
Interview: Appear CTO Andy Rayner on R&D, security and future growth By Jo Ruddock
Wednesday, July 10, 2024 - 13:59
Print This Story
As Appear celebrates its 20th anniversary, CTO Andy Rayner speaks to Jo Ruddock about the company's R&D priorities, the importance of security and where future growth opportunities may lie.
What trends are you currently seeing when it comes to media processing and content delivery solutions?
Basically, what I call location agnostic or distributed production is really coming of age. That's where the people resources, the equipment resources, don't need to be co-located with where the acquisition event is happening. That's transformational from a workflow perspective for content creators, because it means they can make better use of their people, make better use of their equipment and of all their data facilities, so it's actually a genuine cost saving workflow and enables them to use their talent over more events.
But to do that you need a massive amount of connectivity infrastructure. So, as an example, when you're doing what in the US they call REMIs, where you're actually pulling back every individual video feed from an event, every individual microphone, that's creating more and more demand for connectivity infrastructure to facilitate that.
What we're finding the sweet spot with what we've done, which I think is quite fortuitous for Appear, is that we have an unbelievably high density, low power and small size footprint for that connectivity interfacing that we provide in our platform. And, as people want to do these massive numbers of backhaul, we're in a very sweet spot for that, which gives lots of cost savings, but also from an environmental perspective, it gives massive power and space savings as well.
I think the other trend that goes alongside that in live production, which is a real transformation in the last couple of years, is using public internet connectivity on live production. That's something that was unheard of, but the reality is that if you use the same bandwidth on a public internet connectivity, it'll possibly cost you 1/100th the cost of renting a private leased line. So, if you can actually do that, that's a massive cost transformation.
So some of the technology toolkit we've got within our platforms in new ARQ technology and ALT technology is instrumental in getting public internet to work to the performance level we need for live production. Public internet connectivity is getting better and better natively in its quality anyway, but that alongside the significant cost saving, and then the ARQ capabilities we have in the platform, that's a great story combined for enablement. And I think it does two things. Firstly, it means that people can produce an n-camera event for less cost. It's also an enabler for lower tier sports where a traditional broadcast would be economically unfeasible to actually run and we're now able to do a live multi camera production, something that was completely unviable previously.
We've seen a number of innovations from Appear in the last few years, not least the X Platform. What would you say are your R&D priorities going forward?
We're continuing to enhance the X Platform, so we're doing things like further increasing the density of the unit. We're also introducing new processing capabilities that are required for UHD HD workflows. We're also just starting on the journey of developing some complementary software tools to complement the X Platform. So the X Platform will continue to be our flagship product, but we're now developing a suite of software tools, which are actually going to complement that and allow us to increase our share of the production workflow.
On the density increase we've also just released a 100G interface, significantly upping the bandwidth and that provides even higher levels of aggregation.
What about sustainability is this something your customers are focused on and how can Appear help them on their sustainability journey?
I think there's a limit here on what content producers are being mandated to do, depending on where they are in the world. In Europe, including the UK to a large degree, there is quite a good level of what I will call obligation due to state legislation. I have to say that's not consistent across all parts of the globe. But more and more, we're finding that customers are ending up with contractual obligations on their providers, their suppliers, to be more compliant to sustainability agendas.
And I think the way we've architected our offering actually plays into that spectrum really well because we're focused on lowering power consumption and maximising density. We are right in a very sweet spot and with the product family to actually help our customers meet that need. The other thing is, especially for events based, I mentioned that we're starting to move towards some software infrastructure. While running production capability on compute is not the most power efficient way of doing it, the fact that for events you run on compute, you only spin it up for the period of time when the event's actually running, that's a massive saving and therefore a more sustainable approach.
You're involved with a number of standards bodies. How is that landscape looking when it comes to standardisation in live production?
I think in what I would the call traditional live production world, when we're talking about appliances and equipment on the ground, I think those standards, the 2110 suite and all of the peripheral standards around those, are maturing really well.
I think the place where standards are still needed significantly is in compute because that's relatively immature. There are no what I call proper ope
More from Sports Video Group
02/12/2025
Case Study: How Mid-Atlantic Sports Network Moved to All-IP Distribution in 60 D...
02/12/2025
2025 Sports Broadcasting Hall of Fame: Lee Corso, Coach, Commentator, FirebrandBy Ken Kerschbaumer
Tuesday, December 2, 2025 - 7:00 am
Print This Story | S...
02/12/2025
SVG All-Stars: Dan Nabors, Senior Director, Remote Engineering, TNT SportsThe veteran tech leader is helping guide Warner Bros. Discovery's at-home' re...
02/12/2025
National Lacrosse League Opens Season With New Cloud-Based Official Replay-Revie...
02/12/2025
Platinum White Paper: The Cinematic Look in Live Production - Bridging Aesthetic...
02/12/2025
SVG India Announces Advisory Board; JioStar's Prashant Khanna Named ChairmanBy Ken Kerschbaumer
Tuesday, December 2, 2025 - 11:15 am
Print This Story |...
02/12/2025
SVG Summit 2025 Preview: New AI Production Tools Workshop' Features ESPN, F...
26/11/2025
SVG Sit-Down: Prime Video EP Mike Muriano Previews Massive Black Friday Slate Fe...
25/11/2025
SVG All-Stars: Blayke Scheer, Senior Director, Creative Content, YES NetworkThe Indiana alum has turned storytelling into an artform for more than two decadesBy...
25/11/2025
Op-Ed: With FCC's C-Band Auction on the Horizon, Broadcasters Need Proven, C...
