Sony Pixel Power calrec Sony

Why streaming services need new ways to differentiate

13/01/2022

With the streaming sector becoming ever more saturated, Ian Waters, senior director, Cisco ThousandEyes, takes a look at what SVoD and BVoD operators need to do in order to both survive and thrive

By Contributor

Published: January 13, 2022

With the streaming sector becoming ever more saturated, Ian Waters, senior director, Cisco ThousandEyes, takes a look at what SVoD and BVoD operators need to do in order to both survive and thrive

target=_blank title=Share on LinkedIn class=share-linkedin>

Streaming services from both digital natives and traditional broadcasters have now become part and parcel of many households' entertainment. In fact, according to Ofcom, UK subscriptions to streaming video on demand (SVoD) services rose by half last year, to reach a new record number of 31 million UK consumers.

Streaming's growing popularity creates both an opportunity and a challenge for broadcasters and content owners. Firstly, the content market - and therefore the audience that consumes that content - is now more fragmented than ever. The competition is not just found in the market leaders but in other digital arenas like gaming and social media.

What's more, new generations of consumers are unforgiving when it comes to bad streaming experiences. One bad experience, and they will take their viewership elsewhere and not return.

To sustain and grow their audience share and reach, streaming providers need to focus on the way that content is delivered to viewers and the quality of the end-to-end service. This quality is now a key differentiator.

An internet-enabled evolution UK consumers now have hundreds of local and global streaming services from both SVoD and broadcast video on demand (BVoD) operators to choose from that's a lot of competition for viewers' time and attention. Naturally, there are questions around how many services a market can handle. As a result, these providers must stay relevant and connected with audiences to be successful.

But first, it's important to consider the evolution of the TV market. Rewind a decade ago and linear TV services dominated the broadcast world. The operators of these services ran the entire end-to-end delivery and network infrastructure. These broadcasters were under a lot of pressure to maintain high uptime. If ever the box went black, it would cost them thousands in lost advertising revenue.

The internet re-wrote the broadcast playbook. Whilst the pressures of delivering an always-on service still remain, it has significantly lowered cost barriers to entry and has signalled a new area of new Internet-powered services and devices. Video content now needs to be delivered reliably where the audience is, across mobile and fixed-line networks.

As a result, this new era of content delivery requires partnerships with carrier service providers, content delivery networks (CDNs), digital monitoring and security service providers to manage the content delivery and viewing experience not only now but in the future. Streaming providers must provision network capacity and bandwidth for all possible viewing scenarios.

However, this also means these organisations are dealing with increasingly complicated IT ecosystems, often stitching together a range of technology services and connectivity they do not own to reach their intended audience. And even though they have far less control over the end-to-end delivery mechanism, they are still ultimately held responsible by consumers for how it performs. So, how can they find new ways of making content delivery more reliable?

Critical visibility and collaboration Firstly, holistic visibility of all the elements and providers that make up this end-to-end content delivery mechanism is crucial. This kind of visibility provides actionable insights into the performance and availability of these networks that are responsible for delivering a good user experience. Should any part of the chain be it application, internet or cloud suffer an outage, SVoD and BVoD organisations can quickly identify and remediate dreaded downtime. And it's only a matter of when, unfortunately. You don't need to look far back in time to find an example. In December, Amazon Web Services experienced a major outage that took down major streaming services like Disney Plus and Netflix.

Secondly, these organisations can't go it alone. Despite the aforementioned lack of control, they do need to partner with a range of technology and carrier service providers to ensure they remain competitive and online for their users. The outages of 2021 served as a clear reminder that the internet can tumble. Streaming providers should consider diversifying their delivery services to provide brand reputation. If any of their providers experience a disruption in services, they can route around it or communicate the issue quickly to customers.

Further to this, in a world where it's no longer good enough just to launch a streaming service and the size of catalogue is not always a barometer for success, they need to understand their customers' preferences and behaviours to develop a unique, seamless platform, while also monetising their content through intelligent data gathering.

Increasingly, it is those partnerships that will result in differentiated viewing experiences that keep viewing audiences engaged.

