Sony Pixel Power calrec Sony

ESPN, DMED Pull Off First End-to-End Cloud-Based Live-Game Production With A-10 College Hoops Game

24/01/2023

ESPN, DMED Pull Off First End-to-End Cloud-Based Live-Game Production With A-10 College Hoops Game The Davidson-George Mason game is believed to be the first live end-to-end-cloud production of a U.S. sporting event By Jason Dachman, Chief Editor

Tuesday, January 24, 2023 - 3:13 pm

Print This Story | Subscribe

Story Highlights

ESPN and Disney Media & Entertainment Distribution (DMED) continued to push the boundaries of cloud-based production on Jan. 14, when they teamed up on the first-ever fully cloud-based live-game production in the U.S. during the Davidson-George Mason Atlantic 10 Conference basketball game in Fairfax, VA.

Operators on hand in Bristol: (from left) Director 1 Ashley Ward, Senior Associate Producer Greg Burud, Media Replay Operator 1 Maddie Boccardi

Feeds from onsite cameras and microphones were sent directly into an AWS cloud instance, where software-based production tools were running virtually. Meanwhile, operators used control surfaces in a control room at ESPN's Bristol, CT, campus to produce the show remotely. The software-based approach not only reduced costly hardware and physical infrastructure but also eliminated transmission bottlenecks associated with hardware-based REMI productions.

We see this as a major step forward in our evolution as it related to cloud-based production, says Chris Strong, director, specialist operations, Disney Media & Entertainment. The beauty of cloud is, we can take the REMI model or any type of traditional model and be able to make it a far more scalable solution. In a traditional fixed facility, you build a set amount of rooms that is the total rooms you have available. If you want to scale that up, you're going to have to build more brick-and-mortar facilities. But, with the cloud, you can take all those resources and send them to a cloud instance, which allows you to scale almost infinitely.

Building the On-Ramp to Distributed Production in the Cloud The proof of concept comes on the heels of ESPN/DMED's recent successful deployment of a cloud-based workflow for super-slo-mo replay for REMI productions and marks a major step forward in their efforts to create a sustainable cloud-based live-production model. Although the production crew was located in Bristol for the initial production, ESPN believes this cloud-based production model will eventually allow its production workforce the flexibility to work from anywhere.

The next generation of this [model] will move to a distributed workflow where our operators can work from home, says Strong. The goal is to build an efficient, scalable, and sustainable model so that, when our [ops team] has two college-basketball shows to cover at once, we could spin up a [cloud] instance instead of using resources in one of our fixed facilities. We also would be handing a single program output to the facility versus trying to accommodate eight to 10 more individual resources like in a REMI or REMCO [model].

Senior Audio Operator Cody Hardin in Bristol uses an SSL audio-mixing control surface for the cloud-based production.

Live Cloud Production From Beginning to End During the production, ESPN successfully tested video switching, replay, graphics, multiviewer generation, audio mixing, comms, file transfer, and transmission QC in the cloud.

All the typical things that we would normally have within the facility to produce the show were running in the cloud, says Daniel Lannon, manager, REMI operations, DMED. Then we had the director/TD, replay operator, producer, audio operator, comms specialist, and our graphics operators and graphics producers all located within the facility. They were all controlling the [technology] that was running in the cloud data center from [control surfaces] in Bristol.

Graphics Interface Coordinator Keith Rall

The cloud-based operation was based on a ViBox all-in-one production video switcher and slo-mo replay system from Simplylive (now owned by Riedel Communications). The team also used a Simplylive Venue Gateway onsite encoder/decoder and multiviewer for IP encoding of all the camera and audio feeds and transported them to an AWS cloud instance using SRT.

All the necessary tools for the live production were running in the cloud, including Vizrt's Viz Trio, Viz Engine, and Clock & Score Control Interface for graphics; Scoreboard OCR (optical character recognition) for clock-and-score data extraction; Solid State Logic audio mixing (with a 16-fader console surface in Bristol); Unity Connect audio comms; Audinate Dante Domain Manager; ENCO DAD audio-asset-management and -playout; Avsono audio NDI gateway and processing; Sienna ND NDI routing, processing, and multiviewer generation; and Signiant high-speed file transfer.

Quality and the expectations from the production team were key, says Strong. We did not give up any level of production that would have been done in the hardware brick-and-mortar facility by putting this in the cloud. It has exactly the same quality with the same level of resources as the REMI ViBox model would have been. Our production was afforded everything they're used to in our normal REMI model: switching, audio, graphics, video, camera isos, replay, scorebug, comms, and even talent onsite.

Added Challenges: Announcers Onsite and Preparing a Backup Plan With ESPN's announcers at EagleBank Arena calling the action, all camera and audio feeds had to go into the cloud, the show was cut in Bristol, and the mix-minus audio, program feed, and tallies went back to the arena for the announcers via the Simplylive Venue Gateway and Unity Connect.

As a redundant backup plan, ESPN also took four isolated camera feeds directly into a separate AWS cloud instance equipped with small-switching and audio-mixing capabilities. If there was a failure in the primary cloud-based production chain, ESPN would
LINK: https://www.sportsvideo.org/2023/01/24/espn-dmed-pull-off-first-end-to...
See more stories from svg

Most recent headlines

05/01/2027

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be demoed at CES 2026

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...

