Doreen Greaton discovers how shotgun microphones and in-ear monitors helped Formula Es sound team make sure everything was crystal clear
By Contributor
Published: September 24, 2020
Doreen Greaton discovers how shotgun microphones and in-ear monitors helped Formula E's sound team make sure everything was crystal clear
target=_blank title=Share on LinkedIn class=share-linkedin> Doreen Greaton discovers how shotgun microphones and in-ear monitors helped Formula E's sound team make sure everything was crystal clear
https://www.tvbeurope.com/audio/boom-how-formula-e-used-shotgun-mics-to-maintain-social-distancing title=Share via Email class=share-email>
As live sports return to TV screens, the industry is making a massive effort to ensure people stay safe and protected from Covid-19. Many new protocols have been introduced that extend right across the board, covering everyone from talent and presenters to behind the scenes crews and technicians. Working in bubbles is the new norm, with crews often isolating for days before the start of a project just to ensure everyone is virus-free.
From the viewers' point of view, there have also been changes. The lack of fans and crowd noise at sports venues, for example, has taken a bit of getting used to, and some programmes look quite different with pundits sitting far apart in studios or only participating through video links. But for the most part audiences have been very accommodating because everyone understands the constraints imposed by this strange new world.
One change many viewers have noticed is the prevalence of the boom microphone, which are now visible in places where they were never allowed before. In pre-Covid times getting a boom in shot was a major blooper, but these days safety dictates that they are much better suited to certain situations and therefore compromises have to be made.
The sound recordists responsible for delivering this year's ABB FIA Formula E coverage are among those who have embraced boom mics, particularly for behind the scenes interviews.
Like so many sports, Formula E faced challenges because the Covid-19 pandemic threatened to scupper its 2019/2020 season. Normally Formula E's fully electric, single seater cars race around major city centres, but because of the high population density in these locations the usual format was deemed unsafe. After months of deliberation a novel solution was found - namely to complete the season by holding six races over nine days, behind closed doors, at Berlin's iconic Templehoff airport. Live TV coverage was provided by host broadcasters Aurora Media Worldwide and North One TV, known as Formula E TV, who supply the world feed to channels such as the BBC, Eurosport and Mediaset.
Formula E TV's sound supervisor Paul Halstead heads a dedicated crew of sound engineers, many with extensive live broadcast experience. Paul, who has been involved in Formula E since its first season six years ago, says: We work as a team but we have very distinct roles. My colleague Scott Morton looks after ENG crews and is involved with the live presentation element, while I handle mic allocation around the track and mixing the international feed, along with any additional race support presentation.
For the Berlin races, Scott and Paul had to contend with the German government's social distancing rules, which meant making changes to how the audio was captured. Handheld microphones shared between interviewers and drivers were obviously out, so they switched to boom microphones and used Bubblebee Industries' Spacer Bubble to get the right balance between wind protection and audio transparency.
Switching to boom mics was a major safety protocol and we used them for more than 80 per cent of our ENG and live presentation audio, Scott Morton explains. In this new landscape, presenters can't get close enough to the drivers to share a handheld mic, and our sound engineers are not allowed to touch the talent so we can't easily fit lavaliers. Our solution was to give presenters their own stick mic and couple them with a sound engineer who would use a boom mic to capture the interviewee's responses.
Morton adds that the three piece Spacer Bubble windshield system proved a real winner during the event because it could be adapted to suit the weather and ambient noise levels.
Unlike other systems that are full on fur or nothing, Spacer Bubble's modular nature allowed us to get variations in the shielding and adapt more quickly to changing weather conditions, he says. We used them with various R de and Sennheiser shotgun microphones and got excellent results. As so much of the audio for the Berlin event was captured on boom mics, we didn't worry about them being in shot during interviews because there was very little we could do about it.
Since its inception, Formula E broadcasters have had various audio challenges to overcome - not least the fact that electric cars don't sound anything like a Formula 1 sports car, something that viewers initially found disconcerting.
For the first two seasons, our sound department was under the microscope because we couldn't make the races sound like Formula 1, Halstead says. People often asked why we didn't add pre-recorded sounds but that wasn't the solution because you can't lie to the public. The cars sound how they sound and it is up to us to capture that as realistically as possible. Fans have now got used to it and accept that Formula E simply sounds different.
Another challenge - at least in a normal season - are the race venues. Because Formula E is held on public roads, the sound crew has to leave it until the 11th hour to position microphones to capture the sound of the cars.
On a public road you can't leave anything in place before the race or it may
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
19/08/2026
As the cost of IP nears price parity with traditional SDI, Reynolds argues that ...
19/08/2026
A private 5G bubble was chosen instead of traditional broadcast RF for the race ...
19/08/2026
(L-R) Rafael Manuel and Isabel Sicat attend the Filipi ana premiere during the 2026 Sundance Film Festival at The Ray Theatre on January 23, 2026, in Park Cit...
19/08/2026
Studio owners invited to have their say on rates cuts
The Music Producers Guild (MPG) are inviting UK-based studios to take part in an in-depth survey that ...
19/08/2026
Vintage-inspired desktop interface revealed
Harrison's latest hardware offering sees them head into the world of audio interfaces, delivering a 10-in/12...
