LS3/5A production resumes
Veteran UK speaker manufacturers Rogers have just restarted production of the legendary LS3/5A, alongside that of its bigger brother, the LS5/9 (pictured below). As well as making Classic models (built to the exacting specifications of the originals), both speakers will also be available in SE (Studio Edition) versions, which are fitted with Panzerholz (a hardwood/resin compound) baffles and upgraded crossovers, for the most demanding of studio applications .
The revival is being headed by Andy Whittle, who was Rogers Technical Director back in the 90s, when the company were still making the original LS3/5A. To find out what makes that speakers design so special (and why second-hand models are still so highly sought after), well let SOS speaker guru Phil Wards fascinating history lesson (originally published in SOS June 2016) do the talking...
History Of The LS3/5A
The LS3/5A originated in the mid-'70s, at a time when the BBC designed a fair proportion of their own broadcast and studio equipment. The whole idea of state-owned broadcasters designing and building their own kit is all but unthinkable now, but right up until relatively recently, if the BBC found themselves needing a specific tool that wasn't available commercially, their Kingswood Warren research labs were tasked to come up with the goods.
The genesis of the LS3/5A was not as straightforward, however, as the Kingswood Warren boffins simply being asked to design a compact monitor and dutifully delivering. Although there was a need at the BBC for a Grade II' compact monitor for use in outside broadcast trucks, the development of the speaker that became the LS3/5A didn't kick off in direct response to such a request. In fact the progenitor was a speaker designed for one-eighth-scale acoustic modelling of concert halls...
Long before virtual' computer-based acoustic modelling of performance spaces was possible, such work was done using literal modelling techniques. A physical scale model of the space would be built and miniature speakers and microphones placed appropriately within it to analyse its internal acoustic characteristics.
Now, there is no record (well, not in any document I've found) of who the engineer was to whom it first occurred that the acoustic modelling speaker used at Kingswood Warren actually sounded pretty good and might form the basis of a compact monitor. But whoever it was, I'd wager they had no idea at the time how significant a lightbulb moment they'd had.
In the early 1970s, when our story begins, speakers, whether for domestic or professional applications, were on the whole pretty big. Stereo hadn't really been around all that long, and neither had powerful transistor amplifiers, so a single, large speaker was still the norm. Now, even if it's on the large side, positioning one speaker is far easier than positioning a pair, as is required to create a stereo image, so the physical size of the speaker wasn't so much of an issue. With stereo, however, came the problem of speaker positioning, and with that not only came the need for speakers to be smaller, but also for pairs of speakers to be closely matched in terms of performance.
It hardly seems believable now, but back then, there were very few commercially available small speakers that would satisfy the BBC's needs. One of those few speakers that was available to the BBC was the original Goodmans Maxim, and a 1965 internal Kingswood Warren report describes its performance and assesses its potential. The report was written by Dudley Harwood, who went on to found Harbeth Audio (the company name being a conjunction of Harwood's name and that of his wife, Elizabeth). The Goodmans Maxim itself was designed by a young Laurie Fincham, who went on to become Technical Director of KEF, manufacturers of the drive units eventually used in the LS3/5A. There's none of that six degrees of separation' stuff in the British loudspeaker business; one or two degrees will usually suffice.
Harwood's Maxim report, which can be found at http://downloads.bbc.co.uk/rd/pu..., makes interesting reading (well, it does if, like me, you're irrationally interested in the history of speaker design). Even without converting the archaic imperial measurements of the test results, it's obvious that the Maxim, by today's standards, was inefficient, had restricted bandwidth at both ends of the spectrum, and displayed precious little power handling. However, those shortcomings weren't issues that Harwood expressed much concern over; in fact he was generally satisfied with the Maxim's performance. The issue that was of most concern to Harwood was sample consistency.
Along with the basic requirement for a small speaker that performed adequately for broadcast quality monitoring, the BBC needed the speaker to be consistent from sample to sample. If, say, a single speaker in an OB truck failed, it would be decidedly inconvenient if the pair had to be replaced, and equally unsatisfactory if the second pair didn't sound the same as the first. So each individual speaker was required to perform within response limits that, even today, are a challenge. If the Goodmans Maxim report revealed one thing, it was that this degree of consistency would not likely be found in an existing commercial speaker. So, with a concept on the table for a design inspired by the acoustic modelling speaker, the Kingswood Warren engineers turned to KEF Electronics for help.
KEF got the call partly because, now under Laurie Fincham's engineering leadership, the company were by some distance the most technologically advanced in the field, and partly because there was already an established relationship with the BBC. An earlier research project at Kingswood Warren into thermoplastic diaphrag
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
13/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/05/2026
Creative software developer Foundry today announced the latest developments on Nuke Stage. A purpose-built application for end-to-end virtual production and in-...
