
New Case Study Details Cinemex Implementation of Qube Wire To Streamline Digital Cinema Operations
Published on Thursday, September 13, 2018
One of the benefits we have here at Celluloid Junkie is that smart people and innovative companies knock on our doors all the time with products and services for some of the industry's most confounding problems. Writing about such issues and their solutions has proven to be a great way to gain an in-depth knowledge of both.
Compiling a case study on a relatively new service that Cinemex, a leading Mexican theatre chain, has deployed at no financial cost to assist them with specific digital cinema operations is a perfect example. During our recent interview with Rajesh Ramachandran, the President and CTO of Qube Cinema, Inc. we learned a great deal more about one of its current flagship products; Qube Wire.
In part, Qube Wire is a free platform designed to solve one of the industry's self inflicted headaches; the trusted device list (TDL) of secure digital cinema equipment in each venue and the facility list message (FLM) meant to communicate the TDL to approved third parties. The need for such a service is predicated on an industry specified security mechanism that requires a key delivery message (KDM) to unlock digital content on a specific playback device during an assigned period of time.
Though other industries have long since overcome such security obstacles, I have always been fascinated how motion picture exhibitors and distributors declined to adopt a federated global TDL. Instead, the industry is filled with service companies that compile, maintain and fiercely guard their own individual TDLs so that they can be used as a competitive differentiator. So when Qube asked whether I could help them write a case study on a successful implementation of Qube Wire I jumped at the chance provided it could be done from an objective viewpoint. (Full disclosure: I was paid for my services).
To be sure, Qube isn't the only company to offer TDL and KDM services via an extensive platform, Arts Alliance Media and Deluxe Technicolor Digital Cinema (DTDC) launched a comparable offering in July. However, as I discovered in writing the case study, Cinemex provides a real world instance of such a service in action on a sizable scale. We were given permission to give CJ readers an advance peak at some of what we learned as the study is prepared for publication shorty.
Cinemex Background
Over the last 23 years Cinemex has grown from a single movie theatre in Mexico City to a chain that now operates 2,861 screens in 332 complexes located throughout Mexico. In 2017, the circuit began operations in the United States. Cinemex plans to continue developing its international footprint by moving into the European Union and continuing to expand in the U.S. through its CMX brand, a chain of upscale, luxury cinemas. A team of more than 14,000 employees oversees the company's daily operations.
An Industry-Wide Challenge
For an exhibitor like Cinemex, or of any size frankly, keeping track of digital cinema equipment throughout a circuit is a never-ending chore. Most often there are two playback devices - a server and a projector - for every screen. In November 2017, Cinemex was keeping track of model numbers, serial numbers, software versions and, most importantly, security certificates, for 5234 playback devices (2,695 servers and 2,539 projectors) across its network.
As is often the case with exhibitors, this information was being maintained manually by multiple Cinemex personnel through text documents, Microsoft Excel spreadsheets and similar methods. If a playback device was removed from a theatre or new equipment brought in, records would need to be manually updated and sometimes there was uncertainty about which version of the device list was the most recent. As many theatre operators have discovered in the age of digital cinema, this can become a problem when content service providers request an FLM to make keys for upcoming releases being sent to a specific theatre. Cinemex received such requests on a routine basis and would distribute their device list as a spreadsheet.
Sometimes the wrong key would get delivered to one of the company's multiplexes when equipment had to be moved after the trusted device list had been distributed; a common occurrence in modern day cinemas. Such instances are why content service providers like DTDC and Motion Picture Solutions have begun requesting machine-generated Extended Facility List Messages, as standardized in SMPTE ST 430-16, to be transmitted to them using the FLM-x protocol standardized by SMPZTE ST 430-15. Thus, Cinemex needed to find a way to compile and distribute an accurate FLM for its entire circuit and publish it to multiple service providers through a single FLM-x feed.
In addition, Cinemex required a solution that would centralize the receipt and management of its keys. Originally, content and keys were delivered to a Cinemex theatre, they arrived via hard drive and email respectively. There was no way for a service provider to track or automatically confirm delivery and no way for Cinemex to manage the keys within a complex throughout the playback period. Because keys were being delivered to individual theatre email addresses there was no way for Cinemex personnel to easily recover a key should it go missing and the original email be unavailable without contacting the appropriate service provider to request a replacement key.
These challenges are not unique to Cinemex. Cinema operators around the globe have discovered receiving and managing keys on a theatre-by-theatre basis is rather inefficient and prone to errors.
Implementing A Solution
Cinemex began working with Qube in November of 2017 to implement a pilot of Qube Wire. Cinemex first provided Qube with their multiple facilit
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
25/07/2026
New app turns vocal percussion into polished loops
Vochlea, the company behind the voice-to-MIDI instrument Dubler 2, have just announced the launch of a ne...
25/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
25/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
25/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
25/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
25/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
25/07/2026
Export FCP7 to XML Without Needing FCP7 Installed
Dave Rice July 24, 2026
0 Comments
I've created an open source tool that allows you to export FC...
