
With the streaming sector becoming ever more saturated, Ian Waters, senior director, Cisco ThousandEyes, takes a look at what SVoD and BVoD operators need to do in order to both survive and thrive
By Contributor
Published: January 13, 2022
With the streaming sector becoming ever more saturated, Ian Waters, senior director, Cisco ThousandEyes, takes a look at what SVoD and BVoD operators need to do in order to both survive and thrive
target=_blank title=Share on LinkedIn class=share-linkedin>
Streaming services from both digital natives and traditional broadcasters have now become part and parcel of many households' entertainment. In fact, according to Ofcom, UK subscriptions to streaming video on demand (SVoD) services rose by half last year, to reach a new record number of 31 million UK consumers.
Streaming's growing popularity creates both an opportunity and a challenge for broadcasters and content owners. Firstly, the content market - and therefore the audience that consumes that content - is now more fragmented than ever. The competition is not just found in the market leaders but in other digital arenas like gaming and social media.
What's more, new generations of consumers are unforgiving when it comes to bad streaming experiences. One bad experience, and they will take their viewership elsewhere and not return.
To sustain and grow their audience share and reach, streaming providers need to focus on the way that content is delivered to viewers and the quality of the end-to-end service. This quality is now a key differentiator.
An internet-enabled evolution UK consumers now have hundreds of local and global streaming services from both SVoD and broadcast video on demand (BVoD) operators to choose from that's a lot of competition for viewers' time and attention. Naturally, there are questions around how many services a market can handle. As a result, these providers must stay relevant and connected with audiences to be successful.
But first, it's important to consider the evolution of the TV market. Rewind a decade ago and linear TV services dominated the broadcast world. The operators of these services ran the entire end-to-end delivery and network infrastructure. These broadcasters were under a lot of pressure to maintain high uptime. If ever the box went black, it would cost them thousands in lost advertising revenue.
The internet re-wrote the broadcast playbook. Whilst the pressures of delivering an always-on service still remain, it has significantly lowered cost barriers to entry and has signalled a new area of new Internet-powered services and devices. Video content now needs to be delivered reliably where the audience is, across mobile and fixed-line networks.
As a result, this new era of content delivery requires partnerships with carrier service providers, content delivery networks (CDNs), digital monitoring and security service providers to manage the content delivery and viewing experience not only now but in the future. Streaming providers must provision network capacity and bandwidth for all possible viewing scenarios.
However, this also means these organisations are dealing with increasingly complicated IT ecosystems, often stitching together a range of technology services and connectivity they do not own to reach their intended audience. And even though they have far less control over the end-to-end delivery mechanism, they are still ultimately held responsible by consumers for how it performs. So, how can they find new ways of making content delivery more reliable?
Critical visibility and collaboration Firstly, holistic visibility of all the elements and providers that make up this end-to-end content delivery mechanism is crucial. This kind of visibility provides actionable insights into the performance and availability of these networks that are responsible for delivering a good user experience. Should any part of the chain be it application, internet or cloud suffer an outage, SVoD and BVoD organisations can quickly identify and remediate dreaded downtime. And it's only a matter of when, unfortunately. You don't need to look far back in time to find an example. In December, Amazon Web Services experienced a major outage that took down major streaming services like Disney Plus and Netflix.
Secondly, these organisations can't go it alone. Despite the aforementioned lack of control, they do need to partner with a range of technology and carrier service providers to ensure they remain competitive and online for their users. The outages of 2021 served as a clear reminder that the internet can tumble. Streaming providers should consider diversifying their delivery services to provide brand reputation. If any of their providers experience a disruption in services, they can route around it or communicate the issue quickly to customers.
Further to this, in a world where it's no longer good enough just to launch a streaming service and the size of catalogue is not always a barometer for success, they need to understand their customers' preferences and behaviours to develop a unique, seamless platform, while also monetising their content through intelligent data gathering.
Increasingly, it is those partnerships that will result in differentiated viewing experiences that keep viewing audiences engaged.
A brave new streaming world So, what's next for streaming? Already, we're seeing agreements with as-a-service application providers and carrier service providers to apply quality-of-service (QoS) prioritisation to their specific application traffic, improving the performance of those services for a nominal monthly fee. We are likely to see similar arrangements develop over time, with partnerships being established between internet providers or backbone networks to ensure that streaming traf
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
09/10/2026
September 10 2026, 06:00 (PDT) Dolby Expands Dolby OptiView Platform with New Capabilities at IBC 2026
New Sports Intelligence helps providers better unders...
08/10/2026
Modern venues have come a long way since the tinny, echoing audio of the mid 20t...
