
Grounded by Covid-19, our trainers have been learning new skills to be able to impart their expertise to their journalist trainees with promising results.
Thomson Foundation trainer Nick London would normally travel to Al Jazeera's training centre in Doha, Qatar to train journalists in face to face workshops.
But since March 2020 his courses have been conducted via video conferences. Here he explains how he has been able to adapt his training to the virtual world in this case a recent workshop about investigative journalism and filmmaking techniques.
How did you go about adapting previous in-person workshops to e-learning/virtual classes? The main challenge was condensing an intensive two-week course combining classroom learning and practical exercises in the field into three days. Previously there had been an emphasis on participation and engagement, which I tried hard to maintain during the e-learning/virtual classes.
How did it work in practise? In terms of the main practical exercise, participants were split into small teams and invited to come up with a film idea, which they then developed over the 3 days. Previously this would have involved some actual filming but now given the constraints, all course members were working from home, it involved a discussion and understanding of the various issues and challenges they would face together with the research methods they would use.
Who were the participants? The three day course, four hours each day, were made up of seven to ten participants drawn from journalists and production staff across Aljazeera - news, documentaries and online. There were various levels of experience from those who already had several film credits to others starting out as assistant producers.
What worked and what didn't? Adapting the course into virtual class using Zoom but still using many of the previous elements including practical exercises was successful. Overall there seemed to be a high degree of engagement and participation.
But as a recent convert to Zoom (my first experience was in running the family quiz during lockdown!) using the many various elements available - Powerpoint, video clips from various sources, practical exercises and breakout rooms - was pretty daunting. At times I felt myself on a very steep learning curve!
How did you overcome Zoom fatigue ? I had been advised to break-up' the workshop into 10 minute chunks - using a mix of the various available media without making it feel too scattergun. Even within the e-learning environment, I tried to maintain regular discussions and interaction with the participants.
Were there moments you sensed you were losing your audience and acted successfully to re-engage it? I think it's inevitable that there are occasions when the participants start to flag.' For a start the course was taking part in the afternoon in Qatar, after several of the course members had already been working. In those circumstances as the course trainer, I would break off from speaking and would divert attention either onto a group discussion or a video clip from a documentary.
What did the e-workshops achieve? Hopefully to give the participants a grounding in the key skills and methods required for investigative journalism and film making. So far the feedback has been extremely positive.
How did it compare with previous face to face courses? This was a pretty intensive three day course combining many of the features of the previous workshops. There's no doubt that squeezing in 10 days of learning into three four hour sessions is a challenge, but the advantage is that there is always something happening.
Is it possible to introduce a practical element to these e-workshops? The short answer is yes.' While sending out participants into the field to make their own films or reports may not be viable, there are a variety of ways to introduce practical elements. The best example is research, which can be done using the internet from the workplace or home office. This doesn't just apply to journalistic research but in, say, preparing for interviews - working out just who to talk to, framing the questions and having some sense of what the responses are likely to be.
How effective is this practical work within the confines of an e-workshop? Personally, I think it is essential. e-workshops can be pretty intensive both for those taking part and for the trainer. Asking anyone to concentrate on the screen - whether it's on Zoom or Teams or some other method for more than 10/15 minutes is risking losing the audience. Minds tend to wander, concentration lapses and teaching and learning becomes much less effective. Having a practical element is one of several devices that gives everyone a chance not just to put into practice what they are learning but also breaks up the presentation.
As you get more involved in this virtual world of training what tips would you give fellow trainers? Work out in advance what elements of your e-workshop can be done practically - maybe as a way of adding to the mix' of how you teach but also to reinforce what you are teaching. Don't think that the practical element need necessarily simply be a matter for individuals - sometimes putting participants into small groups and asking them to come up with a solution for a particular issue or theme can also be rewarding.
What about future? While initially I had some apprehension about my ability to handle the technology and just how to keep the learning stimulating, I can see many advantages in this type of learning. For a start e-workshops such as these reduce the need for either the traditional classroom or trainer to be in the same physical location. That means learning becomes completely transportable. All that's required is an internet connection!
Related content
A class of
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
01/04/2026
January 4 2026, 18:00 (PST) DOLBY AND DOUYIN EMPOWER THE NEXT GENERATON OF CREATORS WITH DOLBY VISION
Douyin Users Can Now Create And Share Videos With Stun...
12/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/03/2026
COW Jobs: Editor de V deo - Direct Response, Performance Ads - Brazil, Remote
Brie Clayton March 11, 2026
0 Comments
Editor(a) de V deo (Direct Respon...
12/03/2026
Avatar: Fire and Ash Graded with DaVinci Resolve Studio
Brie Clayton March 11, 2026
0 Comments
Colorist delivers premium cinematic color across 2D, 3D...
12/03/2026
Boston Conservatory to Timoth e Chalamet: We Care About Ballet and Opera Boston Conservatory at Berklee students and faculty respond to the actors recent comm...
