
Igor Oreper, vice president solutions, Bitmovin, looks at the 5G chicken and the data egg
Contributor 1 min ago
Igor Oreper, vice president solutions, Bitmovin, looks at the 5G chicken and the data egg
target=_blank title=Share on LinkedIn class=share-linkedin> Igor Oreper, vice president solutions, Bitmovin, looks at the 5G chicken and the data egg
https://www.tvbeurope.com/features/online-video-delivery-at-the-dawn-of-the-5g-era title=Share via Email class=share-email>
Nearly 10 years on from the world's first publicly available LTE services, the impact 4G networks have had on mobile video consumption is clear. The ever-growing availability of online video content has changed the way media is distributed and consumed forever. Consumers have greater control and flexibility to watch what they want, when they want, on the device or platform of their choosing, in increasingly high definition. Research from Openwave Mobility showed that in the last five years, video consumption on mobile networks has grown on average 50-60 per cent year-on-year, a figure that is more than doubled when looking at developing markets in isolation.
In addition, at Mobile World Congress this year, we saw the future of video consumption on the go being realised, with manufacturers such as Huawei, Xiaomi and LG unveiling the first 5G phones to hit the market. Over the next few months, carriers like Verizon in the US and Vodafone in the UK will also start to make 5G services available in selective locations.
The 5G chicken and the data egg
At the dawn of next generation networks, one of the biggest challenges for online video content providers today, lies in managing the costs of Content Delivery Networks (CDNs). While the cost per byte has continued to decrease, the bandwidth required to keep consumers happy is increasing at an even faster rate. Online video demand is certain to continue, but is the development of 5G a response to this, or the means by which it will be accelerated? The significant improvements in transmission speed, quality and reliability will enable close to zero latency between a streaming source and the viewer, and could see newer technologies like virtual and augmented reality viewing experiences enter the mainstream.
In the short term though, early 5G deployments will represent last mile broadband data connectivity, with backbone networks growing capacity with the current trajectory driven by fibre backbones, overlaid by CDNs and boosted by such techniques as point of presence (POP) peering across global telecom providers.
Across 4G/LTE and 5G networks, digital video demand will more likely be driven by trends like cord cutting, virtual multichannel video programming distributors (MVPDs), 4K video, and global adoption of video-capable mobile devices on WiFi or mobile networks. Cisco's study projects that globally, IP video traffic will be 82 per cent of all IP traffic by 2022, up from 75 per cent in 2017. Global IP video traffic will grow four-fold from 2017 to 2022. By that time, 5G is only expected to account for 3 per cent of global mobile devices and connection.
As user demand for data and bitrates keep going up without waiting for 5G, new approaches to video compression are an absolute necessity to keep the cost of streaming down, so content providers can spend their resources on creating more compelling content. Regardless of what network content is being delivered over, this can be achieved through three video workflow techniques: multi-codec streaming, per-file encoding and per-scene adaptation.
Multi-codec streaming
This bandwidth-saving technology enables a player to detect what the most efficient codec will be for streaming video on any browser or platform. AV1, H.264, HEVC, VP9, VVC have all been designed to suit a specific environment or type of content. By encoding videos into multiple codecs and configuring a player to make informed decisions about which files to stream and to whom, operators can deliver the highest picture quality on existing bandwidth. Looking further ahead, multi-codec solutions will assist early adopters as new codecs such as AV1 become ready for mass market penetration - which promises even larger bandwidth reductions.
Per-title encoding
This process involves adjusting an encoding configuration to optimise a specific video asset. It leverages the fact that some videos are far less complex than others, and therefore can be encoded at lower bitrates. Cartoons are a classic example of where this is particularly effective. Generally speaking, they contain scenes with large areas of solid colour at a lower complexity level, which can be compressed much more efficiently than the more detailed scenes in action or sci-fi movies.
