
NBA Finals 2023: ESPN Updates Championship Series With New Mixed-Reality Open Unreal Engine powers the cinematic feature By Kristian Hern ndez, Senior Editor
Thursday, June 1, 2023 - 12:33 pm
Print This Story | Subscribe
Story Highlights
When the 2023 NBA Finals tip off tonight between the highly favored Denver Nuggets and underdog Miami Heat, ESPN will highlight the sport's ultimate prize with a new mixed-reality (MR) open for its broadcast.
Every NBA Finals Champion has a story that is paired with their own historic journey, says Lucas Nickerson, creative director, ESPN. The trophy holds a collection of memories, and this is the curation of rare moments that generate greatness.
Beyond the Traditional: Team Generates Multiple Creative Ideas A championship series like the NBA Finals deserves an impressive open to attract casual basketball fans as well as supporters of both teams. The open is new every year, and, with each one, creating a brand-new version gets a little bit harder. This year, a handful of ideas and technological workflows were thrown around, and finding the singular internal message was key.
We talked about a traditional animated open, says Nickerson, but, as we worked through the boards and creative brief, we knew that the story had to be executed in a different way. We wanted to direct an open that had flexibility in unique storytelling and involved the expertise across all of ESPN Creative Studio.
The mixed-reality set for ESPN's new NBA Finals open
The history of the league is vital to understanding the NBA's complete story. Players like Larry Bird, Magic Johnson, Michael Jordan, and LeBron James solidified their legacies by winning multiple championships. Although they played in different eras and won the NBA Finals at different phases of their respective careers, the common denominator between them is the Larry O'Brien trophy. Creatively, the final vision of this year's open will explain not only the journey of this famous trophy but also each team's road to this matchup.
ESPN on ABC is the home of the NBA Finals. It's where champions become legends, notes Nickerson. This new open takes you on a journey for the title run through a combination of visual techniques driven by ESPN's Creative Studio.
Constrained Timeline: Short Turnaround Becomes the Biggest Challenge As with many championship productions, ESPN Creative Studios had a quick deadline to figure out the creative direction, determine the technologies necessary, shoot the project, and finalize any last details before Game 1. Fortunately, the broadcaster has been deploying the same workflows during its live broadcasts as it's using for the new open.
The new open follows the journey of the NBA's biggest prize, the Larry O'Brien trophy.
For our primetime ABC games, says Nickerson, we implemented extended reality and augmented reality with an editorially driven brand creative in the fall of 2022. The goal of virtually capturing the 3D-animation identity allowed us to springboard our creative aspirations for the NBA Finals this summer.
Although the production and operations teams were familiar with the workflows, it was critical that they work collaboratively with the editorial team to tell the story with stunning visuals.
These new workflows turned into many working sessions to solve creative questions, notes Nickerson. The biggest challenge we encountered was finding a balance of imagination and editorial content within the restraints of one day of filming.
Ultimately, the crew was able to overcome the compressed timeline and strike that balance to achieve the desired product.
We knew this was a strong team of artists that were up for the challenge of exploring a new approach to this project, says Jeremy Anderson, creative producer, ESPN.
Players' jerseys - including those of Michael Jordan, Magic Johnson, and Tim Duncan - tell the NBA's story for ESPN's new open.
From a technology perspective, the crew leaned heavily on the power of Unreal Engine as well as on partnerships with Panoply Studio, Two Fresh Creative, and Silverspoon Animation to establish the MR environment. The project was captured via five cameras: two XR cameras, two in-arena AR units, and one CG camera.
Full-Scale Effort: ESPN Creative Studios Pitches in To Enhance Televised Product Nickerson and Anderson played a large role in making the project a success, but others under the ESPN Creative Studios umbrella provided vital expertise: Art Director, NBA Finals, Dale Harney; the finalized look through Unreal Engine by Lead Designer Colin Moore and Senior Designer John Siciliano; and editorial direction by Editors Rabia AlGhani and Adam Schaub. Support for the project also came from Senior Director, Animation and Graphics Innovation, Mike Spike Szykowny; Creative Director David Sparrgrove; Associate Art Director Jeremy Simches; Manager, Motion Graphics Design, Charles Collin; Senior Concept Artist Renata Sedzimir; Animation Supervisor Matt Tucker; Supervising Real-Time Graphics Developer Brad Griswold; Colorist Pat Strenk; and Sound Designer Ben Ayotte. Overall, the entire team came together to pull off a new open for one of the network's most high-profile shows of the year.
ESPN Creative Studio has thrived because of innovative ideas developed by our teams, says Szykowny. The team that worked on this project showed extraordinary ambition and passionate pursuit of creativity, which remains the heart of everything we do. I could not be more proud of what this team has accomplished.
Stay tuned for plenty more coverage of the NBA Finals on SVG in the coming days.
More from Sports Video Group
11/08/2026
Weekly immersive broadcasts will feature 8K 3D video, a 180-degree field of view...
11/08/2026
By Briana Brady, Social Media Manager, Production Hub
Sports content is having ...
11/08/2026
She addresses why media organizations need more than asset storage, how sports t...
11/08/2026
Remote commentary has improved significantly on these broadcasts
At a clip of ...
11/08/2026
A pair of LANTIME IMS M2000 PTP Grandmasters deliver resilient timing infrastruc...
