Sony Pixel Power calrec Sony

NFL Los Angeles Spotlight (Part 1): How NFL Media Launched a State-of-the-Art Production Facility Amid a Pandemic

22/09/2021

NFL Los Angeles Spotlight (Part 1): How NFL Media Launched a State-of-the-Art Production Facility Amid a Pandemic Engineering team built technical lab in Burbank, weathered pandemic challenges By Jason Dachman, Chief Editor

Tuesday, September 21, 2021 - 2:34 pm

Print This Story | Subscribe

Story Highlights

It has been 3 years since the NFL announced that NFL Media would be moving from its longtime headquarters in Culver City, CA, to a brand-new facility adjacent to SoFi Stadium in Inglewood. In that short period, the NFL Media engineering, operations, and production teams came together to create one of the most state-of-the-art IP-based, 4K- and HDR-capable production facilities anywhere on earth - and they did it largely during a crippling pandemic.

The new NFL Los Angeles facility serves as home to NFL Media. (Photo: Jeff Lewis/AP Images for NFL)

Early on, we wanted to plant the flag and create a truly innovative facility that would be designed for all formats and all types of content creation, says Dave Shaw, VP, head of media operations, NFL Media. From the beginning, we built the infrastructure for not only how we currently do our jobs but also how we plan to do them in the future. And we never wavered from that goal, even during the pandemic. Of course, it impacted us, especially on the construction side, but we were able to be one of the few studios that continued building right through [the pandemic].

The result is NFL Los Angeles, a 450,000-sq.-ft. Class A building at Hollywood Park with 214,063 sq. ft. of office space and 74,922 sq. ft. of studio and studio-support space to serve as the home for NFL Network, NFL.com, NFL RedZone, the NFL app, and many other departments supporting the league's media and business operations. The facility, which officially opened on Sept. 8, now serves as the league's new West Coast headquarters.

CLICK HERE for Part 2 of SVG's NFL Los Angeles Spotlight, which details the equipment and technology deployed at NFL Media's new facility.

Out of the Gate: Committing to 2110, Preparing for 4K and HDR From the very early stages of development, NFL Media's engineering team looked to create a primarily IP-based facility that would be capable of live 4K and HDR production. While the live SMPTE ST 2110 IP-production ecosystem has matured greatly over the past four years, NFL Media was still in bleeding-edge territory when it committed to SMPTE ST 2110 and began making key IP-equipment decisions in 2018 and 2019.

The NFL Los Angeles officially opened on Sept. 8 (Photo: Dan Steinberg/AP Images for NFL)

When we started this process three or four years ago, we wanted to leverage all the latest technologies, including IP, which weren't as mature as they are now. So it was kind of a leap of faith, says Bruce Goldfeder, VP, engineering, NFL Media. We did best-of-breed tests with all the key manufacturers and decided that we were comfortable enough to go with a COTS [routing switch]. Then we tested other [IP] components to make sure there was interoperability, and we found that it was possible to do.

Although NFL Los Angeles launched as a 1080p SDR production facility, Goldfeder and his team also designed its backend infrastructure to be fully 4K- and HDR-ready for when the distribution market and archive/storage technology for these formats are more developed. NFL Media is currently producing 1080p60 broadcasts with Dolby 5.1 audio out of the building but is capable of 4Kp60 with Dolby Atmos 7.4.2 audio and can scale to any format in the future, including HDR or 8K.

One of six production-control rooms at the NFL L.A. facility (Photo: Dan Steinberg/AP Images for NFL)

We can do two 4K shows simultaneously right out of the gate, says Goldfeder, but we started off with 1080p SDR because we just did not have the infrastructure to change over all of our legacy content and archives. And we didn't think it was prudent to make that jump at this time. All our cameras are ready to go [for 4K HDR], but we just weren't ready to make the storage commitment to make everything 100% 4K-compatible. That said, it's very scalable for any format in the foreseeable future.

