
Inside a YLE OB truck in Helsinki
SOCHI Finland led the world in the consumer mobile phone revolution two decades ago, and in Sochi, Finnish national broadcaster YLE blazed new ground in how a broadcaster can deliver compelling content to today's generation of computers, smart phones and pad devices.
YLE used a new host broadcaster multiplatform service called the Olympic Video Player, which offers a mix of services based around streamed and clip-based event coverage. In this case YLE added both original programming and extensive commentary in Finnish and Swedish to serve its population with an expected 600 hours of a branded multiplatform service called Sochi Arena.
How were the numbers, in a country of about 5.5 million? Kaj Flood, Senior Technical Advisor, Yleisradio Oy, YLE Production, said the consumer take-up had been impressive.
YLE produced about 400 hours of coverage for broadcast, and 600 for computers and other devices.
Flood said that according to figures he had just seen from about the Games midpoint, there had been 300,000 OVP downloads, 1.3 million viewing hours and 28 million openings of the app. On the first Thursday of the Games, the app was opened 5.4 million times.
Flood said that the government networks of the second- and third-biggest cities in Finland had capacity issues as so many employees were watching a second screen.
The Sochi Arena effort is an order of magnitude more advanced than the four video streams the broadcaster produced at the London Games. This is much, much bigger, said Flood. There is no way you can go back to the old way anymore, after the OVP video player.
The YLE Areena multiscreen service has produced impressive viewership numbers.
YLE also produced 400 hours of traditional broadcast coverage. One impressive moment of this output was coverage of the Canadian-Finland ice hockey game, which had peak viewership of 2.1 million viewers, and a 65 percent market share.
MODERN SERVICE, MODERN PRODUCTION TOOLS
YLE produced approximately 1,000 hours of total coverage across traditional television, computer and connected devices. They did this using a split facility, with more than half of the production team operating out of established offices in Helsinki, connected to Sochi via five unilateral video lines.
For example, 14 of 17 off-tube commentary positions were based in Finland. These were an important component of keeping the OVP/Sochi Arena content Finnish in character.
YLE had a single EVSXT3 in Sochi, networked to 7 XT3s in Helsinki.
Much of the split design is directly made possible by the networking and file-based connectivity of server systems.
Seven EVS XT3s in Helsinki four for playout, and three for ingest are networked to a single XT3 in the Sochi IBC. While most venue feeds of sport content are being taken in via the Multichannel host service, YLE made extensive use of two host browse services that allowed production crews access to all the content logged by host broadcaster OBS.
YLE content displayed on a Windows Phone.
The single Sochi XT3 was used to ingest content using the host IPBrowse service, with clips accessed via two IPDirector stations. Notably, YLE made extensive use of what will likely be the next big thing in big event production, web-based browsing via the host IPBrowseWeb service.
Flood said YLE had originally planned to have two XT3s in Sochi, but quickly saw that only one was needed, because Helsinki creative personnel could use the Web browser. The ability to browse and access clips over standard connections allowed the broadcaster to keep most of its Avid craft editing crews at home.
The difference between IPBrowse and IPBrowse Web is connectivity. With IPBrowse based on very fast dedicated lines, and IPBrowse Web using the Internet.
Two IPBrowse stations
Flood said that while the general load of the Internet must be taken in to account, the 700 Mbps line ordered for Helsinki was getting the job done for the YLE production teams. The Sochi side of the transfers were more likely to cause some delays. In general, content transfers were occurring at two to three times realtime.
The cost savings possible using this technology are significant. Not only can existing Avid suites at home be used, but more people can stay home. Flood said it might cost up to 10,000 euros to have just one staffer on site at a multi-week event like Sochi, so keeping people home matters.
We're going to use it again in Rio, the idea of having the Web Browser in Helsinki, said Flood. It is quite clear that it works.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
08/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/09/2026
Mo-Sys, the world-leading developer of virtual production, camera robotics and image tracking technology, has completed a business restructuring, which has incl...
08/09/2026
New York, September 8, 2026 The TSAmediaHUB audiovisual contribution and distribution infrastructure developed by Telef nica's Audiovisual Services area re...
08/09/2026
Expanded Riyadh operation brings Asharq and Thmanyah services together on a resilient on-premises Pebble platform.
Pebble, the leading automation, content mana...
08/09/2026
Techex, a pioneering leader in live video workflows, will showcase its broadest software feature set to date at IBC 2026 (Stand 2.B45), extending its lead in so...
08/09/2026
Visitors to Grass Valley's booth at IBC2026 will be introduced to new Framelight X capabilities that connect content acquisition, management, editing and pu...
08/09/2026
BCNEXXT will showcase the latest evolution of Vipe at IBC2026 (Stand 2.B09), introducing a series of innovations designed to deliver higher-quality audience exp...
08/09/2026
Bitmovin, a provider of video streaming solutions, has partnered with Ad Insertion Platform (AIP), a leading innovator in advanced ad insertion technologies, to...
08/09/2026
Brainstorm, a leading manufacturer of real-time graphics and augmented and virtual production, is announcing a major package of enhancements to its Suite 7 soft...
