
As part of its World Radio Day focus, the EBU is profiling three public service broadcasters which are tackling head-on the challenge of how to become more relevant to young people, who represent a relatively small part of our audience and a potentially big role in our future. The key lies in understanding how to lure this highly connected tribe.
In 2004, Polish public service broadcaster Polskie Radio had the vision to set up a youth-oriented radio station. Since then, the station has gone through gone through a series of changes transitioning from Radio Bis to Radio Euro, and finally Czw rka, which abbreviates to PR4.
They target 15-30 year old students, who list new technologies, careers, education and culture as their interests. To reach them, PR4 takes a non-linear approach to broadcasting, matched to international standards. Content is also uploaded on tvnplayer.pl, Onet.pl and TVPKultura. Here, Ma gorzata Zalewska talks about the station's journey to success.
1. What defines PR4 as a youth radio-oriented station?
PR4 gives attention to topics which are interesting and important to young people. The second distinguishing feature is the short and varied journalistic content. The style is dynamic and energetic. The third thing is music that interests young listeners PR4 plays a wide range of alternative music, a lot of niche music.
2. What does that represent in terms of resources?
We have about 40 permanent staff and about 30 freelance journalists.
3.Can you tell us a little about PR4's evolution from Radio Bis 20 years ago?
Radio Bis was established in 1994 as an educational radio for listeners of different ages. There were programmes for both children and youth and adults and older listeners. After 10 years, the format has changed to educational and cognitive radio for listeners aged 20-25 years. Its objective today is to help students keep pace with changes brought by the 21st century.
4. What's been the reaction?
Latest figures indicate a market share of 0.65 per cent which equals 198 000 listeners per day. The increase has been steady and is accompanied by a success on Facebook. Within a year, PR4's fan page gained about 30,000 new users, and today it enjoys about 120,000 likes. The growing interest has led to offers of patronage from youth clubs and organizations, book and CD publishers. PR4 special actions generate a lot of interest, especially among young people.
5. How do you let listeners know what's going on?
By using all available forms of communication such as radio, internet, SMS, Skype, PR4 remains in constant contact with listeners who become co-creators of the program. At present, we're adapting our website to meet the needs and expectations of our young listeners.
PR4 is also very active on Facebook. It promotes participation by posing interesting questions relating to its programmes that create online discussions. PR4 is now available on Samsung devices equipped with Smart TV; it can be listened to and watched on mobile devices from Apple and those equipped with the Android operating system and Windows.
6. What's the biggest difference between young and traditional radio audiences?
Radio stations for young listeners require, first of all, a compromise between what young people expect and what a valuable public radio wants to communicate. It is also important to choose good music which should be diverse and attractive.
7. How important is social media to the success of your station?
Social media is essential to maintain contact with young listeners without social media performance it's impossible to attract new listeners and retain old ones. It helps to draw attention to the qualities of the radio transmission.
8. How much visual content do you offer and what form does it take?
PR4 almost entirely broadcasts in a visual format with the exception of night broadcasts and news services. All programmes, both journalistic and music can be watched live' via satellite TV or on the internet. Among the programmes, there are also concerts by young Polish bands, discussions with guests, interviews with artists, and broadcasts of cultural events.
9. How essential is PR4 to the future of public service broadcasting in Poland?
PR4 develops with its listeners; it watches them closely and quickly responds to the changes in todays reality. The relationship we have with our young audience is a close one, and one that is the basis for radio development.
10. What do you feel most proud of?
Young audiences represent a challenging group. They can be demanding and critical. The positive response we've had is recognition from our audience that we're on the right track.
--
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
01/05/2025
As Tanzania approaches a pivotal election year marked by both promise and concern over the impact of artificial intelligence (AI) on media, more than 300 journa...
01/05/2025
Paul Reubens appears in Pee-wee as Himself, an official selection of the 2025 Sundance Film Festival. Courtesy of Sundance Institute | photo by Michael Ochs A...
01/05/2025
After four years of lectures, study sessions, exams, and parties, college senior...
01/05/2025
72.4% of overall TV viewing in Q1 2025 is of content that includes advertising
...
01/05/2025
NEW YORK LiveNow From Fox, Fox Television Stations' national news streaming service, has released viewing data showing the first quarter was the best quarte...
01/05/2025
The global installed base of Smart TVs and Connected TV (CTV) devices will reach 4.2 billion units by 2030, growing at a CAGR of 9.6% from 2.65 billion in 2025,...
01/05/2025
Samsung TV Plus has announced that it is expanding its existing lineup of more than 50 sports channels with five new free, ad-supported streaming television (FA...
01/05/2025
MELBOURNE, Fla. Carlo DiMarco has joined USSI Global as vice president of strategic marketing and growth, with responsibility for strategic business development...
01/05/2025
WASHINGTON The NAB has filed a wide-ranging rebuttal to proposals by the pay TV industry that the FCC delete and/or significantly change rules governing retrans...
01/05/2025
WASHINGTON The Corporation for Public Broadcasting has filed a lawsuit to stop the Trump administration from firing three of its board members, claiming the pre...
01/05/2025
HONG KONG Riedel Communications today said it has opened a new office in Hong Kong, enhancing its presence in the Asia-Pacific region....
01/05/2025
MUMBAI, India & BALTIMORE In a development that could advance efforts to bring NextGen TV to cellphones, FreeStream Technologies, Lava International and HMD hav...