12/05/2026
Beyond the Hype: A Strategic Post-Hoc Analysis of NAB 2026 If NAB Show 2026 had an underlying theme, it was a quiet, industry-wide pivot from the high-energy sp...
12/05/2026
Guntermann and Drunck (G&D), a Panoptec Technologies Group company, and CT Square, led by Chandresh Shah, have announced a joint venture to distribute G&D and V...
12/05/2026
With 30 days until the start of the FIFA World Cup 2026, Telemundo, the exclusive Spanish-language home of the tournament in the United States, has announced th...
12/05/2026
The NHL has announced the return of Stanley Pup for its third consecutive year, a 90-minute special featuring adoptable rescue dogs competing on a miniature rin...
12/05/2026
NBCUniversal presented its 2026 Upfront to advertisers at Radio City Music Hall, detailing upcoming programming across NBC, Peacock, Bravo, and Versant properti...
12/05/2026
FOX Sports has announced funding for the Fandom and Social Connection Initiative at Harvard Kennedy School's Shorenstein Center on Media, Politics, and Publ...
12/05/2026
TNDV and Live Media, both divisions of Live Media Group, supported live broadcast coverage around NCAA Final Four weekend in Indianapolis, including the March M...
12/05/2026
The European Football Alliance (EFA) has announced a content distribution agreement with Fubo Sports Network, the free ad-supported streaming TV (FAST) channel ...
12/05/2026
For the first time, Spanish-speaking fans in the U.S. will have two separate tel...
12/05/2026
CP Communications led a comprehensive spectrum management initiative on behalf of Churchill Downs during Kentucky Derby week, coordinating RF assets across the ...
12/05/2026
LiveU has announced a strategic partnership with DRONERESPONDERS, a 501(c)3 non-...
12/05/2026
Open Broadcast Systems has announced that BMC TV, a specialist in IP transport of broadcast content, has selected the Open Broadcast Systems 5G Flyaway solution...
12/05/2026
NEP Europe, part of NEP Group, has announced it will deliver broadcast solutions...
12/05/2026
Grass Valley has announced continued collaboration with Ravensbourne University ...
12/05/2026
Stats Perform has announced the launch of Opta Pulse, an AI-assisted video creation and distribution platform for leagues, rights holders, and broadcasters. The...
12/05/2026
FOX Sports has announced a collaboration with Sesame Workshop to integrate Sesame Street characters into FOX Sports' FIFA World Cup 2026 programming. Conten...
12/05/2026
To date, NHL Productions has produced 19 broadcasts with commentary in American Sign Language
NHL in ASL (American Sign Language) may be just one show, but the...
12/05/2026
Google's Brian Albert: creators, athletes, highlights, nostalgia, second-scr...
12/05/2026
A still from Past Lives by Celine Song, an official selection of the Premieres program at the 2023 Sundance Film Festival. (Courtesy of Sundance Institute | p...
12/05/2026
Spotify is where fans and artists come together, turning discovery into somethin...
12/05/2026
Features patented Marco-MMC clocking technology
Black Lion Audio's latest release combines the company's expertise in clocking with their renowned p...
12/05/2026
New Track Panel, sequencer upgrades & more
Following their recent public beta release, Reason Studios have announced the full release of Reason 14. With the...
12/05/2026
One month to go! SBS reveals expansive FIFA World Cup 2026 lineup beyond the pi...
12/05/2026
Rohde & Schwarz presents its advanced solutions for power electronics testing at...
12/05/2026
aconnic AG (ISIN: DE000A0LBKW6), Munich, has developed a modified fund raising p...
12/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/05/2026
Tyrell Corporation, specialists in high-end live sports and entertainment broadcasts, was tasked with delivering compelling broadcast coverage of premier equest...
12/05/2026
Registration is now open for IBC2026 as the global media, entertainment and technology community prepares to converge on the RAI Amsterdam from 11 14 September ...
12/05/2026
Ross Video, a global leader in live video production technology, will present its latest innovations and integrated production workflows at BroadcastAsia 2026, ...
12/05/2026
500 selected leaders from around the world across start-ups, corporates, and venture capital. Over 50bn in assets under management among attending investors, a...
12/05/2026
CVP, one of Europe's leading suppliers of professional video and broadcast solutions, has appointed Randy Koeman as Sales Manager, Netherlands, marking anot...
12/05/2026
Taiwan Television has expanded its HD content ingest workflow capabilities by investing in the PlayBox Neo Suite - a leading multi-channel multi-server UHD/HD/S...
12/05/2026
Jigsaw24 is strengthening its media team with the appointment of Tom Laker as Client Director and Ashish Chauhan as Project Manager. These strategic hires bring...
12/05/2026
Broadcast playout leader showcases hybrid IP infrastructure and workflow automation with Videoland deployment as regional benchmark...
12/05/2026
dzjinius, the all-in-one production management platform for the media and entertainment industry, will showcase its centralised approach to production workflows...
12/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
LS3/5A production resumes 