Another early goal for NFL Media was that the new building serve the diverse production needs for its various content operations - not just NFL Network but also content creation for digital, streaming, and social media.

Right now, we're flexible, and we can support traditional [linear] production, digital production, social production, says Shaw. We've truly built a facility for all. We also wanted to have a facility that users were going to enjoy and that gave them the best possible technology and high-end workspaces.

Technical Development: Switching, Networking Systems Are Prebuilt Once NFL Media tapped Diversified as its technical-systems-integration partner, Goldfeder and his team created a Technical Lab at Diversified's 20,000-sq.-ft. warehouse in Burbank, where the majority of the equipment (including the core switching and networking systems) could be prebuilt while construction was completed at Hollywood Park.

Much of the technology was integrated in Burbank prior to arriving onsite at the new NFL L.A. facility. (Photo: Jeff Lewis/AP Images for NFL)

Because of the pandemic, however, the majority of equipment vendors were unable to be onsite in Burbank for that part of the process. As a result, the NFL Media and Diversified engineering teams took on much of the technical integration themselves. Despite the challenges, the majority of the technical systems were built in Burbank in time for NFL Media to move into the new NFL L.A. building.

We were able to test everything out, and, with the help of the manufacturers remotely, we were able to become very knowledgeable on all of the different aspects of PTP timing, 2110, and ga
LINK: https://www.sportsvideo.org/2021/09/21/nfl-los-angeles-spotlight-part-...
See more stories from svg

More from Sports Video Group

21/04/2026

Live From NAB 2026: BitFires Colin Bonzey on Growing Spark Platform for Live Cloud-Based Productions

Cloud-based production isnt going anywhere, and BitFire is doubling down by prov...

21/04/2026

Live From NAB 2026: AWSs Jason Dvorkin, Regina Rossi on Driving Innovation With Al-Based Workflows

The topic of artificial intelligence has a stranglehold on the sports-video-prod...

21/04/2026

Live From NAB 2026: T-Mobile for Business' Jason Schnellbacher on Enhancing 5G for Sports Fans, Broadcasters

5G is still a hot topic in live event production, and this workflow continues to...

21/04/2026

Live From NAB 2026: Appears Ed McGivern on Fox Sports Deal, New XM Platform, and VX Software Debut

At the 2026 NAB Show, Ed McGivern, GM and President of Appear US, discusses the ...

21/04/2026

NAB 2026: Studio Network Solutions launches on-premise AI suite for media production workflows

Studio Network Solutions (SNS) has announced an on-premise AI suite designed for...

21/04/2026

NAB 2026: Suite Studios integrates file-streaming technology into Frame.io Drive

Suite Studios has integrated its file-streaming technology into the newly announced Frame.io Drive, a desktop application from Adobe company Frame.io. The colla...

21/04/2026

NAB 2026: Net Insight integrates InSync FrameFormer into Nimbra Edge for media processing

Net Insight has integrated InSync Technology's FrameFormer into the Nimbra E...

21/04/2026

NAB 2026: Fox Sports selects Appear X Platform for live production infrastructure

Fox Sports has selected Appear as a technology partner to support the next phase...

21/04/2026

NAB 2026: Diversified appoints Tyler Affolter as Chief Revenue Officer

Diversified has appointed Tyler Affolter as Chief Revenue Officer (CRO) to lead the company's commercial organisation. The appointment follows the firm'...

21/04/2026

NAB 2026: Layercake integrates Bitmovin into Streamcake platform for end-to-end media orchestration

Layercake has formalised the integration of Bitmovin's video streaming infra...

21/04/2026

NAB 2026: International Judo Federation extends global content distribution partnership with SES

The International Judo Federation (IJF) has extended its distribution partnershi...

21/04/2026

NAB 2026: Glookast integrates Cinnafilm Tachyon plugin to enable GPU-accelerated video processing

Glookast has launched the Cinnafilm Tachyon plugin for its Media Producer and Me...