01/05/2025
01 05 2025 - Media release Screen Australia empowers 100 distinctive Australian narratives
All The Boys Are Here writer/director Goran Stolevski and It s All...
01/05/2025
How PFX Delivered 750 VFX Shots in Just Four Months For Anthony Hopkins Thriller...
01/05/2025
Careline's New Wave Makeup Commercial Shot With URSA Cine 12K LF
Brie Clayton May 1, 2025
0 Comments
CAD Studios relies on large format, full fram...
01/05/2025
Telling the story: Extensive technical set-up delivers comprehensive Special Oly...
01/05/2025
Just Around the Bend: Olympic Broadcasting Services Readies for the Milano-Corti...
01/05/2025
Wireless Microphone Spectrum Alliance Gets Going With Lobbying To Ensure RF Acce...
01/05/2025
Voice actor and producer Mark Yoshimoto Nemcoff shares his first impressions of the DPA 2017 Shotgun Microphone, from real-world auditions to side-by-side compa...
01/05/2025
With my previous console, Freeman recalls, I always had to run a Waves server for EQ and compression, but when I switched to DiGiCo, I found it was such an op...
01/05/2025
Stream all episodes ofLook Who's Hangry from April 29
An RT Player Original in partnership with Heinz...
01/05/2025
Here is your host, Patrick Kielty!
T naiste, Minister for Foreign Affairs and T...
01/05/2025
Exclusive interviews and un-seen footage feature in new two-part series...
01/05/2025
May brings more than just rainbows and sunshine - it's also time for fresh adventures and epic battles. This GFN Thursday spotlights 20 can't-miss games...
01/05/2025
RT Investigates reveals details of Christian Brothers who were senior leaders a...
01/05/2025
RT Statement
The Enterprise Resource Planning (ERP) project is one of the projects that was funded from the proceeds of RT 's land sale in 2017, the init...
01/05/2025
Watch our promo: RT Supporting the Arts | What's on
This May, RT is delighted to support Bealtaine Festival, Fastnet Film Festival, and Dublin Dance Fest...
01/05/2025
For Nicolas Simon, advancing the field of robotics is a personal mission that could change his siblings' lives.
Two-thirds of Simon's family members us...
30/04/2025
Film elements held at the Deluxe warehouse in March of 2015. Photo by Luis Silva...
30/04/2025
EA SPORTS FC 25 fans in Australia and Saudi Arabia, get ready to immerse yourselves in the beautiful game like never before. Spotify is excited to announce a n...
30/04/2025
The past year has been nothing short of a whirlwind for Tucker Wetmore. After th...
30/04/2025
Mexico's love for podcasts is no longer a trend-it's a lifestyle. With m...
30/04/2025
Slam poet Huda the Goddess wins 2025 Les Murray Award
30 April, 2025
Media releases
Australia for UNHCR and SBS are proud to announce that Huda Fadlelmawla...
30/04/2025
SBS, NITV and NIDA partner to empower the next generation of screen creatives
30 April, 2025
Media releases
SBS, National Indigenous Television (NITV) and ...
30/04/2025
By Joyce JC Cataldo
The media and entertainment industry is evolving faster than ever. Technology is shifting the way we create, distribute, and experience c...
30/04/2025
An image of Valencia, Spain, in the OneAtlas Living Library...
30/04/2025
NEWPORT BEACH, Calif. WPSD-TV, the NBC affiliate in Paducah, Ky., has selected Bitcentral's Central Control playout system to upgrade the station's mast...
30/04/2025
AMSTERDAM Zero Density, a global provider of virtual studio productions and on-air graphics, has appointed Baris Zavaroglu as its new CEO. Zavaroglu succeeds Of...
30/04/2025
The Avit Group, a forward-thinking audio-visual technology company, is bringing over 50 years of combined experience in delivering audio-visual design and insta...
30/04/2025
NXTGENbps will be showcasing its latest sustainable battery power solutions at this year's Media Production & Technology Show (MPTS), appearing alongside pa...
30/04/2025
Van Dyke skates and operates on Shoresy | photo by Dave Ferguson
Toronto-based Cinematographer Brett Van Dyke (Heartland, Jann, Carter) stepped into the rink...
30/04/2025
Leading provider of media playout solutions PlayBox Neo will exhibit a vast array of significant upgrades to its range of smart media innovations at CABSAT from...
30/04/2025
ITV Studios is renowned for its award-winning productions, including the reality TV phenomenon I'm a Celebrity Get Me Out of Here! Produced by Lifted Ente...
30/04/2025
The UK's presence at this year's CABSAT brings together 20 innovative companies under the GREAT Britain and Northern Ireland banner. From advanced infra...
30/04/2025
Lightware continues to strengthen its Environmental, Social, and Governance (ESG) initiatives by fostering diversity, inclusion, and community engagement within...
30/04/2025
LiveU is demonstrating for the first time in the UK, its revolutionary technological breakthrough in IP-video transport, LiveU IQ (LIQ ) and bringing its expand...
30/04/2025
Stand: A40
Calrec has been putting sound in the picture for more than six decades and is still pushing the boundaries of audio broadcasting with a full range o...
30/04/2025
Buckinghamshire New University (BNU) has opened its new virtual production studio, designed and integrated by CJP Broadcast. The installation equips students wi...
30/04/2025
Independent news producer in India focuses on delivering stories
nxtedition has supplied a complete newsroom system to Collective Newsroom, based in New Delhi,...