
Birmingham 2022: BBC R&D achieves two firsts during 5G trial By Heather McLean, Editor
Friday, August 5, 2022 - 15:29
Print This Story
Crowds usually present a challenge for cellular contribution as we fight for capacity with all users. The private 5G network means we are isolated from this, says BBC R&D's Ian Wagdin
Last week saw the opening of the Commonwealth Games in Birmingham and, as the UK broadcast rights holder, the BBC has a wealth of coverage across multiple outputs. The bulk of this production effort is well tried and tested but it proved to be a great opportunity for BBC R&D to test new ideas in a complex large scale environment.
This year, BBC R&D is testing 5G standalone non-public networks to provide live pictures from the centre of Birmingham. Speaking to SVG Europe, Ian Wagdin, a senior technology transfer manager at BBC R&D, says: We have used mobile networks for over ten years for contribution feeds and this has revolutionised news coverage alongside use of the internet. While these work really well, because they are on the same network as the general public and other users, at a busy event it is not always possible to guarantee a robust signal when the crowds arrive.
For the past three years BBC R&D has been looking at the potential of 5G to support this type of event, working on standards, commercial and regulatory requirements and various tests and trials, but the Commonwealth Games has given us an ideal opportunity to deploy a network for real. This is the first commercial deployment of 5G in the UK, says Wagdin.
While one of BBC R&D's previous trials, carried out at the Tour de France last month, looked at low latency on radio cameras over 5G, this trial at the Commonwealth Games is focused on the general robustness of 5G, and how certain manufacturer solutions fare on the network, marking a UK first in several ways, from being the first commercial 5G network deployed in the UK, to being the first to use off the shelf kit.
Wagdin continues: We've been working on 5G and how we use 5G for various production projects for quite a while, right the way from working in the standards in regulatory and commercial aspects and things like that, to we've been playing with non-public networks to support production activity for about a year now, testing them, seeing what their capabilities are.
With an opportunity like the Commonwealth Games where you know you're going to have big crowds with lots of people [creating] quite challenging conditions, and an opportunity to really test the technology and environment that we envisage it being used in, [it was a case of] seeing an obvious opportunity when you've got a home Games to push the technology and see how we're getting on.
Ian Wagdin using one of the 5G cameras at the Commonwealth Games
Partnering for success
The trial so far has focused on the baton relay and the marathon at the Commonwealth Games. On Wednesday 27 July, The One Show became the first programme to use this type of technology at scale to cover the Queen's Baton Relay as it arrived in Birmingham, with large crowds that would have the potential to swamp a normal network.
BBC R&D is working with BT Media & Broadcast, which has supplied the 5G network that runs on an Ericsson core, while Mobile Viewpoint has provided its Ultralink Air live stream professional H.264/H.265 encoder, plus technology that manages video streams over the networks.
Says Wagdin: We had two live cameras each with a Mobile Viewpoint unit that took the video feeds and connected to the dedicated 5G network. The BT-provided network was in dedicated spectrum centred around 4050MHz. This enabled us to configure the network to favour uplink traffic, which is typical in a production environment, whereas public networks tend to support more downlink heavy applications.
He continues: [This is] a partnership with BT Media & Broadcast and Vislink's Mobile Viewpoint. For all of us, it's about finding the right working practices and the right form factors for the technology to make it a realistic proposition.
The other key aspect of this trial is that we have no production facilities on site. The signals are passed through the 5G network and backhauled to a Mobile Viewpoint decoder based in our master control room in London. The two cameras are synchronised at this point so we can intercut if required. This option can be removed if latency is of more concern than sync. From there the output is decoded and sent to whichever gallery wants to use the cameras. This could be The One Show in London, BBC Sport in Salford or any of the Nations and Regions galleries around the UK. So basically we've got full remote production here as well. Any of the regions can just take it and put it on air. And it's literally just as simple as switching it on, and that's the other thing; it's familiar kit to them.
The BT Media & Broadcast 5G core on a trailer. Says Ian Wagdin: The form factor is not ideal but the kit works well.
Off the shelf interoperability
The other part of this trial which is a first is the fact that the technologies being used are off the shelf as opposed to customised or adapted. Explains Wagdin: Up to now the technologies we have used on 5G trials have been not necessarily custom built, but adaptations of traditional radio cam technology; all of that is really important to us for low latency. But a big part of covering any event like this is actually getting out and doing the colour pieces and doing the bits that sit around that the main events themselves, so the opportunity to do that, that's really our use case with this particular trial.
In order to achieve that, the best way of architecting it for us was to work with Mobile Viewpoint because they have the capability in their WMT kit to support both 5G a
More from Sports Video Group
11/08/2026
Weekly immersive broadcasts will feature 8K 3D video, a 180-degree field of view...
11/08/2026
By Briana Brady, Social Media Manager, Production Hub
Sports content is having ...
11/08/2026
She addresses why media organizations need more than asset storage, how sports t...
11/08/2026
Remote commentary has improved significantly on these broadcasts
At a clip of ...
11/08/2026
A pair of LANTIME IMS M2000 PTP Grandmasters deliver resilient timing infrastruc...
11/08/2026
LTN has announced expanded capabilities for its Live Event Master Control offering, providing sports broadcasters, leagues, rights holders, and content owners w...
