Sony Pixel Power calrec Sony

Orchestrating the Cloud

27/11/2020

There are probably more cloud-based services providing functional capability for media operations than for any other commercial sector. These services range from simple format conversion (transcode) to complex AI services which can automatically create temporal logs that describe' content based on object or other recognition models. The aggregate of even a small selection of the available services is extremely powerful. Cloud-provided service functionality has the capability to transform the efficiency of production and content supply chain operations. Aside from the breadth of functionality available in the cloud' the structure and fabric of cloud provides direct benefit for media businesses:

Scale, infinite scale for material storage and processing.

Resilience, at a fractional incremental cost.

Security, cloud affords greater security and auditability than on-prem storage.

Access, global access to content enabling remote and collaborative operations.

Economical, almost universally costs are on a consumption basis.

Interoperability, through standardised control interfaces*.

*A very welcome development in the broadcast and media industry.

Whilst there has been a significant increase in the use of cloud for production and content preparation workflows, broadly take-up has not been as rapid as it might have been. Aside from the migration issues relating to file size, covered here, the key reasons cited by media companies distil into three headlines: visibility, cost, and control.

These are genuinely held concerns; below are some real-world statements from media operators and details of how BLAM's functionality answers the issue.

Visibility & Discovery we recently put over a petabyte of media into the cloud as a backup / safety copy but now cannot see what we have without restoring it

This is a simple one for BLAM. The BLAM UI makes all media objects visible and playable'. For video assets, BLAM creates a full resolution browse / proxy version of all material that is brought into the platform so that it may be played within a standard web-browser.

The browse / proxy file is typically encoded at 2Mb/s (this is configurable) so the file stored on disk is between 0.5-4% of the original / master file size. If you are using AWS S3 storage, this means that only the small browse / proxy file is required to sit' at Standard Class. The much larger broadcast or mezzanine format may be archived to the Deep or Glacier class in AWS parlance.

The ability to see media and the relationships between media in this way means that cloud storage and services may be used in an extremely cost-effective way.

Content accessibility is enhanced with discovery tools - principally this means search. BLAM supports accessibility of media through a fast and sophisticated search capability underpinned by advanced metadata management for structured and unstructured data. BLAM provides:

Metadata synchronisation with live systems such as traffic or rights management.

Connectors to a range of legacy platforms for bulk data migration.

Generation of temporal metadata generation using AI and other services.

A powerful search capability to support simplified discovery.

Asset relationship management capability.

Cloud storage tagging tools to persist data at the object level.

With all the promise of scalability, our operation still suffers bottlenecks but, in the cloud, ironically, it is more difficult to see where .

Another form of visibility that has been designed into BLAM is real-time workflow monitoring. BLAM provides real-time status information for all processes that it is orchestrating - both for internal processes, such as checking technical data on a file, or long-running processes, such as transcoding. BLAM provides a single interface through which multiple services from multiple vendors (i.e. multi-cloud) can be monitored and managed. Crucially, BLAM supports the management by exception paradigm through alerts in the case of error. Such alerts provide specific detail so corrective action may be enacted quickly.

Cost It is extremely difficult to calculate how much as specific asset or job has cost us, particularly as we use the services of multiple providers

The fundamental of finance control, when using a consumption-based model, is to understand the aggregate cost of performing a specific function. This calculation is complex when using the services from several vendors - the multi-cloud problem. BLAM tracks fixed and variable costs based on transactions across all services, regardless of provider, and can compute these to provide meaningful management information.

Finance in BLAM is based on transaction units which are calibrated as time (seconds) or size (bytes) although these can be customised. Rates are manually set or applied to transactions dynamically through a service API. Calculating costs is then as simple as multiplying the rate by transaction units (which are tracked within each BLAM Workflows BLidget). Tracking transaction units at the BLidget level means that BLAM records data at the most granular level possible. Cost data may then be presented in an entirely customisable way, be it in a graphic form in a BLAM dashboard or in an Excel-based financial report. A common requirement in the content supply chain context is to see the cost of delivering a media package which includes a breakdown of all the services involved so that this may be recharged. An equally common request is to see the total cost of ownership information. BLAM now displays this as standard in the Media view.

It's the egress costs, that is where they catch you out

The fact is that storing large media files in AWS S3 at Standard class is expensive. It is also a fact that egress costs for large files are not trivial - although this aspect is under increasing
LINK: https://bluelucy.com/orchestrating-the-cloud/...
See more stories from bluelucy

Most recent headlines

05/01/2027

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be demoed at CES 2026

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...

01/06/2026

Dolby Sets the New Standard for Premium Entertainment at CES 2026

January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026 Throughout the week, Dolby brings to life the latest innovatio...

02/05/2026

Dalet Flex LTS Delivers Smarter Search, Faster Editing, and an AI-Ready Foundation for Modern Media

Dalet, a leading technology and service provider for media-rich organizations, t...

01/05/2026

NBCUniversal's Peacock to Be First Streamer to Integrate Dolby's Full Suite of Premium Picture and Sound Innovations

January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...

