
The German Lebensfreunde film, shot in 4K, produces its making of with the JVC GY-HM600 Dada la naturaleza de la obra y del presupuesto, el productor logr reducir los costos de producci n al m nimo. Para poder sobrevivir junto a la impresionante calidad de imagen 4K, el equipo de documentalistas formado por Axel Loh y Peter Cordes, responsables de las c maras, escogieron hacerlo con la c mara de mano GY-HM600 de JVC.
Estas ltimas semanas y en Frankfurt Am Main (Alemania) se ultima el rodaje de Lebensfreunde (algo as como Amigos para siempre). Se trata de la historia de dos viejos solitarios que se re nen despu s de 50 a os. Uno de ellos, Frieder, cae en una especie de letargo vital despu s de la muerte de su esposa, el otro, Thomas, es el polo opuesto, un car cter alegre, siempre dispuesto a la diversi n. Thomas se las arregla para hacer que la vida de su amigo recupere la alegr a, pero l tambi n necesita atenci n y ayuda de su nuevo amigo
Ese hilo conductor ha resultado en un excelente gui n para la producci n de la pel cula, cuya producci n la ha asumido Lutz Dieckmann, propietario de la productora Media Design LDP. La pel cula es un cortometraje de 30 minutos rodado a 4K. Dada la naturaleza de la obra y del presupuesto, el productor logr reducir los costos de producci n al m nimo, renunciando incluso los participantes de delante y detr s de las c maras a parte de sus emolumentos y contando con la colaboraci n de fabricantes para el equipo t cnico de producci n y de otros patrocinadores de renombre, dada la naturaleza de una producci n 4K.
A cambio, todos los que participaron en la producci n pueden utilizar y promocionar la pel cula terminada libremente y a su discreci n. Un concepto inteligente que Dieckmann y la directora Valeriia Didovyk resumieron como Queremos que la pel cula pueda ser vista por cualquier audiencia. El 4K es una experiencia nica de la que deben disfrutar el n mero posible de personas sobre todo porque no hay mucho material 4K en circulaci n.
The making of
Por ello se decidi hacer un documental making of. Para ello, y para poder sobrevivir junto a la impresionante calidad de imagen 4K, el equipo de documentalistas formado por Axel Loh y Peter Cordes, responsables de las c maras, escogieron hacerlo con la c mara de mano GY-HM600 de JVC.
La GYHM600 es una c mara profesional de estado s lido, supe compacta, ligera, vers til y f cil de usar. As que era ideal para acompa ar el rodaje sin interferir con toda la parafernalia de equipos de producci n, siempre bien colocada, pero siempre en un discreto segundo plano. Perfecta en cualquier situaci n de rodaje, ya sea en un piso diminuto, una piscina cubierta o un rodaje invernal en exteriores, la c mara nos ha causado una muy buena impresi n y nos ha proporcionado excelentes resultados , han destacado los productores.
La GYHM600 cuenta con una extraordinaria sensibilidad y ptica gran angular. Est equipada con 2 ranuras para tarjetas de memoria SDHC o SDXC y permite grabar tanto en HD como SD en diferentes formatos, incluidos XDCAM EX nativo (. MP4), Final Cut Pro (. MOV) y AVCHD. Es especialmente pr ctico el Modo Relay que permite realizar una grabaci n continua o tambi n grabar simult neamente en ambas tarjetas de memoria para disponer de una copia de seguridad instant nea o una copia para el cliente.
Siguen explicando los productores por otro lado, utilizamos tambi n potente monitor de estudio DT-V21G11 para su uso en el estudio principal para el montaje de la pel cula. Este monitor permite instalar opciones que nos sirvieron para monitorizar en pantalla permanentemente las curvas de medici n, lo cual fue muy importante para nosotros cuando se est rodando bajo condiciones de gamma extendida S-LOG2 .
El estreno de la pel cula y del making off ser a finales del verano en el Cine Cinemax en Offenbach (Alemania).
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