near-impossible feat without a full traditional Outside Broadcast (OB) setup, but that's exactly what the team accomplished. Set deep within a forest in Poland, the event took place far from conventional broadcast infrastructure, with no power grid, limited connectivity, and minimal on-site support. With a combination of innovative tech solutions and strategic planning, the production team overcame these challenges to create a seamless live-streamed experience, connecting sport fans across Europe and beyond.
Here's how they tackled each challenge head-on.
Challenge accepted: A remote, untapped location With no grid electricity supply, zero access to fiber or broadband internet, and limited mobile network coverage, the EMTBOC production site was a very different environment to a stadium based setting where sports broadcasts typically thrive, and traditional OB facilities were outside the production budget. This meant the team needed to adopt alternative strategies to power their equipment, ensure connectivity, and coordinate production efforts across both on-site and remote locations.
Producing this event required stepping far outside the box and approaching everything differently, said Per Frost from Permafrost AB, production lead. Traditional broadcast methods weren't going to work here.
A distributed team: Remote production takes center stage For the EMTBOC TV production team, the approach to solving the location's limitations was to adopt a distributed remote production model. Team members worked collaboratively across Europe rather than concentrating everyone on-site. Only a small, agile team went onsite to manage the scaled back on-the-ground operations. The smaller physical footprint helped reduce costs and environmental impact.
By using cloud-based solutions and low-bandwidth applications, the team coordinated camera feeds, graphics, and other broadcast elements without overwhelming the event site's limited connectivity. This included four cameras in the finish arena, two cameras in the forest, a real-time GPS tracking system, video playout, and graphics overlay.
Delivering high-quality video from a location with unpredictable connectivity is a significant challenge. To address this, the team used Ateliere's specialized video transport solutions designed to be bandwidth-efficient and robust. This allowed the team to send high-quality video streams over limited network capacity, ensuring minimal lag and image degradation while maintaining a reliable connection.
Compared with traditional software production solutions, Ateliere Live's advanced video transport tools and support for time-addressable media allow production to be reliably conducted remotely from the camera sources. The lightweight design enabled the team to add multiple cameras to the setup without significantly increasing data requirements, capturing the action from multiple angles and creating a dynamic viewing experience.
An unexpected advantage of adopting a cloud-based approach is how much easier it was for the team to share content with external media outlets. Unlike relying on an OB van with a weak internet connection, the cloud enables local TV stations to access content straightforwardly. This efficiency not only streamlines distribution but also enhances value for local sponsors.
The result was an immersive broadcast - almost 12 hours streamed over four races - that transported viewers to the heart of the event, despite the remote setting and limited connectivity. Ateliere Live allowed us to deliver a quality production with less data and power requirements. This efficiency made all the difference given our bandwidth and power generation constraints, Per noted.
Innovative connectivity: Starlink as the lifeline
A major hurdle for the production lead was overcoming the complete lack of conventional internet options in the forested area. With no fiber connections and only minimal 4G mobile network coverage, the team had to find a way to create a stable, reliable internet connection for streaming. They turned to satellite internet provider Starlink, which enabled stable high-speed internet access even in remote regions. Starlink became the lifeline for the production, providing connectivity that allowed for real-time streaming and remote monitoring.
We had to get creative with how we used our resources, Per explained. Starlink enabled us to push through some of the connectivity issues we faced, which was crucial in an area without the usual support systems we'd rely on for an event of this size.
The team further bolstered the connection with supplementary 4G networks from Intinor, a high quality video over IP solutions provider, to increase redundancy and add stability.
Per adds, In addition to leveraging Starlink, all our video feeds went through Intinor routers with their transport protocol. This hybrid approach was crucial, allowing production to continue with minimal interruptions despite the challenges presented by the natural environment.
Integrating graphics and timing da
North America Stories
16/07/2026
This recent graduate and Georgia native has turned an early fascination with live production into a growing passion for camera work
In the live-sports-video in...
16/07/2026
TNDV is marking the first anniversary of Aspiration 35, a mobile production truck built around ARRI Alexa 35 Live camera systems. Over its first year, the truck...
16/07/2026
ATSC has completed a major revision to its A/85 Recommended Practice: Techniques...
16/07/2026
FloSports has announced an exclusive global media partnership with CrossFit for the 2026 CrossFit Games, presented by Air National Guard, beginning July 21 in S...
16/07/2026
Sennheiser has released firmware version 1.4 for its Spectera wireless system and announced the Spectera Command Button (Cat. No. 701014). The update adds comma...
16/07/2026
ESPN and the Southwestern Athletic Conference (SWAC) have announced a multi-year...
16/07/2026
Audio-Technica has announced the 20 Series Control Application, a Stream Deck plug-in for compatible Audio-Technica USB microphones. The application is compatib...
