
Interview: Appear CTO Andy Rayner on R&D, security and future growth By Jo Ruddock
Wednesday, July 10, 2024 - 13:59
Print This Story
As Appear celebrates its 20th anniversary, CTO Andy Rayner speaks to Jo Ruddock about the company's R&D priorities, the importance of security and where future growth opportunities may lie.
What trends are you currently seeing when it comes to media processing and content delivery solutions?
Basically, what I call location agnostic or distributed production is really coming of age. That's where the people resources, the equipment resources, don't need to be co-located with where the acquisition event is happening. That's transformational from a workflow perspective for content creators, because it means they can make better use of their people, make better use of their equipment and of all their data facilities, so it's actually a genuine cost saving workflow and enables them to use their talent over more events.
But to do that you need a massive amount of connectivity infrastructure. So, as an example, when you're doing what in the US they call REMIs, where you're actually pulling back every individual video feed from an event, every individual microphone, that's creating more and more demand for connectivity infrastructure to facilitate that.
What we're finding the sweet spot with what we've done, which I think is quite fortuitous for Appear, is that we have an unbelievably high density, low power and small size footprint for that connectivity interfacing that we provide in our platform. And, as people want to do these massive numbers of backhaul, we're in a very sweet spot for that, which gives lots of cost savings, but also from an environmental perspective, it gives massive power and space savings as well.
I think the other trend that goes alongside that in live production, which is a real transformation in the last couple of years, is using public internet connectivity on live production. That's something that was unheard of, but the reality is that if you use the same bandwidth on a public internet connectivity, it'll possibly cost you 1/100th the cost of renting a private leased line. So, if you can actually do that, that's a massive cost transformation.
So some of the technology toolkit we've got within our platforms in new ARQ technology and ALT technology is instrumental in getting public internet to work to the performance level we need for live production. Public internet connectivity is getting better and better natively in its quality anyway, but that alongside the significant cost saving, and then the ARQ capabilities we have in the platform, that's a great story combined for enablement. And I think it does two things. Firstly, it means that people can produce an n-camera event for less cost. It's also an enabler for lower tier sports where a traditional broadcast would be economically unfeasible to actually run and we're now able to do a live multi camera production, something that was completely unviable previously.
We've seen a number of innovations from Appear in the last few years, not least the X Platform. What would you say are your R&D priorities going forward?
We're continuing to enhance the X Platform, so we're doing things like further increasing the density of the unit. We're also introducing new processing capabilities that are required for UHD HD workflows. We're also just starting on the journey of developing some complementary software tools to complement the X Platform. So the X Platform will continue to be our flagship product, but we're now developing a suite of software tools, which are actually going to complement that and allow us to increase our share of the production workflow.
On the density increase we've also just released a 100G interface, significantly upping the bandwidth and that provides even higher levels of aggregation.
What about sustainability is this something your customers are focused on and how can Appear help them on their sustainability journey?
I think there's a limit here on what content producers are being mandated to do, depending on where they are in the world. In Europe, including the UK to a large degree, there is quite a good level of what I will call obligation due to state legislation. I have to say that's not consistent across all parts of the globe. But more and more, we're finding that customers are ending up with contractual obligations on their providers, their suppliers, to be more compliant to sustainability agendas.
And I think the way we've architected our offering actually plays into that spectrum really well because we're focused on lowering power consumption and maximising density. We are right in a very sweet spot and with the product family to actually help our customers meet that need. The other thing is, especially for events based, I mentioned that we're starting to move towards some software infrastructure. While running production capability on compute is not the most power efficient way of doing it, the fact that for events you run on compute, you only spin it up for the period of time when the event's actually running, that's a massive saving and therefore a more sustainable approach.
You're involved with a number of standards bodies. How is that landscape looking when it comes to standardisation in live production?
I think in what I would the call traditional live production world, when we're talking about appliances and equipment on the ground, I think those standards, the 2110 suite and all of the peripheral standards around those, are maturing really well.
I think the place where standards are still needed significantly is in compute because that's relatively immature. There are no what I call proper ope
More from Sports Video Group
03/02/2026
Tagboard, a modern, interactive graphics system for news, sports, and entertainm...
03/02/2026
Studio Network Solutions (SNS) announces the launch of Trio, a new S3-compatible cloud storage service fully integrated with EVO for media backup, archival, and...
03/02/2026
50 Production Trucks at center of 160 U.S.-based productions...
03/02/2026
Nielsen, which specializes in audience measurement, data, and media intelligence, announces that it is piloting a new methodology enhancement to more accurately...
03/02/2026
Appear's X Platform will be used by NBC Sports to deliver video compression, satellite modulation and transport stream aggregation for its production of the...
03/02/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, includ...
03/02/2026
NHL Network announces its comprehensive programming schedule for the upcoming Winter Olympic Games, underscoring the highly anticipated return of NHL players to...
03/02/2026
NBC Sports has chosen Canon to deliver 115 Canon UHD broadcast lenses for its production of the 2026 Winter Olympics and Paralympics. Canon will also send suppo...