25/07/2026
Documentary Sell Your House Edited with DaVinci Resolve Studio
Brie Clayton July 24, 2026
0 Comments
Filmmakers post feature documentary from opposite...
25/07/2026
Time to Act: Bringing a New Opera to Life Boston Conservatory at Berklee vocal arts students played a vital role in shaping the opera's creative developme...
25/07/2026
Beyond the Score For Dean of Music Kevin Haden, the boundless possibilities of classical music begin with process.
July 24, 2026
By
Kevin Haden
Michelle ...
25/07/2026
Reading the Room As music director of two major orchestras, conductor Jonathon Heyward aims to make the concert hall a space for everyone.
July 24, 2026
By
...
24/07/2026
Referee hat cameras, player/coach mics, and virtual graphics will be deployed at the three-day event for the first time
The NFL FLAG Championships return to ES...
24/07/2026
Qvest, Ateme, and Scaleway have partnered to offer broadcasters, media organizat...
24/07/2026
LTN has completed satellite-to-IP migrations for more than 3,000 broadcaster, MVPD (Multi-Channel Video Programming Distributor), head-end, and content owner si...
24/07/2026
Chyron has released Virtual Placement 8.1, an update to its live sports virtual graphics platform. The release adds workflow and graphics changes across chroma ...
24/07/2026
Riedel's RefCam Live was used for the first time at an international soccer match during a friendly between the German men's national team and Ghana in ...
24/07/2026
USSI Global said it is prepared to help broadcasters, satellite network operators, and media organizations manage the next phase of C-band spectrum clearing, fo...
24/07/2026
FuboTV and The Athletic have launched The Athletic Video Hub on Fubo, bringing The Athletic's sports video content to connected TV (CTV) for the first time....
24/07/2026
Tagboard and Momento have partnered to bring Momento's fan reaction photos to venue videoboards in real time following big plays. The Seattle Mariners will ...
24/07/2026
Stephen Arnold Music (SAM) created an anthem called The World Is Here for Fox ...
24/07/2026
Caz TV has acquired Brazilian broadcast rights to the entire WTA Tour driven by Mercedes-Benz, covering all WTA 250, WTA 500, and WTA 1000 tournaments. The agre...
24/07/2026
SiriusXM and WWE have launched WWE Radio on SiriusXM channel 156, beginning Monday, July 27. The channel will carry live audio of WWE Premium Live Events, audio...
24/07/2026
Harvard Athletics produces more than 325 live NCAA Division 1 sports events and 500 edited videos per year. To manage video capture, streaming, recording, and s...
24/07/2026
Chyron's PRIME 5 graphics platform supported live graphics workflows for NBCUniversal Telemundo's FIFA World Cup 2026 coverage across Telemundo, Univers...
24/07/2026
Wearable tech returns to the coverage, and a brand-new mobile unit is rolled out for the 2026 edition
The 21-stage Tour de France is nearing its conclusion. Th...
24/07/2026
More than 20 cameras, extensive player and coach audio, and a REMCO production model will power coverage of the league's showcase
For an event designed to ...
24/07/2026
New broadcast tool uses live timing, telemetry, and predictive analysis to decode real-time team decision-making for fans at home...
24/07/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
24/07/2026
First string library captured at Studio Richter Mahr
The latest sample library to be created at Max Richter's Studio Richter Mahr facility captures the ...
24/07/2026
Official emulation of Blackbird Studios reverb chamber
In their latest collaboration with Blackbird Studios, KIT Plugins have captured the sound of the Stud...
24/07/2026
Sohonet's partners at BIND Studio have published a great case study on the V...
24/07/2026
Angela Gomez brings over 14 years of experience in broadcast communications and audio engineering, specialising in live outside broadcasts, live sports and larg...
24/07/2026
Between the maturation of IP and remote production workflows, collegiate sports production is advancing rapidly. For an Ivy League institution like Harvard, kee...
24/07/2026
iWedia, a global provider of software solutions for connected TV devices, today announces the launch of Teatro Factory, a new operator-facing software factory o...
24/07/2026
Yospace, the trusted leader in Dynamic Ad Insertion (DAI), stitched 11.57 billion one-to-one addressable advertisements into live video streams during the 2026 ...
24/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/07/2026
Current DASDEC software enables customers to comply with the FCC's new 15-character password mandate without requiring updates
LYNDONVILLE, N.Y. July 23,...
24/07/2026
At the IBC2026 Show, SDVI will give European media organizations their first hands-on look at the next-generation Rally media supply chain management platform f...
24/07/2026
Sonnet Technologies at IBC2026
Brie Clayton July 23, 2026
0 Comments
Hero image: Sonnet Twin25G T5 Thunderbolt 5 Adapter
At this year's IBC Sho...
24/07/2026
Musora Enhances Online Music Lessons with Blackmagic Design
Brie Clayton July 23, 2026
0 Comments
Director of Production Josh Holliday details workflo...
24/07/2026
Interview with Production 360. Original article published here
The theme of thi...
24/07/2026
Article courtesy of postPerspective
Read the article
While Toy Story 5 maintai...
24/07/2026
Kerry and Mayo fans Up For The Match as excitement builds in Croke Park on the e...