Sony Pixel Power calrec Sony

Interviews with Industry Leaders: Richard North and Alex Borthwick, RugbyPass

14/12/2019

The Pay-TV Innovation Forum is a global research programme for senior pay-TV and content executives, developed by NAGRA and MTM, and designed to catalyse growth and innovation across the global TV industry, at a time of tremendous change and disruption.

As part of the programme, we are publishing a series of interviews with leading TV industry executives from around the world to explore their views, perspectives and experiences of innovation. In this interview, Richard North, Chief Strategy Officer, and Alex Borthwick, Head of Subscription Sales and Marketing for RugbyPass, share their views on the future prospects for OTT sports streaming services, including challenges specific to APAC.

What key trends do you see shaping the APAC markets?

AB: The growth opportunities are greater here than in Western Europe: broadband and smartphone penetration is growing more quickly, and the OTT market is at an earlier stage of development. The prevalence of smartphones is also important: almost all OTT video is consumed through phones, whether watched directly or cast to a TV.

In addition, there is potential for major new players to enter these markets - as illustrated by Facebook's attempted acquisition of the Premier League rights in south east Asia (even though the deal ultimately fell through).

Where do you think the real value lies? In live coverage or on-demand content?

AB: Live is key, but on-demand content has a role as well. Consumers may miss the live match but still want to watch it, especially with European rugby matches that kick off at midnight (or later) Australia time. Consumers want the option to watch at a time that is convenient for them.

Is there a danger of similar levels of rights inflation in APAC to what we have seen in Europe?

AB: Tier 1 sports rights are very important to many of the telcos and pay-TV operators. If Singtel lost the rights to the Premier League, I cant imagine how much longer its business would remain sustainable. As a result, it is prepared to pay enormous amounts for these rights, offsetting the costs against profits from their mobile phone and broadband businesses.

In contrast, pure OTT players like us can only pay what we think rights are worth, because we dont have anything to offset those costs against.

To what degree is churn a major issue, and how are you dealing with it?

AB: Churn is always an issue. For example, we see significant drop-offs in our subscriber numbers at the end of the Six Nations.

Our response is to test and iterate our offer, so as to find the right balance between giving customers the flexibility they need, whilst maximising acquisition and minimising churn.

In general, customers want the flexibility of shorter packages. During the Heineken Cup last year we realized that we could triple uptake through the last few weeks of the competition by launching a weekly pass. This is great for acquisition, of course, but the majority of these customers churn off as soon as the season ended.

In contrast, we removed the weekly pass during the Autumn Internationals last year. The objective was to reduce churn, but we found that whilst people will buy the monthly pass, they are not happy because it is more expensive. We now think that it is actually more valuable to retain the weekly pass option, but just increase the price - people will pay because it gives them that flexibility.

How is the sports content industry having to adapt to drive engagement today?

RN: Many young consumers engage with their preferred sports through YouTube, Snapchat, Instagram and Facebook. It is important that we drive user engagement here through (for example) highlights and clips. However, rugby has been one of the last sports to adapt to YouTube - partly due to cable TV rights owners worries about piracy, but also because rights ownership is so fragmented across territories.

It is vital that we adapt to this new environment, empowering individual content creators to produce rugby content on these platforms. We need to recognise that individuals creating cool content mashups in their bedroom can play a key role in driving engagement among younger fans. We must move away from a world where individual rights holders can shut these people down, learning instead how to support and harness their work to the benefit of the sport.

How big a challenge is piracy?

AB: Piracy does exist and nothing will completely eradicate it, but you can reduce the threat. The Premier League has invested in an office of piracy lawyers in Singapore, which is expensive but appears to be working.

We have less money to invest but can still make a big difference by focusing on getting our streams perfect. Rugby is predominantly watched by the expat community across Asia: for them, having a reliable, high quality feed is more important than saving money on a free but low quality feed.

What do you think is the future for subscription OTT sports in the next five years?

RN: We are in a transitional period before the larger scale aggregators consolidate and dominate the market.

Currently there are multiple players trying to exploit the growth in OTT, from the major telcos and pay-TV providers to a handful of specialist sports OTT providers, such as DAZN, who are trying to be the Netflix of Sport. Then there is another, highly fragmented layer of small, D2C and niche sport offerings.

As a result, the market is fragmented, which is not good for the consumer, who has to maintain multiple subscriptions, and not good for the OTT providers. These providers are all building their own technical and operation solution, which leads to unnecessary duplication. Almost all are losing money. Over the next few years we will see a consolidation in this landscape, with aggregators playing an increasingly important role in bringing the content together into bundles that work better fo
LINK: https://dtv.nagra.com/interviews-industry-leaders-richard-north-and-al...
See more stories from nagra

Most recent headlines

05/01/2027

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be demoed at CES 2026

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...