A brave new streaming world So, what's next for streaming? Already, we're seeing agreements with as-a-service application providers and carrier service providers to apply quality-of-service (QoS) prioritisation to their specific application traffic, improving the performance of those services for a nominal monthly fee. We are likely to see similar arrangements develop over time, with partnerships being established between internet providers or backbone networks to ensure that streaming traf
LINK: https://www.tvbeurope.com/media-delivery/why-streaming-services-need-n...
See more stories from tvb

Most recent headlines

05/01/2027

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be demoed at CES 2026

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...

07/10/2026

Dalet Flex LTS Delivers Smarter Media Operations from Ingest to Distribution

Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...

06/09/2026

Dolby and MagentaTV Bring Fans Closer to the FIFA World Cup 2026 in Germany with Dolby Vision and Dolby Atmos

June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...

04/08/2026

Dalet Announces Commercial Availability of Dalia, Bringing Media-Aware Agentic AI to Enterprise Productions

Dalet, a leading technology and service provider for media-rich organizations, t...

29/07/2026

Grass Valley Op-Ed Series: Seven Paradoxes Shaping the Next Era of Media Production

In this series, Grass Valley explores the seven paradoxes shaping the next era o...

29/07/2026

SVG Students to Watch: A Look Back at a Year of Spotlighting the Emerging Talent in Live Sports Production

Thats a wrap on Season 1 of SVG Students to Watch! Across the country, these stu...

29/07/2026

DAZN to Become Exclusive DTC In-Market Streaming Home of YES Network, MSG Networks; Gotham App to Shut Down

The agreement will move Gotham Sports App subscribers to DAZN during the 2026-27...

29/07/2026

Big South Promotes Emily Dassel to Associate Commissioner for Brand and Creative Strategy

Longtime digital-media leader expands role overseeing conference branding, video...

29/07/2026

Give Me the Backstory: Get to Know Gregg Araki, the Director of I Want Your Sex

By Bailey Pennick One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent filmmaking. ...

29/07/2026

TiME UK announce transatlantic partnership

Organisation team up with TI:ME USA Founded in 2019 with the aim of helping educators to embrace new music technology, Technology in Music Education (TiME U...

29/07/2026

Multiply 2: Free plug-in from Acon Digital

Doubling & chorus processor gets an overhaul Acon Digital have just launched the latest version of their free voice-doubling and chorus plug-in. Multiply 2 ...

29/07/2026

Origin Effects launch the EQDeluxe

New Pultec-inspired pedal revealed The latest addition to the Origin Effects line-up brings the legendary Pultec EQ into pedal format. Based on the EQP-1A, ...

29/07/2026

SBS Appoints Chief Commercial Officer and Director of Marketing and Audiences

SBS Appoints Chief Commercial Officer and Director of Marketing and Audiences 29 July, 2026 Media releases SBS is pleased to announce the appointment of Ni...

29/07/2026

Rohde & Schwarz showcases unified next-generation broadcasting ecosystem at SET Expo 2026 in Brazil

Rohde & Schwarz showcases unified next-generation broadcasting ecosystem at SET ...

29/07/2026

Central Christian Church Connects Remote Production Teams with Clear-Com's Gen-IC...

eds3_5_jq(document).ready(function($) { $(#eds_sliderM519).chameleonSlider_2_1({...

29/07/2026

Streaming Embarks on Annual Summer Ascent in Nielsen's May 2026 Gauge Reports

Streaming Hits 48.6% of Total TV Usage in May YouTube Leads in Media Distributo...

29/07/2026

WVIT's Joseph DiMaggio Named SBE Flanders Engineer of the Year

Share Copy link Facebook X Linkedin Bluesky Email...

29/07/2026

Amagi Appoints Martin Wacker to Lead Sales for DACH -- St...

Industry veteran joins Amagi to drive growth in Europe's leading broadcast market and advance cloud-native broadcast, FAST, and AI-driven operations. LONDO...

29/07/2026

WebTransport opens new route for broadcast-quality media...

Work is ongoing to specify how to run RIST over WebTransport. This will deliver secure, stable, broadcast quality video playback and origination to any platform...

29/07/2026

Offline Files Makes the Drive Shelf Searchable on Mac

Offline Files Makes the Drive Shelf Searchable on Mac Brie Clayton July 29, 2026 0 Comments A local Mac app for finding files, photos, and footage acr...

