Trans Siberian Orchestra Rocks Holiday Opera Live Posted: March 2013 | For Immediate Release
For the first time ever, Trans-Siberian Orchestra performed their acclaimed 2004 rock opera The Lost Christmas Eve live in its entirety. Written by founder Paul ONeill, it tells the uplifting story of redemption and salvation on an enchanting Christmas Eve in New York City. The orchestra takes listeners on a journey deep into their imaginations, from a run-down hotel, to an old toy store, a blues bar and a Gothic Cathedral. The tour, presented by the Hallmark Channel, ran through the end of last year with Clair Global providing exclusive live sound production.
TSO created two separate and complete productions in 2000 to allow the band to cover more ground and they've maintained that format ever since. In 2009, the two tour monitor engineers, Antonio Luna and Chris Hoffmann made the decision to go with the SD7s largely because they had maxed out their D5 consoles. In 2010, both outfits fully upgraded the FOH rigs similarly to a pair of mirrored DiGiCo SD7 systems (comprised of a console with SD-Racks at both FOH and monitor world). The DiGiCo SD7 has been on tour with TSO ever since.
It's interesting, explains current unit monitor engineer, Scott Fraser, that we basically built two identical shows systems for essentially two different shows. While the kits are the same, the way the SD7's are utilized between the two productions is uniquely different.
"In the big picture, having identical consoles for both really kept things simple and provided consistency, from a production and logistics standpoint," said Troy Clair, Clair Global president. "For the operators, it kept the workflow smooth and eliminated compatibility issues."
We started using the SD7 at FOH for the first spring 2010 Beethoven's Last Night tour after having used large analog consoles for the first 11 years, recalled Dave Wittman, FOH engineer for the original TSO production and currently on tour with one of the productions. It was the perfect time to make the switch since we needed a smaller footprint but more inputs as we went back to theatres for the spring tours. I went to Clair Global in Chicago to get some basic orientation with the console. At that time, Michi Tanikawa (current FOH engineer for the second production) was my tech. Once I got the layout to a point where I'd be comfortable, Michi did all the console programming. From then on, we were able to use the saved files from tour to tour with only minimal modifications.
Wittman worked with frontman O'Neill back in the late 70's on a short project. Nearly 17 years later, they hooked up again when Paul needed an engineer to mix the band Savatage's album Dead Winter Dead in 1995. Shortly thereafter, we started recording Paul's new project, Trans-Siberian Orchestra, and within a year or two, Paul wanted to tour TSO and asked me to go out and mix the show. I explained that I had never done live sound before, but Paul encouraged me to give it a go. Well, here we are 14 years later and I'm having a blast! I've been working with Paul ever since, recording and mixing all of TSO's studio albums and a live show ever since.
In total, each TSO unit has approximately 65-80 inputs for drums, bass, two guitars, four keyboards, 12 vocal mics, eight live strings, and audience mics with another 15 inputs for spares and utility stuff. I probably haven't scratched the surface using all the features on the SD7 that I could, Wittman laughs. On the other hand, I try to keep things simple and the SD7 does everything we need. I have always had two or three outboard reverbs and a bunch of compressors. Now, having all this onboard is perfect. Flexibility is key with this console; I know it's there, and it more than meets my needs. Additionally, we record each show to Digital Performer and the simplicity of interfacing 80 channels via MADI with two cables and the ability to playback and refine your mix later is a tremendous help. Not to mention, the sonic quality is superb.
A self-professed analog guy who has worked with TSO for the past 5-6 years, Michihiro Michi Tanikawa happily and willingly concedes to the SD7 at FOH for the West Coast unit. I like analog consoles, but we can't bring them on tour, so that's why I stick with the SD7. It makes everything sound more analog with digital convenience. I had been using a D5 for a long time, which made it easy to start using the SD7the faders and layout is set up very much like an analog console unlike some of the other digital console's out there. I still like the analog console sound, but the SD7 always sounds accurate, every day on different gigs and takes up less space. Also, they are great for doing multiple recordings and virtual soundchecks.
I love the console's basic logistics and layout; it's very similar to the D5. And it sounds so great amazing! The SD7 has a more hi-fi' sound especially for TSO. And because our audience ranges from young children to adults, we keep the volume comfortable for everyone, while still being a powerful rock show. There are narration parts, too, that must sound clear so everybody can understand what is being said. It's also fun to change the EQ just a little bit and hear how it alters the sound drastically. The only outboard compression I'm using is a Smart C2 compressor to make it a little bit warmer and analog-sounding before I send it to the PA. The band loves the console and the production loves it too.
At monitor world, the configuration for each outfit is a mix of wedges and in-ears: 24 mixes of Sennheiser IEM (8 mixes of 2050 and 16 of G3), two stereo mixes of Clair CM 22 and two mixes of Clair SRM, with the wedges all powered and processed by Clair StakRac with Lab Gruppen PLM20000Q.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
15/07/2026
The 2026 FIFA World Cup is a big deal for DAZN, which has distribution rights in three markets: Italy, Spain, and Japan. Each requires a different editorial app...