01/06/2026

Dolby Sets the New Standard for Premium Entertainment at CES 2026

January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026 Throughout the week, Dolby brings to life the latest innovatio...

02/05/2026

Dalet Flex LTS Delivers Smarter Search, Faster Editing, and an AI-Ready Foundation for Modern Media

Dalet, a leading technology and service provider for media-rich organizations, t...

01/05/2026

NBCUniversal's Peacock to Be First Streamer to Integrate Dolby's Full Suite of Premium Picture and Sound Innovations

January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...

01/04/2026

DOLBY AND DOUYIN EMPOWER THE NEXT GENERATON OF CREATORS WITH DOLBY VISION

January 4 2026, 18:00 (PST) DOLBY AND DOUYIN EMPOWER THE NEXT GENERATON OF CREATORS WITH DOLBY VISION Douyin Users Can Now Create And Share Videos With Stun...

19/02/2026

Submissions open for Best of Show Awards at NAB 2026

Share Copy link Facebook X Linkedin Bluesky Email...

19/02/2026

SMPTE Issues Call for Summit Papers

Share Copy link Facebook X Linkedin Bluesky Email...

19/02/2026

Broadband Usage Jumps by 9.9% in Q4

Share Copy link Facebook X Linkedin Bluesky Email...

19/02/2026

NBC Sports Details NEPs Extensive Work for Winter Olympic Coverage

Share Copy link Facebook X Linkedin Bluesky Email...

19/02/2026

Fuse Media and Complex to Launch Complex TV

Share Copy link Facebook X Linkedin Bluesky Email...

19/02/2026

Spincast Gets U.S. Patent for AI-Powered Shoppable TV

Share Copy link Facebook X Linkedin Bluesky Email...

19/02/2026

IBCAP Announces $21 Million Lawsuit Against DMTN IPTV

Share Copy link Facebook X Linkedin Bluesky Email...

19/02/2026

NRB Backs ATSC 3.0 Tuner and Must-Carry Requirements

Share Copy link Facebook X Linkedin Bluesky Email...

19/02/2026

Foundry Acquires Griptape to Accelerate AI Integration Ac...

Foundry, the leading developer of creative software for the Media and Entertainment industry, today announced the completion of its acquisition of Griptape, a p...

19/02/2026

Scott D Smith Captures the Chaos and Intimacy of The Bear...

Capturing the raw energy and emotional intensity of FX's hit series The Bear is no small feat, especially when the set itself is as hectic and unpredictab...

19/02/2026

Cobalt Digital Products Receive IPMX Product Certificatio...

Cobalt Digital Inc., a leading designer and manufacturer of award-winning video and audio conversion, processing, and distribution solutions, and a founder of o...

19/02/2026

DHD to Demonstrate Latest-Generation Audio Production Sys...

DHD s complete range of digital audio mixers plus the latest-generation RM1 Pro broadcast-from-anywhere unit will be promoted at the upcoming Lokalradioforbunds...

19/02/2026

Media Companies Gain Operations Observability With Operat...

Operative, the preferred advertising management solution provider for the world's leading media brands, today announced a partnership with GraySwan to bring...

19/02/2026

Witbe Launches New Agentic SDK to Power Agentic Automatio...

Witbe today announced the launch of Agentic SDK, a new test automation framework designed to help video service providers build, operate, and scale agentic auto...

19/02/2026

Network18 Media and Investments Selects Grass Valleys Pla...

Grass Valley today announced that Network18 Media & Investments Ltd., one of India's largest and most influential media conglomerates, is deploying Grass Va...

19/02/2026

Clear-Com to Sponsor and Present USITT Stage Management A...

Clear-Com is sponsoring and presenting the USITT Stage Management Award during the United States Institute for Theatre Technology (USITT) Annual Conference & S...

19/02/2026

Paramores Hayley Williams Praises Berklee Ensemble: Make Noise

Paramores Hayley Williams Praises Berklee Ensemble: Make Noise Williams acknowledged the Paramore Ensemble after their show at the Berklee Performance Center ...

19/02/2026

February 18, 2026

Mapping protein production in brain cells yields new insights for brain disease Scripps Research and UC San Diego scientists used a novel method to show that so...

18/02/2026

Milano Cortina 2026: How OBS is Utilizing Audio QC at the First Winter Games to Use Immersive Sound

Audio quality control (QC) is becoming ever more crucial for Olympic Broadcastin...

18/02/2026

Milano Cortina 2026: OBS Demonstrates its Commitment to an Inclusive Sports Media Landscape

The Olympic Games are not only a showcase of athletic excellence, they are also ...

18/02/2026

Ronda Rousey vs. Gina Carano Headlines Netflix's First Live MMA Event

Netflix is entering the MMA game with a matchup between two of the biggest names ever to compete on the women's side. Most Valuable Promotions and Netflix ...

