Nine of the UK's main broadcasters and streamers have joined forces to help improve access for disabled talent across the TV industry. The TV Access Project (TAP) has been created by the BBC, Channel 4, Britbox International, Disney+ UK, ITV, Paramount, Prime Video, Sky and UKTV, with support from industry body CDN (the Creative Diversity Network) and PACT, representing the indie sector.
TAP has been formed in response to the campaign by Underlying Health Condition (UHC), which was set up by disabled creatives Genevieve Barr, Katie Player and Holly Lubran along with screenwriter Jack Thorne, following his impassioned MacTaggart Lecture at Edinburgh TV Festival in 2021. TAP is supported by TripleC DANC (Disabled Artists Networking Community) and DDPTV (Deaf & Disabled People in TV).
Together all these organisations want to ensure an inclusive television production sector for disabled talent. TAP aims to improve access provision substantively and permanently across the UK TV industry, looking at solutions that are pan-genre, considering both scripted and unscripted.
The project started in April, when Charlotte Moore, Chief Content Officer at the BBC, convened a pan-industry roundtable between disabled creatives and content creators. Since then, led by the BBC and Channel 4, broadcasters, streamers, industry bodies and disabled creatives have met regularly, focusing on two main areas: access on productions and access in studios and facilities. Today TAP can announce:
The publication of new production guidelines for Disability Inclusion, the 5 As. All those who adopt the guidelines will commit to Anticipating, Asking, Assessing, Adjusting and Advocating when it comes to working with disabled talent and providing their access requirements.
A group of TAP members have published an open letter to Studios and Facilities to encourage the development of new industry standards for inclusivity in their workspaces as well. Those studios, post production houses and facilities that show they can meet these new guidelines will be given priority by TAP members when considering new UK commissions.
And finally a clear commitment to continue TAP until Edinburgh 2023, with an ambition to work pan-industry to consider issues including funding models for access and reasonable adjustments, the roll out of Access Co-ordinators and the retention and progression of disabled talent into senior roles.
TAP is setting an ambitious timeframe of just one-year to roll out the two sets of cross-industry accessibility guidelines and will update delegates at next year's Edinburgh TV Festival on its achievements.
Jack Thorne said: Collectively, we have been working hard to raise the representation of disabled people on screen and off, but over the past year we have come to realise that our progress has been stymied by a significant, yet resolvable, problem - physical accessibility. How can the 1 in 5 of the population who are disabled hope to work on our productions, if the spaces in which they are made are not accessible to them?
So our vision is to come together as an industry and create a set of accessibility standards for ourselves and our third party partners who provide studios and facilities. A commitment that together we can create better and more flexible workplaces that include everybody who wants to work in this industry.
Charlotte Moore, Chief Content Officer at the BBC, added:
We set up the TV Access Project in response to Jack Thorne's powerful call to arms at last year's festival. Over the last six months we've been working across the sector and in partnership with disabled-led and pan industry bodies and interest groups, to encourage as much participation and activity as possible. Today feels like a watershed moment for disabled talent and inclusion in our industry and it's exciting to be in a position where we can agree sensible measure and implement collective action for change.
Channel 4's Chief Content Officer Ian Katz said:
"The obstacles to disabled talent in our industry exposed by Underlying Health Condition should shame us all. It is the collective responsibility of the entire industry to raise our game and make productions end-to-end accessible - as broadcasters and indies hiring and casting talent, as well studios, facilities houses and locations providing spaces and equipment. We are all at different stages on a journey, but the ultimate destination is clear: no disabled talent excluded or held back from giving their creative best due to a lack of access provision from us, their employers and suppliers. There are no more excuses.
Kevin Lygo, Managing Director of Media and Entertainment, ITV said:
Our industry should be accessible to anyone who wants to work in it. There is so much work to do but physical accessibility on productions, as well as in studios and facilities, is an important targeted focus.
We know that the underrepresentation of disabled people in our industry is an urgent issue and something we're working on at ITV. We look forward to working collaboratively with the other broadcasters, streamers and stakeholders on the TV Access Project to address this and create the change that is needed.
Ben Frow, Chief Content Officer, UK, Paramount, said:
We're proud to support the TV Access Project. Disabled talent should never be excluded from working in the industry so we must make every effort to ensure access is addressed as a priority. Paramount looks forward to working with our fellow broadcasters to find solutions and agree cross-industry standards for accessibility, as a matter of urgency.
Zai Bennett, Managing Director of Content, Sky UK and Ireland:
We're proud to support the TV Access Project and play our role in improving the access and inclusion of disabled talent both on and off-screen. The renewed dis
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Nine of the UK's main broadcasters and streamers have joined forces to help improve access for disabled talent across the TV industry. The TV Access Project (TAP) has been created by the BBC, Channel 4, Britbox International, Disney+ UK, ITV, Paramount, Prime Video, Sky and UKTV, with support from industry body CDN (the Creative Diversity Network) and PACT, representing the indie sector. 