08/09/2026
Big Blue Marble is supporting TDF, French infrastructure and network operator, broadcasting Digital Terrestrial Television (DTT) and radio services, as a techno...
08/09/2026
Agents work inside a single production environment, from incoming wire copy to a live studio show...
08/09/2026
Building on their strategic partnership, Ceeblue and Layercake make the unthinkable possible: scalable sub-second streaming over standard DRM, SSAI, and CDN wor...
08/09/2026
Brainstorm, a leading manufacturer of real-time graphics, augmented and virtual production, is completing the environment for fast-paced broadcast production wi...
08/09/2026
A SaaS portfolio built to work together, helping operators grow audiences, monetise smarter and run leaner, on their own terms
At IBC 2026 (stand 1.B49) Synam...
08/09/2026
Accedo, global provider of video streaming software and services, has been selected by PlayOn Sports, a national leader in high school sports technology, to exp...
08/09/2026
LiveU, the leader in live IP-video solutions, is enabling The Associated Press to take global newsgathering to the next stage with intelligent connectivity and ...
08/09/2026
Mediagenix, a global leader in smart content solutions to profitably connect the right content to the right audience, today announced the latest evolution of it...
08/09/2026
Compact, power-efficient X Platform performance brings broadcast-grade reliability and ultra-low latency to space-constrained remote production (REMI) workflows...
08/09/2026
Zixi, the leader in live video delivery and workflow orchestration, and Kiloview, a leading provider of professional IP video encoding and decoding solutions, t...
08/09/2026
Collaboration gives content owners scalable CDN capacity and broadcasters enhanced flexibility, including for C-band transition planning
Quortex today announce...
08/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/09/2026
By Ramona Flume and Lucy Spicer
There's a particular kind of magic that hap...
07/09/2026
Two new full-range, flat-response cabinets introduced
HeadRush have recently introduced a pair of new full-range, flat-response cabinets designed for player...
07/09/2026
Answering questions about AI in game audio
GameSoundCon, the largest professional conference for video game music and sound design, have announced that they...
07/09/2026
New directional headset mic on show at IBC
Just ahead of this week's IBC show, DPA have announced the launch of a new directional headset that's bee...
07/09/2026
We are not building systems to replace human decision-making; we are building systems that execute our decisions at machine speed. The media companies that win ...
07/09/2026
Blackmagic Design Announces New Lower Price for Blackmagic PYXIS 6K and Blackmag...
07/09/2026
GB Labs to Unveil Core.ONE at IBC2026, an Intelligent Storage Platform for Media...
07/09/2026
Monday 7 September 2026
Freddie Meredith joins cast of SNL UK ahead of start of Season 2
Freddie Meredith Images
ZIP (3MB)
Saturday Night Live UK announces ...
07/09/2026
Monday 7 September 2026
Sky and NFTS team up to launch new routes into screen careers
Sky has today announced a new apprenticeship programme, with application...
07/09/2026
Monday 7 September 2026
Sky Sports announces most comprehensive NFL coverage to...
07/09/2026
Dolby, MainConcept, Techex and J nger Audio will showcase the industry's first demonstration of Serial Audio Definition Model (S-ADM) in a cloud-based produ...
07/09/2026
dB Broadcast will showcase APIS Hive, its software platform for designing, deploying and managing modern broadcast infrastructures, at IBC 2026.
Developed from...
07/09/2026
552,000 streams on RT Player
The historic fight, which saw Katie Taylor become...
06/09/2026
Recreates Rolands TB-303 & MC-202
BS-203 MacroAcidizer is the first virtual instrument from Born Second, and it offers a recreation of two Roland classics -...
06/09/2026
London, UK September 2026 PlayBox Technology is inviting broadcasters, OTT and FAST operators, content owners and media organisations worldwide to become De...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
05/09/2026
MK2 & Bass system control app improved
HEDD Audio have just launched a new and improved version of the control software that pairs with their MK2 and Bass m...
05/09/2026
The National Film and Video Foundation (NFVF), an agency of the Department of Sp...
05/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
05/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
05/09/2026
InSync Technology, the leading provider of premium video conversion solutions, will showcase a new generation of products at IBC 2026, designed to help broadcas...
05/09/2026
GlobalM successfully supported quattro media GmbH and World Rowing, the world governing body of the Olympic sport of Rowing, with the international distribution...
05/09/2026
LA JOLLA, CA-In recognition of his exceptional work to understand the chemistry of carbohydrates and the role they play in health and disease, Scripps Family Ch...
04/09/2026
Media organisations interested in the Media Innovation Europe 3.0 Business Innovation Synergizer (BIS) can now consult a new FAQ document providing additional a...
04/09/2026
Eluvio will demonstrate updates to its Content Fabric platform at IBC2026 (Hall 8, Stand 8.MS5, and Future Tech Zone, Hall 14, Stand 14.A58, September 11-14). C...
04/09/2026
LiveU has joined the IBC Accelerator's Smart Stories consortium, a multi-vendor initiative developing an open standard for Story Context interoperability in...
04/09/2026
Telos Alliance will demonstrate new audio observability capabilities at IBC2026 (Stand 8.D37, RAI Amsterdam, September 11-14), covering monitoring of audio heal...