
Grounded by Covid-19, our trainers have been learning new skills to be able to impart their expertise to their journalist trainees with promising results.
Thomson Foundation trainer Nick London would normally travel to Al Jazeera's training centre in Doha, Qatar to train journalists in face to face workshops.
But since March 2020 his courses have been conducted via video conferences. Here he explains how he has been able to adapt his training to the virtual world in this case a recent workshop about investigative journalism and filmmaking techniques.
How did you go about adapting previous in-person workshops to e-learning/virtual classes? The main challenge was condensing an intensive two-week course combining classroom learning and practical exercises in the field into three days. Previously there had been an emphasis on participation and engagement, which I tried hard to maintain during the e-learning/virtual classes.
How did it work in practise? In terms of the main practical exercise, participants were split into small teams and invited to come up with a film idea, which they then developed over the 3 days. Previously this would have involved some actual filming but now given the constraints, all course members were working from home, it involved a discussion and understanding of the various issues and challenges they would face together with the research methods they would use.
Who were the participants? The three day course, four hours each day, were made up of seven to ten participants drawn from journalists and production staff across Aljazeera - news, documentaries and online. There were various levels of experience from those who already had several film credits to others starting out as assistant producers.
What worked and what didn't? Adapting the course into virtual class using Zoom but still using many of the previous elements including practical exercises was successful. Overall there seemed to be a high degree of engagement and participation.
But as a recent convert to Zoom (my first experience was in running the family quiz during lockdown!) using the many various elements available - Powerpoint, video clips from various sources, practical exercises and breakout rooms - was pretty daunting. At times I felt myself on a very steep learning curve!
How did you overcome Zoom fatigue ? I had been advised to break-up' the workshop into 10 minute chunks - using a mix of the various available media without making it feel too scattergun. Even within the e-learning environment, I tried to maintain regular discussions and interaction with the participants.
Were there moments you sensed you were losing your audience and acted successfully to re-engage it? I think it's inevitable that there are occasions when the participants start to flag.' For a start the course was taking part in the afternoon in Qatar, after several of the course members had already been working. In those circumstances as the course trainer, I would break off from speaking and would divert attention either onto a group discussion or a video clip from a documentary.
What did the e-workshops achieve? Hopefully to give the participants a grounding in the key skills and methods required for investigative journalism and film making. So far the feedback has been extremely positive.
How did it compare with previous face to face courses? This was a pretty intensive three day course combining many of the features of the previous workshops. There's no doubt that squeezing in 10 days of learning into three four hour sessions is a challenge, but the advantage is that there is always something happening.
Is it possible to introduce a practical element to these e-workshops? The short answer is yes.' While sending out participants into the field to make their own films or reports may not be viable, there are a variety of ways to introduce practical elements. The best example is research, which can be done using the internet from the workplace or home office. This doesn't just apply to journalistic research but in, say, preparing for interviews - working out just who to talk to, framing the questions and having some sense of what the responses are likely to be.
How effective is this practical work within the confines of an e-workshop? Personally, I think it is essential. e-workshops can be pretty intensive both for those taking part and for the trainer. Asking anyone to concentrate on the screen - whether it's on Zoom or Teams or some other method for more than 10/15 minutes is risking losing the audience. Minds tend to wander, concentration lapses and teaching and learning becomes much less effective. Having a practical element is one of several devices that gives everyone a chance not just to put into practice what they are learning but also breaks up the presentation.
As you get more involved in this virtual world of training what tips would you give fellow trainers? Work out in advance what elements of your e-workshop can be done practically - maybe as a way of adding to the mix' of how you teach but also to reinforce what you are teaching. Don't think that the practical element need necessarily simply be a matter for individuals - sometimes putting participants into small groups and asking them to come up with a solution for a particular issue or theme can also be rewarding.
What about future? While initially I had some apprehension about my ability to handle the technology and just how to keep the learning stimulating, I can see many advantages in this type of learning. For a start e-workshops such as these reduce the need for either the traditional classroom or trainer to be in the same physical location. That means learning becomes completely transportable. All that's required is an internet connection!
Related content
A class of
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
16/10/2026
The LA Clippers have announced their local television plan for the 2026-27 seaso...
16/10/2026
At sports-media summit, he describes the success of the one-year-old agreement a...
16/10/2026
Parks Associates, in partnership with InterDigital, has published a white paper ...
16/10/2026
Cisco is expanding its work with the Atlanta Hawks, Cleveland Cavaliers, and Brooklyn Sports & Entertainment (BSE) as the 2026-27 NBA season gets underway, prov...