04/08/2026

Dalet Announces Commercial Availability of Dalia, Bringing Media-Aware Agentic AI to Enterprise Productions

Dalet, a leading technology and service provider for media-rich organizations, t...

04/07/2026

Detective Conan: Fallen Angel of the Highway Opens in Dolby Cinemas Across Japan, Presented in Dolby Atmos and Dolby ...

April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...

01/06/2026

Dolby Sets the New Standard for Premium Entertainment at CES 2026

January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026 Throughout the week, Dolby brings to life the latest innovatio...

08/05/2026

Report: Rise of Video Podcasts Prompts Hybrid Approach

Share Copy link Facebook X Linkedin Bluesky Email...

08/05/2026

U.K. Military Broadcaster Taps Synamedia for Digital Platform

Share Copy link Facebook X Linkedin Bluesky Email...

08/05/2026

Gayle Benson To Receive NAB Leadership Foundation Leadership Award

Share Copy link Facebook X Linkedin Bluesky Email...

08/05/2026

Dems Blast FCC Disney Probe As 'Egregious Abuse of Power'

Share Copy link Facebook X Linkedin Bluesky Email...

08/05/2026

Liberty University on why broadcast technology isn't just a technical investment, it's a human one

Liberty University on why broadcast technology isn't just a technical invest...

08/05/2026

COW Jobs: UGC, On-Camera Video Content

COW Jobs: UGC, On-Camera Video Content Brie Clayton May 7, 2026 0 Comments UGC, On-Camera Video Content April 17, 2026Documentary Editor - US,......

07/05/2026

Sudan Digital Investigation Hub launches to support journalists navigating disinformation in conflict

Journalists reporting on Sudan are working in one of the most complex and fast-m...

07/05/2026

Victory+ CEO Neil Gruninger on the Impact of the Dallas Cowboys Deal, Creator-Led Content, and Free In-Market Access for Fans

Multi-year partnership positions Victory+ as a free home for Dallas Cowboys orig...

07/05/2026

SVG Students To Watch: Ella Peterson, University of Illinois

From sideline reporting to directing and producing, the talented sophomore is building a well-rounded foundation for a career in live sports production In the ...

07/05/2026

NAB 2026: Cobalt Digital Wins Two Future Best of Show Awards

Cobalt Digital has received two Future Best of Show awards at NAB Show 2026. The COBALT blueCORE platform was recognized by TV Tech, and the COBALT PACIFIC ULL-...

07/05/2026

Scripps National Spelling Bee Revamps Broadcast; Mina Kimes to Host, Embassy Rows Michael Davies to Produce

ESPN analyst Mina Kimes will host the televised semifinals and finals of the 202...

07/05/2026

MUBI Selects Bitmovin as Cloud VOD Encoding Partner

Bitmovin has announced that MUBI, the global film streaming platform, has selected Bitmovin as its cloud VOD encoding partner. Bitmovin's encoding infrastru...

07/05/2026

NBCUniversal Telemundo Enterprises and U.S. Soccer Extend Spanish-Language Media Rights Through 2030

NBCUniversal Telemundo Enterprises and the U.S. Soccer Federation have announced...

07/05/2026

Angel City Football Club and Victory+ Announce Regional Broadcast Partnership

Angel City Football Club (ACFC) and Victory have announced a regional broadcast partnership bringing live match coverage to fans across the greater Los Angeles...

07/05/2026

Spiideo Launches AI Highlights for Automated Highlight and Clip Creation

Spiideo has announced the launch of AI Highlights inside Spiideo Play, its automated sports production platform. AI Highlights combines video, event data, audio...

07/05/2026

Leostream Announces Unified HPC Remote Access Ecosystem for Post-Production and Enterprise Workflows

Leostream Corporation has announced a unified remote access ecosystem for high-p...

07/05/2026

Victory+ Adds Atlanta Dream Local Broadcasts to Free Streaming Platform

The Atlanta Dream has partnered with Victory to stream all locally broadcast Dream games for free, expanding the team's digital distribution strategy and g...

07/05/2026

Riedel Communications Appoints Marc Engroff as CFO; Frank Eischet Moves to Group COO Role

Riedel Communications has announced the appointment of Marc Engroff as Chief Fin...

07/05/2026

ARD Extends SES Satellite Distribution Agreement Through 2039

SES and ARD, Germany's largest public broadcasting network, have announced a long-term extension of their satellite distribution partnership through 2039. U...

07/05/2026

Case Study: How Pro Cheer League Built a Broadcast-First Arena Production

UpLight Technologies delivers a flexible video and lighting system for a new televised sportLaunching the Pro Cheer League required more than creating a compell...

07/05/2026

Full Day Productions and GSE Worldwide Launch Womens College Volleyball Showcase at AT&T Stadium

Full Day Productions and GSE Worldwide have announced Spikes Under the Lights, a...