21/04/2026

NAB 2026: Cadena Tres selects Eutelsat for television signal distribution in Mexico

Eutelsat has entered into an agreement with Cadena Tres, a division of Grupo Ima...

21/04/2026

NAB 2026: Dolby and TV Azteca deploy Dolby Atmos for free-to-air broadcast

Dolby Laboratories and TV Azteca have partnered to introduce Dolby Atmos immersive audio to free-to-air television broadcasts. The implementation utilises the A...

21/04/2026

Verizon and FOX Entertainment leverage 5G and AI for remote production of Extracted

FOX Entertainment partnered with Verizon to overcome significant production hurd...

21/04/2026

NAB 2026: Osprey Video to showcase expanded IP infrastructure and orchestration at NAB Show 2026

Osprey Video has announced its technology showcase for the NAB Show 2026, highli...

21/04/2026

NAB 2026: Riedel introduces IP-based production updates including multiviewer, commentary control and audio connectivity solutions

Riedel Communications (Booth C4908) introduced a range of new solutions at NAB S...

21/04/2026

SportsTechBuzz at NAB 2026, Day 3: Live Reports From the Show Floor in Vegas

The NAB Show is in full swing, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. He...

21/04/2026

NAB 2026: Blackmagic Design Announces URSA Cine Immersive 100G and URSA Cine Live Encoder

Blackmagic Design has announced the URSA Cine Immersive 100G, an immersive cinem...

21/04/2026

Live From NAB 2026: Clark Wire & Cables David McCarthy Showcases New Connectivity, Enclosure Solutions for Modern Broadcast Workflows at NAB Show 2026

Clark Wire & Cable is continuing its evolution from cable supplier to full-scale solutions partner for broadcast and live production. At the 2026 NAB Show, we s...

20/04/2026

Live From NAB 2026: Sonys Hugo Gaggioni Highlights HDR Advances, Software-Defined Workflows

At the 2026 NAB Show, Sony is showcasing a broad slate of innovations across liv...

20/04/2026

Live From NAB 2026: Fujinons Stosh Durbacz on Expanding the 4K Broadcast Lens Lineup With New Portable Zooms, 94x Box Lens

Fujifilm is sharpening its focus on core broadcast production with a new wave of...

20/04/2026

Live From NAB 2026: Rock-It Sports' John Walberg on Powering Logistics, Shipping for the 2026 FIFA Men's World Cup

This upcoming summer in North America is going to be a busy one. The 2026 FIFA M...

20/04/2026

NAB 2026: Glookast outlines product updates including Media Producer UX, connectors and Premiere Pro panel

Glookast (Booth W1661) announced a series of product updates at NAB Show 2026, c...

20/04/2026

NAB 2026: Matrox Video and Amagi collaborate on cloud-based broadcast workflows using ORIGIN framework

Matrox Video and Amagi announced a collaboration to integrate the Matrox ORIGIN ...

20/04/2026

NAB 2026: Riedel SimplyLive supports expanded centralised VAR system for Argentina football league

Riedel Communications (Booth C4908) announced that the Asociaci n del F tbol Arg...

20/04/2026

NAB 2026: Ikegami introduces VFE-P07D OLED viewfinder with integrated LCD monitor

Ikegami (Booth C3819) announced the VFE-P07D monocular OLED viewfinder at NAB Sh...

20/04/2026

NAB 2026: IABM rebrands as IAMT and launches AI discovery platform and global alliance

International Association of MediaTech (IAMT), formerly known as IABM, announced...

20/04/2026

NAB 2026: Harmonic supports DIRECTV DTH platform upgrade with VOS Media Software

Harmonic (Booth W2831) announced that DIRECTV is updating its US direct-to-home (DTH) video platform using Harmonic's VOS Media Software. The deployment is...

20/04/2026

NAB 2026: Wasabi Technologies acquires Seagate Lyve Cloud business

Wasabi Technologies announced that it has acquired the Lyve Cloud business from Seagate Technology. As part of the agreement, Seagate received equity in Wasabi ...