12/03/2026
The Late Late Show Show St Patrick's Day special
Dancing with the Stars f...
12/03/2026
GeForce NOW is bringing the game to the Game Developers Conference (GDC), running this week in San Francisco. While developers build the future of gaming, GeFor...
11/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/03/2026
Matrox Video will showcase its vision for the future of live production at NAB 2026 in Las Vegas, April 19-22, highlighting how broadcasters and media organizat...
11/03/2026
Geneva-based technology company, GlobalM SA, is presenting its GMX Distributed Video Gateway, a software-defined IP media transport platform designed to replace...
11/03/2026
Backlight (booth #N2829), the company behind Iconik and Wildmoka, which power video workflows for large media and entertainment organizations, has released the ...
11/03/2026
QuickLink, a leading provider of award-winning video production and remote guest contribution solutions, presents its latest StudioEdge models at The NAB Show ...
11/03/2026
Telestream, a global leader in media workflow technologies, today announced the expansion of Telestream Cloud Services with the introduction of UP, a new cloud-...
11/03/2026
Operative, the preferred advertising management provider for the world's leading media brands, today announced the launch of AOS for digital media, an AI-po...
11/03/2026
Calrec will be located in Central Hall, on Booth C6907
Choice without compromise
The broadcast industry is going through a rapid evolution that s signalling a...
11/03/2026
The new service is hosted and operated entirely in the Netherlands, combining data sovereignty, resilience, scalability, and predictable costs without relying...
11/03/2026
Ease Live, an Evertz company and leader in interactive graphical overlays, today announced the successful deployment of its platform on Red Bull TV for Premier ...
11/03/2026
Mediagenix, a global leader in smart content solutions to profitably connect the right content to the right audience, is advancing its Semantic Intelligence cap...
11/03/2026
Emergent, a leading provider of AI-enhanced media production solutions, today announced the official launch of Fusion, a powerful, no-code application builder d...
11/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/03/2026
Utah Scientific today announced the expansion of its Technology Partner Program with the addition of Audinate, Bitfocus, and Skaarhoj, three industry leaders wh...
11/03/2026
DigitalGlue, creator of the creative.space on-premise managed storage platform, today revealed plans to launch creative.space Intelligence (CSI) at NAB 2026 (Bo...
11/03/2026
Maxon, maker of powerful, approachable software solutions for creators working in 2D and 3D design, motion graphics, visual effects, gaming, and more, has annou...
11/03/2026
Composer and Re-recording Mixer Michael Phillips Keeley has built his career around immersive storytelling. Working from his Dolby Atmos-equipped studio, Sound ...
11/03/2026
Leading video software provider Synamedia today announced that YES, the pay-TV subsidiary of the telco Bezeq (TASE: BEZQ), has selected Synamedia Iris to delive...
11/03/2026
As media companies face increasing cost pressures and operational complexity, at the 2026 NAB Show in Las Vegas, Viaccess-Orca (VO), a global leader in OTT / TV...
11/03/2026
Digital Alert Systems, a global leader in emergency communications solutions for media providers, today announced the release of Version 6 software for its DASD...
11/03/2026
First Medium-Earth Orbit (MEO) deployment of the emergency.lu platform for refugees and their host communities' use provides dependable broadband for humani...
11/03/2026
Foundry releases Nuke 17.0
Brie Clayton March 1, 2026
0 Comments
Native Gaussian Splat support, new 3D system based on USD, expanded machine learning ca...
11/03/2026
Preserving UNESCO World Heritage with URSA Cine Immersive
Brie Clayton March 1, 2026
0 Comments
The Explorers turned to France's cultural landmark...
11/03/2026
I Clicked This By Accident And It Made After Effects SO Much Faster
Graham Quince March 1, 2026
0 Comments
Discover how Region of Interest in Adobe A...
11/03/2026
Cine Gear Connect Brings a Focused All-Day Experience to Industry City, NY
Brie Clayton March 4, 2026
0 Comments
Registration is now open for Cine Gea...
11/03/2026
La Vor gine Edited and Finished with DaVinci Resolve Studio
Brie Clayton March 4, 2026
0 Comments
One of Colombia's most ambitious projects goes g...
11/03/2026
SoundMarket Launches 18,000 Tracks of Real Music by Award-Winning Composers for...
11/03/2026
Capta Center Supports NOVO19 Remote Production with Blackmagic Design
Brie Clayton March 5, 2026
0 Comments
The facility provides production and playo...
11/03/2026
DigitalGlue Ends the Post-Production Tax: creative.space Intelligence (CSI) Unif...
11/03/2026
Kochi Sun Sun Uses Blackmagic Replay for High School Volleyball Finals
Brie Clayton March 9, 2026
0 Comments
Versatile Blackmagic Replay system proves...