
By Shawn Carnahan, CTO, Telestream
Contributor 2 hours ago
By Shawn Carnahan, CTO, Telestream
target=_blank title=Share on LinkedIn class=share-linkedin> By Shawn Carnahan, CTO, Telestream
https://www.tvbeurope.com/features/video-streaming-publish-or-be-damned title=Share via Email class=share-email>
When we look back over 2019, we see a year of really significant change. One of the biggest areas is the rise and rise of video streaming across a diversity of viewing platforms. We have been witnessing some basic changes in consumer behaviour for some time. From their perspective, consumers are seeking to transition to more flexible ways to consume content.
The MSO/Aggregator model is steadily being replaced by direct relationships between content creators and their consumers. This is fragmenting the market. This cord cutting' idea that going OTT is cheaper for consumers is a myth. Consumers will replace one major subscription with multiple individual subscriptions, and I don't see any significant cost savings to be made.
However, this will drive the market since now we see content creators standing up their own distribution channels. These can be their own standalone channels or through third-party platforms, such as Brightcove and BAMTech. In this environment content creators are in control of their brands to a far greater extent.
Then there is a large group of linear TV broadcasters that are seeking to replicate their channels in OTT. These factors are definitely driving the technology companies to support these moves. At Telestream, it is driving our roadmap, and in conversations with colleagues at Harmonic and other companies, they say the same thing. Our collective challenge is how to build more cost-effective, flexible and elastic origins.
Is it an OTT-first approach, and if so, how important is a quality consumer experience?
Looking at one of our core markets - owner operated linear multi-channel broadcasters - they are almost exclusively focussed on OTT build out. Currently, virtually everything we are doing with them is in response to the challenge of how to create an OTT network that is on a par with linear television in terms of quality of service and experience.
The transition from OTT being a novelty to having the same consumer expectations as the linear TV experience in your living room is massive.
The bigger operators in this market want to control the viewer experience and build their brands. Today, the technology is not experimental: there has been a shrinking in the options for how they distribute content across all the consumer platforms that they need to cover.
It's not as much of a mystery for them as it once was. So, I believe that many of the bigger players will build their OTT channels out internally, whereas earlier, the strategy was to wholesale outsource the challenge. This internalisation process will include the entire workflow including App development for these platforms. This will enable them to better control consumer behaviour, consumer experience, monetisation and analytics of the process.
From a technology perspective, you can't just throw the QoS responsibility at companies such as Akamai, who really don't want to be in the media business - they want to be in the data business.
As they learned from the IPTV transition, there is a massive difference between IP for data and IP for media. At Telestream, the development of our iQ portfolio is driven by the problems that are unique to the delivery of media over IP. This continues to be true for OTT delivery - it's just a different set of problems. Our customers seek control over this, and also to control costs. When OTT was an experimental novelty, organisations weren't staking revenue on these new channels. But as they transition to OTT becoming the core business then bottom-line profitability is directly related to costs.
For Telestream, this speaks to the level of integration we have within our customers' workflows. As a technology vendor, we can do so much more depending on the amount of the whole process that we're participating in. OTT is not as componentised as television was in the past. We must have a broader portfolio of system solutions. We're not there yet, but strategically it is where we are heading.
In practical OTT applications, the more that you're involved with across the entire workflow, the more value you can add, especially in the absence of standards. Take latency as an example. If you can inject instrumentation into the signals that you're encoding early in the process, this allows you to pick up problems as they travel through the distribution food chain, particularly when you lose sight of the signals.
If you can instrument your signals up front it enables you to measure latency and find problems further out in the network. Our customers won't find this level of integration in a multi-vendor scenario unless the vendors get together and generate standards that they can all interoperate with.
Is latency still an issue in live streaming?
Absolutely, latency is still an enormous issue - for all the reasons that have been explained ad nauseam! If it's sports, or anything that is timely, you need to reduce latency as much as possible. If the consumer is switching between live linear TV and OTT it is essential.
The big question is what are your expectations? The elegance of http-based OTT is that it enables media distribution through content delivery networks that don't treat media any differently than a web page. We're leveraging an infrastructure that is very broad based as long as we can make everything look like chunks of data that can be accessed via http. With this comes a requirement to segment the video into chunks that can be cached on http. This is where the latency is introduced.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
09/10/2026
September 10 2026, 06:00 (PDT) Dolby Expands Dolby OptiView Platform with New Capabilities at IBC 2026
New Sports Intelligence helps providers better unders...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
17/09/2026
LA JOLLA, CA-While the brain orchestrates metabolic processes in the body, it al...
16/09/2026
Grass Valley has been recognized with a 2026 Technology & Engineering Emmy Award...
16/09/2026
Sports-media leaders explore how cloud, AI, and virtualization are transforming ...
16/09/2026
With a full crew on site in Springfield, deep access to players, and a growing d...