11/08/2026
WTA Ventures has appointed IMG as its managed production services partner in a multi-year agreement commencing with the 2027 season. The partnership is the late...
11/08/2026
The New York Jets and CBS New York have agreed to a multi-year extension of their partnership, keeping CBS New York as the official broadcast home of the team. ...
11/08/2026
Nielsen Holdings and DoubleVerify have announced a definitive agreement under which Nielsen will acquire DoubleVerify in an all-cash transaction with an enterpr...
11/08/2026
The Audio Engineering Society has announced the results of its 2026 Board of Dir...
11/08/2026
The CSN co-founder details its network and affiliate' model, how creator wi...
11/08/2026
Gravity Media is providing host broadcast operations for the Esports World Cup (EWC) 2026, supporting ESL FACEIT Group (EFG) in delivering the tournament to glo...
11/08/2026
TAG Video Systems has released a memory usage optimization for its MCM software that reduces the cost per channel by up to two-thirds for compressed workflows. ...
11/08/2026
SMT is expanding its technology partnership with the Cincinnati Open this year, adding new LED displays, production capabilities, and fan-facing experiences at ...
11/08/2026
The Pac-12 has announced that home Olympic sports broadcasts throughout the fall season will be available free on the conference's YouTube channel at youtub...
11/08/2026
Spreading a message of faith requires both widespread accessibility and uncompromising visual quality. Real Life Network (RLN), a free, faith-based digital stre...
11/08/2026
Taking the synergy of sports and entertainment a step further, the NFL venue in Nashville will house iterations of two iconic music clubs
The marriage of Taylo...
10/08/2026
Weekly immersive broadcasts will feature 8K 3D video, a 180-degree field of view...
07/08/2026
Diversified has appointed industry veteran Pete Emminger as global chief technology officer. Emminger will lead the company's global go-to-market technology...
06/08/2026
The broadcaster's 14-race schedule begins in Iowa and ends in November with ...
06/08/2026
In-venue and creative video staffers at the professional and collegiate level ha...
06/08/2026
As media organizations consolidate teams, technology platforms, and content libr...
06/08/2026
Firmware updates introduce Dolby's next-generation picture engine, content-aware optimization, and new motion and ambient-light tools...
06/08/2026
TNT Sports will have wall-to-wall coverage of the upcoming FIBA Women's Bask...
06/08/2026
swXtch.io (Stand 5.MR13) has unveiled groundSwXtch for Audio over IP (AoIP), a software application that lets broadcasters and media organizations move audio in...
06/08/2026
At IBC2026, Riedel Communications (Stands: 10.A24, 10.A31, 10.A38) will bring modern media production to life with the Live Production Experience - a connected ...
06/08/2026
The first live-sports director to receive the prestigious honor, eight-time Emmy...
06/08/2026
NBC Sports will continue to present the Preakness Stakes on NBC and Peacock thro...
06/08/2026
Cobalt Digital (Stand 8.F90) continues to reinforce its commitment to delivering...
06/08/2026
Wave Central has promoted promotion Jeff Daubert to Director of Sales, Americas.
In his expanded role, Daubert will lead Wave Central's sales strategy and ...
06/08/2026
KMH Integration is expanding its ability to serve media, broadcast, and IT organizations by adding Keith Hanadel, an accomplished architect with decades of indu...
06/08/2026
Advanced Systems Group (ASG) has promoted Michele Ferreira from Vice President of its Systems Integration team to the newly created position of Chief Business O...
06/08/2026
Demonstrations will include new JPEG XS, Dolby audio, cloud-gateway, stream-processing, and distribution capabilities...
06/08/2026
The deal includes three premium mobile units, engineering personnel, existing br...
06/08/2026
Broadcast Management Group produced Amazon Prime's inaugural Obsessed Fest a...
06/08/2026
Exhibit will feature new variable-ND functionality, OLED viewfinders, remote-camera tools, and UHD production monitors...
06/08/2026
Compact full-frame E-mount lens targets sports, wildlife, and other long-range shooting applications...
06/08/2026
Live broadcast will honor Roger Federer and Mary Carillo on Aug. 29, with onsite...
06/08/2026
End-zone board receives higher-resolution LED technology and an updated Show Control system ahead of the 2026 football season...
05/08/2026
RSNs, teams, leagues, and streamers explore the present and future of local spor...
05/08/2026
As sports-production workflows generate larger volumes of unstructured data and ...
05/08/2026
Three aspiring broadcasters will contribute on-camera and inside the production ...
04/08/2026
Live production in the cloud is a growing trend across the industry, and Major L...
04/08/2026
LAFC co-managing owner will succeed Don Garber on Jan. 1, 2027, as league prepar...
04/08/2026
In 2022, when the PGA TOUR was breaking ground on its new, state-of-the-art broa...
04/08/2026
Provided by POVORA, the new camera angle offers a dealer's-eye view of the c...
04/08/2026
Spiideo will provide the camera setup, with NEP handling broadcast integration and off-site video operations...
04/08/2026
Production team streamed more than 750 youth rugby matches using ATEM switchers,...
04/08/2026
Agreement gives KTC early access to NDI's Advanced SDK for integration across commercial displays, digital signage, and interactive panels...
04/08/2026
Twelve projects across four categories recognize collaborative work in productio...