11/08/2026
LTN has announced expanded capabilities for its Live Event Master Control offering, providing sports broadcasters, leagues, rights holders, and content owners w...
11/08/2026
WTA Ventures has appointed IMG as its managed production services partner in a multi-year agreement commencing with the 2027 season. The partnership is the late...
11/08/2026
The New York Jets and CBS New York have agreed to a multi-year extension of their partnership, keeping CBS New York as the official broadcast home of the team. ...
11/08/2026
Nielsen Holdings and DoubleVerify have announced a definitive agreement under which Nielsen will acquire DoubleVerify in an all-cash transaction with an enterpr...
11/08/2026
The Audio Engineering Society has announced the results of its 2026 Board of Dir...
11/08/2026
The CSN co-founder details its network and affiliate' model, how creator wi...
11/08/2026
Gravity Media is providing host broadcast operations for the Esports World Cup (EWC) 2026, supporting ESL FACEIT Group (EFG) in delivering the tournament to glo...
11/08/2026
TAG Video Systems has released a memory usage optimization for its MCM software that reduces the cost per channel by up to two-thirds for compressed workflows. ...
11/08/2026
SMT is expanding its technology partnership with the Cincinnati Open this year, adding new LED displays, production capabilities, and fan-facing experiences at ...
11/08/2026
The Pac-12 has announced that home Olympic sports broadcasts throughout the fall season will be available free on the conference's YouTube channel at youtub...
11/08/2026
Spreading a message of faith requires both widespread accessibility and uncompromising visual quality. Real Life Network (RLN), a free, faith-based digital stre...
11/08/2026
Taking the synergy of sports and entertainment a step further, the NFL venue in Nashville will house iterations of two iconic music clubs
The marriage of Taylo...
10/08/2026
Weekly immersive broadcasts will feature 8K 3D video, a 180-degree field of view...
07/08/2026
Diversified has appointed industry veteran Pete Emminger as global chief technology officer. Emminger will lead the company's global go-to-market technology...
06/08/2026
The broadcaster's 14-race schedule begins in Iowa and ends in November with ...
06/08/2026
In-venue and creative video staffers at the professional and collegiate level ha...
06/08/2026
As media organizations consolidate teams, technology platforms, and content libr...
06/08/2026
Firmware updates introduce Dolby's next-generation picture engine, content-aware optimization, and new motion and ambient-light tools...
06/08/2026
TNT Sports will have wall-to-wall coverage of the upcoming FIBA Women's Bask...
06/08/2026
swXtch.io (Stand 5.MR13) has unveiled groundSwXtch for Audio over IP (AoIP), a software application that lets broadcasters and media organizations move audio in...
06/08/2026
At IBC2026, Riedel Communications (Stands: 10.A24, 10.A31, 10.A38) will bring modern media production to life with the Live Production Experience - a connected ...
06/08/2026
The first live-sports director to receive the prestigious honor, eight-time Emmy...
06/08/2026
NBC Sports will continue to present the Preakness Stakes on NBC and Peacock thro...
06/08/2026
Cobalt Digital (Stand 8.F90) continues to reinforce its commitment to delivering...
06/08/2026
Wave Central has promoted promotion Jeff Daubert to Director of Sales, Americas.
In his expanded role, Daubert will lead Wave Central's sales strategy and ...
06/08/2026
KMH Integration is expanding its ability to serve media, broadcast, and IT organizations by adding Keith Hanadel, an accomplished architect with decades of indu...
06/08/2026
Advanced Systems Group (ASG) has promoted Michele Ferreira from Vice President of its Systems Integration team to the newly created position of Chief Business O...
06/08/2026
Demonstrations will include new JPEG XS, Dolby audio, cloud-gateway, stream-processing, and distribution capabilities...
06/08/2026
The deal includes three premium mobile units, engineering personnel, existing br...
06/08/2026
Broadcast Management Group produced Amazon Prime's inaugural Obsessed Fest a...
06/08/2026
Exhibit will feature new variable-ND functionality, OLED viewfinders, remote-camera tools, and UHD production monitors...
06/08/2026
Compact full-frame E-mount lens targets sports, wildlife, and other long-range shooting applications...
06/08/2026
Live broadcast will honor Roger Federer and Mary Carillo on Aug. 29, with onsite...
06/08/2026
End-zone board receives higher-resolution LED technology and an updated Show Control system ahead of the 2026 football season...
05/08/2026
RSNs, teams, leagues, and streamers explore the present and future of local spor...
05/08/2026
As sports-production workflows generate larger volumes of unstructured data and ...
05/08/2026
Three aspiring broadcasters will contribute on-camera and inside the production ...
04/08/2026
Live production in the cloud is a growing trend across the industry, and Major L...
04/08/2026
LAFC co-managing owner will succeed Don Garber on Jan. 1, 2027, as league prepar...
04/08/2026
In 2022, when the PGA TOUR was breaking ground on its new, state-of-the-art broa...
04/08/2026
Provided by POVORA, the new camera angle offers a dealer's-eye view of the c...
04/08/2026
Spiideo will provide the camera setup, with NEP handling broadcast integration and off-site video operations...
04/08/2026
Production team streamed more than 750 youth rugby matches using ATEM switchers,...
04/08/2026
Agreement gives KTC early access to NDI's Advanced SDK for integration across commercial displays, digital signage, and interactive panels...
04/08/2026
Twelve projects across four categories recognize collaborative work in productio...