01/04/2026

DOLBY AND DOUYIN EMPOWER THE NEXT GENERATON OF CREATORS WITH DOLBY VISION

January 4 2026, 18:00 (PST) DOLBY AND DOUYIN EMPOWER THE NEXT GENERATON OF CREATORS WITH DOLBY VISION Douyin Users Can Now Create And Share Videos With Stun...

12/03/2026

Gray Stresses Importance of DRM for NextGen TV in FCC Sports Probe

Share Copy link Facebook X Linkedin Bluesky Email...

12/03/2026

Nebraska's HuskerVision Deploy Lawo IP Tech for Studio Upgrade

Share Copy link Facebook X Linkedin Bluesky Email...

12/03/2026

Comcast NBCU, Telemundo Station Group Announce $600,000 In Grants

Share Copy link Facebook X Linkedin Bluesky Email...

12/03/2026

EditShare To Highlight Analytical AI Capabilities At 2026 NAB Show

Share Copy link Facebook X Linkedin Bluesky Email...

12/03/2026

FreeWheel Launches AI Agent Infrastructure

Share Copy link Facebook X Linkedin Bluesky Email...

12/03/2026

COW Jobs: Editor de Vdeo - Direct Response, Performance Ads - Brazil, Remote

COW Jobs: Editor de V deo - Direct Response, Performance Ads - Brazil, Remote Brie Clayton March 11, 2026 0 Comments Editor(a) de V deo (Direct Respon...

12/03/2026

Avatar: Fire and Ash Graded with DaVinci Resolve Studio

Avatar: Fire and Ash Graded with DaVinci Resolve Studio Brie Clayton March 11, 2026 0 Comments Colorist delivers premium cinematic color across 2D, 3D...

12/03/2026

Boston Conservatory to Timothe Chalamet: We Care About Ballet and Opera

Boston Conservatory to Timoth e Chalamet: We Care About Ballet and Opera Boston Conservatory at Berklee students and faculty respond to the actors recent comm...

11/03/2026

Calrec To Unlock Hybrid Workflows At 2026 NAB Show

Share Copy link Facebook X Linkedin Bluesky Email...

11/03/2026

Matrox Video Enables the Next Era of Software-Defined Med...

Matrox Video will showcase its vision for the future of live production at NAB 2026 in Las Vegas, April 19-22, highlighting how broadcasters and media organizat...

11/03/2026

GlobalM Showcases Distributed Video Gateway Architecture...

Geneva-based technology company, GlobalM SA, is presenting its GMX Distributed Video Gateway, a software-defined IP media transport platform designed to replace...

11/03/2026

Video is King - 2026 Iconik Media Stats Report Finds Vide...

Backlight (booth #N2829), the company behind Iconik and Wildmoka, which power video workflows for large media and entertainment organizations, has released the ...

11/03/2026

QuickLinks Latest StudioEdge Models to Make North America...

QuickLink, a leading provider of award-winning video production and remote guest contribution solutions, presents its latest StudioEdge models at The NAB Show ...

11/03/2026

Telestream Expands Its Cloud Services with the Introducti...

Telestream, a global leader in media workflow technologies, today announced the expansion of Telestream Cloud Services with the introduction of UP, a new cloud-...

11/03/2026

Operative Launches AOS Configuration for Digital-First Mo...

Operative, the preferred advertising management provider for the world's leading media brands, today announced the launch of AOS for digital media, an AI-po...

11/03/2026

Calrec Redefines Broadcast Workflows at NAB 2026

Calrec will be located in Central Hall, on Booth C6907 Choice without compromise The broadcast industry is going through a rapid evolution that s signalling a...

11/03/2026

Worldstream and Cubbit launch sovereign S3 cloud storage...

The new service is hosted and operated entirely in the Netherlands, combining data sovereignty, resilience, scalability, and predictable costs without relying...

11/03/2026

Ease Live powers interactive Premier Padel experiences on...

Ease Live, an Evertz company and leader in interactive graphical overlays, today announced the successful deployment of its platform on Red Bull TV for Premier ...

11/03/2026

Mediagenix Title Management Accelerates Content Monetizat...

Mediagenix, a global leader in smart content solutions to profitably connect the right content to the right audience, is advancing its Semantic Intelligence cap...

11/03/2026

Emergent Launches Fusion- The Interactive Anything Platfo...

Emergent, a leading provider of AI-enhanced media production solutions, today announced the official launch of Fusion, a powerful, no-code application builder d...

11/03/2026

Techex Names Matt McKee as Senior Director of Sales, Americas

Share Copy link Facebook X Linkedin Bluesky Email...

11/03/2026

IAB Tech Lab Announces Content Monetization Protocol for AI LLMs

Share Copy link Facebook X Linkedin Bluesky Email...

11/03/2026

Mondae Hott Joins Kokusai Denki as Northeast Sales Manager

Share Copy link Facebook X Linkedin Bluesky Email...