16/07/2026
The fifteenth season of The Voice - La plus belle voix on TF1 used four Solid St...
16/07/2026
Gray Media and the Atlanta Hawks have announced a broadcast partnership that wil...
16/07/2026
Season 3 of Netflix's docuseries, which dropped this week, follows Jayden Da...
16/07/2026
The Texas Rangers and Rangers Sports Network presented by Progressive (RSN) have announced BZZR as the new direct-to-consumer distributor for Rangers game broad...
16/07/2026
With England's FIFA World Cup 2026 team getting ready to fly home after losi...
16/07/2026
In a return to Royal Birkdale, the team enjoys partnering with ETP and Gravity M...
16/07/2026
Along with a new studio at Ball Arena, the Colorado-based RSN is working with XR...
16/07/2026
Austria was back at the World Cup for the first time in 28 years, and the team d...
16/07/2026
With 42 RF cameras and high-power radio mics deployed, the spectrum environment ...
16/07/2026
June brought stabilization to the television market. Poles spent an average of 3 hours and 36 minutes a day in front of their TV screens exactly the same as i...
16/07/2026
Glensound returns to IBC with a major new addition to its intelligent loudspeaker range, the Greater Divine Supernal studio monitor, alongside recent developmen...
16/07/2026
33 leading exhibitors are taking part in the GREAT Britain and Northern Ireland Pavilions and linked locations across IBC2026 (Amsterdam RAI, 11 14 September)...
16/07/2026
Hitomi Broadcast will introduce Spectra, a new HDR colour verification solution measured in picture, not using VPID, at IBC2026 (Hall 10, Stand A40). Expanding ...
16/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/07/2026
Zixi, a leader in live video delivery and workflow orchestration, and Comcast Technology Solutions (CTS) today announced a strategic new integration to deliver ...
16/07/2026
Blackmagic Design Cameras Capture Immersive Flight for New Cirrus App
Brie Clayton July 15, 2026
0 Comments
Leader in Personal Aviation taps URSA Cin...
16/07/2026
XenData Announces LTO Archive Appliances with both File and S3 Object Storage In...
16/07/2026
Onimusha: Way of the Sword is coming to GeForce NOW at launch, with the playable...
15/07/2026
The 2026 FIFA World Cup is a big deal for DAZN, which has distribution rights in three markets: Italy, Spain, and Japan. Each requires a different editorial app...
15/07/2026
As sports-media organizations manage rapidly growing content libraries and incre...
15/07/2026
HBS director of digital Johannes Franken talks SVG Europe through the operation built to serve FIFA World Cup 2026 rights holders remotely from Stratford, east ...
15/07/2026
IBC has unveiled the conference program for IBC2026, with this year's event ...
15/07/2026
Software-defined wideband RF platform supports 96-kHz monitoring, streamlined fr...
15/07/2026
New AI-powered module enables broadcasters and content owners to extract dialogu...
15/07/2026
Weeklong gathering at EBU headquarters will test new IPMX capabilities and expand certified product ecosystem...
15/07/2026
Force Tech has announced the appointment of Bryan Adams, CTS, as Vice President of Integration. Adams will oversee AV and broadcast integration project delivery...
15/07/2026
USA Sports has announced an exclusive English-language agreement with the Bundes...
15/07/2026
ITV Sport's FIFA World Cup 2026 coverage has been produced from one of the m...
15/07/2026
Program will provide professional camera kits, training, and technical support to participating local newsrooms...
15/07/2026
San Francisco church becomes first U.S. deployment of the 2 M/E production switcher...
15/07/2026
Former ESPN and NFL Network executive to advise startup league on media, distribution, technology, and fan engagement...
15/07/2026
The Houston-based RSN is the live-game home of the Astros and Rockets...
15/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/07/2026
GigaCloud, a leading Ukrainian cloud service provider, and Cubbit, the first geo-distributed cloud storage enabler, today announced a new Business Alliance Part...
15/07/2026
SMPTE, the global society for media professionals, technologists, and engineers, has announced the launch of the SMPTE 110th Anniversary Campaign, a fundraising...
15/07/2026
Studio Technologies, a leading manufacturer of high-quality audio, video, and fiber-optic solutions, unveils the new StudioComm Model 762 Stereo Level Control, ...
15/07/2026
COW Jobs: Producer, Virtual Events - Hybrid, Full Time, Salaried
Brie Clayton July 15, 2026
0 Comments
Producer, Virtual Events (Hybrid | Full-time | ...
As digital platforms redefine how audiences engage with sports, niche events have a unique opportunity to capture global attention. Often these events take place in remote locations, introducing logistical challenges to get equipment, crews, and personnel onsite. Despite these obstacles, innovative technology solutions have paved the way for cost-effective remote broadcasting, transforming the seemingly impossible task of remote broadcasting on a tight budget into a reality.