18/02/2026

Network18 Media & Investments Selects Grass Valley's Playout X to Power Unified News Operations

Grass Valley announces that Network18 Media & Investments Ltd., one of India'...

18/02/2026

Cobalt Digital Products Receive IPMX Product Certification Following Inaugural Testing Event

Cobalt Digital Inc., a designer and manufacturer of video and audio conversion, ...

18/02/2026

Channel Nine's Wide World of Sports Hits Livigno; XR From North Sydney Drives Coverage

Production is divided between a studio in the mountains and a brand-new studio i...

18/02/2026

Milano Cortina 2026: Focusing in on the Parabolic' Sound of Skis on Snow at NBC Sports

At the Winter Games IBC in Milan, NBC Sports and Olympics' director of audio...

18/02/2026

2026 Milano Cortina Women's Alpine Photo Gallery

The Women's Alpine events at the Tofane Alpine Skiing Center, about a 10-minute drive from Cortina d'Ampezzo, featured some of the most exciting Olympic...

18/02/2026

Generated in the Italian Alps, NBC's Olympics Audio Is Mixed in Stamford

At the Broadcast Center, 14 audio-control rooms handle the sound in a complex routing and processing regimen We are exactly where we want to be, Karl Malone,...

18/02/2026

Cortina Curling Olympic Stadium Photo Gallery

With 300 hours of curling competition in two weeks, it's a safe bet that even the most curling-hungry fan will be satiated. It also requires a production te...

18/02/2026

Cortina Sliding Center Two-Man Bobsleigh Photo Gallery

Always seen as one of the more crazy Olympic events, Bobsleigh is a sport in which athletes must have nerves of steel and pilots must navigate high-tech sleds...

18/02/2026

Milano Cortina 2026: Inside the Milan-Based Warner Bros. Discovery Casa Italia Studio with Eurosport

A typical Winter Olympics day - or should I say evening - inside the Warner Bros...

18/02/2026

Milano Cortina 2026: How NOS is Delivering a Speed Skating-First Feed for Dutch Audiences

The Netherlands has dominated Milan's ice rinks, scooping six speed skating ...

18/02/2026

NBC Sports Sets Its Own Record With Olympics Comms

At the Broadcast Center in Stamford, three discrete intercom systems combine into a centralized infrastructure Into the second week of Milan Cortina 2026, eigh...

18/02/2026

Deloitte Releases 2026 Global Sports Industry Outlook

AI is reshaping operations, capital is scaling ownership, sports are converging with media and entertainment, and venues are evolving into year-round platforms...

18/02/2026

SVG New Sponsor Spotlight: DNA Inc.'s Thomas Engel on Evolving Digital Experiences and the Power of In-House Collaboration

DNA Inc. specializes in crafting next level digital experiences in the Media, St...

18/02/2026

Copyright Issues Are a Crack in the Ice for Olympic Figure Skating

Conflicts have increased, but so have solutions, driven chiefly by pragmatism and the threat of AI music The only persons on the Figure Skating ice at the 2026...

18/02/2026

Canada's CBC Navigates Multi-Zone Winter Olympics With Bi-Lingual Production Model, Remote Studios, and Custom Content Hubs

Canadian rightsholder deploys its most complex setup at an Olympics ever with ...

18/02/2026

Live From Stamford: NBC Sports Broadcast Center Is Anchor Point of the Entire Olympic Broadcast'

A crew of 1,685 people and 13 control rooms produce nearly every on-air minute f...

18/02/2026

Bad Bunny to Make History in Tokyo With First-Ever Billions Club Live Performance in Asia

Following an extraordinary 2025 in which he was named Spotify's Global Top A...

18/02/2026

Bad Bunny har historia en Tokio con el primer Billions Club Live en Asia

Despu s de un extraordinario 2025 en el que fue nombrado Top Artista Global de Spotify por cuarta vez, algo sin precedentes (y tras su presentaci n en el halfti...

18/02/2026

SBS brings Australians together to mark Ramadan and Eid with communities nationwide

SBS brings Australians together to mark Ramadan and Eid with communities nationw...

18/02/2026

L3Harris Secures Full-Rate Production Contract for US Navy Submarine Communication Systems

The Virginia-class attack submarine USS Texas (SSN 775) underway....

18/02/2026

TV Viewing Hits 12-Month High

Share Copy link Facebook X Linkedin Bluesky Email...

18/02/2026

SinclairLaunches New True Crime Daily Video Podcast

Share Copy link Facebook X Linkedin Bluesky Email...

18/02/2026

E! Co-Founder Alan Mruvka Launches Filmology Labs Studios

Share Copy link Facebook X Linkedin Bluesky Email...

18/02/2026

Stephen Colbert, FCC Commissioner Gomez Blast FCC 'Censorship'

Share Copy link Facebook X Linkedin Bluesky Email...