
There are probably more cloud-based services providing functional capability for media operations than for any other commercial sector. These services range from simple format conversion (transcode) to complex AI services which can automatically create temporal logs that describe' content based on object or other recognition models. The aggregate of even a small selection of the available services is extremely powerful. Cloud-provided service functionality has the capability to transform the efficiency of production and content supply chain operations. Aside from the breadth of functionality available in the cloud' the structure and fabric of cloud provides direct benefit for media businesses:
Scale, infinite scale for material storage and processing.
Resilience, at a fractional incremental cost.
Security, cloud affords greater security and auditability than on-prem storage.
Access, global access to content enabling remote and collaborative operations.
Economical, almost universally costs are on a consumption basis.
Interoperability, through standardised control interfaces*.
*A very welcome development in the broadcast and media industry.
Whilst there has been a significant increase in the use of cloud for production and content preparation workflows, broadly take-up has not been as rapid as it might have been. Aside from the migration issues relating to file size, covered here, the key reasons cited by media companies distil into three headlines: visibility, cost, and control.
These are genuinely held concerns; below are some real-world statements from media operators and details of how BLAM's functionality answers the issue.
Visibility & Discovery we recently put over a petabyte of media into the cloud as a backup / safety copy but now cannot see what we have without restoring it
This is a simple one for BLAM. The BLAM UI makes all media objects visible and playable'. For video assets, BLAM creates a full resolution browse / proxy version of all material that is brought into the platform so that it may be played within a standard web-browser.
The browse / proxy file is typically encoded at 2Mb/s (this is configurable) so the file stored on disk is between 0.5-4% of the original / master file size. If you are using AWS S3 storage, this means that only the small browse / proxy file is required to sit' at Standard Class. The much larger broadcast or mezzanine format may be archived to the Deep or Glacier class in AWS parlance.
The ability to see media and the relationships between media in this way means that cloud storage and services may be used in an extremely cost-effective way.
Content accessibility is enhanced with discovery tools - principally this means search. BLAM supports accessibility of media through a fast and sophisticated search capability underpinned by advanced metadata management for structured and unstructured data. BLAM provides:
Metadata synchronisation with live systems such as traffic or rights management.
Connectors to a range of legacy platforms for bulk data migration.
Generation of temporal metadata generation using AI and other services.
A powerful search capability to support simplified discovery.
Asset relationship management capability.
Cloud storage tagging tools to persist data at the object level.
With all the promise of scalability, our operation still suffers bottlenecks but, in the cloud, ironically, it is more difficult to see where .
Another form of visibility that has been designed into BLAM is real-time workflow monitoring. BLAM provides real-time status information for all processes that it is orchestrating - both for internal processes, such as checking technical data on a file, or long-running processes, such as transcoding. BLAM provides a single interface through which multiple services from multiple vendors (i.e. multi-cloud) can be monitored and managed. Crucially, BLAM supports the management by exception paradigm through alerts in the case of error. Such alerts provide specific detail so corrective action may be enacted quickly.
Cost It is extremely difficult to calculate how much as specific asset or job has cost us, particularly as we use the services of multiple providers
The fundamental of finance control, when using a consumption-based model, is to understand the aggregate cost of performing a specific function. This calculation is complex when using the services from several vendors - the multi-cloud problem. BLAM tracks fixed and variable costs based on transactions across all services, regardless of provider, and can compute these to provide meaningful management information.
Finance in BLAM is based on transaction units which are calibrated as time (seconds) or size (bytes) although these can be customised. Rates are manually set or applied to transactions dynamically through a service API. Calculating costs is then as simple as multiplying the rate by transaction units (which are tracked within each BLAM Workflows BLidget). Tracking transaction units at the BLidget level means that BLAM records data at the most granular level possible. Cost data may then be presented in an entirely customisable way, be it in a graphic form in a BLAM dashboard or in an Excel-based financial report. A common requirement in the content supply chain context is to see the cost of delivering a media package which includes a breakdown of all the services involved so that this may be recharged. An equally common request is to see the total cost of ownership information. BLAM now displays this as standard in the Media view.
It's the egress costs, that is where they catch you out
The fact is that storing large media files in AWS S3 at Standard class is expensive. It is also a fact that egress costs for large files are not trivial - although this aspect is under increasing
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
19/10/2026
Live volleyball propels Polsat to the number one position for the first time in 2026
Warsaw, Poland, 19.10.26 - Nielsen, a global leader in audience measuremen...
19/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/10/2026
LA JOLLA, CA-Artificial intelligence has already demonstrated great promise in m...
19/10/2026
Building on nearly five decades of experience, Hiltron Communications is one of Europes longest established specialists in the design, integration and maintenan...
