By Debra Kaufman
Over the years, HPA Tech Retreat's Supersession has tackled many topics. But this year, for the first time, attendees were treated to a front row seat to a one-day movie-making experience: The Lost Lederhosen. Not only did we bring together the most cloud technologies ever assembled into one filmmaking workflow to show what is capable with today's technology, but the notion of presenting it live in front of hundreds of people was a next-level accomplishment when it comes to conference programming, says HPA president Seth Hallen. HPA relied on the support and collaboration of many companies who contributed to make the movie a success. This was the community coming together to do something innovative, rewarded with the sense of having learned and collaborated on something truly unique and evolutionary.
The 11-minute short film was spearheaded by EFILM's Joachim JZ Zell, who developed the concept, gathered the team and produced it. The Lost Lederhosen was directed by Steven Shaw, ASC and shot by cinematographer Roy Wagner, ASC. According to Zell, the movie highlighted cutting-edge technologies such as instant dailies. Fast global collaboration in the cloud was mind-blowing and scary at the same time, he admits. The production also highlighted a trend in using virtual production to replace greenscreens to marry real and CG elements in-camera.
Prior to the beginning of the Supersession, The Lost Lederhosen team worked closely with the Westin Mission Hills Golf Resort & Spa hotel staff and Sohonet to ensure that all remote collaboration systems would be go. The first step was a public pre-production meeting, with Zell, Shaw, Wagner, Peter Moss, ASC, ACS; Stargate Studios' Sam Nicholson, ASC; and 616 Music Lab's Richardo Mejia. The production used an ARRI Alexa, Blackmagic Design Ursa Mini Pro, Panavision DXL2, RED Monstro2, and Sony Venice to shoot segments of the movie. Several scenes were shot prior to the Supersession, but attendees witnessed the production of three live scenes, with the participation of Zeiss' Snehal Patel; Nuke artist Caleb Knueven; and RED's Dan Duran.
For the virtual production scenes, Epic Games' David Morin explained the role of his company's Unreal Engine in conjunction with Lux Machina's integration. Mark Bender Aerials and Associates produced drone shots. Zell and Technicolor's Josh Pines also laid out the details of the production's ACES workflow in conjunction with the chosen cameras. CalMan Portrait's Tyler Pruitt explained the monitor's calibration, also vis- -vis ACES, and FilmLight's Pete Postma demonstrated DIT on-site color correction within the parameters of the ASC CDL (color decision list). Other companies/individuals that participated in the production/post were Pomfort's Patrick Renner, who discussed the use of ASC metadata; Frame.io's Patrick Southern and Michael Cioni demonstrated instant dailies and editing in the cloud. Colorfront offered a cloud-based integration with Frame.io, to make it possible to stream color-consistent camera log HEVC proxy files directly from Frame.io. Colorfront also streamed the 4K, 6K, 8K HDR, SDR dailies and uploaded camera originals to S3 storage in AWS. It also provided sync color graded dailies for viewing and editorial and delivered 2K, 4K and 8K Open EXR format in ACES with camera and lens metadata for VFX and color-grading artists. Grading included Pixelworks' TrueCut Motion Grading, to minimize motion blur and judder.
The film was edited in Microsoft's cloud with Avid; Teradici provided the compression/decompression for the remote collaboration. Sohonet provided the remote collaboration for grading with Baselight. Skywalker Sound and Ambidio collaborated on remote sound mixing. BorisFX provided remote VFX, with Pixspan accelerating the movement of data. Amazon's Jack Wenzinger described the use of Amazon's cloud workflow in the production, and freelance colorist Zach Medow color-timed the movie with Resolve. Finallly, SGO's Mistika cloud workflow manager created final deliverables. Every movie worth its salt has an outtake reel, and that's what BeBop Adobe Technology's David Benson created (with end credits).
At the end of the Supersession, the movie was screened for an enthusiastic audience. Reflecting on the chief challenges of making the cloud-based movie, Zell notes that, humans could become the weak link if our educational system does not keep up with the technical evolution. Events like this HPA Tech Retreat are very important to keep our production and post production community up to speed.
We need to protect the creatives who need to stay in charge of the production, he adds. The director and the DP need to decide which shots are going into a cut and not the studio executive nor the producer nor the editor. If content is available to too many people to fast, wrong decisions will be made.
HPA is proud to have delivered this kind of reality-based' programming to a filmmaking trade conference which is truly the pinnacle of educational content for our industry, said Hallen. It was real and raw and provided a glimpse into the challenges and opportunities in filmmaking today. Will the HPA try this kind of live movie-making next year? Hell, yes! says Zell.
North America Stories
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
SMPTE , the home of media professionals, technologists, and engineers, today unveiled its educational presentations for the 2026 NAB Show. This year SMPTE will ...
18/03/2026
Maxon, maker of powerful, approachable software solutions for creators working in 2D and 3D design, motion graphics, visual effects, gaming, and more, today ann...
18/03/2026
Digital Alert Systems
Preview
2026 NAB Show
April 19 - 22
Booth C3452
At the 2026 NAB Show, Digital Alert Systems will showcase Version 6.0 of its DASDEC ...
