Creating The Gentlemen
Brie Clayton June 11, 2024
0 Comments
The 2024 Netflix series, The Gentlemen, was created by Guy Ritchie as a spin-off to his 2019 film of the same name. The show features Theo James as Eddie Horniman, an Army officer who inherits his family's estate and discovers it houses a large-scale cannabis operation. This unexpected inheritance plunges him into the world of organised crime and complex family dynamics .
The series, which was produced by Moonage Pictures, was led by director Guy Ritchie (episodes 1-2) and DoP Ed Wild, BSC (episodes 1-2). Episodes 3-4 were shot by DoP Bjorn Charpentier and episodes 5-8 by DoP Callan Green. The colour for the series was completed on Baselight by Company 3 colourists Jean-Cl ment Soret (episodes 1-3) and Matthieu Toullet (episodes 4-8).
A team reunited Having worked together in the past, Wild and Ritchie had a common language, which aided their collaboration on the series.
The Gentlemen was at the time the second project I have worked on with Guy (The Covenant being the first), explains Wild. So we had a bit of shorthand by the time we started The Gentlemen.
Wild has also worked with colourist Jean-Cl ment Soret in the past, on the series Black Mirror.
When Jean-Cl ment became available I was very excited as he understands the subtleties I was looking for, adds Wild. Jean-Cl ment is an artist whose work is subtle and unique and above all sensitive to the context and content. He is also a machine - tirelessly focused all day. Not an easy thing as a colourist, but essential on these fast TV grades.
Jean-Cl ment led the way as the primary colourist, collaborating closely with Wild and Ritchie to establish the visual aesthetic for the first three episodes. Colourist Matthieu Toullet, also of Company 3, took over the grade on episodes 4-8.
My relationship with JC spans over a decade, says Toullet. This makes our collaboration feel effortless, akin to playing a piano with four hands.
A bold shoot Although the series followed the 2019 film, it had quite a different focus and the team wanted to develop a rich and luxurious look for the series.
It's quite a heightened view of society, in a fun way, explains Wild. We wanted to push the frames and lighting in the same way Guy pushed the characters and plot. Guy is very bold and committed in all his choices on The Gentlemen series and he wanted the cinematography to be the same.
Wild doesn't believe in heavy look grades and prefers to shoot what's put in front of him, lighting it how it wants to be seen.
For me, the collaboration with Martyn John the designer and LouLou Bontemps the costume designer is key to achieving the look in camera with honesty, explains Wild. Early on we each share our mood boards and discuss freely what we think while remaining respectful to each other's crafts. I think great images can only come from a strong single vision that's driven by the director and followed through and enhanced by the HODs. The joy of a Guy Richie project is that every single department is on point making the same film and they all feel empowered to be bold in their choices and push their craft.
Defining a colour space Ed and I have worked together a couple of times in the past and I was delighted when he invited me to work on the series with him, says colourist Soret. He contacted me way before the shoot with some strong visual references and we used some test images and material to build a LUT. It was good to be involved in the early stages of the collaboration and we spoke a little bit during the shoot as well.
Soret utilised Baselight to create the LUT, defining a colour space that worked with the look they were aiming for.
It's a fairly simple process, says Soret. It's largely trial and error, adding a bit of this and a bit of that - like adding salt and pepper, until it tastes good - until you have something that works for every possible situation. It can't be as refined as a proper grade, but it's a base which avoids some colours and increases others.
I always try to create a single LUT with the colourist in prep, comments Wild. It needs to be simple, keep consistency and be as close to intent as possible. I think it's important the edit has the look and feel as close to finished as possible so they can react as instinctively as possible to the content rather than guessing what it will look like when it's graded and bedded in.
Jean-Cl ment and Company 3 did a brilliant job with this, getting the show 90 percent there with the LUT, adds Wild. That is a hard thing to achieve, but Jean-Cl ment has such technical skill. He can place the black in such a subtle way where there is a black, but it falls softly to it. He loves skin as I do, which is not a given, and he understands balance of colour within a frame without creating a look.
Starting the grade Soret worked closely with Ritchie and Wild on episodes 1 and 2, aiming to create a bold look with heavy contrast, a strong saturation and copper skin tones.
We wanted one consistent look for the series and to give it a strong identity, explains Soret. Guy really trusts his DoP, so I worked closely with Ed to get the grade to a place we were comfortable and then Guy would come in to provide feedback.
Soret utilised tools in Baselight to create the look, including film grain.
I like the grain in Baselight as it's a very good digital emulation, comments Soret. And being in the timeline you can do it on a shot-by-shot basis, adding to the highlights or the lowlights, depending on if you want to create an over-exposed or under-exposed effect.
One of Soret's main challenges in the grade was dealing with weather conditions and balancing exterior light.
It's the usual thing, where the weather goes up and down and a
North America Stories
13/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/06/2026
YES Network and The Gotham Sports App will air seven Athletes Unlimited Softball...
12/06/2026
The United Football League will host its FAST Innovation Suite at the 2026 United Bowl presented by Credit One Bank on Saturday, June 13 at 3:00 p.m. ET at Audi...
