
22 February 2021
SHARE Facebook Twitter Linkedin Email
By Lewis Kirkaldie, head of product management, Cinegy
The key elements for remote production and delivery have been in place for a while. The ability to handle high quality content in real time, on standard IT hardware on premises or in the cloud is well established.
But the individual elements of storage and processing do not make a workable system. The challenges brought about by the pandemic has called for the rapid rollout of solutions which work reliably and securely.
Technology has stepped up to that challenge. In particular, the maturity of two open standards - SRT and WebRTC - has made broadcast-quality contribution and distribution links practical.
SRT is the secure, reliable transport protocol, which pretty much says what it does. It is a means of transporting content over the public internet with low latency, minimising the effects of jitter and bandwidth changes. It is built on UDP, so is familiar to developers, and the SRT Alliance publishes an open source technology stack.
SRT uses dynamic stream management to get high quality at low latency, which needs two-way communication alongside the content. That means at least one party is directly internet connected, so it is good for contribution circuits to a broadcast centre or, indeed, to the cloud.
Cinegy has considerable experience in helping major players migrate to the cloud. Indeed, over the last few months we have helped a very large, very well-known US cable network migrate its primary playout to the cloud. As is so often the case with companies that have found the secret sauce they do not want their competitors to find out too much I cannot tell you which broadcaster, but you will have heard of them.
As I said, SRT is a great way to build contribution circuits over relatively low bandwidth. That is particularly important in cloud implementations, where getting the content in and out can be a big cost. At Cinegy we have found that demonstrating we can control bandwidth and therefore ingress and egress charges goes a long way to reassuring finance directors.
SRT is a powerful tool but it is not the solution for everyone, which is where WebRTC comes in. Again, the name tells the story: WebRTC provides real-time communications - including high quality video - from a web browser. It is part of HTML5 so it is available in all modern browsers, and can be built into bespoke applications. Perhaps the best-known tool which uses WebRTC is VMix, which is a complete and surprisingly sophisticated cloud-based production system. By using WebRTC it works peer-to-peer, so you can remote produce from anywhere.
The downside is that WebRTC will vary frame rate to ensure a constant video stream over the given bandwidth. Producers have no real control over what frame rate each contribution will appear as, but that apart it, too, has found a real place in live and as-live remote production. That the open standard - developed by Apple, Google, Microsoft, Mozilla and others - was ready to go in 2020 is a huge bonus.
Collaborative tools, of course, have been connected directly into production systems for some time. What we now have is the ability to develop new workflows which suit the new mood of social distancing. At Cinegy we have been working for some years with a major UK entertainment show (again I cannot name it, but it is very, very popular) which needs a large number of short video packages each week, for incorporation into the main live broadcast and for the spin-off shows. Editors access shared storage on Cinegy server racks and file the finished packages into the playout section.
The 2020 series had the same need for content, but social distancing meant that editors and producers worked from home as much as possible, rather than in the production offices. So we were called in to adapt the infrastructure for remote ingest and downloads. Most importantly, we had to develop the security protocols and management of firewalls which would allow the very sensitive content to be available for remote editing and review, at no risk of piracy.
I could quote many other applications, where proven web-connected broadcast tools are now being used in the heat of premium production. At least partly in response to the pandemic, you can now build practical remote production and
delivery pipelines, based on the latest open source tools, with a technology partner that understands the real issues of secure and cost-effective content flow.
Tags
remote production , IP workflows , cloud playout , broadcast automation , WebRTC , SRT , pandemic broadcasting , TVBEurope , Lewis Kirkaldie
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
17/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/10/2026
Oklahoma filmmaker Elijah Felkins launches crowdfunding campaign to shoot Kairat...
17/10/2026
Secret Weapon Post Powers New Remote Workflows with DaVinci Resolve Studio
Brie Clayton October 16, 2026
0 Comments
Going remote: redefining what post...
17/10/2026
Danilo P rez Premieres New Work Honoring Architect Frank Gehry Commissioned by the Herbie Hancock Institute, P rez performed The Ever-Changing World at its In...
16/10/2026
The LA Clippers have announced their local television plan for the 2026-27 seaso...
