
By Shawn Carnahan, CTO, Telestream
Contributor 2 hours ago
By Shawn Carnahan, CTO, Telestream
target=_blank title=Share on LinkedIn class=share-linkedin> By Shawn Carnahan, CTO, Telestream
https://www.tvbeurope.com/features/video-streaming-publish-or-be-damned title=Share via Email class=share-email>
When we look back over 2019, we see a year of really significant change. One of the biggest areas is the rise and rise of video streaming across a diversity of viewing platforms. We have been witnessing some basic changes in consumer behaviour for some time. From their perspective, consumers are seeking to transition to more flexible ways to consume content.
The MSO/Aggregator model is steadily being replaced by direct relationships between content creators and their consumers. This is fragmenting the market. This cord cutting' idea that going OTT is cheaper for consumers is a myth. Consumers will replace one major subscription with multiple individual subscriptions, and I don't see any significant cost savings to be made.
However, this will drive the market since now we see content creators standing up their own distribution channels. These can be their own standalone channels or through third-party platforms, such as Brightcove and BAMTech. In this environment content creators are in control of their brands to a far greater extent.
Then there is a large group of linear TV broadcasters that are seeking to replicate their channels in OTT. These factors are definitely driving the technology companies to support these moves. At Telestream, it is driving our roadmap, and in conversations with colleagues at Harmonic and other companies, they say the same thing. Our collective challenge is how to build more cost-effective, flexible and elastic origins.
Is it an OTT-first approach, and if so, how important is a quality consumer experience?
Looking at one of our core markets - owner operated linear multi-channel broadcasters - they are almost exclusively focussed on OTT build out. Currently, virtually everything we are doing with them is in response to the challenge of how to create an OTT network that is on a par with linear television in terms of quality of service and experience.
The transition from OTT being a novelty to having the same consumer expectations as the linear TV experience in your living room is massive.
The bigger operators in this market want to control the viewer experience and build their brands. Today, the technology is not experimental: there has been a shrinking in the options for how they distribute content across all the consumer platforms that they need to cover.
It's not as much of a mystery for them as it once was. So, I believe that many of the bigger players will build their OTT channels out internally, whereas earlier, the strategy was to wholesale outsource the challenge. This internalisation process will include the entire workflow including App development for these platforms. This will enable them to better control consumer behaviour, consumer experience, monetisation and analytics of the process.
From a technology perspective, you can't just throw the QoS responsibility at companies such as Akamai, who really don't want to be in the media business - they want to be in the data business.
As they learned from the IPTV transition, there is a massive difference between IP for data and IP for media. At Telestream, the development of our iQ portfolio is driven by the problems that are unique to the delivery of media over IP. This continues to be true for OTT delivery - it's just a different set of problems. Our customers seek control over this, and also to control costs. When OTT was an experimental novelty, organisations weren't staking revenue on these new channels. But as they transition to OTT becoming the core business then bottom-line profitability is directly related to costs.
For Telestream, this speaks to the level of integration we have within our customers' workflows. As a technology vendor, we can do so much more depending on the amount of the whole process that we're participating in. OTT is not as componentised as television was in the past. We must have a broader portfolio of system solutions. We're not there yet, but strategically it is where we are heading.
In practical OTT applications, the more that you're involved with across the entire workflow, the more value you can add, especially in the absence of standards. Take latency as an example. If you can inject instrumentation into the signals that you're encoding early in the process, this allows you to pick up problems as they travel through the distribution food chain, particularly when you lose sight of the signals.
If you can instrument your signals up front it enables you to measure latency and find problems further out in the network. Our customers won't find this level of integration in a multi-vendor scenario unless the vendors get together and generate standards that they can all interoperate with.
Is latency still an issue in live streaming?
Absolutely, latency is still an enormous issue - for all the reasons that have been explained ad nauseam! If it's sports, or anything that is timely, you need to reduce latency as much as possible. If the consumer is switching between live linear TV and OTT it is essential.
The big question is what are your expectations? The elegance of http-based OTT is that it enables media distribution through content delivery networks that don't treat media any differently than a web page. We're leveraging an infrastructure that is very broad based as long as we can make everything look like chunks of data that can be accessed via http. With this comes a requirement to segment the video into chunks that can be cached on http. This is where the latency is introduced.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
09/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
09/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
09/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
09/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
09/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
09/06/2026
Two Alumni Win Tony Awards Mike Morris and Cedric Leiba Jr. won awards for Best Orchestrations and Best Play, respectively.
June 8, 2026
By
Tori Donahue
...
08/06/2026
The two execs discuss the goals and the challenges of building a huge multi-cult...
08/06/2026
This industry legend has been a road warrior since the early '90s and is, today, a lynchpin on College GameDay
The sports-production industry continues to ...
08/06/2026
DAZN has agreed a multi-year rights partnership with Extreme Fighting Championship (EFC), expanding its global combat sports portfolio.
DAZN will broadcast EFC...