Per-title encoding relies on performing a complexity analysis on each title before the encoding process begins. That complexity score is used to adjust the bitrate ladder by sending a new encoding profile to the encoder. The result: each video in a library is encoded in a way that best suits the content - minimising the bitrate and greatly reducing bandwidth usage.
Per-scene adaptation
This technique leverages the fact that the human eye is often unable to register a lot of the information delivered in a video stream. In most videos, there are many scenes that can be streamed at a lower bitrate without the viewer noticing. Per-scene adaptation involves supplementing the adaptation logic that governs the viewer's behaviour with an additional stream of quality metadata that contains information about the visual complexity of a particular segment in the video.
In an adaptive streaming scenario with a standard configuration, the player will attempt to download a video file that fits the screen it is playing on. In a player that is configured for per-scene adaptation, the player can be alerted to
Europe Stories
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
01/04/2026
January 4 2026, 18:00 (PST) DOLBY AND DOUYIN EMPOWER THE NEXT GENERATON OF CREATORS WITH DOLBY VISION
Douyin Users Can Now Create And Share Videos With Stun...
28/03/2026
Now features DiGiCo console integration
Harrison's live recording and virtual soundcheck software has just reached its third major version, which among ...
28/03/2026
MPE-capable chamber strings library announced
Alongside their collection of Kontakt instruments, Sonora Cinematic have been steadily introducing a series of...
27/03/2026
New Classic, Amplitude & FlexRange units introduced
GIK Acoustics have just introduced a trio of new bass trap designs that bring improved low-end absorptio...
27/03/2026
Offers personalised Dolby Atmos headphone monitoring
Sonarworks have put their calibration expertise to work on a new mobile app that allows users to create...
27/03/2026
RT Supporting the Arts
RT is Supporting 20 Arts and Cultural Events all over Ireland this April
RT is proud to support an exciting month of arts and cul...
27/03/2026
Average of 1.37 million viewers watched Irish World Cup heartbreak on RT 2
Over one million streams on RT Player
Highest number of streams for any single eve...
27/03/2026
March 27 2026, 01:30 (PDT) Dolby Unveils Dolby House Shanghai, its First Global Flagship Experience Center
A New Global Platform Showcasing Dolbys Innovatio...
27/03/2026
March 27 2026, 03:30 (PDT) Dolby and QQ Music Advance Streaming Music with Enhancements to Dolby AC-4
Delivering greater fidelity, clarity and detail to Dol...
26/03/2026
Spotify's partnership with NAVER, Korea's leading digital platform, is built around one simple goal: making it easier for listeners in Korea to discover...
26/03/2026
Exclusive to ComposerCloud for first month
Sample library and virtual instrument gurus EastWest have announced the upcoming release of a new virtual drum i...
26/03/2026
Friday 27 March
Friday 27 March will mark Dynamic Range Day 2026, the annual day of online activity that was started in 2010 by mastering engineer Ian Sheph...
26/03/2026
Includes four separate instruments
Max Richter's SRM Sounds venture have just announced their fifth release, ASMR Choir. Captured at the main live room ...
26/03/2026
Thursday 26 March 2026
HBO Max included for Sky and NOW customers from 26 March...
26/03/2026
Thursday 26 March 2026
Sky Sets Iconic Costumes Dancing Together Like Never Before' in Brand CampaignTurn on cookies to view this content. Go to Privacy o...
26/03/2026
Wuppertal March 26, 2026
CS live Builds Future-Ready OB Van With Riedel MediorNet and hi Control SystemRiedel Communications today announced that Czech-based ...
26/03/2026
Enhancements to Harmonic's Sports Streaming Solution Introduce Server-Side Multiview, Contextual Metadata-Driven Advertising, Dynamic In-Stream Ads and Robu...
26/03/2026
Open the report
Our 2025 report brings together results from 79 business magazine titles across 22 market sectors, published by 49 media owners. Over the year,...
26/03/2026
RT Commercial today announced Fiat as sponsor of The Louise Duffy Show on RT Radio 1, Weekdays 3pm 4pm.
