
There are probably more cloud-based services providing functional capability for media operations than for any other commercial sector. These services range from simple format conversion (transcode) to complex AI services which can automatically create temporal logs that describe' content based on object or other recognition models. The aggregate of even a small selection of the available services is extremely powerful. Cloud-provided service functionality has the capability to transform the efficiency of production and content supply chain operations. Aside from the breadth of functionality available in the cloud' the structure and fabric of cloud provides direct benefit for media businesses:
Scale, infinite scale for material storage and processing.
Resilience, at a fractional incremental cost.
Security, cloud affords greater security and auditability than on-prem storage.
Access, global access to content enabling remote and collaborative operations.
Economical, almost universally costs are on a consumption basis.
Interoperability, through standardised control interfaces*.
*A very welcome development in the broadcast and media industry.
Whilst there has been a significant increase in the use of cloud for production and content preparation workflows, broadly take-up has not been as rapid as it might have been. Aside from the migration issues relating to file size, covered here, the key reasons cited by media companies distil into three headlines: visibility, cost, and control.
These are genuinely held concerns; below are some real-world statements from media operators and details of how BLAM's functionality answers the issue.
Visibility & Discovery we recently put over a petabyte of media into the cloud as a backup / safety copy but now cannot see what we have without restoring it
This is a simple one for BLAM. The BLAM UI makes all media objects visible and playable'. For video assets, BLAM creates a full resolution browse / proxy version of all material that is brought into the platform so that it may be played within a standard web-browser.
The browse / proxy file is typically encoded at 2Mb/s (this is configurable) so the file stored on disk is between 0.5-4% of the original / master file size. If you are using AWS S3 storage, this means that only the small browse / proxy file is required to sit' at Standard Class. The much larger broadcast or mezzanine format may be archived to the Deep or Glacier class in AWS parlance.
The ability to see media and the relationships between media in this way means that cloud storage and services may be used in an extremely cost-effective way.
Content accessibility is enhanced with discovery tools - principally this means search. BLAM supports accessibility of media through a fast and sophisticated search capability underpinned by advanced metadata management for structured and unstructured data. BLAM provides:
Metadata synchronisation with live systems such as traffic or rights management.
Connectors to a range of legacy platforms for bulk data migration.
Generation of temporal metadata generation using AI and other services.
A powerful search capability to support simplified discovery.
Asset relationship management capability.
Cloud storage tagging tools to persist data at the object level.
With all the promise of scalability, our operation still suffers bottlenecks but, in the cloud, ironically, it is more difficult to see where .
Another form of visibility that has been designed into BLAM is real-time workflow monitoring. BLAM provides real-time status information for all processes that it is orchestrating - both for internal processes, such as checking technical data on a file, or long-running processes, such as transcoding. BLAM provides a single interface through which multiple services from multiple vendors (i.e. multi-cloud) can be monitored and managed. Crucially, BLAM supports the management by exception paradigm through alerts in the case of error. Such alerts provide specific detail so corrective action may be enacted quickly.
Cost It is extremely difficult to calculate how much as specific asset or job has cost us, particularly as we use the services of multiple providers
The fundamental of finance control, when using a consumption-based model, is to understand the aggregate cost of performing a specific function. This calculation is complex when using the services from several vendors - the multi-cloud problem. BLAM tracks fixed and variable costs based on transactions across all services, regardless of provider, and can compute these to provide meaningful management information.
Finance in BLAM is based on transaction units which are calibrated as time (seconds) or size (bytes) although these can be customised. Rates are manually set or applied to transactions dynamically through a service API. Calculating costs is then as simple as multiplying the rate by transaction units (which are tracked within each BLAM Workflows BLidget). Tracking transaction units at the BLidget level means that BLAM records data at the most granular level possible. Cost data may then be presented in an entirely customisable way, be it in a graphic form in a BLAM dashboard or in an Excel-based financial report. A common requirement in the content supply chain context is to see the cost of delivering a media package which includes a breakdown of all the services involved so that this may be recharged. An equally common request is to see the total cost of ownership information. BLAM now displays this as standard in the Media view.
It's the egress costs, that is where they catch you out
The fact is that storing large media files in AWS S3 at Standard class is expensive. It is also a fact that egress costs for large files are not trivial - although this aspect is under increasing
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
31/10/2026
Combines powerful sequencer with classic drum machine samples
Rapid Flow's latest release puts their sequencing expertise to work in a powerful new virt...
31/10/2026
Reproducing spatial binaural audio over speakers
In April 2025, we ran some news on Audioscenic, a UK-based company who specialise in delivering binaural au...
31/10/2026
Sonnet Announces Compact Three-Slot Thunderbolt 5 to PCIe Card Expansion System
Brie Clayton October 31, 2026
0 Comments
Echo SE III T5 Connects Three...