11/03/2026

Gray Media to Air Cincinnati Reds' Games on WXIX FOX19

Share Copy link Facebook X Linkedin Bluesky Email...

11/03/2026

Shure Audio Solutions Deliver Super Bowl Win

Share Copy link Facebook X Linkedin Bluesky Email...

11/03/2026

UK's First Live Broadcast Using New n40 Private 5G Spectrum

Share Copy link Facebook X Linkedin Bluesky Email...

11/03/2026

Utah Scientific Expands Technology Partner Program With I...

Utah Scientific today announced the expansion of its Technology Partner Program with the addition of Audinate, Bitfocus, and Skaarhoj, three industry leaders wh...

11/03/2026

DigitalGlue Ends the Post Production Tax creativespace In...

DigitalGlue, creator of the creative.space on-premise managed storage platform, today revealed plans to launch creative.space Intelligence (CSI) at NAB 2026 (Bo...

11/03/2026

Maxon and Tencent Cloud Partner to Integrate HY 3D into C...

Maxon, maker of powerful, approachable software solutions for creators working in 2D and 3D design, motion graphics, visual effects, gaming, and more, has annou...

11/03/2026

NUGEN Audio Halo Vision Plug In Serves as Spatial Compass...

Composer and Re-recording Mixer Michael Phillips Keeley has built his career around immersive storytelling. Working from his Dolby Atmos-equipped studio, Sound ...

11/03/2026

YES selects Synamedia Iris to power advanced advertising

Leading video software provider Synamedia today announced that YES, the pay-TV subsidiary of the telco Bezeq (TASE: BEZQ), has selected Synamedia Iris to delive...

11/03/2026

Cost Savings Scalability and Smarter Monetization Viacces...

As media companies face increasing cost pressures and operational complexity, at the 2026 NAB Show in Las Vegas, Viaccess-Orca (VO), a global leader in OTT / TV...

11/03/2026

Digital Alert Systems Unveils Version 6 Software for DASD...

Digital Alert Systems, a global leader in emergency communications solutions for media providers, today announced the release of Version 6 software for its DASD...

11/03/2026

SES Brings Satellite Connectivity to Refugees in Chad

First Medium-Earth Orbit (MEO) deployment of the emergency.lu platform for refugees and their host communities' use provides dependable broadband for humani...

11/03/2026

Foundry releases Nuke 17.0

Foundry releases Nuke 17.0 Brie Clayton March 1, 2026 0 Comments Native Gaussian Splat support, new 3D system based on USD, expanded machine learning ca...

11/03/2026

Preserving UNESCO World Heritage with URSA Cine Immersive

Preserving UNESCO World Heritage with URSA Cine Immersive Brie Clayton March 1, 2026 0 Comments The Explorers turned to France's cultural landmark...

11/03/2026

I Clicked This By Accident And It Made After Effects SO Much Faster

I Clicked This By Accident And It Made After Effects SO Much Faster Graham Quince March 1, 2026 0 Comments Discover how Region of Interest in Adobe A...

11/03/2026

Cine Gear Connect Brings a Focused All-Day Experience to Industry City, NY

Cine Gear Connect Brings a Focused All-Day Experience to Industry City, NY Brie Clayton March 4, 2026 0 Comments Registration is now open for Cine Gea...

11/03/2026

La Vorgine Edited and Finished with DaVinci Resolve Studio

La Vor gine Edited and Finished with DaVinci Resolve Studio Brie Clayton March 4, 2026 0 Comments One of Colombia's most ambitious projects goes g...

11/03/2026

SoundMarket Launches 18,000+ Tracks of Real Music by Award-Winning Composers for Editors and Post Professionals

SoundMarket Launches 18,000 Tracks of Real Music by Award-Winning Composers for...

11/03/2026

Capta Center Supports NOVO19 Remote Production with Blackmagic Design

Capta Center Supports NOVO19 Remote Production with Blackmagic Design Brie Clayton March 5, 2026 0 Comments The facility provides production and playo...

11/03/2026

DigitalGlue Ends the Post-Production Tax: creative.space Intelligence (CSI) Unifies On-Premise Storage with Forensic AI at NAB 2026

DigitalGlue Ends the Post-Production Tax: creative.space Intelligence (CSI) Unif...

11/03/2026

Kochi Sun Sun Uses Blackmagic Replay for High School Volleyball Finals

Kochi Sun Sun Uses Blackmagic Replay for High School Volleyball Finals Brie Clayton March 9, 2026 0 Comments Versatile Blackmagic Replay system proves...

11/03/2026

Richard Bona Joins Berklee for Signature Series Concert

Richard Bona Joins Berklee for Signature Series Concert The Grammy-winning Cameroonian bassist and vocalist collaborates with students and faculty in a progra...

11/03/2026

New NVIDIA Nemotron 3 Super Delivers 5x Higher Throughput for Agentic AI

Launched today, NVIDIA Nemotron 3 Super is a 120 billion parameter open model with 12 billion active parameters designed to run complex agentic AI systems at sc...