Sony Pixel Power calrec Sony

The Path to Porto: WRC Readies for Iconic Rally de Portugal

08/05/2024

The path to Porto: WRC readies for iconic Rally de Portugal By Adrian Pennington

Friday, April 26, 2024 - 08:40

Print This Story

After Monte Carlo, Sweden, Kenya and Croatia, the FIA World Rally Championship (WRC) moves to Portugal on 9 May for the start of the European gravel phase and promises spectacle in and around the scenic city of Porto.

As well as being the biggest sporting event held annually in Portugal, the Rally de Portugal is ranked as one of the championship's classic events with challenging stages including the legendary Fafe jump before the finish. Belgium's Thierry Neuville, who drives for Hyundai, heads into the event championship leader.

Rally de Portugal is a really big broadcast for us. It's a spectacular rally and one of our biggest in terms of on-site audience attendance, says Florian Ruth, senior director content & communication at rights holder WRC Promotor.

Difficult stages

This year's course is made up of 22 stages, more than any here since 2012, spread across a large geographic area and reaching a total length of 1,690km. This includes a night stage in the host city itself around the maze of beautiful streets converging on the river Douro and the famous Dom Lu s metal arch bridge.

This makes the event logistically complex.

We have a very experienced team on the ground and a very good partner with [Portuguese national broadcaster] RTP with whom we have an excellent relationship to make a great co-production, Ruth adds.

Florian Ruth

On the ground, RTP is supporting WRC with production facilities particularly for the Porto night stage. WRC runs four OB vans across the different stages with the live world feed gallery produced at WRC TV's production hub in Helsinki managed by technical production provider NEP Finland.

Aerial coverage is provided by two helis (one with Cineflex, another carrying Shotover) and a pair of drones. These are just four of over 100 camera sources. Each of the first 15 cars are fitted with three to four onboards (around 45 onboards in total). These are bespoke builds developed by NEP for the WRC.

For main stage coverage feeds from the onboards, heli and some selected ground cameras are relayed via a relay plane to Helsinki. This isn't the only connectivity pathway.

Ruth explains: We can send feeds from the OB trucks via the plane and we can send line cuts from the trucks via satellite and also via LiveU. For example, we transmit all the live TV stages of the main race on satellite. Then, when the support categories [WRC2 and WRC3] begin, we switch to RF contribution. In addition, we have a variety of other camera crew also providing feeds via LiveU. All of RTP's feeds are contributed over domestic fibre, managed by Tata Communications.

In Helsinki, WRC teams produce the world feed adding commentary, graphics and final mix before distributing to right holders via fibre, by SRT streams or via satellite.

Races are produced in full HD encoded in HEVC, still considered by WRC and most leading live sports producers as a less complex production format than four channels of HD for 4K UHD.

Capturing the excitement

Editorially, a chief goal of WRC coverage is to combine the action on the circuit and in the cars with the excitement of the live event. To do this it selects camera positions from which it can pan from racing action to emotion in the crowd.

The stadium stages of the Rally de Portugal in particular, will focus a lot on the crowd atmosphere. We expect 30,000-40,000 spectators and we want to see their emotion, he adds.

Audio comms between driver and co-driver is a unique aspect to this motorsport and one which WRC coverage leans into. A multimedia box installed under the driver's seat records driver and co-driver exchanges and transmits them via the plane back to the Helsinki base. External mics on the car, positioned to pick up the engine as well as the sound of gravel (rocky or sandy) terrain, are also fed back from the car. Additional audio is gathered from mics arrayed around the circuit and among spectators.

Sunday's decisive stage will be made up of double passes through the 19.91km of Cabeceiras de Basto, of which 12.6km are completely new, and the iconic 11.18km of Fafe, attended by 100,000 people many of whom will have stayed to party overnight. The hillsides overlooking the sweeping bends that precede it are a magnet for fans.

The stadium stages of the Rally de Portugal in particular will focus a lot on the crowd atmosphere. We expect 30,000-40,000 spectators and we want to see their emotion

When the first car comes through, they sing like a football crowd and that is what we want to hear and transmit, says Ruth.

In all the team will produce 22 to 25 hours of live coverage across the four-day event culled from over 400 hours of total content. That translates to between 15TB and 20TB of material.

All key footage is transferred via fibre to the Helsinki hub. There the WRC produces daily highlights, news packages, digital clips, social media content and assets all of which lands in a new digital archive system launched in conjunction with Moments Lab (formerly Newsbridge). This WRC Championship is accessible to rights holders, broadcasters and sponsors.

DAZN deal

Last August, the WRC combined its various distribution platforms into Rally.TV, a 24/7 linear and OTT home of all rally and rallycross events. Its broadcast strategy is to serve rights holders and grow the audience for the product, which makes a recent carriage deal with DAZN significant. Rally de Portugal marks the start of its involvement.

As our co-operation with them is just about to start, DAZN first need to learn our product but we are having good conversations with them and they have some good ideas. Their editorial teams are very promising and the promotion they will do for us will help gro
LINK: https://www.svgeurope.org/blog/headlines/the-path-to-porto-wrc-readies...
See more stories from svg

More from Sports Video Group

18/07/2026

More Than Just a Game: FIFA World Cups Lance Brass Breaks Down Stadium Production & Entertainment

Topics include pre-match ceremonies, live performances, the tournament's fir...