12/06/2026
PTZOptics and LayerJot will present live demonstrations at InfoComm 2026 showing how natural-language AI prompting, robotic camera control, and on-device comput...
12/06/2026
MultiDyne Video and Fiber Optic Systems will exhibit at InfoComm 2026, featuring...
12/06/2026
Ateme has announced that Eurovision Services is using Ateme's software-based frame-rate conversion technology for international live event workflows. The de...
12/06/2026
Bitmovin and Simplestream have announced a partnership with Xperi to simplify the launch of OTT streaming services on TiVo OS smart TVs and devices. The collabo...
12/06/2026
Net Insight has announced that a multinational technology company is deploying a...
12/06/2026
MLB Players Inc., the business arm of the MLB Players Association, has announced a partnership with Athletes First to develop and sell brand partnerships across...
12/06/2026
Guntermann and Drunck (G&D) and VuWall have announced the CommandKeyboard-Advanc...
12/06/2026
Comcast Smart Solutions announces a new smart technology deployment with Major L...
12/06/2026
Elevation Worship completed the initial leg of its Elevation Nights 2026 tour ...
12/06/2026
AJA Video Systems has announced KONA IP25 support for Colorfront Transkoder and ...
12/06/2026
Audinate Group Limited (ASX: AD8) will exhibit at InfoComm 2026 (Booth C7321, Ce...
12/06/2026
Pac-12 Commissioner Teresa Gould has announced the appointment of Scott Adametz as Chief Technology Officer. The Pac-12 describes the hire as the first CTO appo...
12/06/2026
Grass Valley has announced AMPP Edge Live, a production system combining Grass Valley hardware, NVIDIA Blackwell GPU acceleration, and AMPP OS in a single platf...
12/06/2026
At one time a trailblazer with the launch of the Longhorn Network, the Universit...
12/06/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
12/06/2026
Chyron has announced PAINT 10.4, an update to its illustrated replay and sports ...
12/06/2026
SVP, Production, Mark Gross: With the new schedule, with not having every Sunday night, it has given us an opportunity to take a step back and reimagine what o...
12/06/2026
For Televisa Technical Engineering Manager Roberto N nez Ibarra and the small team of 12 technicians and two production personnel at the IBC things are already ...
12/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/06/2026
AJA Announces KONA IP25 Integration with Colorfront Software
Brie Clayton June 12, 2026
0 Comments
Collaboration enables uncompressed SMPTE ST 2110 I/O ...
12/06/2026
URSA Cine 12K LF Used to Create Visuals for STUTS' K-Arena Concert
Brie Clayton June 12, 2026
0 Comments
Organic visuals projected on a giant scre...
12/06/2026
MTI FILM Acquires Mango New Edit, Expanding its Global Post-Production Services ...
12/06/2026
AI Point Tracking Speeds Up Complex VFX Tracks in Mocha Pro
Jessie Electa Petrov June 12, 2026
0 Comments
The 2026.5 release adds automatic point trac...
12/06/2026
Bitmovin, a provider of video streaming solutions, has partnered with Simplestream, a provider of OTT and broadcast solutions, and technology provider Xperi, to...
12/06/2026
Leostream Corporation, creator of the world-leading Leostream Remote Desktop Access Platform, today announced Jigsaw24, a leading B2B IT solutions provider wit...
12/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/06/2026
AgentPerf from Artificial Analysis, the industry's first agentic AI benchmark, gives developers, enterprises and infrastructure providers a clear way to com...
12/06/2026
Back to All News
Netflix Unveils First-Look Images from Villaflor, Santiago Mitre's New Film
Entertainment
12 June 2026
GlobalArgentina
Link copied to ...
12/06/2026
Back to All News
Cross the Boundaries of the Real World into the Spirit Realm i...
12/06/2026
A fentanyl countermeasure that adapts to combat future black-market drugs Scripps Research scientists developed a vaccine that teaches the immune system to rapi...
11/06/2026
The immense size of the tourney and its Atlantic-spanning operation also disting...
11/06/2026
Nielsen has released a new soccer fandom consumer research report, The Fans Behind The Game: FIFA World Cup 2026 Edition, examining the soccer audience in the...
11/06/2026
Telemundo will launch its FIFA World Cup 2026 coverage on Thursday, June 11 with...
11/06/2026
FuboTV Inc. has announced a distribution agreement with NBCUniversal. Fubo customers can now stream Telemundo and Universo, with NBC Sports Network (NBCSN), NBC...
11/06/2026
DAZN has announced its in-app features for FIFA World Cup 2026 coverage in Spain...
11/06/2026
Roblox has released the 2026 Roblox Digital Expression Report: Wave 4 - Sports D...
11/06/2026
FIFA has unveiled DNA, the Official FIFA World Cup 2026 Anthem, performed by A...
11/06/2026
ESPN will provide English- and Spanish-language news and information coverage of FIFA World Cup 2026 across its U.S. media platforms from June 11 through July 1...
11/06/2026
The latest product of the outstanding RIT Sports Network program, this recent grad from Long Island is carving out a promising path in broadcast engineering
In...
11/06/2026
DAZN has announced a multi-year agreement to make DSPORTS channels available to ...
Creating The Gentlemen 