03/02/2026
Audio-Technica equipment will be used by NBC Sports to deliver much of its audio capture requirements across all sporting venues for its production of the 2026 ...
03/02/2026
NBC Sports will use Cisco to deliver AI networking technology for its all-IP production of the 2026 Winter Olympics and Paralympics, including the deployment of...
03/02/2026
NBC Sports will utilize Chyron PRIME CG to produce live broadcast graphics to display names, athlete information, scores, statistics, leaderboards, headshots an...
03/02/2026
NBC Sports will utilize Grass Valley to deliver advanced signal conversion, rout...
03/02/2026
NBC Sports will utilize Planar to deliver leading-edge fine pixel pitch LED video wall technology for its production of the 2026 Winter Olympics and Paralympics...
03/02/2026
Taking place in two venues, the 2026 production celebrates the 150th Anniversary of the Super Bowl of Dogs'
When the Westminster Kennel Club Dog Show conc...
03/02/2026
For the indoor production, NEP Specialty Capture has mounted a 100-ft. overhead ...
03/02/2026
MTVG Edge, the production-services supplier's software-based production solu...
03/02/2026
In the league's second year, new partnerships enhance broadcast quality for ...
03/02/2026
Rocket Surgery will showcase the combined creative strength of Ross Video, with ...
03/02/2026
NBC Sports will utilize Sony Electronics to deliver imaging, monitoring, and tec...
03/02/2026
SMT will provide TVI (broadcast television interface) support services for figur...
23/01/2026
WWE's Virtual Production Playbook: How the Professional Wrestling Super Powe...
23/01/2026
Tight set up: Squeezing the PSA's Tournament of Champions into Grand Central...
23/01/2026
Evolving production: The PSA on bringing squash to more viewers at the Tournamen...
23/01/2026
AFC Championship Preview: Behind the Scenes With NFL on CBS' Producer Jim R...
23/01/2026
NFC Championship Preview: FOX Sports Director Rich Russo Talks Technology, Story...
22/01/2026
SVG Students To Watch: Chuck Luarasi, Curry CollegeThe Massachusetts native is cutting his teeth with Harvard Athletics, Cape Cod Baseball LeagueBy Brandon Cost...
22/01/2026
Follow the Money, Episode 4: Talking Tech, Sports, and Private Capital With Sam ...
22/01/2026
Fever pitch: WRC is back for the start of the 2026 season with Rallye Monte-Carl...
22/01/2026
FloSports Prepares To Broadcast Outdoor Hockey Game Amidst Brutally Cold Tempera...
22/01/2026
As Paramount Enters the Octagon, UFC's Craig Borsari Previews Production Pl...
20/01/2026
SVG Sit-Down: BitFire's Jim Akimchuk on the Future of Cloud, Remote, Softwar...
20/01/2026
From architecture to reality: What CBC's Milano Cortina 2026 workflows tell ...
20/01/2026
Milano Cortina 2026: Making the Winter Olympics and Paralympics workflow work fo...
20/01/2026
Countdown to Milano Cortina 2026: SVG Launches SportsTechLive Blog in Lead-up to...
20/01/2026
Grand finale: Rally Saudi Arabia pushes WRC to make the most of cameras and dron...
20/01/2026
State of Change: What's Happening in the Remote-Production Business?NEP Group, Game Creek Video, Dome Productions, Mobile TV Group, Program Productions exec...
20/01/2026
CFP National Championship 2026: A Look Back at SVG's Complete CoverageGo behind the scenes with ESPN, Game Creek Video, Van Wagner, and the champion Indiana...
19/01/2026
CFP National Championship 2026: Indiana Football's Digital Crew Generate Hyp...
19/01/2026
CFP National Championship 2026: Van Wagner Relies on Experience for Indiana-Miam...
19/01/2026
CFP National Championship 2026: Game Creek Video Fields Premiere IP Compound for...
19/01/2026
CFP National Championship 2026: For a Slew of Studio Shows, ESPN Turns Hard Rock...
19/01/2026
CFP National Championship 2026: ESPN's Sweeping Live Game Production Leverag...
16/01/2026
From Berlin to London: Amazon delivers NBA Europe games for an international aud...
16/01/2026
How Vizrt, TriCaster Helped Harvard Athletics Embrace Vertical Video and More to...
16/01/2026
SVG GameDay, Ep. 1: PMY Group's Mike BonnerThe longtime industry veteran provides insight into his approach to producing live eventsBy Kristian Hern ndez, S...
16/01/2026
Attacking the Pin: Inside the PGA TOUR's Replay Remodel With Hawk-Eye Innova...
16/01/2026
Back to Unrivaled: TNT Sports Reconnects With Mediapro for the League's Soph...
16/01/2026
FloSports Orchestrates Mega Weekend Spotlighted by Chili Bowl Nationals, UCA & U...
15/01/2026
Milano Cortina 2026: OBS CEO Yiannis Exarchos Previews Production InnovationsFirst Person View drones, AI-based tech target greater fan engagement, efficiencyBy...
15/01/2026
Clever with cameras: Bringing the drama of the 2026 ISU European Figure Skating ...