NBA Returns: ESPN Brings Plenty of Tech Firepower to Wide World of Sports Productions Highlights include RailCam, new robos, embedded mics, virtual graphics, and more By Jason Dachman, Chief Editor
Friday, July 31, 2020 - 2:22 pm
Print This Story | Subscribe
Story Highlights
NBA on ESPN is back in business tonight, with its production team resuming live broadcasts from the NBA bubble inside Disney's Wide World of Sports complex in Orlando. To pull them off safely, the network's operations team has worked with the NBA and fellow rightsholder Turner Sports to build a massive broadcast compound that echoes an Olympics IBC (international broadcast center) to serve the three arenas hosting the NBA games.
It's a tremendous feeling to know that your sport has come back, says ESPN Senior Operations Manager Patty Mattero. With everything going on in the world right now, we're all very happy to just be able to make TV again. There are certainly monumental technical challenges, but we all know the fundamentals of making TV, and we can't wait.
In the Compound: NEP EN3 and EN2, Game Creek Victory Power the Production The sprawling NBA broadcast compound is roughly the size of three football fields.
ESPN, along with the NBA and Turner Sports, spent the better part of two months creating a 94,920-sq.-ft. broadcast compound (equal to roughly three football fields) to house the 13 production trucks, 31 trailers, six mobile-unit cover tents, two catering tents, two field-shop tents, and several cooling stations onsite.
ESPN has rolled out three dedicated twin mobile units to produce the games out of the three venues at WWoS: NEP's EN3 for The Arena (Court 1, the main national-telecast court and site of Conference Finals and NBA Finals), Game Creek Video's Victory for HP Field House (Court 2 for the regular season to Second Round), and NEP's EN2 for Visa Athletic Center (Court 3, primarily for games broadcast exclusively by regional sports networks).
CAT Entertainment Services has rolled out 20 generators to power the compound: 12 500-kVA units, two 300-kVA units, two 400-kVA tow plants, and four 175-kVA tow plants. With the 90 temperatures in Orlando, the compound is also equipped with 32 20 -ton HVAC units (two of them 60-ton units) with redundancy for mobile-unit support.
Three sides of the court have 17-ft. LED videoboards.
ESPN, Turner, and the league have also built a comprehensive NBA fiber ring at WWoS, laying more than 436 miles of fiber throughout the facility. On the transmission side, the NBA compound is sending out 65 transmission paths with 14 paths returning, plus 92 (and counting) NBA HSAN feeds and an additional 190 Gbps in bandwidth for file-sharing and redundancy needs.
Our operations team has done an unbelievable job, ESPN VP, Production, Michael Shiffman said this week. It really represents ingenuity, innovation, technology, and - above all else - a can-do' mentality, which I believe is one of the hallmarks of our company. This is the latest example and has allowed us to hit the ground running with these scrimmages and get us ready to go for Friday night.
GREMI and REMI: At-Home Model Is Out in Full Force ESPN is deploying its GREMI model for the majority of its games (including nearly all games at The Arena and HP Field House), as it has for its NBA coverage for the past two years. Under the GREMI model, EVS replay and Vizrt graphics systems are located onsite in the trucks, but three or four replay operators and all graphics and scorebug operators are at the ESPN facility in Bristol, CT.
The Arena will serve as Court 1, hosting the Conference Finals and NBA Finals.
ESPN and Turner are also creating a neutral world feed that RSNs around the country will use to produce in-market telecasts from their home facilities. In addition to the world-feed line cut, ESPN is delivering a dedicated iso camera feed to each RSN (which has full comms to the camera operator) and access to several other camera feeds to integrate into its telecast.
Although EN2 is on hand to serve some of the RSN-exclusive games at the Visa Athletic Center, the majority of them will be REMI (remote-integration) productions in which feeds are sent to control rooms in Bristol. According to Mattero, this is the first time ESPN has produced NBA games as full REMI productions from control rooms in Bristol.
Because all of our sports are coming back, our control rooms are insanely busy trying to juggle all the events and all content coming back to Bristol, says Mattero. What Bristol can support determines how we're going to cover the games. The majority are REMI, but there are also quite a few of them that will be more of a GREMI setup out of EN2.
Safety Protocols in the Compound: Keeping the Crew Healthy To ensure social distancing, ESPN has doubled the usual distance between trailers/trucks. To limit the number of people in each truck, the network has also reorganized several crew positions, outboarding multiple replay operators, robotic-camera shaders, and audio personnel to other locations in the compound.
HP Field House will serve as Court 2 from the regular season through Round 2 of the NBA Playoffs.
In this environment, we are putting safety first and taking extra steps to ensure health and safety of everyone, says Mattero. We have only six people in the majority of our A units; that's about half of what we would normally have. There is plexiglass separating people, and we've mapped it out so everyone is spaced far enough apart based on ESPN and Disney protocols. And, of course, everyone is wearing masks. We're all trying to get used to a whole new way of doing business, but we know how important it is to do it the right way.
The crew has been divided into functional groups, with the majority of the production and operations
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
18/05/2026
Despite a bumpy start to the year, the provider of event-production support and ...
18/05/2026
Daktronics has partnered with the University of North Carolina to manufacture and install 11 LED displays totaling more than 10,000 square feet and more than 14...
18/05/2026
CBS LA has announced a multi-year partnership with the Los Angeles Rams, covering exclusive local broadcasts of Rams preseason games, weekly year-round programm...