08/10/2026
ESPN's first Super Bowl production will stream in English and Spanish on Disney+, while the ESPN App carries the full slate of game, ManningCast, studio, an...
08/10/2026
From high-school videoboards to War Eagle Productions, the Opelika native is learning how to lead shows and capture big moments
The future of live sports produ...
08/10/2026
The Television Academy and Prime Video have announced a six-year agreement making Prime Video the exclusive global home of the Emmy Awards beginning with the 20...
08/10/2026
Techex will exhibit at NAB Show New York 2026 (Booth 623, Javits Center, October...
08/10/2026
X Games has announced the appointment of Steve Rogers as Chief Operating Officer. Rogers previously served as COO of World Supercross and spent nearly a decade ...
08/10/2026
Fonn Group has appointed Trevor Spielmann as Sales Director for Germany, Austria, and Switzerland. Spielmann joins from EVS, where he held sales and business de...
08/10/2026
The flagship program will originate from major PG events with a four-camera production, live distribution across PGTV, social platforms
Perfect Game is bringin...
08/10/2026
Innovation rarely happens in a vacuum. More often, it happens at the point of collision: when worlds that have run on separate tracks begin to converge. That is...
08/10/2026
For decades, the production and broadcast services business has run on a familia...
08/10/2026
Uplynk, Zixi, BroadView Software, and Grass Valley have published The IP Converg...
08/10/2026
The NFL has announced the return of the Big Data Bowl, the league's analytics competition, now in its ninth year and again powered by AWS. Registration is o...
08/10/2026
Eutelsat has renewed its partnership with T l diffusion d'Alg rie (TDA), Algeria's national broadcasting network operator, for continued distribution of...
08/10/2026
Disney will livestream Super Bowl LXI on February 14, 2027, alongside the game's broadcast on ESPN and ABC. All Disney subscribers in the United States wi...
08/10/2026
RHStv and Red House Streaming have announced an expansion of their partnership w...
08/10/2026
Gray Media has announced a distribution agreement with TEGNA and DAZN to simulca...
08/10/2026
SVG readers can save 10% on registration and receive a complimentary Solutions H...
08/10/2026
PROTON Camera Innovations GmbH has been named a recipient of a 2026 Technology a...
08/10/2026
Industry leaders discuss real-world cloud workflows for live game production, pl...
08/10/2026
The next-gen audio technology joins Dolby Vision as part of Apple TV's immersive F1 experience...
08/10/2026
David France, Jesse Short Bull, Mato Wayuhi, N. Bird Runningwater, Jodi Archambau, Jhane Myers, Paul McGuire, Amber Morning Star Byars, Holly Macarro, Nick Tils...
08/10/2026
Dynamic panning plug-ins get an upgrade
Sound Particles have just announced major updates for two of their popular dynamic panning plug-ins. Energy Panner 2...
08/10/2026
New expandable instrument boasts full DMNO engine
UDO Audio have just announced the upcoming release of a new, expandable synth that packs the power of the ...
08/10/2026
Two new subwoofers added to monitoring line-up
ADAM Audio's monitoring range has just been expanded with two new DSP-equipped subwoofers, the Sub8 PRO a...
08/10/2026
eds3_5_jq(document).ready(function($) { $(#eds_sliderM519).chameleonSlider_2_1({ content_source:......
08/10/2026
Calrec gives broadcasters freedom of choice at NAB Show New York We're looking forward to meeting up with you all at NAB New York on 21st-22nd October.
Cal...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Globecast, a leading provider of broadcast, media and entertainment managed services, will showcase its next generation of media orchestration services at NAB S...
08/10/2026
Clear-Com played a critical role in the production communications infrastructure for Rock in Rio 2026, one of the world's largest and most recognized music...
08/10/2026
Sohonet Launches ClearView Rush: A Leap Forward in Studio Review, Built for Crea...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Ikegami announces a major expansion to its range of broadcast-quality live production cameras. Scheduled for introduction on Ikegami booth 708 at NAB New York, ...
08/10/2026
Calrec will be located at Booth 444.
Freedom to choose
The media landscape is evolving quickly, and the broadcasters best placed for what comes next will be...
08/10/2026
LiveU has announced that CRD Audiovisuel relied on LiveUs LU900Q intelligent production unit, with built-in native LiveU IQ (LIQ ) connectivity, to deliver live...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Marshall Electronics, a globally recognized provider of high-performance video solutions for broadcast, streaming, AV and professional production, will exhibit ...
08/10/2026
14-hour package also includes A Remarkable Place to Die season 2 as well as libr...