16/09/2026
John Wilson attends The History of Concrete premiere during the 2026 Sundance Film Festival at The Yarrow Theatre on January 22, 2026, in Park City, Utah. (Ph...
16/09/2026
Powerful soft synth receives free update
Wavea have just launched a new and improved version of their feature-packed soft synth, kitting it out with over 20...
16/09/2026
Physical modelling experts launch pipe-based instrument
Modartt are well known for their impressive Pianoteq and Organteq offerings, and now, they've pu...
16/09/2026
Popular DAW gains free pitch-correction tool
Image-Line have teamed up with Antares to kit their popular DAW software out with a built-in pitch-correction p...
16/09/2026
Microwave Factory and Rohde & Schwarz enable automated SAR measurements with CMX...
16/09/2026
Rohde & Schwarz launches new security scanner for large events at Security Expo ...
16/09/2026
The National Film and Video Foundation (NFVF) invites eligible South African pro...
16/09/2026
Grass Valley honored alongside industry leaders for the development of web-based, frame-accurate remote monitoring systems for distributed broadcast production ...
16/09/2026
Blackmagic Design Cameras Capture Harvard Law School Alumni Event
Brie Clayton September 16, 2026
0 Comments
URSA Broadcast G2 and Pocket Cinema Camer...
16/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/09/2026
Screen Australia funds games projects in every state and territory as Screen Cur...
16/09/2026
September 16th, 2026 (Participant Head Shots Here & Video Here and YouTube HERE...
16/09/2026
Original article publish in Broadcast Magazine NL
Over the past few years, our relationship with Grass Valley has continued to develop, and our move to AMPP in...
16/09/2026
Red Seat Ventures Announces Exclusive Partnership with Caleb Hammer's Financ...
16/09/2026
System performance, efficient infrastructure scaling and continuous software opt...
16/09/2026
Garda whistleblowers come forward to
RT Investigates from inside the
Garda Pr...
16/09/2026
AI factories are the infrastructure of the intelligence era. Scaling them respon...
15/09/2026
At IBC2026, Pixitmedia by DataCore will showcase its latest capabilities designe...
15/09/2026
Quantum Corp. today announced the release of Quantum Autonomous Data Management ...
15/09/2026
Former Wyndham Hotels & Resorts technology executive will focus on fan engagemen...
15/09/2026
Creator Sports Network (CSN) and FAN.live have announced a partnership giving CSN's network of more than 2,000 vetted creators access to live 3D NFL broadca...
15/09/2026
SVG and SVG Europewere all over the IBC 2026 show floor out in Amsterdam, bringi...
15/09/2026
Rise WIB has announced the shortlist for the Rise Awards 2026, returning to Troxy in London on Tuesday, November 17. The awards recognize outstanding women, adv...
15/09/2026
Major League Table Tennis (MLTT) has announced its media distribution lineup for the 2026-27 season, beginning September 11. Every match will stream live on the...
15/09/2026
Willow Sports has announced it will serve as the exclusive U.S. and Canadian hom...
15/09/2026
Gravity Media has announced it will provide outside broadcast production and technical services for the MXGP of Australia, the finale of the 2026 FIM World Moto...
15/09/2026
Co-founders Scott Coker and Peter Y. Levin have unveiled Ki MMA, a new global mixed martial arts promotion launching in the first quarter of 2027. The announcem...
15/09/2026
Sony Electronics has announced two new G Master super-telephoto prime lenses for...
15/09/2026
GlobeCast provides facility for AI-power automated production core...
15/09/2026
Gravity Media, a leading global provider of production and content, and media services and facilities, is empowering Tourism and Events Northern Territory (NT) ...
15/09/2026
New Thunderbolt audio interfaces aimed at pro studios
Audient's latest announcement sees the company introduce three new high-end audio interfaces desig...
15/09/2026
Completes core wireless system line-up
The latest addition to Sennheiser's Spectera range is now shipping, completing the core elements of the company...
15/09/2026
High-frequency dynamics plug-in upgraded
Schwabe Digital have just released a major free update for their acclaimed high-frequency dynamics processing plug-...
15/09/2026
DAW update launched alongside all-in-one subscription bundle
The latest version of Universal Audio's DAW software has just arrived, and has been release...
15/09/2026
Three popular hardware units go virtual
Rupert Neve Designs are entering the software market in style, with not one, but three of their sought-after hardwar...
15/09/2026
When longstanding OB specialist Cloudbass made the decision to expand its fleet to accommodate remote production facilities for a leading UK sports broadcaster&...
15/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/09/2026
Six Berklee Alumni Win at 2026 Emmy Awards The recipients were recognized for their contributions to Widow's Bay, Beef, South Park, and Bad Bunny's Su...
15/09/2026
OWC Announces Acquisition of OpenDrives, Expanding Software-Defined Video and Ri...