19/10/2026
Sobatech Group Takes Its Production Model Remote with Blackmagic Design
Brie Clayton October 18, 2026
0 Comments
Multi output production supports loca...
19/10/2026
At a creative industry event that took place today in Berlin - hosted in collabo...
18/10/2026
Pliant Technologies Showcases New CrewCom Flex at NAB New York 2026
Brie Clayton October 18, 2026
0 Comments
Pliant Technologies is highlighting its n...
18/10/2026
October 18 2026, 21:30 (PDT) Dolby Cinema Expands Its India Footprint with Kera...
17/10/2026
At PBR Teams Series: Maverick Days at UBS Arena in Belmont Park, NY, PBR Executi...
17/10/2026
By Ramona Flume
Speaking out against injustice rarely comes without a price. Th...
17/10/2026
Two new kit options introduced
Roland's entry-level V-Drum series has just been refreshed, gaining two new kit options that promise the best balance of ...
17/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/10/2026
Oklahoma filmmaker Elijah Felkins launches crowdfunding campaign to shoot Kairat...
17/10/2026
Secret Weapon Post Powers New Remote Workflows with DaVinci Resolve Studio
Brie Clayton October 16, 2026
0 Comments
Going remote: redefining what post...
17/10/2026
Danilo P rez Premieres New Work Honoring Architect Frank Gehry Commissioned by the Herbie Hancock Institute, P rez performed The Ever-Changing World at its In...
17/10/2026
NVIDIA RTX Spark laptops are now available, bringing NVIDIA Blackwell RTX graphics, up to 128GB of unified memory and the full NVIDIA AI platform to slim, premi...
16/10/2026
The LA Clippers have announced their local television plan for the 2026-27 seaso...
16/10/2026
At sports-media summit, he describes the success of the one-year-old agreement a...
16/10/2026
Parks Associates, in partnership with InterDigital, has published a white paper ...
16/10/2026
Cisco is expanding its work with the Atlanta Hawks, Cleveland Cavaliers, and Brooklyn Sports & Entertainment (BSE) as the 2026-27 NBA season gets underway, prov...
16/10/2026
Broadcast Management Group (BMG) has introduced Media Command, a private cloud broadcast platform that integrates recording, media asset management (MAM), chann...
16/10/2026
TNDV and GameTime Productions have expanded their remote production responsibilities for Team Boxing League (TBL) for the league's recently completed fourth...
16/10/2026
In-venue and creative video staffers at the professional and collegiate level have one major thing in common: the intensity and attention to detail ramps up dur...
16/10/2026
Broadcast and streaming are converging around live media. Traditional broadcasters increasingly distribute their linear services through streaming platforms alo...
16/10/2026
DAZN and Guardians League, a new professional franchise surf racing series, have announced a multi-year global broadcast partnership. Guardians League events wi...
16/10/2026
Sobatech Group is producing live coverage of the F4 Spanish Championship and Eur...
16/10/2026
The Walt Disney Company and Dude Perfect have announced an integrated creative partnership. Dude Perfect will develop original content for its own channels insp...
16/10/2026
Onsite studio show will accompany game productions in San Francisco and Atlanta
...
16/10/2026
Grass Valley s AMPP platform continues to grow in popularity, especially with th...
16/10/2026
FloSports and the National Lacrosse League (NLL) have entered a multiyear media partnership that makes FloSports the exclusive global streaming home of the NLL....
16/10/2026
At PBR Teams Series: Maverick Days at UBS Arena in Belmont Park, NY, PBR Executive Producer Jason Jacquette took a few minutes with SVG to discuss how his team ...
16/10/2026
(Suzanne Cordeiro/Shutterstock for Sundance Film Festival)
By Patty Consolazio
...
16/10/2026
Standalone calibration, automatic bass management & digital I/O
The ARC Studio was a significant release for IK Multimedia, and was praised for offering a c...
16/10/2026
Classic compressor returns in 1U form
There are few pieces of gear that have achieved the status held by the SSL Bus Compressor, and it's now officially...
16/10/2026
Latest cinematic instrument unveiled
Zero-G say that their latest creation isn't your typical sample library or collection of instruments, but rather a ...
16/10/2026
Real-time MIDI orchestrator updated
Forma Labs Audio have recently launched a significant update that brings some powerful new features to their real-time M...
16/10/2026
The launch of the autumn programming schedules on traditional TV channels translated into a noticeable increase in total video viewership. Poles spent an averag...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Globecast, a leading provider of media integration and managed services for the sports broadcast industry, will showcase the latest developments in Content Exch...
16/10/2026
Boston Conservatory Wind Ensemble Presents America at 250 The free event, taking place at Samuel Adams Park at Faneuil Hall, features a program of inspiring A...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...