
What to Consider When Deciding on a Digital Asset Management (DAM) SystemBy Paul Shen, TVU Networks
August 18th, 2020
View Related Products
What is Digital Asset Management (DAM)?
TV station groups, networks and others in the M&E industry have struggled for years to find a way to get to their media assets fast and without thinking about where a desired asset is stored.
The problem is they are awash in the video footage, audio, graphics and animation needed to make TV. Making matters worse is there's no slowdown in the growth of how many assets need to be stored and accessed-ideally in an instant.
Many have turned to Media Asset Management (MAM) and Digital Asset Management (DAM) systems to help.
A recent study finds across the globe the DAM market is expected to grow to $5.6 billion by 2022, an 18% annual compounded rate from the $2.44 billion market value in 2017.
Granted, M&E isn't the only industry represented in these numbers, but it is a high-growth segment -among others like consumer goods and retail, healthcare and life sciences.
The DAM Problem
DAMs and MAMs are fine as far as they go. But when used for production storage, most people find that these storage systems -whether on premise or in the cloud-aren't too helpful in navigating to stored media and finding what's desired.
Further, because of how metadata typically is used to catalog video files and other media assets, what these systems provide is access to a file-not the specific frames in a file that an editor, for example, needs for the project at hand.
When it comes to projects that need fast turnarounds, such as news creation, these systems can impede speedy production, not enable it.
Being first is right up there with being accurate when it comes to building a reputation with the public as the go-to source for breaking TV news. If it takes too long to get a story ready for air -or digital distribution-because retrieving the needed clip from a MAM or DAM is slow and cumbersome, that's a problem.
The Missing Puzzle Piece
None of this is to say and DAMs and MAMs can't help, but to date there's an important piece of the puzzle that's been missing: discoverability.
Key to being discoverable is assigning metadata to each frame of video in a file. With that metadata, the same editor who would have had to inspect an entire file for the precise snippet needed in a story can search directly for the desired clip and retrieve it in a matter of seconds.
In fact, media organizations deploying our TVU MediaMind artificial intelligence (AI) engine can expect content stored on a MAM or DAM to be discoverable within 10 seconds of ingest-a huge competitive advantage for newsrooms.
An important related benefit is the ability to rethink provisioning bandwidth to transport video packets whether on premise or in the cloud. For instance, with the ability to access the precise 20 seconds of an interview that's needed for an edited story rather than the entire file in which it resides, a broadcaster can dramatically reduce bandwidth requirements and in many instances get by with existing network resources.
Unlocking True Value
Beyond the immediate workflow at a given station involving a given news editor, making media assets easily and quickly discoverable offers benefits for all of the stations in a station group, network news bureaus and newsrooms and even M&E entities that have nothing whatsoever to do with news.
For station groups and networks, the ability to identify specific desired clips -not just locally-but across all stations, bureaus and newsrooms across the country or around the world means journalists can produce better stories in record time.
For TV sports and entertainment producers, this same capability translates into better, faster workflows. For both news and non-news organizations alike, having this ability to assign metadata to each frame of video and thereby make each frame discoverable means there's an opportunity to generate revenue where there once was none.
Making media assets stored on a MAM or DAM in the cloud or on premise unlocks the hidden value of clips long-ago forgotten or simply too hard to find to be useful.
Once an asset can reliably and quickly be found, the door opens to new opportunities to license content to other organizations, giving every M&E enterprise with an archive the chance to generate new monies.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/04/2026
Cinema 4D brings professional 3D workflows to iPad. The return of Autograph now free for individual users. ZBrush expands to Windows on Arm. See it all at NAB...
21/04/2026
Software version 1.6 extends enterprise functionality to place Buttons at the heart of media operations at any scale
Bitfocus, the Norwegian software develope...
21/04/2026
Cobalt Digital Announces Launch of blueCORE at NAB Show 2026: Compact Powerhouse Signal Processors for SDI and ST 2110 Workflows
Compact, multi-function stan...
