Johan Bolin, chief product and technology officer, Edgeware looks at how broadcasters can reach out to a lost generation of viewers.
By Contributor
Published: November 26, 2020
Johan Bolin, chief product and technology officer, Edgeware looks at how broadcasters can reach out to a lost generation of viewers.
target=_blank title=Share on LinkedIn class=share-linkedin> Johan Bolin, chief product and technology officer, Edgeware looks at how broadcasters can reach out to a lost generation of viewers.
https://www.tvbeurope.com/media-consumption/tuning-into-tvs-age-gap title=Share via Email class=share-email>
As young audiences are increasingly captivated by digital content, it has become apparent that traditional broadcasters and content owners are facing a challenge of tuning into their viewing habits. Most teenagers and young adults access video content through social media and other online channels - neglecting the formats and platforms offered by traditional TV.
Naturally, viewing habits tend to gradually change across generations. The interests, lifestyle, expectations, and values of today's teens and young adults predominately derive from the digital-first world they were raised in. Consequently, a substantial portion of these young audiences will be seeking digital-first content through digital channels.
This growing trend calls for an adjusted strategy that would allow broadcasters to keep up with younger TV-watching audiences. This would entail expanding their presence on platforms that are popular among this generation, while ensuring the integrity of their well-established and respected brand.
Untangling the generational divide Over the past ten years, the popularity of streaming services has experienced rapid growth, while conventional TV viewing (via public service broadcasters) has halved among under-25s. This shows that in contrast to previous generations, younger TV viewers would rather use an on-the-go device than a remote control to switch on the TV.
The risk that they won't be drawn to traditional TV platforms like older TV viewers is even greater with the growing popularity of online channels provided by tech giants - such as YouTube, Twitch and Facebook - which are creating and hosting enticing video content that resonates with digital-native audiences. As this is an alarming trend for the future of broadcast TV, it's time to consider the viewers that will be tuning into broadcast TV in 25 years' time. Can broadcast TV maintain its roots while staying relevant in the digital world?
Years of trying to compel younger audiences with broadcast TV haven't quite made the grade. One of the solutions employed by the industry so far has been expanding the offering of broadcasters and content owners by creating brand new programming for numerous online platforms and their respective audiences. Although this can improve the relevancy of content across niche target groups, it doesn't prove to be greatly efficient. Adversely, this approach increases the volume of content and the amount of resources needed to fulfil the high demand.
However, it remains crucial for broadcasters to acknowledge the benefits of having both a broadcast and online offering. Matt Hill, a research and planning director at Thinkbox, the marketing body for commercial TV in the UK, said that it is unhelpful not to look at TV as a whole when the content is created for and distributed across both broadcast and online channels. This mirrors a significant challenge facing many broadcasters as they work out a strategy that would marry the two together, while aligning their offering and drawing the attention of audiences of all ages to their service and brand.
The current digital climate became food for thought for us at Edgeware. We started brainstorming ways to improve broadcasters' reach and relevancy, eradicating the need for entirely new programming. The goal is to simplify the content production pipeline to make it a lot more manageable, flexible and future-proof, while ensuring younger audiences are given the content they want.
Retuning the reach To ensure brand exposure with the younger demographic, it's worth adapting the format of existing content for each online platform. Broadcasters and content owners can stretch their reach beyond traditional channels by creating streams that publish different live and linear content adaptations on social media.
For years now, broadcasters have been striving to find an efficient and effective way to achieve this. But so far, considering various social media specifications to adhere to and subtitles to be added, duplicating content into numerous formats and then publishing the right format on the right platform has been labour-intensive, costly and time-consuming.
Using channel stitching technology to compose several channels in the streaming domain allows broadcasters and content owners to seamlessly deliver professional-grade TV on social media in a cost-efficient way.
Amplifying the relevance Stepping away from the programming a broadcaster is most known for risks harming its well-established brand. Therefore, coming up with new content ideas can pose a great challenge, even for the savviest broadcasters. Sudden shifts in tone of voice and strategic direction can let loyal audiences down and make it difficult for the new, younger audiences to make the connection that will drive them back to broadcast TV in years to come. To boost their relevancy and eliminate the need to segregate programming per channel, broadcasters can get influencers on board to make the existing content more entrancing.
For example, to get closer to its younger fans, NBA G League shifted its focus from traditional broadcast to the video game streaming platform, Twitch. Streamers can now get creative with their own commentary to
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
04/06/2026
Sony Electronics is introducing the SRG-AS10, a 4K 60p-compatible PTZ auto-frami...
04/06/2026
This recent grad from Spring, TX, led creative-video output for the Aggies' men's basketball team last season and has been producing video and creating ...
04/06/2026
For the first time at a women's golf major, every player in the field will r...
04/06/2026
Three Panasonic PT-RQ45 40,000-lumen 3-Chip DLP projectors made their first live...
04/06/2026
Bitmovin and Akamai have announced a collaboration with NRJ Group, a French mult...