15/07/2026
As sports-media organizations manage rapidly growing content libraries and incre...
15/07/2026
HBS director of digital Johannes Franken talks SVG Europe through the operation built to serve FIFA World Cup 2026 rights holders remotely from Stratford, east ...
15/07/2026
IBC has unveiled the conference program for IBC2026, with this year's event ...
15/07/2026
Software-defined wideband RF platform supports 96-kHz monitoring, streamlined fr...
15/07/2026
New AI-powered module enables broadcasters and content owners to extract dialogu...
15/07/2026
Weeklong gathering at EBU headquarters will test new IPMX capabilities and expand certified product ecosystem...
15/07/2026
Force Tech has announced the appointment of Bryan Adams, CTS, as Vice President of Integration. Adams will oversee AV and broadcast integration project delivery...
15/07/2026
USA Sports has announced an exclusive English-language agreement with the Bundes...
15/07/2026
ITV Sport's FIFA World Cup 2026 coverage has been produced from one of the m...
15/07/2026
Program will provide professional camera kits, training, and technical support to participating local newsrooms...
15/07/2026
San Francisco church becomes first U.S. deployment of the 2 M/E production switcher...
15/07/2026
Former ESPN and NFL Network executive to advise startup league on media, distribution, technology, and fan engagement...
15/07/2026
The Houston-based RSN is the live-game home of the Astros and Rockets...
15/07/2026
Launched alongside new FreqSoft installer
Designed to bridge the gap between hardware and software, Freqport's FreqInOut FO1 unit provides a simple way ...
15/07/2026
Save up to 55% on software until 23 July 2026
Expressive E have just launched their Summer Offer sale, with discounts of up to 55% now applied across their ...
15/07/2026
Real-time stem-separation tool updated
zplane have recently released a new and improved version of their real-time stem-separation plug-in which they say ma...
15/07/2026
A new benchmark in bass enhancement
Described as a new benchmark in bass enhancement , Baby Audio's latest release has been designed to augment the lo...
15/07/2026
DMC Production's AR 1 and AR 2 units reverse the conventional OB workflow, keeping all production-critical processing at the venue while operators work remo...
15/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/07/2026
GigaCloud, a leading Ukrainian cloud service provider, and Cubbit, the first geo-distributed cloud storage enabler, today announced a new Business Alliance Part...
15/07/2026
SMPTE, the global society for media professionals, technologists, and engineers, has announced the launch of the SMPTE 110th Anniversary Campaign, a fundraising...
15/07/2026
Studio Technologies, a leading manufacturer of high-quality audio, video, and fiber-optic solutions, unveils the new StudioComm Model 762 Stereo Level Control, ...
15/07/2026
COW Jobs: Producer, Virtual Events - Hybrid, Full Time, Salaried
Brie Clayton July 15, 2026
0 Comments
Producer, Virtual Events (Hybrid | Full-time | ...
15/07/2026
Brazilian media organization builds nationwide CDN with Broadpeak's high-performance software for low-latency streaming and new content distribution service...
15/07/2026
DHD announces a new utility designed to increase the efficiency of its audio mixing systems during initial installation and subsequent configuration.
Anyone w...
15/07/2026
BCNEXXT Brings Next-Generation Vipe to IBC2026, Breaking the 1:1 Channel-to-Server Ratio New innovations liberate broadcasters from legacy playout infrastructur...
15/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/07/2026
Wednesday 15 July 2026
Screeners and press pack now available: Gomorrah: The Or...
15/07/2026
Trinity's Treasures features Ruth Negga, Eleanor McEvoy, and David Norris, a...
15/07/2026
Join geographer Dr Susan Hegarty, Engineer Tim Joyce and Architect Orla Murphy a...
15/07/2026
Home to leading manufacturers, robotics pioneers, infrastructure builders and gaming, of course, Japan is one of the world's centers of AI - building across...
14/07/2026
South end zone videoboard, cloud-based control system will be ready for 2026 football season...
14/07/2026
Redesigned website, enhanced mobile app unify content, ticketing, and personalized fan engagement...
14/07/2026
Agreement spans sponsorship sales, digital monetization, radio production, and new practice facility naming rights...
14/07/2026
Independent league adds 14 regional sports network affiliates, growing distribut...
14/07/2026
New strategy aims to unify competitions, content, fan engagement, and commercial...
14/07/2026
ESPN and Disney+ become exclusive home of PFL events in key international MMA market...
14/07/2026
Gill will oversee engineering, technology, and sports operations across the company's 64 local television stations...
14/07/2026
Submitted by North American Broadcasters Association (NABA)
As broadcasters con...
14/07/2026
Modernized mobile unit combines HOME Apps, mc 56 console, and IP infrastructure ...
14/07/2026
Every match of the 32-team tournament will air across ION and Scripps Sports platforms in English and Spanish...
14/07/2026
FloHockey to stream every game of the annual international tournament under four...
Trans Siberian Orchestra Rocks Holiday Opera Live Posted: March 2013 | For Immediate Release 