20/04/2026

NAB 2026: EVS introduces Choreon robotics orchestration platform for unified production control

EVS (Booth N1841) has launched Choreon, a robotics controller for media producti...

20/04/2026

SportsTechBuzz at NAB 2026, Day 2: Live Reports From the Show Floor in Vegas

The NAB Show is in full swing, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. He...

20/04/2026

NAB 2026: Skyline Communications launches DataMiner packages on Grass Valley AMPP App Store

Skyline Communications announced the availability of its DataMiner xOps platform...

20/04/2026

NAB 2026: SNS launches Outpost, Trio and AI Suite for connected post-production workflows

Studio Network Solutions (Booth N1129) introduced a set of new products at NAB S...

20/04/2026

NAB 2026: Dell Technologies and NVIDIA present AI data platform for media workflows

Dell Technologies is showcasing its Dell AI Data Platform with NVIDIA at NAB Sho...

20/04/2026

NAB 2026: Blackmagic Design Announces Fairlight Live Software Audio Mixer

Blackmagic Design has announced Fairlight Live, a software-based live audio mixer with SMPTE 2110 support and spatial audio mixing. A public beta is available n...

20/04/2026

Live From NAB 2026: Imagine Comms Jimbo Haneklau Talks Prismon, Hybrid IP/SDI Workflows, and Cloud Playout

At the 2026 NAB Show in Las Vegas, Imagine Communications VP of Sales, Sports an...

20/04/2026

Live From NAB 2026: LiveUs Phillip Broaddus on LU900Q Launch, Nexus Cloud Platform, and REMI Growth

At the 2026 NAB Show in Las Vegas, LiveU Senior Director of Sales, Sports Philli...

19/04/2026

NAB Show 2026 Is Here! Follow All of our Live Coverage!

Blackmagic Design has announced the ATEM 4 M/E Constellation IP and ATEM 4 M/E Constellation IP Plus, two SMPTE 2110-native live production switchers. The ATEM ...

19/04/2026

Live From NAB 2026: Grass Valley CEO Jon Wilson on AMPPs Explosive Growth, Hybrid Workflows, and Whats New at the Show

Grass Valley is finding the right balance between its hardware heritage with an ...

19/04/2026

Live From NAB 2026: Oracles Kip Schauer on Why OCI Is Doubling Down on Media, Sports, and Broadcast

Oracle's strategy rests on the foundational strengths of Oracle Cloud Infras...

19/04/2026

Live From NAB 2026: Program Productions Jess Kowatch on Whats New with ProCrewz and the Impact of AI on Crewing

Program Productions, the live sports production industry's leading crewer, i...

19/04/2026

Live From NAB 2026: Aggrekos Joe Scionti on Powering the Super Bowl, PGA Championship, and the Road to the FIFA World Cup

At the 2026 NAB Show in Las Vegas, SVG sat down with Joe Scionti, Account Manage...

19/04/2026

NAB 2026: Evertz to highlight evertz.io XChange for live event management and market switching

Evertz (Booth N817) is set to present new services within its evertz.io platform...

19/04/2026

NAB 2026: Evertz to showcase IPMX-certified NUCLEUS and MMA platforms for AV and ST 2110 integration

Evertz (Booth N817) will showcase its IPMX-certified NUCLEUS platform alongside ...

19/04/2026

NAB 2026: Evertz to showcase ENX media core for hybrid SDI and IP facilities

Evertz (Booth N817) is set to showcase ENX at NAB 2026, a media core platform designed to support hybrid SDI and IP infrastructures in production facilities and...

19/04/2026

NAB 2026: Evertz introduces Studer VistaVUE Touch for broadcast control

Evertz (Booth N817) will introduce Studer VistaVUE Touch at NAB 2026, a control surface designed to integrate audio, video and control workflows within a custom...

19/04/2026

NAB 2026: Evertz highlights X-CALIBER high-density encoding platform for media transport

Evertz (Booth N817) will highlight X-CALIBER at NAB 2026, an encoding and decodi...