04/06/2026
Telestream will exhibit at InfoComm 2026 (Booth N7952), demonstrating media work...
04/06/2026
Sony has announced the development of RIALTO 65, a 65mm format image sensor block for the VENICE 2 digital cinema camera, targeting release in the first half of...
04/06/2026
KOKUSAI DENKI Electric America will exhibit at InfoComm 2026 (Booth N8025, June ...
04/06/2026
Bell Media's TSN and RDS are the exclusive Canadian broadcasters of FIFA Wor...
04/06/2026
The Challenge: Receiving Heavy Media Files From Road Games Quickly and ReliablyT...
04/06/2026
MASV, a managed file transfer platform used in broadcast and live sports product...
04/06/2026
NESN has announced the appointment of Fahad Haider as Vice President of Operations and Engineering. Haider returns to NESN, where he previously served as Vice P...
04/06/2026
David J. Halberstam, who spent almost 50 years in sports as a broadcaster and an executive, died June 2 after a years-long battle with brain cancer.
Over his l...
04/06/2026
Although collegiate production programs are tasked with delivering high-quality ...
04/06/2026
California studio, two production trucks, global distribution system are combine...
04/06/2026
New global program empowers and supports storytellers through scriptwriting course and access to industry experts
TikTok and Sundance Institute today announce...
04/06/2026
Steinberg DAWs now boast in-depth Tonalic integration
Celemony's innovative virtual session musician plug-in has just received an update that brings ARA...
04/06/2026
Get Hands-On With Over 20 Mic Brands
GearExpo UK is fast approaching, and if you've been looking for a chance to check out some new mics, then you'r...
04/06/2026
Combos feature new Amplifier Intelligence engine
Positive Grid's latest release sees the company introduce two new combo amplifiers that promise to offe...
04/06/2026
Is Your Job Making You Work this June?
4 June, 2026
Media releases
SBS Launches the World Cup Watchers' Rights Association to Stand Up For Australians&...
04/06/2026
Statement regarding unauthorised use of SBS logos on third party social content
4 June, 2026
Media releases
SBS has become aware of social media posts in c...
04/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/06/2026
Bitmovin, a leading provider of video streaming infrastructure, and Akamai, the cybersecurity and cloud computing company that powers and protects business onli...
04/06/2026
American Underground (AU), the Startup Hub of the South and a community of mor...
04/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/06/2026
NVIDIA and Microsoft Reinvent Windows PCs for the Age of Personal AI
Brie Clayton June 3, 2026
0 Comments
RTX Spark - a 1-Petaflop Superchip, the Full...
04/06/2026
Inside the Peaky Blinders: The Immortal Man Grade
Brie Clayton June 3, 2026
0 Comments
Simone Grattarola discusses shaping the look in DaVinci Resolve...
04/06/2026
Cine Gear Expo Announces 2026 Awards of Excellence Recipients
Brie Clayton June 3, 2026
0 Comments
Ed Lachman ASC, Caleb Deschanel ASC, and M. David M...
04/06/2026
St. Vincents Live with Orchestra Tour to Feature Berklee Alum Ruby Plume Berklee alumni St. Vincent and Ruby Plume will appear on the same bill across seven d...
04/06/2026
Back to All News
All the Truth in My Lies Coming to Netflix on August 28
Entertainment
04 June 2026
GlobalSpain
Link copied to clipboard
Download the imag...
04/06/2026
Back to All News
Larry Tanz, VP of Content, EMEA, Delivers a Keynote Speech at ...
04/06/2026
Back to All News
Turn Your Living Room into a Stadium With the New FIFA World ...
04/06/2026
Keeping conversations real on LinkedIn Published on Jun 4, 2026 Categories: Product News
LinkedIn Corporate Communications
Share
LinkedIn
Facebook ...
04/06/2026
BackStory follows four Irish young people as they travel back to their parents' homelands
Modern Irish identity is enriched by cultures and influences from...
04/06/2026
June's forecast with GeForce NOW: 100% chance of gaming.
GeForce NOW is lining up new adventures for the month, from big-name blockbusters to quirky indies...
03/06/2026
SES and Viva, Mexico's ultra low-cost airline, have launched multi-orbit satellite inflight connectivity on Viva's Airbus aircraft. A total of 60 A320s ...
03/06/2026
The College Football Playoff, ESPN, and TNT Sports have announced kick times and...
03/06/2026
RED Digital Cinema will exhibit at Cine Gear Expo 2026 (Booth 33, June 5-6, Universal Studios Lot), hosting three panels and hands-on product demonstrations.
P...
03/06/2026
Roku has announced the Soccer Zone, a dedicated hub for FIFA World Cup 2026 content available across the United States, Canada, Mexico, Brazil, Colombia, Argent...
Johan Bolin, chief product and technology officer, Edgeware looks at how broadcasters can reach out to a lost generation of viewers.
