Innovations Abound as COVID-safe Test Cricket Returns to Sky Sports

Player Zone, the Lord's Hum' and Buggy Cam: Innovations abound as COVID-safe Test cricket returns to Sky Sports By Will Strauss, Editor

Friday, July 10, 2020 - 10:01

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International cricket returned this week with the start of the first Test between England and West Indies, a game that was made possible thanks to the teams, match officials and TV crew staying in bio-secure bubbles.

But the health and safety regulations and social distancing that have been put in place because of the coronavirus pandemic didn't just impact on how and where players could train and play.

They also prompted the host broadcaster and UK rights holder for the series, Sky Sports, and its facilities suppliers, to come up with new and innovative COVID-safe ways of providing the TV coverage for viewers at home: something that has taken an awful lot of planning and preparation and not a little ingenuity.

Crowd Sound One of the issues Sky has had to deal with, of course, is the lack of crowd, and therefore natural atmosphere, inside the grounds.

To compensate, a sound bed is being added to the live output that features background chatter, general atmosphere and the odd champagne cork being popped. That bed is actually taken from a Lord's Test match, and is dubbed the Lord's hum .

A cricket crowd is difficult to emulate, especially the appropriate reactions to things like a dropped catch [for example], explains Sky director of cricket Bryan Henderson speaking to SVG Europe on Day 2 (9 July) of the match which is taking place at the Ageas Bowl in Southampton.

But I've gone 180-degrees on this. At first, I wanted to be totally authentic [and add no sound] but I actually feel the hum makes it more authentic [for the viewer]. We use it at a very low level.

Henderson admits that he would have loved a more expansive augmented audio crowd system, like the one used on Premier League football, which adds sounds that were originally captured for use by EA Sports on the FIFA video game. But that facility isn't available for cricket.

I've watched the football with and without the augmented sound and I much prefer it with the crowd noise, he adds.

Little Wardy' The Sky production team have christened the Batcam Drive Little Wardy' after presenter Ian Ward

Also in use is a Buggy Cam or as the Sky team have christened it, Little Wardy' in honour of presenter Ian Ward who is famous for his diminutive stature.

The remote-controlled trackless dolly system originally developed by Motion Impossible is operated by Batcam (who call it Batcam Drive).

For this series, it has been adapted to include a full foldback speaker system and onboard monitor and is providing shots and capturing sound on the outfield where handheld cameras, reporters and presenters are not allowed as part of the health and safety regulations.

On Day 1 it was used to cover the coin toss at the beginning of the match and for the subsequent interviews with the two captains. The screen on the front of the vehicle allowed the players to interact with the interviewer. The audio was outputted from speakers onboard the system so they could converse openly.

The idea came from the experience of doing video conference calls, as Batcam founder and chief executive Jon Hurndall explains.

In the height of lockdown with zero bookings in our diaries, we took the time to have a think about how the future of sporting events would look from a broadcast perspective in this new COVID-19 world. It quickly became apparent that the usual norms, even simple things like a player interview, could become problematic for broadcasters.

So we started thinking about how people's habits have changed and a 2-way video chat was suddenly the norm. What better way to interview a player than using this type of technology but with a broadcast upgrade? We put down on paper how we thought we could achieve it and showed the team at Sky Cricket a mock-up of how it would look.

In essence, it is a remote control vehicle with a riser to raise the level of the camera to eye level with a remote control camera gimbal onboard. They were immediately interested to learn more and it's a testament to Bryan and his team that they are always open to pushing boundaries and testing new ideas.

Flying cameras While having no crowd inside the stadium takes away some of the magic of live sport, it does have its advantages from time-to-time. At the Ageas Bowl, for example, an aerial Batcam system is being used. This is a new version that can fly for longer periods, up to 20-minute continuous spells.

The behind closed doors element has meant we have been able to push the boundaries of our usual flying zones, adds Hurndall.

This has refreshed the shots we can offer, we have even been flying directly over the pitch when the teams go on and off the field of play. Something that we've always wanted to do but have been unable to do around large crowds.

A 100-metre long Batcam Wire system has also been installed that runs directly over the pitch, parallel to the wicket. This is offering a unique look at the empty stadium and fielding positions in and around the slips. It is fitted with a 3-axis stabilised gimbal, a Sony P50 camera and Canon 18x lens.

Player Zone With close-up player interviews not possible, Sky Sports has introduced The Player Zone (pictured, below). Visually, acknowledges Henderson, it looks like the diary room from the reality TV show Big Brother but this small studio-like space provides a place for live remote access interviews and for players to do technique demonstrations.

For Player Zone, Sky Sports' OB facilities provider CTV Outside Broadcasts has installed Panasonic AW-UE70 PTZ remote cameras which are always on. There is a small PA system for the audio. This means no crew are required in the

LINK:	https://www.svgeurope.org/blog/headlines/player-zone-the-lords-hum-and...
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