31/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
31/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
31/10/2026
Riedel Communications today announced that live event production company FOH Productions has built a portable camera switching and control flypack that uses Rie...
30/10/2026
A highlight clip goes to air after a person says yes. What would it take to say how often that yes had to be earned?
Andreas EhstandA common design for automat...
30/10/2026
SNF's Chiefs-Seahawks leads the week with 26.3 million, Prime Video's Pa...
30/10/2026
The company aims to be more horizontal and not vertical' in managing sports rights and producing events
GRUP MEDIAPRO has begun charting a new course that...
30/10/2026
Player mics, an in-arena drone, enhanced replay operations, and a full onsite pr...
30/10/2026
By Ramona Flume
Each harvest season brings a sense of renewal and possibility. ...
30/10/2026
(L-R) Peter Dinklage, Alexander Skarsg rd, and Olivia Colman attend the Q&A for Wicker by Eleanor Wilson and Alex Huston Fischer, an official selection of the...
30/10/2026
Creates melodies from wavetables
BangZilla is the new plug-in division of The Audio Programmer, and their debut offering comes in the form of Wave Theory, a...
30/10/2026
30 October - 1 November 2026
This years AES Show is just around the corner, with this year's event marking the annual convention's first appearance ...
30/10/2026
Company launch new digitally controlled analogue hardware
Neve have just entered the world of digitally controlled analogue in style with not one, but four ...
30/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/10/2026
GB Labs Wins Future's Best of Show Award for Core.ONE, Presented by TVBEurope at IBC 2026
GB Labs, a leader in scalable, shared storage solutions, has rec...
30/10/2026
Lightware is introducing GPIO Button control for its Microsoft Teams Rooms on Windows (MTRoW) integration, giving users a simple, one-touch way to switch betwee...
30/10/2026
Lightware has added AVIXA Renewal Units (RUs) to its D sseldorf in-person training program, allowing AV professionals to earn recognized professional developmen...
30/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/10/2026
Creative software developer Foundry today announced Nuke Stage now supports macOS, making the end-to-end virtual production and in-camera visual effects (ICVFX)...
30/10/2026
While science fiction lore tells us that humans will meet extraterrestrial life ...
29/10/2026
Jameis Winston and Willie Colon are among current and former players hosting pro...
29/10/2026
After arriving in Fayetteville with dreams of calling games, the Arkansas native found her passion in the control room, building a promising future in replay an...
29/10/2026
The National Hockey League is taking on a larger role in local game production w...
29/10/2026
Media Links has appointed Mikhail Zavalin Market Development Technical Specialis...
29/10/2026
Gravity Media delivered the live broadcast and media infrastructure for the 2026...
29/10/2026
Rise AV has announced the 23 women selected for the second year of its Elevate program, a six-week management and leadership development course. The cohort incl...
29/10/2026
The F d ration Internationale de l'Automobile (FIA) and Amazon Web Services (AWS) have announced a global partnership under which AWS becomes the Official A...
29/10/2026
Advanced Systems Group (ASG) has appointed Bob Daniel Storage and Workflow Solutions Architect within its Enterprise Storage team. Daniel has more than 30 years...
29/10/2026
FloSports and the Pac-12 Conference have entered a media partnership that will b...
29/10/2026
TSN will launch Film Never Lies Grey Cup Playoffs Watchalong, an altcast hosted by TSN football analyst Luke Willson, for two CFL Grey Cup Playoffs games. Wills...
29/10/2026
For decades, broadcasters have designed production around one rule: build for th...
29/10/2026
Live event production company FOH Productions has built a portable camera switch...
29/10/2026
Gravity Media is marking its 25th year facilitating the host broadcast for the M...
29/10/2026
In-venue and creative video staffers at the professional and collegiate level ha...
29/10/2026
LA28 has named film producer Kathleen Kennedy Head of Ceremonies and Content for the LA28 Olympic and Paralympic Games. Kennedy, an eight-time Academy Award nom...
29/10/2026
In-house local telecasts have added new camera angles, graphics package, and dee...
29/10/2026
In this SVG New Sponsor Spotlight, Jake Blount, EVP, Sales, ICAT Logistics, disc...
29/10/2026
Mastering plug-in treated to ground-up rebuild
With a few plug-in releases now under their belt, Musik Hack have revisited their debut offering and kitted i...
29/10/2026
New modular full-range monitoring system arrives
Following a few weeks of teasers, HEDD Audio have just revealed the latest addition to their high-end monit...
29/10/2026
SGL Carbon LLC ( SGL Carbon ) has received an additional order for the supply of nuclear graphite from X-energy Reactor Company, LLC ( X-energy ) in accordance ...
29/10/2026
Rohde & Schwarz introduces MXO AI Connect for AI-assisted oscilloscope workflows Rohde & Schwarz connects AI assistants to its MXO oscilloscopes through MXO A...
29/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...