07/05/2026

Deine persnliche Spotify DJ Experience ist jetzt in vier neuen Sprachen und weiteren Mrkten verfgbar

Seit dem Start im Jahr 2023 hat DJ (Beta) das personalisierte H rerlebnis von 94...

07/05/2026

Il DJ personalizzato di Spotify ora disponibile in 4 nuove lingue e in pi Paesi

Da quando stata presentata nel 2023, DJ (beta) ha aiutato a definire un'esperienza d'ascolto pi personalizzata per 94 milioni di utenti Spotify Premi...

07/05/2026

Your Personalized DJ Experience Is Expanding With 4 New Languages and More Markets

Since launching in 2023, DJ (beta) has helped shape a more personalized listenin...

07/05/2026

Seu DJ personalizado do Spotify t chegando em mais lugares - agora em 4 novos idiomas

Desde o lan amento em 2023, o DJ (beta) j ajudou a deixar a experi ncia de ouvi...

07/05/2026

Save Your Personal Podcast to Spotify and Listen Anywhere

From our earliest days, Spotify has been built on a simple principle: Great audio should be easy to reach. It's what's driven us to expand from music to...

07/05/2026

Spotify Celebrates API Heritage Month With New Music and Artist Spotlights

Asian and Pacific Islander artists continue to shape the global soundscape, pushing creative boundaries and connecting with fans worldwide. This Asian & Pacific...

07/05/2026

Symphonic Elements Chooir by UJAM

Company announce long-requested choir instrument In the latest expansion of their Symphonic Elements series, UJAM have introduced an all-new vocal instrumen...

07/05/2026

Buchla debut Ziggy synthesizer

Modular-inspired sound generation with digital control Buchla have introduced Ziggy, a new compact synthesizer built around the company's complex oscill...

07/05/2026

Polyend Drums hybrid drum machine

Combines analogue voices with digital synthesis and sequencing Polyend have announced Drums, a new hybrid analogue and digital drum machine that combines sy...

07/05/2026

Nektar Panorama CS12: Reaper & Fender Studio Pro support

Control surface now officially supports four DAWs When Nektar launched the Panorama CS12 control surface, it worked exclusively with Apple's Logic Pro, ...

07/05/2026

SGL Carbon: Expected lower sales, but EBITDA margin improved. Forecast confirmed

In the first quarter 2026, SGL Carbon generated consolidated sales of 184.5 million, which was 49.8 million, or 21.3%, lower than in the prior year (Q1 2025: ...

07/05/2026

Rohde & Schwarz and Greenerwave achieve precise and fast ESA antenna characterization using near-field technology

Rohde & Schwarz and Greenerwave achieve precise and fast ESA antenna characteriz...

07/05/2026

L3Harris Red Wolf + SKY RAIDER II INTERNATIONAL: Unmatched Flexibility for Kinetic Strike, EW, ISR and Support Missions

Two multi-role L3Harris products - the Red Wolf launched effects vehicle and SK...

07/05/2026

US Air Force Selects L3Harris to Develop Digital Infrastructure for its Advanced Battle Management System Network

L3Harris will be developing key features of a secure and resilient digital infra...

07/05/2026

New Nielsen Report Shows The Profound Impact of Asian Influence on Sports and Pop Culture

Alysa Liu and Shohei Ohtani Help Drive Viewership as 91 of the Top 100 Broadcast...

07/05/2026

IAB Tech Lab Introduces Standardized Signals For CTV Ad Portfolio

Share Copy link Facebook X Linkedin Bluesky Email...

07/05/2026

Cobalt Digital Wins Two Future Best of Show Awards at 202...

Cobalt Digital Wins Two Future Best of Show Awards at 2026 NAB Show Manufacturer Recognized by TV Tech and TVBEurope for Innovation in signal processing Cobal...

07/05/2026

FOR-A delivers creativity practicality and technical exce...

Software and hardware platforms, AI power and user-friendliness on show...

07/05/2026

Intinor brings advanced IP transport diagnostics and HDR...

Intinor will demonstrate its latest technical enhancements for the Direkt series at BroadcastAsia 2026. With a continued focus on reliable contribution and remo...

07/05/2026

Bitmovin Powers Global Film Streaming Platform MUBI

Bitmovin has announced that MUBI has chosen Bitmovin as its cloud VOD encoding partner, replacing MUBI's legacy on premises encoding setup to improve scalab...

07/05/2026

Meet Graduates from Berklees Class of 2026

Meet Graduates from Berklees Class of 2026 Members of this years graduating class reflect on their proudest moments at Berklee and look ahead to whats next. ...

07/05/2026

Convergence is Now Established Reality,' Says NAB 2026 Report

Share Copy link Facebook X Linkedin Bluesky Email...

07/05/2026

Interra Systems to Showcase Best in Class QC Monitoring a...

At BroadcastAsia 2026, Interra Systems will demonstrate its latest innovations in automated quality control (QC), real-time monitoring, and captioning. The comp...

07/05/2026

PlayBox Neo shines a spotlight on delivering Secure Scala...

At this year's Broadcast Asia, PlayBox Neo is set to unveil recent innovations across its PlayBox Neo Suite and integrated range of broadcast media solution...