18/05/2026
Skyline Communications has announced an integration between its DataMiner xOps p...
18/05/2026
eCLUTCH, the hybrid esports platform powered by iKOMG, has announced an expansion of its distribution across Europe, MENA, Africa, and Asia, along with new cont...
18/05/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, includ...
18/05/2026
With 22 games this season, the production team looks forward to tweaking and enhancing the coverage
After 8,660 days off the air, the WNBA returned to NBC yest...
18/05/2026
(L-R) Midori Francis and Natalie Erika James attend the Saccharine premiere during the 2026 Sundance Film Festival at The Ray Theatre on January 22, 2026, in ...
18/05/2026
Last night, the Spotify Podcast Awards in Mexico returned to the country's capital. Now in its second year, the evening honors creators whose voices are hel...
18/05/2026
ZEN-Core synth goes mobile
Roland's powerful ZEN-Core software synthesizer has just been introduced to the iPad, offering a convenient entry point into ...
18/05/2026
Versatile new limiter plug-in announced
Based in Sheffield, UK, fedDSP offer a range of plug-ins that span the music production, live sound and high-end med...
18/05/2026
A new use for convolution?
Viiri Audio's debut plug-in aims to do something a little different with convolution processing, allowing users to adjust all...
18/05/2026
Delta Goodrem shines for SBS as more than 3.27 million Australians tune in for E...
18/05/2026
The Australian Defence Force uses L3Harris T4 and T7 robots for explosive ordnan...
18/05/2026
Continued investment across Europe and Germany is expanding local teams and improving access to stock, regional expertise, and specialist broadcast support.
CV...
18/05/2026
18 May 2026
Dubai and New York, May 18, 2026 - VEON Ltd. (NASDAQ: VEON), a glob...
18/05/2026
Monday 18 May 2026
Sky News offers ad-free podcasts and bonus episodes for just...
18/05/2026
Comscore March 2026 Consumer AI Chatbot Usage Rankings Show Claude Gaining Share OpenAI's ChatGPT maintains lead while Anthropic's Claude continues to c...
17/05/2026
Delta Goodrem's Eurovision Eclipse marks end of a stellar run
17 May, 2026
Media releases
Bulgaria wins Eurovision 2026
Relive every spellbinding mome...
17/05/2026
Back to All News
Oasis Premieres on Netflix June 19
Entertainment
17 May 2026
GlobalSpain
Link copied to clipboard
Summer, sunshine, the beach, parties. T...
16/05/2026
Helps to deliver a clean, balanced midrange
Developed alongside Newfangled Audio, the latest plug-in in Eventide's software collection has been designed...
16/05/2026
Brings onboard stem rendering to RANE System One
Engine DJ have just released Engine DJ 5.0, a free update for their Engine DJ OS embedded hardware and Engi...
16/05/2026
Boris FX Continuum Pairs AI Precision and Advanced Creative Controls
Jessie Electa Petrov May 16, 2026
0 Comments
The 2026.5 release adds automatic de...
16/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Seattle Sounders FC and Seattle Reign FC, in partnership with RAVE Foundation an...
15/05/2026
Dan Brumm has served as sound designer on Bluey, the Australian children's t...
15/05/2026
The Professional Audio Manufacturers Alliance (PAMA) and Shure Incorporated are accepting applications for the 6th annual Mark Brunner Professional Audio Schola...
15/05/2026
Netflix has announced an expanded NFL schedule for 2026 and beyond under a four-year partnership extension with the NFL through the 2029-30 season. Each season,...
15/05/2026
Ateme is supporting TVRI (Televisi Republik Indonesia) with a contribution and d...
15/05/2026
Concacaf has announced the launch of a new website and mobile app built on Deltatre's FORGE platform. Concacaf.com and the mobile app, available on iOS and ...
15/05/2026
Eutelsat has announced the launch of QBC Business Economic Channel by Qatar Media Corporation, broadcasting in 4K/UHD via Eutelsat's 7/8 West video neighbo...
15/05/2026
Major League Soccer has announced four original content series timed to the 2026...
15/05/2026
The Alliance for IP Media Solutions (AIMS) has announced it will exhibit and present at InfoComm 2026, taking place June 13-19 at the Las Vegas Convention Cente...
15/05/2026
InfoComm 2026 will take place June 13-19 (exhibits June 17-19) at the Las Vegas Convention Center. The show will include sessions and exhibits covering broadcas...
15/05/2026
Tracy McGrady's Ones Basketball League (OBL) and FuboTV Inc. have announced ...
15/05/2026
Disguise has partnered with Creative Technology (CT) to deliver visual playback ...
15/05/2026
Sony Electronics has announced two new products for professional imaging: the Alpha 7R VI full-frame mirrorless camera and the FE 100-400mm F4.5 GM OSS super-te...
15/05/2026
In-venue and creative video staffers at the professional and collegiate level ha...
15/05/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
15/05/2026
For sports organizations, the most valuable assets are often the most sensitive:...
15/05/2026
The NFL's broadcast partners released their 2026 regular season schedules ye...
15/05/2026
Besides drawing on experience with boxing, the production integrates specialty c...
NBA Returns: ESPN Brings Plenty of Tech Firepower to Wide World of Sports Productions Highlights include RailCam, new robos, embedded mics, virtual graphics, and more By Jason Dachman, Chief Editor 