18/03/2026
Setplex today announced that it will showcase its complete, fully integrated Zapflex platform for the first time at the 2026 NAB Show, introducing powerful new ...
18/03/2026
COW Jobs: Seeking DP for Low Budget Dramedy - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Director of Photography for Low Budget Dramedy Fe...
18/03/2026
COW Jobs: Seeking Gaffer for Low Budget Dramedy - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Gaffer for Low Budget Dramedy Feature Film- I...
18/03/2026
COW Jobs: Seeking Location, Sound for Low Budget Dramedy - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Location/Sound for Low Budget Dramed...
18/03/2026
COW Jobs: Seeking Child Wrangler for Low Budget Film - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Child Wrangler for Low Budget Dramedy Fe...
18/03/2026
Calrec Redefines Broadcast Workflows at NAB 2026 with its Most Powerful Hardware...
18/03/2026
Oscar Nominated Two People Exchanging Saliva Posted with DaVinci Resolve Studio
Brie Clayton March 17, 2026
0 Comments
DaVinci Resolve Studio handle...
18/03/2026
Boston Conservatory Presents Celebrated Musical Satire Urinetown Performances for this Center Stage production will take place at Boston Conservatory Theater ...
18/03/2026
Charlie Puth Joins Switched On Pop at Berklee NYC The Berklee alum spoke with host and Berklee NYC professor Charlie Harding for a live taping, answering audi...
17/03/2026
NASA+'s Rebecca Sirmons and Brittany Brown offer unique look at live streami...
17/03/2026
The transition to IP has fundamentally reshaped professional media infrastructures. Video, audio, and increasingly metadata now circulate as independent, precis...
17/03/2026
Live sports streaming can push every element in your video delivery chain to its limit, exposing every potential weakness in seconds. When the Super Bowl, the O...
17/03/2026
Texas Athletics sought to modernize its media production, enhance fan experience...
17/03/2026
Ikegami USA will demonstrate the latest additions to its wide range of broadcast...
17/03/2026
TNA Wrestling and iHeartMedia announces a new multi-platform collaboration that will integrate iHeartMedia across TNA's premium live events, weekly televisi...
17/03/2026
The goal was to transform Hard Rock Stadium into a global leader in sports and e...
17/03/2026
Spectrum has announced the launch of its new Multiview feature in the Spectrum TV App, giving customers the ability to watch up to four NCAA men's or women&...
17/03/2026
Genius Sports deal also covers data technology, AI, fan engagement, and performance analysis....
17/03/2026
Net Insight is supporting the rollout of a new state-wide centralized operation with Rede Massa, which is an SBT affiliate, the Brazilian regional television ne...
17/03/2026
Featuring audio from practice sessions, qualifying races, and Grand Prix races, the film represents Apple's sports-media ambitions
At Sunday night's Ac...
17/03/2026
Live broadcast has always been one of the most demanding environments in media a...
17/03/2026
DirecTV is introducing several new viewing features, including a multi-screen March Madness Mix channel and an updated Sports Central mobile app hub, ahead of...
17/03/2026
Deltatre has announced a multi-year partnership with ATP Media, the media arm of the ATP Tour, covering broadcast graphics, data, and production across the 2026...
17/03/2026
The Detroit Pistons have announced a third consecutive season partnering with Sc...
17/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/03/2026
3D streaming infrastructure provider Miris today announced the launch of a public beta for its new 3D asset streaming platform. Miris is building the infrastruc...
17/03/2026
As media organizations face mounting pressure to produce more content, faster, while maximizing value and operational efficiency, Tedial, a leading provider of ...
17/03/2026
Brainstorm, a leading manufacturer of real-time graphics, augmented and virtual production, is launching the newest version of its platform, Brainstorm Suite 7,...
17/03/2026
Limecraft today announces the release of Limecraft 2026.2, the second platform update in its 2026 release cycle. Limecraft is an AI-powered production platform ...
17/03/2026
Broadcast Solutions, a leading system integrator and provider of innovative solutions for the broadcast and media industry, showcased its latest broadcast and V...
17/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/03/2026
QuickLink's Latest StudioEdge Models to Make North American Debut at NAB 202
Brie Clayton March 16, 2026
0 Comments
The Multi-platform Remote Gues...
17/03/2026
Frankenstein Graded with DaVinci Resolve Studio
Brie Clayton March 16, 2026
0 Comments
Sonnenfeld enhances the controlled interplay between warm and c...
17/03/2026
New Voyavox from Link Electronics with Real-Time Speech-to-Text Captioning to be...
17/03/2026
Berklee City Music Stewards META Fellowship Supporting Massachusetts Music Educa...
17/03/2026
Back to All News
Fantasy Action Series Agent from Above' Puts Contemporary...
17/03/2026
Back to All News
Netflix Presents the Trailer for the Final Season of Turn of the Tide
Entertainment
17 March 2026
GlobalSpainPortugal
Link copied to clipb...
17/03/2026
As AI native applications scale to more users, agents and devices, the telecommu...
By Debra Kaufman