18/07/2026

As the Final Approaches, FIFA and HBS Take Stock of a World Cup That Rewrote the Production Playbook

When FIFA and HBS set out to produce the 2026 FIFA World Cup, the numbers alone ...

17/07/2026

SVG GameDay, Ep. 24: Mercedes-Benz Stadiums Cole Gallagher - Supporting Shows in the ATL

In-venue and creative video staffers at the professional and collegiate level ha...

17/07/2026

Brooklyn Bowl Williamsburg Stagehands Vote to Join IATSE Local 4

Production workers at Brooklyn Bowl's Williamsburg location voted 15-1 to join IATSE Local 4. The bargaining unit covers 24 production workers at the venue,...

17/07/2026

DAZN and ADI Predictstreet Announce Exclusive Global Prediction Market Partnership

DAZN and ADI Predictstreet have announced an exclusive global strategic partners...

17/07/2026

Zixi and Comcast Technology Solutions Announce Integration for C-Band Satellite Replacement

Zixi and Comcast Technology Solutions (CTS) have announced a strategic integrati...

17/07/2026

Professional Fighters League Announces Multi-Year Partnership with ESPN in Brazil

Professional Fighters League (PFL) has announced a multi-year partnership with E...

17/07/2026

Spectrum Business Launches Spectrum TV Control Pro for Multi-Screen Venue Management

Spectrum Business has announced Spectrum TV Control Pro, a centralized app-based...

17/07/2026

Clark Wire and Cable Appoints Rick Fernandez as Latin American Representative

Clark Wire and Cable has announced that Rick Fernandez, Managing Director of Axxion Consulting, will serve as Independent Manufacturers Representative for Centr...

17/07/2026

TikTok, NBA, and WNBA Announce Multi-Year Global Content Partnership

TikTok, the NBA, and the WNBA have announced a multi-year global content partnership covering highlights distribution, creator access to marquee events, live-ga...

17/07/2026

MSG Entertainment Files Defamation Lawsuit Against Wired Over July 9 Article

Company alleges article contained false and misleading claims regarding customer data...

17/07/2026

Ratings Roundup: Argentina-England Semifinal Breaks Records for FOX; MLB All-Star Game Is Most Watched Since 2018

Ratings Roundup is a rundown of recent rating news and is derived from press rel...

16/07/2026

SVG Students To Watch: Kaden Sherman, Albany State University

This recent graduate and Georgia native has turned an early fascination with live production into a growing passion for camera work In the live-sports-video in...

16/07/2026

TNDV Marks First Year of Aspiration 35 Cinematic Production Truck

TNDV is marking the first anniversary of Aspiration 35, a mobile production truck built around ARRI Alexa 35 Live camera systems. Over its first year, the truck...

16/07/2026

ATSC Releases First Major Revision to A/85 Audio Loudness Recommended Practice Since 2013

ATSC has completed a major revision to its A/85 Recommended Practice: Techniques...

16/07/2026

FloSports Named Exclusive Global Media Partner for 2026 CrossFit Games

FloSports has announced an exclusive global media partnership with CrossFit for the 2026 CrossFit Games, presented by Air National Guard, beginning July 21 in S...

16/07/2026

Sennheiser Releases Spectera Firmware 1.4 and Command Button

Sennheiser has released firmware version 1.4 for its Spectera wireless system and announced the Spectera Command Button (Cat. No. 701014). The update adds comma...

16/07/2026

ESPN and Southwestern Athletic Conference Announce Multi-Year Media Rights Agreement Through 2030-31

ESPN and the Southwestern Athletic Conference (SWAC) have announced a multi-year...

16/07/2026

Audio-Technica Releases 20 Series Control Application for Elgato Stream Deck

Audio-Technica has announced the 20 Series Control Application, a Stream Deck plug-in for compatible Audio-Technica USB microphones. The application is compatib...

16/07/2026

SSL Live L550 Plus Consoles Power Audio Production for The Voice France Season 15

The fifteenth season of The Voice - La plus belle voix on TF1 used four Solid St...

16/07/2026

Gray Media and Atlanta Hawks Announce Georgia-Wide Broadcast Partnership for 2026-27 NBA Season

Gray Media and the Atlanta Hawks have announced a broadcast partnership that wil...

16/07/2026

SVG Sit-Down: Quarterback Showrunner Joe Zucco on Cinematography, Building Trust, Carrying On the NFL Films Legacy

Season 3 of Netflix's docuseries, which dropped this week, follows Jayden Da...

16/07/2026

Texas Rangers Switch Direct-to-Consumer Streaming Partner to BZZR

The Texas Rangers and Rangers Sports Network presented by Progressive (RSN) have announced BZZR as the new direct-to-consumer distributor for Rangers game broad...

16/07/2026

FIFA World Cup 2026: BBC Sport on Moving Across the Pond to Bring the Atmosphere of the Final Matches to Fans

With England's FIFA World Cup 2026 team getting ready to fly home after losi...