16/10/2026
At sports-media summit, he describes the success of the one-year-old agreement a...
16/10/2026
Parks Associates, in partnership with InterDigital, has published a white paper ...
16/10/2026
Cisco is expanding its work with the Atlanta Hawks, Cleveland Cavaliers, and Brooklyn Sports & Entertainment (BSE) as the 2026-27 NBA season gets underway, prov...
16/10/2026
Broadcast Management Group (BMG) has introduced Media Command, a private cloud broadcast platform that integrates recording, media asset management (MAM), chann...
16/10/2026
TNDV and GameTime Productions have expanded their remote production responsibilities for Team Boxing League (TBL) for the league's recently completed fourth...
16/10/2026
In-venue and creative video staffers at the professional and collegiate level have one major thing in common: the intensity and attention to detail ramps up dur...
16/10/2026
Broadcast and streaming are converging around live media. Traditional broadcasters increasingly distribute their linear services through streaming platforms alo...
16/10/2026
DAZN and Guardians League, a new professional franchise surf racing series, have announced a multi-year global broadcast partnership. Guardians League events wi...
16/10/2026
Sobatech Group is producing live coverage of the F4 Spanish Championship and Eur...
16/10/2026
The Walt Disney Company and Dude Perfect have announced an integrated creative partnership. Dude Perfect will develop original content for its own channels insp...
16/10/2026
Onsite studio show will accompany game productions in San Francisco and Atlanta
...
16/10/2026
Grass Valley s AMPP platform continues to grow in popularity, especially with th...
16/10/2026
FloSports and the National Lacrosse League (NLL) have entered a multiyear media partnership that makes FloSports the exclusive global streaming home of the NLL....
16/10/2026
At PBR Teams Series: Maverick Days at UBS Arena in Belmont Park, NY, PBR Executive Producer Jason Jacquette took a few minutes with SVG to discuss how his team ...
16/10/2026
(Suzanne Cordeiro/Shutterstock for Sundance Film Festival)
By Patty Consolazio
...
16/10/2026
Standalone calibration, automatic bass management & digital I/O
The ARC Studio was a significant release for IK Multimedia, and was praised for offering a c...
16/10/2026
Classic compressor returns in 1U form
There are few pieces of gear that have achieved the status held by the SSL Bus Compressor, and it's now officially...
16/10/2026
Latest cinematic instrument unveiled
Zero-G say that their latest creation isn't your typical sample library or collection of instruments, but rather a ...
16/10/2026
Real-time MIDI orchestrator updated
Forma Labs Audio have recently launched a significant update that brings some powerful new features to their real-time M...
16/10/2026
The launch of the autumn programming schedules on traditional TV channels translated into a noticeable increase in total video viewership. Poles spent an averag...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Globecast, a leading provider of media integration and managed services for the sports broadcast industry, will showcase the latest developments in Content Exch...
16/10/2026
Boston Conservatory Wind Ensemble Presents America at 250 The free event, taking place at Samuel Adams Park at Faneuil Hall, features a program of inspiring A...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
ON Creative Visual Tech Provider has completed the audiovisual design and integration for Nubank Arte Lab, Brazil's largest permanent immersive art space. T...
16/10/2026
Beam Dynamics has appointed Brian Mauger as Regional Sales Manager, North America, strengthening its commercial team as the company expands across media, broadc...
16/10/2026
Secret Weapon Post Uses DaVinci Resolve Studio for Gregg Araki Films
Brie Clayton October 15, 2026
0 Comments
Remote post house delivers I Want Your ...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
The Stand that started it all in a matched pair of the industry-trusted C-Stands The 2-Pack provides both in a choice of chrome or black finish...
16/10/2026
New lineup brings professional rigging, lens support, power, and mounting flexibility to Sony's compact cinema camera
Wooden Camera today announced a new p...
16/10/2026
Cinematographer John Matysiak ( Old Henry, Winning Time, Big George Foreman ) brings a vivid breathlessness to the near-wordless film Motor City. An actio...
16/10/2026
Next Jazz Legacy Celebrates Five Years of Mentorship and Impact Across the Jazz ...