The Louise Duffy Show is the home of daytime music...
26/03/2026
Wayne, N.J., March 26, 2026 Phantom High-Speed announces the latest product li...
25/03/2026
Directed By, Spotify's documentary-style series that pulls back the curtain ...
25/03/2026
BTS is so back. This week, the global pop superstars took the stage at New York City's Pier 17 for their first U.S. performance in four years.
Part of Spot...
25/03/2026
How you listen can shape what you hear. That's the idea behind the new Spotify Listening Lounge, an acoustic space at our London headquarters purpose-built ...
25/03/2026
Tape effects taken to the extreme
The latest release from New York-based developer Iconic Instruments is said to accurately recreate the saturation and comp...
25/03/2026
Launched alongside new Vocal Phrases bundle
Sonuscore's latest release has been designed specifically for composers working on fantasy TV, film and game...
25/03/2026
Latest update now live
The latest version of Steinberg's post-production-focused DAW has just arrived, and comes packed with new dialogue editing, sound...
25/03/2026
Rohde & Schwarz joins FormFactor's MeasureOne partner program FormFactor and Rohde & Schwarz advance their partnership for on-wafer RF component character...
25/03/2026
FOX Delivers Fan Factor to Fear Factor: House of Fear Finale with Interactive Af...
25/03/2026
UK-based pro audio provider 22live has strengthened its wireless offering with a strategic investment in DPA Microphones' new N-Series Digital Wireless Syst...
24/03/2026
As the music industry gathers for Canada's Juno Awards, the local edition of...
24/03/2026
Behind every great song is a complex web of people, stories, and inspirations th...
24/03/2026
Few filmmakers have shaped popular cinema as profoundly as Steven Spielberg. So ...
24/03/2026
Latest Eurorack modules revealed
ALM/Busy Circuits have just introduced another two Eurorack modules, delivering a powerful new modulator that builds on the...
24/03/2026
Smallest, most affordable MPC to date
Akai Pro have just introduced their most accessible standalone sampler to date, making the iconic MPC experience avail...
24/03/2026
Create & manage presets on Windows & macOS
Electro-Harmonix have announced that their free Mac/Windows application now allows users of their Oceans Abyss re...
24/03/2026
Rohde & Schwarz amplifiers enable high-field immunity testing expansion at IB Le...
24/03/2026
eds3_5_jq(document).ready(function($) { $(#eds_sliderM519).chameleonSlider_2_1({...
24/03/2026
Rick Bernier reflects on a career that has taken him to the very top of live broadcast audio. As a Senior Broadcast Audio A1 Engineer and Music Director, he has...
24/03/2026
Jock and Conor are back in Cork for series 5
A new series of hit-comedy The Young Offenders will drop on RT Player on Good Friday 3 April. The show, produced...
24/03/2026
RT 's new history podcast, What Were We Like, is out now. Hosted by historian Diarmaid Ferriter and archivist Catriona Crowe, the series focuses on modern I...
24/03/2026
Tuesday 24 March 2026
Netflix partners with Sky Business to bring boxing night ...
24/03/2026
The Death of Bunny Munro and Lockerbie: A Search for Truth receive four nominations eachTuesday 24 March 2026
Sky celebrates 28 nominations at the 2026 BAFTA T...
24/03/2026
Tubi Turns Passion into Performance at IAB Newfront Announces New Interactive Ad Formats Including Scene Sense, Interactive Pause Ads and Connected Conversion...
24/03/2026
Arqiva shortlisted for Education Initiative of the Year'
We're excited to announce that we've been named a Finalist at the British Data Awards 202...
24/03/2026
Use of ABC data continues to grow, with 87% of buyers say they use it, compared ...
24/03/2026
All three presenters, Maura, D ith and Sinead, celebrate as afternoon chat show filmed in Cork hits milestone.
Ireland's longest running afternoon show, t...