16/07/2026

With 36 Unilateral Cameras, NBC Sports Shapes 154th Open Championship Coverage for U.S. Viewers

In a return to Royal Birkdale, the team enjoys partnering with ETP and Gravity M...

16/07/2026

Altitude Sports & Entertainment's Tim De Lay on New SkyCam Digital Feed, Upgraded Studio Space

Along with a new studio at Ball Arena, the Colorado-based RSN is working with XR...

16/07/2026

FIFA World Cup 2026: Inside ORF's Austria-Based Production to Bring All the Emotions of the Tournament to Fans

Austria was back at the World Cup for the first time in 28 years, and the team d...

16/07/2026

Inside Gravity Media's Effort To Power the 154th Open Championship Production

With 42 RF cameras and high-power radio mics deployed, the spectrum environment ...

15/07/2026

Inside DAZNs Multi-Market World Cup Effort With CTO Sandeep Tiku

The 2026 FIFA World Cup is a big deal for DAZN, which has distribution rights in three markets: Italy, Spain, and Japan. Each requires a different editorial app...

15/07/2026

SVG New Sponsor Spotlight: Qumulo's Chris Horn on Powering Global Media Workflows Across Edge, Core, and Cloud

As sports-media organizations manage rapidly growing content libraries and incre...

15/07/2026

FIFA World Cup 2026: Inside the HBS Non-Live London Production Hub

HBS director of digital Johannes Franken talks SVG Europe through the operation built to serve FIFA World Cup 2026 rights holders remotely from Stratford, east ...

15/07/2026

IBC2026 to Spotlight AI, Live Sports Production, Creator Economy, and Trust in Media

IBC has unveiled the conference program for IBC2026, with this year's event ...

15/07/2026

Vanessa Paradis Tour Adopts Sennheiser Spectera Wireless Ecosystem for 2026 Production

Software-defined wideband RF platform supports 96-kHz monitoring, streamlined fr...

15/07/2026

Telos Alliance Integrates AudioShake Source Separation Into Minnetonka AudioTools Server

New AI-powered module enables broadcasters and content owners to extract dialogu...

15/07/2026

AIMS Schedules Second IPMX Product Certification Event for August

Weeklong gathering at EBU headquarters will test new IPMX capabilities and expand certified product ecosystem...

15/07/2026

Force Tech Appoints Bryan Adams as Vice President of Integration

Force Tech has announced the appointment of Bryan Adams, CTS, as Vice President of Integration. Adams will oversee AV and broadcast integration project delivery...

15/07/2026

USA Sports and Bundesliga Announce Exclusive Multi-Year U.S. Media Rights Agreement

USA Sports has announced an exclusive English-language agreement with the Bundes...

15/07/2026

Inside ITV Sport's Stunning FIFA World Cup Studio in New York City With Paul McNamara

ITV Sport's FIFA World Cup 2026 coverage has been produced from one of the m...

15/07/2026

CatchLight, Sony Launch Equipment Initiative for Local Visual Journalists

Program will provide professional camera kits, training, and technical support to participating local newsrooms...

15/07/2026

CornerstoneSF Installs FOR-A HVS-Q12 Switcher in New UHD Production Facility

San Francisco church becomes first U.S. deployment of the 2 M/E production switcher...

15/07/2026

Steve Bornstein Joins Advisory Board of Scott Cokers New Global MMA Promotion

Former ESPN and NFL Network executive to advise startup league on media, distribution, technology, and fan engagement...

15/07/2026

Space City Home Network Executive Producer John Valek on Leaning Into Innovation, Access, and Opportunity

The Houston-based RSN is the live-game home of the Astros and Rockets...

14/07/2026

Bowling Green State Upgrades Doyt Perry Stadium With New Daktronics LED Display

South end zone videoboard, cloud-based control system will be ready for 2026 football season...

14/07/2026

Mizzou Athletics Launches Connected Digital Platform

Redesigned website, enhanced mobile app unify content, ticketing, and personalized fan engagement...

14/07/2026

DePaul Athletics, Playfly Sports Agree to Multimedia Rights Partnership

Agreement spans sponsorship sales, digital monetization, radio production, and new practice facility naming rights...

14/07/2026

American Association Expands Broadcast Reach Through FanDuel Sports Network Partnership

Independent league adds 14 regional sports network affiliates, growing distribut...

14/07/2026

Euroleague Basketball Introduces Euroleague Basketball+ Digital Ecosystem Initiative

New strategy aims to unify competitions, content, fan engagement, and commercial...

14/07/2026

Professional Fighters League, ESPN Reach Multi-Year Media Rights Deal for Brazil

ESPN and Disney+ become exclusive home of PFL events in key international MMA market...

14/07/2026

TEGNA Names Scott Gill VP of Technology and Operations

Gill will oversee engineering, technology, and sports operations across the company's 64 local television stations...

14/07/2026

Guest Post: Dynamic Media Facilities Could Reshape the Future of Broadcast Workflows

Submitted by North American Broadcasters Association (NABA) As broadcasters con...