16/10/2026
Broadcast Management Group (BMG) has introduced Media Command, a private cloud broadcast platform that integrates recording, media asset management (MAM), chann...
16/10/2026
TNDV and GameTime Productions have expanded their remote production responsibilities for Team Boxing League (TBL) for the league's recently completed fourth...
16/10/2026
In-venue and creative video staffers at the professional and collegiate level have one major thing in common: the intensity and attention to detail ramps up dur...
16/10/2026
Broadcast and streaming are converging around live media. Traditional broadcasters increasingly distribute their linear services through streaming platforms alo...
16/10/2026
DAZN and Guardians League, a new professional franchise surf racing series, have announced a multi-year global broadcast partnership. Guardians League events wi...
16/10/2026
Sobatech Group is producing live coverage of the F4 Spanish Championship and Eur...
16/10/2026
The Walt Disney Company and Dude Perfect have announced an integrated creative partnership. Dude Perfect will develop original content for its own channels insp...
16/10/2026
Onsite studio show will accompany game productions in San Francisco and Atlanta
...
16/10/2026
Grass Valley s AMPP platform continues to grow in popularity, especially with th...
16/10/2026
FloSports and the National Lacrosse League (NLL) have entered a multiyear media partnership that makes FloSports the exclusive global streaming home of the NLL....
16/10/2026
At PBR Teams Series: Maverick Days at UBS Arena in Belmont Park, NY, PBR Executive Producer Jason Jacquette took a few minutes with SVG to discuss how his team ...
16/10/2026
(Suzanne Cordeiro/Shutterstock for Sundance Film Festival)
By Patty Consolazio
...
16/10/2026
Standalone calibration, automatic bass management & digital I/O
The ARC Studio was a significant release for IK Multimedia, and was praised for offering a c...
16/10/2026
Classic compressor returns in 1U form
There are few pieces of gear that have achieved the status held by the SSL Bus Compressor, and it's now officially...
16/10/2026
Latest cinematic instrument unveiled
Zero-G say that their latest creation isn't your typical sample library or collection of instruments, but rather a ...
16/10/2026
Real-time MIDI orchestrator updated
Forma Labs Audio have recently launched a significant update that brings some powerful new features to their real-time M...
16/10/2026
The launch of the autumn programming schedules on traditional TV channels translated into a noticeable increase in total video viewership. Poles spent an averag...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Globecast, a leading provider of media integration and managed services for the sports broadcast industry, will showcase the latest developments in Content Exch...
16/10/2026
Boston Conservatory Wind Ensemble Presents America at 250 The free event, taking place at Samuel Adams Park at Faneuil Hall, features a program of inspiring A...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
ON Creative Visual Tech Provider has completed the audiovisual design and integration for Nubank Arte Lab, Brazil's largest permanent immersive art space. T...
16/10/2026
Beam Dynamics has appointed Brian Mauger as Regional Sales Manager, North America, strengthening its commercial team as the company expands across media, broadc...
16/10/2026
Secret Weapon Post Uses DaVinci Resolve Studio for Gregg Araki Films
Brie Clayton October 15, 2026
0 Comments
Remote post house delivers I Want Your ...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
The Stand that started it all in a matched pair of the industry-trusted C-Stands The 2-Pack provides both in a choice of chrome or black finish...
16/10/2026
New lineup brings professional rigging, lens support, power, and mounting flexibility to Sony's compact cinema camera
Wooden Camera today announced a new p...
16/10/2026
Cinematographer John Matysiak ( Old Henry, Winning Time, Big George Foreman ) brings a vivid breathlessness to the near-wordless film Motor City. An actio...
16/10/2026
Next Jazz Legacy Celebrates Five Years of Mentorship and Impact Across the Jazz ...
16/10/2026
Friday 16 October 2026
The Alessia Cup, powered by Sky, returns with Lioness an...
16/10/2026
Friday 16 October 2026
iPhone Duo now available to pre-order with savings of up...
16/10/2026
Republic of Ireland defenders back their future careers while nominating local c...
16/10/2026
Friday 16 October 2026
LOITV arrives on Sky Glass and Sky Stream
Sky customers in the Republic of Ireland can now enjoy the pulsating SSE Airtricity Men's...
16/10/2026
Nominations Announcement - RT Radio 1 Folk Awards
Celebrating the very best in folk music in Ireland from the past year
Awards event LIVE in Vicar Street and...
16/10/2026
RT has today announced that MaeBee, a brand-new animated series, will premiere ...
15/10/2026
E! and USA Sports will air Live from the Orange Carpet: WNBA Finals, a one-hour live special hosted by Lilly Singh, on Monday, October 19 at 6 p.m. ET / 3 p.m. ...