The path toward lensing great films is even more varied than the platforms that distribute them. In the case of Netflix's Blonde, an artful balance between director Andrew Dominik and cinematographer Chayse Irvin, ASC, CSC, created an opportunity for viewers to rediscover the familiar story of Marilyn Monroe under a brand-new light. In developing a visual parlance to support the project's ambition to recontextualize Monroe's historic legacy, Irvin worked within a flow that some might consider more befitting of a jazz musician than a cinematographer.
Based on the fact-and-fiction-blending Joyce Carole Oates novel of the same name, Blonde stands out from other biopics as a particularly pliant playground for visual interpretation. The movie's kaleidoscopic nature masterfully skews the worlds between Marylin Monroe, the studio-system box-office juggernaut, and Norma Jeane, the betrayed little girl who never gives up on her father.
Working with Panavision Woodland Hills to secure a package that included a Panavised Sony Venice and PVintage optics, Irvin used a mix of aspect ratios, formats, color, and a host of optical aberrations to breathe a life into the film that echoes what Oates achieved in her book. Panavision recently reconnected with the cinematographer to explore his creative approach to Blonde and the journey that's brought him to this point in his career.
Panavision: Where did your affection for cinematography come from?
Chayse Irvin, ASC, CSC: My grandfather had aspirations of fulfilling his life through photography. However, the situation in America at the time limited his aspirations and he worked as a bus driver in Detroit. My father is a mathematician and was the top math student in Michigan. He lived in northern British Columbia after immigrating to Canada, where he led a very interesting life as the postmaster general in a small town amongst a rich Native American population. He had sled dogs and made pool tables for the local bar until he decided to study medicine at UBC. Now he's a retired high school teacher of 30 years who spends his days in the garden. My mother is a musician, a jazz vocalist specifically.
Sounds like you were led by legacy.
Irvin: I was gifted the opportunity to observe my mothers creative endeavors and her sincere obsession with continuously rehearsing songs in the music room. She was part of a community of jazz players she spent time with in the studio or doing a set while still finding time to be a painter as well. It means a lot to me to know that on both sides of my family I had very creative people, one photographic and one musical.
Which recalls the striking images you've created at that very intersection, with music videos you've shot for artist like Leon Bridges, FKA Twigs and Beyonc to name a few. How has music influenced your approach toward the craft of cinematography?
Irvin: Coming from a jazz musician, the discipline is a little bit skewed. Its an art form that uses intuition and spontaneity to articulate on artistic whim, which often comes from acting in the moment of inspiration. Most things are really difficult to do in that realm. It's done constantly in sports a player gets the ball and they react to other players spontaneously so they can essentially coerce elements of the game with their play. There's less thought involved because by the time you think about something, its already too late. It's about achieving a certain level of conditioning through practice so that when youre in the game, you perform how you want opposed to how you can. On a cinematographic level, those are the aspects that Ive really latched onto and that I'm hoping to harness even further as I grow.
What is that conditioning for a cinematographer? What keeps you in shape?
Irvin: I learned a lot from others. Not through necessarily observing them on set and working, but through binge-watching films. At some point in my early 20s, it was three movies a day, and I would write down the dynamic of emotions that I felt and save the clip of the film that I was feeling. Then I would read about the cinematographer or directors aesthetic view or approach, because they all basically have certain philosophies.
The ability for individuals like Henri Cartier-Bresson or Alex Webb, amongst other photographers, to use composition with geometric shapes, silhouettes, and positive and negative space while also doing whats called capturing at the decisive moment' is something I've always admired. They can sense something is about to happen, and they pull the trigger just as that moments coming to fruition. Its completely lacking any type of thought and always intuitive
It's different from traditional filmmaking because a lot of filmmaking is about preconception, like architecture you figure out a visual structure and you stick to it rigorously. On things I've been working on, I've taken that idea and I've flipped it, making it less rigor and almost more whimsical. When Im inspired, I need to act on it. Theres a meaning there, and I may not know what it is, but I can sense it. Maybe it will tell me later, but right now it's speaking to me, and that's something I try to stay in tune with.
How do you maintain that tune as you collaborate with different directors and departments?
Irvin: I was 12 or 13 when my parents converted to Taoism and I learned of the Eastern philosophy of Wu Wei. It essentially translates into inaction or non-action but in the sense of flow state. Ive worked with certain directors who have helped me harness a flow state, which to me is the apex of my creativity, a state where the cinematography in the film is almost shooting itself and I don't impose anything. Everything is going to get done as long as you absorb it and let it happen. It's the metaphor of a
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
07/05/2026
Journalists reporting on Sudan are working in one of the most complex and fast-m...
07/05/2026
Multi-year partnership positions Victory+ as a free home for Dallas Cowboys orig...
07/05/2026
From sideline reporting to directing and producing, the talented sophomore is building a well-rounded foundation for a career in live sports production
In the ...
07/05/2026
Cobalt Digital has received two Future Best of Show awards at NAB Show 2026. The COBALT blueCORE platform was recognized by TV Tech, and the COBALT PACIFIC ULL-...
07/05/2026
ESPN analyst Mina Kimes will host the televised semifinals and finals of the 202...
07/05/2026
Bitmovin has announced that MUBI, the global film streaming platform, has selected Bitmovin as its cloud VOD encoding partner. Bitmovin's encoding infrastru...
07/05/2026
NBCUniversal Telemundo Enterprises and the U.S. Soccer Federation have announced...
07/05/2026
Angel City Football Club (ACFC) and Victory have announced a regional broadcast partnership bringing live match coverage to fans across the greater Los Angeles...