25/11/2025
Analysis: Is Baller League really the future of sport? By Callum McCarthy, Editor-at-Large
Tuesday, November 25, 2025 - 10:10
Print This Story
With KSI on...
25/11/2025
Platinum Whitepaper: The Growth of Broadcast in the World of Major Large Scale E...
25/11/2025
SVG Summit 2025 Preview: SVG Women's Sports WorkshopBy Samantha Gabay
Tuesday, November 25, 2025 - 10:27 am
Print This Story | Subscribe
Story Highlig...
25/11/2025
SVG New Sponsor Spotlight: CacheFly's Matt Levine on the Evolving Role of th...
25/11/2025
Peacock's EA SPORTS Madden NFL Cast Levels Up on Thanksgiving With SkyCam as...
24/11/2025
HBO's The Shuffle' Reveals Longtime Connection of Sports and Entertainm...
24/11/2025
2025 Sports Broadcasting Hall of Fame: Hiroshi Kiriyama, Sony Broadcast (and Ind...
24/11/2025
SVG Summit 2025 Preview: FIFA, NBC Olympics, Fox Sports, CBS Sports, Netflix, NF...
24/11/2025
Case Study: YES Network Streamlines Broadcast Operations with Beam DynamicsBy SVG Staff
Monday, November 24, 2025 - 11:18 am
Print This Story | Subscribe
...
24/11/2025
Platinum White Paper: More of Everything: How Broadcasters are Changing Their Ap...
24/11/2025
Versant Media USA Sports President Matt Hong on How Versant Has Best of Both Wor...
24/11/2025
SVG Sit-Down: NABA Director-General Rebecca Hanson on How FCC's C-Band Aucti...
24/11/2025
SVG New Sponsor Spotlight: Bolin Technology's Sapan Doshi on the Proliferati...
21/11/2025
Platinum White Paper: Appear Shares Why Media Exchange Is the Missing Link in So...
21/11/2025
NWSL Championship 2025: CBS Sports To Deploy Two-Point FlyCam for Match Coverage...
21/11/2025
NWSL Caps 2025 Season With Awards Show, Skills Challenge ProductionsA team of 70 is on the ground in California to produce both eventsBy Mark J Burns, SVG Contr...
21/11/2025
USL and NEP Ready for Largest USL Championship Final Production EverThe broadcast from Tulsa, OK, will air CBS and TUDN on Saturday at 12 p.m. ETBy Jason Dachma...
21/11/2025
With Two New Teams, PWHL Boosts Production Workforce and Central Review for Seas...
20/11/2025
MLB Media-Rights Shakeup: NBC's New Three-Year Deal Covers Sunday Night Bas...
20/11/2025
MLB Media-Rights Shakeup: New Deal Will Bring 30 National Games to ESPN's Li...
20/11/2025
MLB Media-Rights Shakeup: Netflix Lands Opening Night, Home Run Derby, Field of ...
20/11/2025
MLB Media-Rights Shakeup Overview: ESPN, NBCU, Netflix Ink Three-Year DealsESPN gets new 30-game package, MLB.TV; NBC extends Sunday nights; Netflix adds tentpo...
20/11/2025
SVG Students To Watch: Henry Thuss, Indiana UniversityThe Southern California product has his goals set on the front benchBy Brandon Costa, Director of Digital ...
20/11/2025
Done+Dusted's Guy Carrington on Creating the Spectacular League of Legends W...
20/11/2025
FIA Extreme H World Cup Host Broadcaster Aurora Goes Inside the Production of th...
20/11/2025
Platinum White Paper: Amagi Utilizes Cloud Production for Sports Events - Multi-...
20/11/2025
2025 Sports Broadcasting Hall of Fame: Marc Herklotz, Steady Hand Behind the Sce...
20/11/2025
NFL Deep Dive: How 32 Cameras at Each Stadium Drive Virtual Measurement, Boundar...
19/11/2025
Sphere Sound Kicks Up Its Heels at Radio City Music HallUltra-immersive system from the singular Las Vegas venue is also ready for sportsBy Dan Daley, Audio Edi...
19/11/2025
The Future of Stadium and Arena Video Control Rooms: Tech Leaders Talk 4K, IP, a...
19/11/2025
One Year at Intuit Dome: Walking Through the Stunning Arena's Advanced Video...
19/11/2025
SVG Sit-Down: IMG's Francois Westcombe Goes Inside IMG's Annual Digital ...
19/11/2025
Inside Brighton & Hove Albion's fan-first media machine By George Bevir
Tuesday, November 18, 2025 - 10:10
Print This Story
Brighton & Hove Albion'...
19/11/2025
Rock Chalk Rebuild, Part 1: Kansas Athletics Brings New Production Power to Rebu...
19/11/2025
Rock Chalk Rebuild, Part 2: A Pro's Guide to Kansas Athletics' New Video...
19/11/2025
MLB Media Rights Shakeup: NBC Inks Three-Year Deal for Sunday Night Baseball, Pe...
18/11/2025
NBA Debuts New Comms Infrastructure and Systems for RefereesTwo-phase rollout is intended to improve game flow, enhance officiating accuracyBy Dan Daley, Audio ...
18/11/2025
Platinum White Paper: How Aggreko Delivers Certainty For Broadcasters On The Wor...
18/11/2025
Kiswe Extends DTC Products With Kiswe Core Cloud-Based Tool for Distributing Con...
18/11/2025
Spanish Basketball Federation partners with ScorePlay to power digital transform...