Creating The Gentlemen
Brie Clayton June 11, 2024
0 Comments
The 2024 Netflix series, The Gentlemen, was created by Guy Ritchie as a spin-off to his 2019 film of the same name. The show features Theo James as Eddie Horniman, an Army officer who inherits his family's estate and discovers it houses a large-scale cannabis operation. This unexpected inheritance plunges him into the world of organised crime and complex family dynamics .
The series, which was produced by Moonage Pictures, was led by director Guy Ritchie (episodes 1-2) and DoP Ed Wild, BSC (episodes 1-2). Episodes 3-4 were shot by DoP Bjorn Charpentier and episodes 5-8 by DoP Callan Green. The colour for the series was completed on Baselight by Company 3 colourists Jean-Cl ment Soret (episodes 1-3) and Matthieu Toullet (episodes 4-8).
A team reunited Having worked together in the past, Wild and Ritchie had a common language, which aided their collaboration on the series.
The Gentlemen was at the time the second project I have worked on with Guy (The Covenant being the first), explains Wild. So we had a bit of shorthand by the time we started The Gentlemen.
Wild has also worked with colourist Jean-Cl ment Soret in the past, on the series Black Mirror.
When Jean-Cl ment became available I was very excited as he understands the subtleties I was looking for, adds Wild. Jean-Cl ment is an artist whose work is subtle and unique and above all sensitive to the context and content. He is also a machine - tirelessly focused all day. Not an easy thing as a colourist, but essential on these fast TV grades.
Jean-Cl ment led the way as the primary colourist, collaborating closely with Wild and Ritchie to establish the visual aesthetic for the first three episodes. Colourist Matthieu Toullet, also of Company 3, took over the grade on episodes 4-8.
My relationship with JC spans over a decade, says Toullet. This makes our collaboration feel effortless, akin to playing a piano with four hands.
A bold shoot Although the series followed the 2019 film, it had quite a different focus and the team wanted to develop a rich and luxurious look for the series.
It's quite a heightened view of society, in a fun way, explains Wild. We wanted to push the frames and lighting in the same way Guy pushed the characters and plot. Guy is very bold and committed in all his choices on The Gentlemen series and he wanted the cinematography to be the same.
Wild doesn't believe in heavy look grades and prefers to shoot what's put in front of him, lighting it how it wants to be seen.
For me, the collaboration with Martyn John the designer and LouLou Bontemps the costume designer is key to achieving the look in camera with honesty, explains Wild. Early on we each share our mood boards and discuss freely what we think while remaining respectful to each other's crafts. I think great images can only come from a strong single vision that's driven by the director and followed through and enhanced by the HODs. The joy of a Guy Richie project is that every single department is on point making the same film and they all feel empowered to be bold in their choices and push their craft.
Defining a colour space Ed and I have worked together a couple of times in the past and I was delighted when he invited me to work on the series with him, says colourist Soret. He contacted me way before the shoot with some strong visual references and we used some test images and material to build a LUT. It was good to be involved in the early stages of the collaboration and we spoke a little bit during the shoot as well.
Soret utilised Baselight to create the LUT, defining a colour space that worked with the look they were aiming for.
It's a fairly simple process, says Soret. It's largely trial and error, adding a bit of this and a bit of that - like adding salt and pepper, until it tastes good - until you have something that works for every possible situation. It can't be as refined as a proper grade, but it's a base which avoids some colours and increases others.
I always try to create a single LUT with the colourist in prep, comments Wild. It needs to be simple, keep consistency and be as close to intent as possible. I think it's important the edit has the look and feel as close to finished as possible so they can react as instinctively as possible to the content rather than guessing what it will look like when it's graded and bedded in.
Jean-Cl ment and Company 3 did a brilliant job with this, getting the show 90 percent there with the LUT, adds Wild. That is a hard thing to achieve, but Jean-Cl ment has such technical skill. He can place the black in such a subtle way where there is a black, but it falls softly to it. He loves skin as I do, which is not a given, and he understands balance of colour within a frame without creating a look.
Starting the grade Soret worked closely with Ritchie and Wild on episodes 1 and 2, aiming to create a bold look with heavy contrast, a strong saturation and copper skin tones.
We wanted one consistent look for the series and to give it a strong identity, explains Soret. Guy really trusts his DoP, so I worked closely with Ed to get the grade to a place we were comfortable and then Guy would come in to provide feedback.
Soret utilised tools in Baselight to create the look, including film grain.
I like the grain in Baselight as it's a very good digital emulation, comments Soret. And being in the timeline you can do it on a shot-by-shot basis, adding to the highlights or the lowlights, depending on if you want to create an over-exposed or under-exposed effect.
One of Soret's main challenges in the grade was dealing with weather conditions and balancing exterior light.
It's the usual thing, where the weather goes up and down and a
North America Stories
20/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
20/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
20/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/05/2026
Cisco and the USGA have announced a multiyear extension of their partnership, which began in 2018. Cisco serves as the Official Technology Partner of the USGA, ...
19/05/2026
Urban Edge Network (UEN), a streaming platform for NAIA sports, has announced a partnership with Spiideo to provide streaming and production tools to UEN's ...
19/05/2026
Warner Bros. Discovery (WBD) will provide live coverage of all 900 Roland-Garros matches across its platforms beginning with qualifiers on May 18. In Europe, 21...
