
Creating The Gentlemen
Brie Clayton June 11, 2024
0 Comments
The 2024 Netflix series, The Gentlemen, was created by Guy Ritchie as a spin-off to his 2019 film of the same name. The show features Theo James as Eddie Horniman, an Army officer who inherits his family's estate and discovers it houses a large-scale cannabis operation. This unexpected inheritance plunges him into the world of organised crime and complex family dynamics .
The series, which was produced by Moonage Pictures, was led by director Guy Ritchie (episodes 1-2) and DoP Ed Wild, BSC (episodes 1-2). Episodes 3-4 were shot by DoP Bjorn Charpentier and episodes 5-8 by DoP Callan Green. The colour for the series was completed on Baselight by Company 3 colourists Jean-Cl ment Soret (episodes 1-3) and Matthieu Toullet (episodes 4-8).
A team reunited Having worked together in the past, Wild and Ritchie had a common language, which aided their collaboration on the series.
The Gentlemen was at the time the second project I have worked on with Guy (The Covenant being the first), explains Wild. So we had a bit of shorthand by the time we started The Gentlemen.
Wild has also worked with colourist Jean-Cl ment Soret in the past, on the series Black Mirror.
When Jean-Cl ment became available I was very excited as he understands the subtleties I was looking for, adds Wild. Jean-Cl ment is an artist whose work is subtle and unique and above all sensitive to the context and content. He is also a machine - tirelessly focused all day. Not an easy thing as a colourist, but essential on these fast TV grades.
Jean-Cl ment led the way as the primary colourist, collaborating closely with Wild and Ritchie to establish the visual aesthetic for the first three episodes. Colourist Matthieu Toullet, also of Company 3, took over the grade on episodes 4-8.
My relationship with JC spans over a decade, says Toullet. This makes our collaboration feel effortless, akin to playing a piano with four hands.
A bold shoot Although the series followed the 2019 film, it had quite a different focus and the team wanted to develop a rich and luxurious look for the series.
It's quite a heightened view of society, in a fun way, explains Wild. We wanted to push the frames and lighting in the same way Guy pushed the characters and plot. Guy is very bold and committed in all his choices on The Gentlemen series and he wanted the cinematography to be the same.
Wild doesn't believe in heavy look grades and prefers to shoot what's put in front of him, lighting it how it wants to be seen.
For me, the collaboration with Martyn John the designer and LouLou Bontemps the costume designer is key to achieving the look in camera with honesty, explains Wild. Early on we each share our mood boards and discuss freely what we think while remaining respectful to each other's crafts. I think great images can only come from a strong single vision that's driven by the director and followed through and enhanced by the HODs. The joy of a Guy Richie project is that every single department is on point making the same film and they all feel empowered to be bold in their choices and push their craft.
Defining a colour space Ed and I have worked together a couple of times in the past and I was delighted when he invited me to work on the series with him, says colourist Soret. He contacted me way before the shoot with some strong visual references and we used some test images and material to build a LUT. It was good to be involved in the early stages of the collaboration and we spoke a little bit during the shoot as well.
Soret utilised Baselight to create the LUT, defining a colour space that worked with the look they were aiming for.
It's a fairly simple process, says Soret. It's largely trial and error, adding a bit of this and a bit of that - like adding salt and pepper, until it tastes good - until you have something that works for every possible situation. It can't be as refined as a proper grade, but it's a base which avoids some colours and increases others.
I always try to create a single LUT with the colourist in prep, comments Wild. It needs to be simple, keep consistency and be as close to intent as possible. I think it's important the edit has the look and feel as close to finished as possible so they can react as instinctively as possible to the content rather than guessing what it will look like when it's graded and bedded in.
Jean-Cl ment and Company 3 did a brilliant job with this, getting the show 90 percent there with the LUT, adds Wild. That is a hard thing to achieve, but Jean-Cl ment has such technical skill. He can place the black in such a subtle way where there is a black, but it falls softly to it. He loves skin as I do, which is not a given, and he understands balance of colour within a frame without creating a look.
Starting the grade Soret worked closely with Ritchie and Wild on episodes 1 and 2, aiming to create a bold look with heavy contrast, a strong saturation and copper skin tones.
We wanted one consistent look for the series and to give it a strong identity, explains Soret. Guy really trusts his DoP, so I worked closely with Ed to get the grade to a place we were comfortable and then Guy would come in to provide feedback.
Soret utilised tools in Baselight to create the look, including film grain.
I like the grain in Baselight as it's a very good digital emulation, comments Soret. And being in the timeline you can do it on a shot-by-shot basis, adding to the highlights or the lowlights, depending on if you want to create an over-exposed or under-exposed effect.
One of Soret's main challenges in the grade was dealing with weather conditions and balancing exterior light.
It's the usual thing, where the weather goes up and down and a
North America Stories
12/08/2026
Traditional live sports production has focused on creating the best possible pro...
12/08/2026
FOR-A will showcase a range of broadcast and production products at IBC2026 (Stand 2.B53, Amsterdam RAI, September 11-14), including software-based switching, A...
12/08/2026
The Advanced Media Workflow Association (AMWA) and EBU will host live demonstrations of NMOS BCP-008 Minimum Status Reporting at IBC2026 (September 11-14) on th...
12/08/2026
Dalet has announced Dalet Solution Suites, a portfolio of cloud-native solutions...
12/08/2026
Net Insight has announced that DMC Production Norway has selected its Open Live ...
12/08/2026
Zixi has appointed Alyson Stewart as Senior Director of Sales. Stewart will be responsible for direct sales and partnerships, with a focus on broadcasters, medi...