19/08/2026
Granular effect remains locked to scale and tempo
Described as your dream granular effect , Minimal Audio's latest creation is capable of turning any s...
19/08/2026
First polyphonic SWAM instrument incoming
Audio Modeling's latest physical-modelling orchestral instrument is just around the corner, and is now availab...
19/08/2026
World Cup Games Generate 84 Billion Minutes Across FOX, Fox Sports 1 and NBCU...
19/08/2026
July brought typical peak-holiday drops in viewership, driven primarily by viewers stepping away from screens and a visible decline in reach across both traditi...
19/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/08/2026
Henry joins BCE as the company accelerates its commercial strategy and expands its international presence across the media, broadcast and technology markets. He...
19/08/2026
iWedia, a leading provider of software solutions for connected TV devices, today announced a major milestone in Android platform optimization with the successfu...
19/08/2026
NTP Technology announces that ST 2110-30 audio-over-IP connectivity with AES67 and RAVENNA capabilities is now available for the brand's world-class audio i...
19/08/2026
Net Insight has been selected to provide its Nimbra platform by the service provider Big Blue Marble, formerly ORS Group, as the core media transport solution f...
19/08/2026
LiveU has supported Coventry City FC and several other top-flight UK football clubs through one of their most demanding live production challenges of the year, ...
19/08/2026
Nature Seekers Documentary Shot with Blackmagic URSA Cine 12K LF
Brie Clayton August 18, 2026
0 Comments
Filming endangered turtles required camera...
19/08/2026
Neyrinck Brings D-Control Consoles Back to Life on Apple Silicon with D-Control ...
19/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/08/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/08/2026
Riedel Communications today announced that Edith Cowan University (ECU) in Perth, Australia, implemented a comprehensive communications infrastructure that brin...
19/08/2026
QuickLink, a leading provider of award-winning video production and remote guest contribution solutions, will spotlight a major leap forward in remote guest con...
19/08/2026
Integrated platform melds media asset management, playout automation and newsroom workflows
EMAM, PlayBox Neo and SNEWS have officially launched Nuvex, a conne...
19/08/2026
Screen Australia releases the Private Investment Toolkit to strengthen screen in...
19/08/2026
Do Aussies truly value local content? Unpacking Screen Currency 2026 with Deirdr...
19/08/2026
There's an early Christmas gift for Bookish fans, as UKTV confirms the re-commission of the hit U&alibi drama, created by and starring Mark Gatiss. Viewers ...
19/08/2026
Wednesday 19 August 2026
Sky gives sports fans the chance to watch multiple liv...
19/08/2026
On Saturday September 5 Katie Taylor will step into the ring for the fight of her life against Flora Pili in front of 80,000 fans in Croke Park. A legendary fig...
18/08/2026
SportStream 2026, a free three-day virtual event, will take place September 15-17. One registration provides access to all three days of live programming and on...
18/08/2026
BeckTV will introduce BeckFlow to the European market at IBC2026, demonstrated on the Providius stand (10.F53).
BeckFlow is a web-based schematic documentation...
18/08/2026
Boland Communications will introduce a SMPTE ST 2110 input option for its 4K monitors at IBC2026, along with a new 55-inch super-narrow bezel display for video ...
18/08/2026
Dolby Laboratories and the Seattle Seahawks have announced a partnership integrating Dolby OptiView into the Seahawks' live streaming coverage, making the S...
18/08/2026
For BMG Executive Producer of Sports Production, Graham Taylor, producing live s...
18/08/2026
TMRW Sports has appointed Rufus Hack as President of Golf, a newly created role in which he will lead the company's golf businesses including TGL presented ...
18/08/2026
SMT will provide race technology for FOX Sports' coverage of the Freedom 250 Grand Prix of Washington, D.C. on August 23, when the NTT INDYCAR SERIES races ...
18/08/2026
The live, YouTube-native roundtables combine fan voices, credentialed reporters,...
18/08/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, includ...
18/08/2026
The industry legend sounds off on replacing the Heat's iconic Medusa score...
18/08/2026
William F. Rasmussen, the sports fan-turned broadcaster and entrepreneur whose out-of-the-box idea of a 24-hour cable sports network, ESPN, changed forever the ...
18/08/2026
DAZN Group has completed its acquisition of ViewLift, a provider of streaming and digital solutions for sports content owners. The acquisition was first announc...
18/08/2026
The American Association of Professional Baseball (AAPB) has added SI TV, Sports Illustrated's 24/7 streaming channel, as a broadcast partner for the remain...
18/08/2026
The Esports Foundation has announced that the inaugural Esports Nations Cup (ENC), originally scheduled for November 2026 in Riyadh, will be postponed to Novemb...
18/08/2026
Diversified has announced a new Global Managed Services Practice, consolidating the company's managed services capabilities into one organization. Rob Mello...
18/08/2026
Appear has completed a proof of concept with Thoroughbred Racing Productions (TRP), demonstrating multi-camera remote live production over bonded 5G cellular an...
Doreen Greaton discovers how shotgun microphones and in-ear monitors helped Formula Es sound team make sure everything was crystal clear