19/05/2026
Tubi, Fox Corporation's free streaming service, has announced the launch of the FIFA World Cup 2026 FOX Hub, a dedicated destination for World Cup programmi...
19/05/2026
Telef nica, in collaboration with Sony, has conducted a 5G connectivity trial at the Movistar Arena in Spain using the 26 GHz millimetre wave (mmWave) band. The...
19/05/2026
Ross Production Services (RPS) has installed a Calrec Argo M console into its new Hypermax-1 remote production truck, replacing one of three Argo S consoles pre...
19/05/2026
Panasonic Projector and Display Corporation has announced the acquisition of 100% of the shares of UK-based media technology company Hive Media Control Ltd. (HI...
19/05/2026
Globecast has announced the completion of a nine-month renovation of its Singapore facility, converting it from a traditional linear broadcast operation into a ...
19/05/2026
Grass Valley has announced a three-year enterprise agreement with Phoenix Broadc...
19/05/2026
Bitmovin has announced that Watch Brasil, a streaming platform operating across Brazil and Europe since 2018, has replaced its legacy systems with Bitmovin'...
19/05/2026
Ateme has announced the migration of Dish Home Nepal's Nepal Premier League (NPL) streaming infrastructure to Ateme's TITAN Live solution deployed on Ak...
19/05/2026
CMSI provided workflow, media management, and HDR support for ESPN during coverage of the NCAA Gymnastics Semifinals and Championships. The company supported fi...
19/05/2026
In advance of this year's Sports Emmy Awards, SVG is taking a deep dive into the six production-technologies nominated for this year's George Wensel Tec...
19/05/2026
In advance of this year's Sports Emmy Awards, SVG is taking a deep dive into the six production-technologies nominated for this year's George Wensel Tec...
19/05/2026
Featuring a fully IP infrastructure, Supershooter 11 is intended for large-scale events. Enabling remote and distributed workflows, Supershooter 65 joins the RE...
19/05/2026
By Jessica Herndon
The line wrapped around the building outside Denver's La...
19/05/2026
When all companies in the market are allowed to compete under the same set of ru...
19/05/2026
Battle-proven technology withstands electronic warfare threats across air, maritime surface and subsea domains....
19/05/2026
WESCAM MX-Series EO/IR systems provide high-precision targeting across domains, including counter-UAS applications...
19/05/2026
Champaign, IL - March 16, 2026 Cobalt Digital, the leading designer and manufa...
19/05/2026
CHAMPAIGN, Ill. April 16, 2026 - Cobalt Digital today announced a partnership ...
19/05/2026
Las Vegas - April 18, 2026 Cobalt Digital, the leading designer and manufactur...
19/05/2026
LAS VEGAS April 18, 2026 - Advanced HDR by Technicolor and Cobalt Digital are ...
19/05/2026
LAS VEGAS - May 4, 2026 - Cobalt Digital, the leading designer and manufacturer of signal processing products, and a founding partner in the openGear initiativ...
19/05/2026
London - 11 May 2026 Cobalt Digital, the leading designer and manufacturer of award-winning signal processing products, and a founding partner in the openGear...
19/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/05/2026
Grass Valley has entered into a three-year enterprise agreement with Phoenix Broadcast Solutions as the Singapore-based company expands its live production oper...
19/05/2026
Clear-Com supported Musikal Perahu Kertas, a large-scale musical theater production in Indonesia adapted from the acclaimed novel by Dee Lestari, through the d...
19/05/2026
Actus Digital, a LiveU company, and a leading provider of intelligent media monitoring and broadcast compliance platforms, announced today that METEO CONSULT ha...
19/05/2026
Globecast, a leading provider of managed services for the broadcast and media industry, today announced the completion of a major renovation of its Singapore fa...
19/05/2026
Following a major upgrade to its Connecticut remote production centre with the installation of three 60-fader Argo S consoles in 2023, RPS has switched one of t...
19/05/2026
PlayBox Technology today announced the launch of Celebro Play, a browser-based media orchestration platform designed specifically for broadcast facilities and p...
19/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/05/2026
LYNX Technik, provider of modular signal processing solutions for broadcast, post, and professional AV will showcase its latest signal processing solutions at B...
19/05/2026
Media Links, a leading developer and manufacturer of IP media transport solutions, has announced the integration of its Xscend platform with Skyline Communicat...
19/05/2026
Collaboration expands regional partner ecosystem as Media Links showcases IP media transport solutions on stand 4M4-4 and alongside Clearcast Asia on stand
Me...
19/05/2026
Company Highlights Labor-Saving Control and Custom Branding Opportunities Designed to Increase Integrator Profitability
LynTec, a leading manufacturer of ele...
19/05/2026
Mago Studio Moves AI Video Beyond Prompts with New Production-Focused Tools
Brie Clayton May 18, 2026
0 Comments
New Capabilities Bring Controllable, ...
19/05/2026
It May be Time to Stop and Take an AI Breather
Brie Clayton May 19, 2026
0 Comments
If the rock you stay on starts to roll, jump clean. Or you'll...
19/05/2026
At this year's Google I/O conference, NVIDIA and Google Cloud are accelerating the work of more than 100,000 developers in the companies' joint develope...
19/05/2026
Back to All News
Netflix Unveils the Trailer for RAFA, the Documentary Series A...
19/05/2026
Back to All News
Netflix Expands Consumer Products Footprint with Strategic Con...
Creating The Gentlemen 