12/08/2026
LiveU's LU900Q intelligent production unit was deployed as part of the host broadcast operation for the Games in Glasgow (July 23-August 2, 2026). Host broa...
12/08/2026
Disney , ESPN, and Formula E have announced a multi-year deal bringing all Formula E races to Disney and ESPN in the U.S. and to Disney in most international...
12/08/2026
PSSI has launched X-LIVE, a managed service offering dedicated engineering resources and Appear encoding infrastructure for live event signal processing and tra...
12/08/2026
The inaugural MoonPay X Games League Summer Season reached 18.3 million unique live viewers across three stops on ABC and ESPN, a 78.5% increase compared to the...
12/08/2026
BBright will showcase an expanded IP-Gateway at IBC2026, adding support for all RIST profiles to its existing support for MPEG Transport Stream over IP with SMP...
12/08/2026
BBright will demonstrate EBU OGraf animated graphics support in its software-bas...
12/08/2026
Interra Systems will demonstrate its ORION, BATON, BATON Captions, and VEGA solutions at SET Expo 2026 (August 17-20, Distrito Anhembi, S o Paulo) at partner Li...
12/08/2026
DPA Microphones has appointed Raul Contreras as West Coast Regional Sales Manager. In the role, Contreras will oversee sales and customer relationships througho...
12/08/2026
Live spectacles ranging from the Super Bowl and FIFA World Cup to the Oscars and...
12/08/2026
Writer-Director Andrius Bla evi ius and crew attend the premiere of How to Divorce During the War at The Ray Theatre on January 26, 2026, in Park City, UT. (P...
12/08/2026
Nielsen is cementing Digital Ad Intel as the new go-to currency for digital ad intelligence in Brazil-now with streaming monitoring in the mix.
S o Paulo, Augu...
12/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/08/2026
As Matrox Video celebrates 50 years of trusted innovation, the company will showcase its portfolio of interoperable IP technologies and software-defined innovat...
12/08/2026
SMPTE, the home of media professionals, technologists and engineers, today announced a program of expert-led sessions, professional workshops and networking eve...
12/08/2026
Berklee Announces Full Details for Inaugural Block Party, a Music Festival Next ...
12/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/08/2026
Matthews Studio Equipment introduces T-Go Mounting Solutions extreme camera rigging systems, engineered for the most demanding environments in motion picture pr...
12/08/2026
Anton/Bauer, a Videndum brand and the industry leader in mobile power solutions for broadcast and cinematic production, announces that the EDEN Mobile Power Sta...
12/08/2026
TAG Video Systems, the global leader in software-based IP monitoring and multiviewer solutions, today announced a memory usage optimization that lowers the tota...
12/08/2026
Unified Streaming announces Trusted Media, a new solution that enables broadcasters, streaming platforms, and premium content owners to attach verifiable authen...
12/08/2026
Combining intelligent automation, composable business services and user-centric experiences
The media industry is entering a new phase where AI intelligence is...
12/08/2026
DPA Microphones welcomes Raul Contreras as its new West Coast Regional Sales Manager. In this role, Contreras will oversee sales and customer relationships thro...
12/08/2026
Marshall Electronics' first all-weather, all-IP 4K POV camera, the CV574-WP, makes its European debut at IBC 2026 (Stand 10.C11). Built for the elements, th...
12/08/2026
LA JOLLA, CA-Scientists at Scripps Research have discovered that two seemingly unrelated cellular enzymes become locked together during times of stress, simulta...
12/08/2026
NVIDIA founder and CEO Jensen Huang is ranked No. 1 on Glassdoor's Best CEOs list for 2026.
In the just-released ranking, recognition is earned directly fr...
11/08/2026
Weekly immersive broadcasts will feature 8K 3D video, a 180-degree field of view...
11/08/2026
By Briana Brady, Social Media Manager, Production Hub
Sports content is having ...
11/08/2026
She addresses why media organizations need more than asset storage, how sports t...
11/08/2026
Remote commentary has improved significantly on these broadcasts
At a clip of ...
11/08/2026
A pair of LANTIME IMS M2000 PTP Grandmasters deliver resilient timing infrastruc...
11/08/2026
LTN has announced expanded capabilities for its Live Event Master Control offering, providing sports broadcasters, leagues, rights holders, and content owners w...
11/08/2026
WTA Ventures has appointed IMG as its managed production services partner in a multi-year agreement commencing with the 2027 season. The partnership is the late...
11/08/2026
The New York Jets and CBS New York have agreed to a multi-year extension of their partnership, keeping CBS New York as the official broadcast home of the team. ...
11/08/2026
Nielsen Holdings and DoubleVerify have announced a definitive agreement under which Nielsen will acquire DoubleVerify in an all-cash transaction with an enterpr...
11/08/2026
The Audio Engineering Society has announced the results of its 2026 Board of Dir...
11/08/2026
The CSN co-founder details its network and affiliate' model, how creator wi...
11/08/2026
Gravity Media is providing host broadcast operations for the Esports World Cup (EWC) 2026, supporting ESL FACEIT Group (EFG) in delivering the tournament to glo...
11/08/2026
TAG Video Systems has released a memory usage optimization for its MCM software that reduces the cost per channel by up to two-thirds for compressed workflows. ...
11/08/2026
SMT is expanding its technology partnership with the Cincinnati Open this year, adding new LED displays, production capabilities, and fan-facing experiences at ...
11/08/2026
The Pac-12 has announced that home Olympic sports broadcasts throughout the fall season will be available free on the conference's YouTube channel at youtub...