
Nine of the UK's main broadcasters and streamers have joined forces to help improve access for disabled talent across the TV industry. The TV Access Project (TAP) has been created by the BBC, Channel 4, Britbox International, Disney+ UK, ITV, Paramount, Prime Video, Sky and UKTV, with support from industry body CDN (the Creative Diversity Network) and PACT, representing the indie sector.
TAP has been formed in response to the campaign by Underlying Health Condition (UHC), which was set up by disabled creatives Genevieve Barr, Katie Player and Holly Lubran along with screenwriter Jack Thorne, following his impassioned MacTaggart Lecture at Edinburgh TV Festival in 2021. TAP is supported by TripleC DANC (Disabled Artists Networking Community) and DDPTV (Deaf & Disabled People in TV).
Together all these organisations want to ensure an inclusive television production sector for disabled talent. TAP aims to improve access provision substantively and permanently across the UK TV industry, looking at solutions that are pan-genre, considering both scripted and unscripted.
The project started in April, when Charlotte Moore, Chief Content Officer at the BBC, convened a pan-industry roundtable between disabled creatives and content creators. Since then, led by the BBC and Channel 4, broadcasters, streamers, industry bodies and disabled creatives have met regularly, focusing on two main areas: access on productions and access in studios and facilities. Today TAP can announce:
The publication of new production guidelines for Disability Inclusion, the 5 As. All those who adopt the guidelines will commit to Anticipating, Asking, Assessing, Adjusting and Advocating when it comes to working with disabled talent and providing their access requirements.
A group of TAP members have published an open letter to Studios and Facilities to encourage the development of new industry standards for inclusivity in their workspaces as well. Those studios, post production houses and facilities that show they can meet these new guidelines will be given priority by TAP members when considering new UK commissions.
And finally a clear commitment to continue TAP until Edinburgh 2023, with an ambition to work pan-industry to consider issues including funding models for access and reasonable adjustments, the roll out of Access Co-ordinators and the retention and progression of disabled talent into senior roles.
TAP is setting an ambitious timeframe of just one-year to roll out the two sets of cross-industry accessibility guidelines and will update delegates at next year's Edinburgh TV Festival on its achievements.
Jack Thorne said: Collectively, we have been working hard to raise the representation of disabled people on screen and off, but over the past year we have come to realise that our progress has been stymied by a significant, yet resolvable, problem - physical accessibility. How can the 1 in 5 of the population who are disabled hope to work on our productions, if the spaces in which they are made are not accessible to them?
So our vision is to come together as an industry and create a set of accessibility standards for ourselves and our third party partners who provide studios and facilities. A commitment that together we can create better and more flexible workplaces that include everybody who wants to work in this industry.
Charlotte Moore, Chief Content Officer at the BBC, added:
We set up the TV Access Project in response to Jack Thorne's powerful call to arms at last year's festival. Over the last six months we've been working across the sector and in partnership with disabled-led and pan industry bodies and interest groups, to encourage as much participation and activity as possible. Today feels like a watershed moment for disabled talent and inclusion in our industry and it's exciting to be in a position where we can agree sensible measure and implement collective action for change.
Channel 4's Chief Content Officer Ian Katz said:
"The obstacles to disabled talent in our industry exposed by Underlying Health Condition should shame us all. It is the collective responsibility of the entire industry to raise our game and make productions end-to-end accessible - as broadcasters and indies hiring and casting talent, as well studios, facilities houses and locations providing spaces and equipment. We are all at different stages on a journey, but the ultimate destination is clear: no disabled talent excluded or held back from giving their creative best due to a lack of access provision from us, their employers and suppliers. There are no more excuses.
Kevin Lygo, Managing Director of Media and Entertainment, ITV said:
Our industry should be accessible to anyone who wants to work in it. There is so much work to do but physical accessibility on productions, as well as in studios and facilities, is an important targeted focus.
We know that the underrepresentation of disabled people in our industry is an urgent issue and something we're working on at ITV. We look forward to working collaboratively with the other broadcasters, streamers and stakeholders on the TV Access Project to address this and create the change that is needed.
Ben Frow, Chief Content Officer, UK, Paramount, said:
We're proud to support the TV Access Project. Disabled talent should never be excluded from working in the industry so we must make every effort to ensure access is addressed as a priority. Paramount looks forward to working with our fellow broadcasters to find solutions and agree cross-industry standards for accessibility, as a matter of urgency.