07/05/2026
Spiideo has announced the launch of AI Highlights inside Spiideo Play, its automated sports production platform. AI Highlights combines video, event data, audio...
07/05/2026
Leostream Corporation has announced a unified remote access ecosystem for high-p...
07/05/2026
The Atlanta Dream has partnered with Victory to stream all locally broadcast Dream games for free, expanding the team's digital distribution strategy and g...
07/05/2026
Riedel Communications has announced the appointment of Marc Engroff as Chief Fin...
07/05/2026
SES and ARD, Germany's largest public broadcasting network, have announced a long-term extension of their satellite distribution partnership through 2039. U...
07/05/2026
UpLight Technologies delivers a flexible video and lighting system for a new televised sportLaunching the Pro Cheer League required more than creating a compell...
07/05/2026
Full Day Productions and GSE Worldwide have announced Spikes Under the Lights, a...
07/05/2026
Seit dem Start im Jahr 2023 hat DJ (Beta) das personalisierte H rerlebnis von 94...
07/05/2026
Da quando stata presentata nel 2023, DJ (beta) ha aiutato a definire un'esperienza d'ascolto pi personalizzata per 94 milioni di utenti Spotify Premi...
07/05/2026
Since launching in 2023, DJ (beta) has helped shape a more personalized listenin...
07/05/2026
Desde o lan amento em 2023, o DJ (beta) j ajudou a deixar a experi ncia de ouvi...
07/05/2026
From our earliest days, Spotify has been built on a simple principle: Great audio should be easy to reach. It's what's driven us to expand from music to...
07/05/2026
Asian and Pacific Islander artists continue to shape the global soundscape, pushing creative boundaries and connecting with fans worldwide. This Asian & Pacific...
07/05/2026
Company announce long-requested choir instrument
In the latest expansion of their Symphonic Elements series, UJAM have introduced an all-new vocal instrumen...
07/05/2026
Modular-inspired sound generation with digital control
Buchla have introduced Ziggy, a new compact synthesizer built around the company's complex oscill...
07/05/2026
Combines analogue voices with digital synthesis and sequencing
Polyend have announced Drums, a new hybrid analogue and digital drum machine that combines sy...
07/05/2026
Control surface now officially supports four DAWs
When Nektar launched the Panorama CS12 control surface, it worked exclusively with Apple's Logic Pro, ...
07/05/2026
In the first quarter 2026, SGL Carbon generated consolidated sales of 184.5 million, which was 49.8 million, or 21.3%, lower than in the prior year (Q1 2025: ...
07/05/2026
Rohde & Schwarz and Greenerwave achieve precise and fast ESA antenna characteriz...
07/05/2026
Two multi-role L3Harris products - the Red Wolf launched effects vehicle and SK...
07/05/2026
L3Harris will be developing key features of a secure and resilient digital infra...
07/05/2026
Alysa Liu and Shohei Ohtani Help Drive Viewership as 91 of the Top 100 Broadcast...
07/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/05/2026
Cobalt Digital Wins Two Future Best of Show Awards at 2026 NAB Show
Manufacturer Recognized by TV Tech and TVBEurope for Innovation in signal processing
Cobal...
07/05/2026
Software and hardware platforms, AI power and user-friendliness on show...
07/05/2026
Intinor will demonstrate its latest technical enhancements for the Direkt series at BroadcastAsia 2026. With a continued focus on reliable contribution and remo...
07/05/2026
Bitmovin has announced that MUBI has chosen Bitmovin as its cloud VOD encoding partner, replacing MUBI's legacy on premises encoding setup to improve scalab...
07/05/2026
Meet Graduates from Berklees Class of 2026 Members of this years graduating class reflect on their proudest moments at Berklee and look ahead to whats next.
...
07/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/05/2026
At BroadcastAsia 2026, Interra Systems will demonstrate its latest innovations in automated quality control (QC), real-time monitoring, and captioning. The comp...
07/05/2026
At this year's Broadcast Asia, PlayBox Neo is set to unveil recent innovations across its PlayBox Neo Suite and integrated range of broadcast media solution...
07/05/2026
Strategic three-year partnership marks delivery phase of BFBS' next-generation media vision
Media organisation and military charity BFBS (British Forces Br...
07/05/2026
Amagi, the agentic industry cloud platform for unified broadcast, streaming, and monetization, today announced the availability of its In-Content Ads offering v...
07/05/2026
Lightware Visual Engineering has developed Rack Taurus for rack-based environments such as education and corporate training spaces. It enables clean and simple ...
07/05/2026
Jigsaw24, the UK's leading media equipment supplier and systems integrator, will showcase its expanded end-to-end workflow capabilities at MPTS 2026, signal...
07/05/2026
Ease Live, an Evertz company, today announced that it has been granted a US Patent for its proprietary graphical overlay technology, the foundation for interact...
07/05/2026
Test & measurement innovator Leader Electronics of Europe will present an extensive range of Leader, PHABRIX and LeaderPhabrix test and measurement solutions at...
The path toward lensing great films is even more varied than the platforms that distribute them. In the case of Netflix's Blonde, an artful balance between director Andrew Dominik and cinematographer Chayse Irvin, ASC, CSC, created an opportunity for viewers to rediscover the familiar story of Marilyn Monroe under a brand-new light. In developing a visual parlance to support the project's ambition to recontextualize Monroe's historic legacy, Irvin worked within a flow that some might consider more befitting of a jazz musician than a cinematographer.