08/06/2026
As fans move across broadcast, streaming, social, mobile and creator-led platforms, and they expect every angle, in real time, TVU Networks has released a new e...
08/06/2026
Infront has further strengthened the 2026 Diamond League's international bro...
08/06/2026
Grass Valley has announced the appointment of Sam Craig as Vice President, Global Pre-Sales. Based in the United States, Craig will lead Grass Valley's glob...
08/06/2026
SMPTE has announced its summer 2026 education lineup covering IP networking and SMPTE ST 2110, including two standalone courses, a 13-week boot camp, and a hand...
08/06/2026
Sportradar Group AG has announced a multi-year global agreement with Kalshi, a p...
08/06/2026
FIFA and Gamefam have announced the launch of a FIFA World Cup 2026 event on Roblox, running June 5 through July 31, 2026. The event centers on FIFA Super Socce...
08/06/2026
A collaboration of NHL Productions, Monumental Sports, and Michael Levitt Produc...
08/06/2026
CBS Sports production staffer Bryce Adair has died at the age of 31 after sustaining injuries during a car accident on Wednesday while in Ohio working the the P...
08/06/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, including new deals, departures, and assignments compiled from press releases and repo...
08/06/2026
WMT Digital today announced the launch of WMT Fan Intelligence, designed to unif...
08/06/2026
The Heat are the seventh NBA team to air their games over-the-air next season...
08/06/2026
Paramount and UFC have announced an expansion of their media rights partnership making Paramount the exclusive home of UFC Numbered Event main cards in Canada ...
08/06/2026
The Qatar Football Association (QFA), in cooperation with Sponix and broadcaster...
08/06/2026
Project B has announced the appointment of Host Broadcast Services (HBS) as Offi...
08/06/2026
The Buckeyes now produce and stream upwards of 200 sports events annually with a...
08/06/2026
At Spotify, our commitment to the LGBTQIA community is year-round. Through GLOW, our global music program, we celebrate and amplify the contributions of queer ...
08/06/2026
Get Hands-on With Keyboard & Synth Brands
GearExpo UK wouldn't be complete without some synth action, and we've got some of the industry's most ...
08/06/2026
50 popular in-ear monitoring system profiles added
The latest update for IK Multimedia's headphone-correction system has just arrived, and introduces ca...
08/06/2026
Manny Marroquin signature cans upgraded with SLAM Technology
The flagship model in Audeze's Manny Marroquin Signature Series has just been treated to an...
08/06/2026
Air domain supremacy redefined - New counter UAS, space solutions and directiona...
08/06/2026
he BBC and BritBox have announced that Edward Bluemel (We Might Regret This, My ...
08/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/06/2026
Dante interfaces, intercom and control systems for modern AV environments
Glensound will showcase a focused range of networked audio and intercom solutions fo...
08/06/2026
Bminty is proud to celebrate the first anniversary of T18, the new free national French DTT channel launched on June 6, 2025. This symbolic milestone also marks...
08/06/2026
DaVinci Resolve Used For Global Collaboration on Tony Foster Documentary
Brie Clayton June 8, 2026
0 Comments
DaVinci Resolve Studio and Blackmagic Cl...
08/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/06/2026
Plus, 20% off TVs ahead of kick-offMonday 8 June 2026
Sky introduces Real Time...
08/06/2026
FOX Secures Live NFL Game Package in Mexico Starting in Fall 2026 Agreement Features Thursday Night Football, Sunday Games Package, Thanksgiving Day Games, al...
08/06/2026
FOX One, FOX Sports and Indeed Name Austin Franklin and Kevin Akoto as FOX One C...
08/06/2026
Meet us on the show floor
Stand #286310 Discover Nara, the media management tool used by major facilities including Harbor and Molinare.
Nara v2 introduces re...
08/06/2026
L'art de l'Image dans Reflet dans un diamant mort' Une conversation avec le directeur de la photographie Manuel Dacosse, SBC et l' talonneur Pe...
08/06/2026
Embracing today's modern media workflows: FilmLight presents Nara 2.0, with FilmLight API Designed to support the growing demands of today's production ...
08/06/2026
Moderated by Andy Minuth, FilmLight's Colour Workflow Specialist
Wednesday 18 February
6:00pm / Doors open
7:00pm / Presentation in German
8:00pm / Drin...
08/06/2026
Join us on April 14 at 10:00am for a technical roundtable with the Filmlight dev...
08/06/2026
You're invited to FLAPI Classroom The fundamentals of coding and machine-assisted development
These sessions will help you build the skills needed to cre...
08/06/2026
With Sylvain Canaux (St Louis, Paris) and J r me Cloutier (MELS, Montreal)
Wednesday 6 May
Pick your time: 1:00PM / 5:00PM
Note: The presentation will be hel...
08/06/2026
FilmLight, 1107 N El Centro Ave, Los Angeles
Doors open at 3:30pm
Join the FilmLight team on June 9th at 4pm to learn how FilmLight products and APIs can stre...