Zai Bennett, Managing Director of Content, Sky UK and Ireland:
We're proud to support the TV Access Project and play our role in improving the access and inclusion of disabled talent both on and off-screen. The renewed dis
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
15/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/07/2026
Home to leading manufacturers, robotics pioneers and infrastructure builders, Japan is one of the world's centers of AI - building across the full stack wit...
14/07/2026
South end zone videoboard, cloud-based control system will be ready for 2026 football season...
14/07/2026
Redesigned website, enhanced mobile app unify content, ticketing, and personalized fan engagement...
14/07/2026
Agreement spans sponsorship sales, digital monetization, radio production, and new practice facility naming rights...
14/07/2026
Independent league adds 14 regional sports network affiliates, growing distribut...
14/07/2026
New strategy aims to unify competitions, content, fan engagement, and commercial...
14/07/2026
ESPN and Disney+ become exclusive home of PFL events in key international MMA market...
14/07/2026
Gill will oversee engineering, technology, and sports operations across the company's 64 local television stations...
14/07/2026
Submitted by North American Broadcasters Association (NABA)
As broadcasters con...
14/07/2026
Modernized mobile unit combines HOME Apps, mc 56 console, and IP infrastructure ...
14/07/2026
Every match of the 32-team tournament will air across ION and Scripps Sports platforms in English and Spanish...
14/07/2026
FloHockey to stream every game of the annual international tournament under four...
14/07/2026
Victory+ telecasts to be simulcast on TEGNA-owned station, expanding free local distribution...
14/07/2026
Plug-ins for heavy music
Avalanche Tones is the brainchild of Ava Toton, a 17-year-old musician and developer who says her goal is to make the lives of gui...
14/07/2026
Launched alongside new Singer Showcase purchase model
IK Multimedia's innovative vocal-synthesis software has just gained its latest voice add-on, the R...
14/07/2026
Registration open until 1 September 2026
The MIDI Association have revealed that the registration deadline for this year's MIDI Innovation Awards has no...
14/07/2026
88-note model completes MK4 range
Novation have just introduced the final model in their flagship MIDI controller keyboard range, the Launchkey MK4 88. Roun...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
IBC2026 has unveiled a powerful Conference programme bringing together global media leaders, technology innovators, creators, sports organisations, broadcasters...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Broadcast Solutions, a leading systems integrator and provider of innovative solutions for the broadcast media industry, has delivered two highly capable outsid...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/07/2026
Editor's note: This post is part of the Nemotron Labs blog series, which exp...
14/07/2026
Techtel Successfully Relocates AICD Broadcast Studio to New Sydney Headquarters
BroadcastBroadcast EquipmentLive StreamingBroadcast Studio2026
14 July Writ...
14/07/2026
Tuesday 14 July 2026
First look revealed for Friday the 13th prequel, Crystal ...
14/07/2026
When immersive audio dominates industry headlines, it's easy to assume that every broadcaster is preparing for an Atmos future. The reality is quite differ...
14/07/2026
Emma and Sophie from ICG's marketing team joined thousands of fellow marketers, brands and agencies at MAD//Fest London 2026, one of the UK's biggest ma...
14/07/2026
Why Trusted and Secure Media Operations Matter In this series, we explore the technologies, architectures and operational realities shaping modern media operati...
14/07/2026
Pilot Project Shows How Retailers Are Prepared for the Next Step in the Evolution of Digital Commerce
Arvato Systems Drives Agentic Commerce Forward
G terslo...
14/07/2026
As part of this commitment, weve joined the SME Climate Hub, publicly pledging to:
measure our greenhouse gas emissions
reduce them in line with a net zero p...
14/07/2026
Power is AI infrastructure's inescapable constraint. How many tokens an AI factory can generate within a fixed power budget determines its revenue and profi...
13/07/2026
The Braves opted to keep production in-house rather than hand it off to MLB...
13/07/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, including new deals, departures, and assignments compiled from press releases and repo...
13/07/2026
Eurovision Sport is making live athletics more accessible to fans than ever befo...
13/07/2026
The Milwaukee Bucks will return to full-season over-the-air television for the 2...
13/07/2026
SMPTE has announced an expanded education pathway for media technology professio...
13/07/2026
Vizrt has announced that its graphics technology was used by broadcast design agency Girraphic for Netflix's debut MVP MMA event, broadcast live from the In...
13/07/2026
ARRI has announced an agreement to sell its global rental activities in Europe, the United Kingdom, and North America to H2 Equity Partners through a management...
13/07/2026
DAZN has announced a partnership with Premier Boxing Champions (PBC) to bring PBC fight nights to DAZN subscribers globally. The partnership begins Saturday, Ju...