21/04/2026
Applications open for 2026 AISF and Screen Australia Writer/Director Virtual Ses...
20/04/2026
At the 2026 NAB Show, Sony is showcasing a broad slate of innovations across liv...
20/04/2026
At the 2026 NAB Show, Canon is doubling down on its commitment to live sports pr...
20/04/2026
Fujifilm is sharpening its focus on core broadcast production with a new wave of...
20/04/2026
This upcoming summer in North America is going to be a busy one. The 2026 FIFA M...
20/04/2026
Glookast (Booth W1661) announced a series of product updates at NAB Show 2026, c...
20/04/2026
Matrox Video and Amagi announced a collaboration to integrate the Matrox ORIGIN ...
20/04/2026
Riedel Communications (Booth C4908) announced that the Asociaci n del F tbol Arg...
20/04/2026
Ikegami (Booth C3819) announced the VFE-P07D monocular OLED viewfinder at NAB Sh...
20/04/2026
International Association of MediaTech (IAMT), formerly known as IABM, announced...
20/04/2026
Harmonic (Booth W2831) announced that DIRECTV is updating its US direct-to-home (DTH) video platform using Harmonic's VOS Media Software.
The deployment is...
20/04/2026
Wasabi Technologies announced that it has acquired the Lyve Cloud business from Seagate Technology. As part of the agreement, Seagate received equity in Wasabi ...
20/04/2026
EVS (Booth N1841) has launched Choreon, a robotics controller for media producti...
20/04/2026
The NAB Show is in full swing, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. He...
20/04/2026
Skyline Communications announced the availability of its DataMiner xOps platform...
20/04/2026
Studio Network Solutions (Booth N1129) introduced a set of new products at NAB S...
20/04/2026
Dell Technologies is showcasing its Dell AI Data Platform with NVIDIA at NAB Sho...
20/04/2026
Blackmagic Design has announced Fairlight Live, a software-based live audio mixer with SMPTE 2110 support and spatial audio mixing. A public beta is available n...
20/04/2026
At the 2026 NAB Show in Las Vegas, Imagine Communications VP of Sales, Sports an...
20/04/2026
At the 2026 NAB Show in Las Vegas, LiveU Senior Director of Sales, Sports Philli...
20/04/2026
A song that perfectly captures a moment is magic. But when you uncover the story behind it, who made it, what inspired it, and the meaning woven into the lyrics...
20/04/2026
Ultra-compact 32-bit recorder set for launch
Deity Microphones will soon be launching a new 32-bit six-track recorder that's been designed with producti...
20/04/2026
Uncoming lightweight shotgun mic announced
Production-sound experts Lectrosonics have recently announced the upcoming launch of a new lightweight shotgun mi...
20/04/2026
New 20-minute documentary explores iconic preamp
In 2025, Focusrite commissioned a new short-form documentary with filmmaker Chris Mayes-Wright - the direct...
20/04/2026
Turn quick sketches into real drum grooves
Sampleson have been experimenting with assitive production tools recently, and their latest creation aims to make...
20/04/2026
Rohde & Schwarz rolls out its full ARDRONIS counter UAS suite in a demonstration...
20/04/2026
L3Harris delivers integrated communications, navigation and C4ISR capabilities that empower the U.S. Coast Guard to protect Americas maritime interests and resp...
20/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
20/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
20/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
20/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
20/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
20/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
20/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
20/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
20/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
20/04/2026
CueScript and Lighting Design Group Expand Customer Opportunities
Through New Partnership
Find both companies at 2026 NAB Show in CueScript Booth # C 4720
...
20/04/2026
[Sydney, NSW, 20 April 2026] - Layercake, the company behind the intelligent media orchestration platform Streamcake, today announced the formalisation of its i...
20/04/2026
Deployment spans FOX Sports' REMI infrastructure, IP production for a major global soccer event, and its Jewel Events production systems
Appear, a global l...