29/07/2026

Blackmagic Design Announces New UltraStudio Mini 12G

Blackmagic Design Announces New UltraStudio Mini 12G Brie Clayton July 29, 2026 0 Comments New extremely portable Thunderbolt 4 capture and playback ...

29/07/2026

Brightline Lighting Introduces the MOD1

Brightline Lighting, a premier manufacturer of energy-efficient lighting systems for broadcast, videoconferencing, government, education and corporate applicati...

29/07/2026

Applications open for IFFI/WAVES Film Bazaar in Goa - Producer Delegation

Applications open for IFFI/WAVES Film Bazaar in Goa - Producer Delegation 28 July 2026 Image credit: Four Years Later Screen Australia has opened applications...

29/07/2026

Brightline Unveils Compact, Suspended MOD1 LED Light

Share Copy link Facebook X Linkedin Bluesky Email...

29/07/2026

NAB Meets With Trusty on Ownership Caps

Share Copy link Facebook X Linkedin Bluesky Email...

29/07/2026

QuickLink To Feature New StudioPro AnywhereTally At IBC 2026

Share Copy link Facebook X Linkedin Bluesky Email...

29/07/2026

HBO Max Launches Vertical Shorts to Improve Content Discovery

Share Copy link Facebook X Linkedin Bluesky Email...

29/07/2026

New Tool Identifies Sources Of Fake Videos

Share Copy link Facebook X Linkedin Bluesky Email...

29/07/2026

DNEG Migrates Editorial Workflows to Foundrys Hiero

Foundry today announced that Academy Award-winning creative studio DNEG has implemented Hiero to support its editorial workflows. Part of the Nuke product famil...

29/07/2026

QuickLink Unveils New StudioPro AnywhereTally Remote Tall...

The Latest Addition to the Brand's StudioPro Ecosystem Combines Simple Deployment, Cloud Control and Professional Grade Wireless Reliability QuickLink, a l...

29/07/2026

The Secret Master Adjustment Layer Hack in After Effects

The Secret Master Adjustment Layer Hack in After Effects Graham Quince July 28, 2026 0 Comments Trish Meyer (who literally beta-tested the original Af...

29/07/2026

Post Completed with Blackmagic Cloud for Shane Kosugi's Feature Film SEEK

Post Completed with Blackmagic Cloud for Shane Kosugi's Feature Film SEEK Brie Clayton July 28, 2026 0 Comments Cannes Indie International Film Fe...

29/07/2026

Isabeau Miller Named Chair of Berklee Songwriting Department

Isabeau Miller Named Chair of Berklee Songwriting Department The Berklee alumna, who previously served on the Songwriting faculty, will begin her new role on ...

29/07/2026

Hayu is coming to Sky, bringing fan-favourite franchises The Real Housewives, Below Deck and more to customers, at no extra cost

Wednesday 29 July 2026 Hayu is coming to Sky, bringing fan-favourite franchises...

29/07/2026

New RT true crime podcast launches today

RT launches Unsolved, a true crime podcast, presented by crime journalist Barry Cummins and presenter Katja Mia. Unsolved is a weekly podcast exploring unsol...

28/07/2026

LiveUs World Cup Record: 1,700 Units Support Wide Range of Transmission Needs

LiveU, the pioneer in IP-video transmission and cloud-based remote production, today detailed its historic performance records set during the 2026 FIFA World Cu...

28/07/2026

Case Study: How the Dallas Cowboys Removed Bottlenecks in Off-site Content Production

The NFL franchise rebuilt their off-site content operation for an era when teams...

28/07/2026

A New Way To Watch': How Formula 1 and Sky Sports Are Pushing Race Coverage Into a New Era

Longtime partners expand viewer choice, data-driven analysis, access, immersive ...

28/07/2026

Grass Valley Op Ed: Seven Paradoxes Shaping the Next Era of Media Production

There is a unique moment before every major production. The audience never sees it. The cameras are ready. The talent is preparing. Directors review the final...

28/07/2026

The CW Network, ESPN Ink Streaming Agreement With Launch on Aug. 4

The CW Network and ESPN have announced their highly anticipated streaming agreement to bring CW Sports' live events to the ESPN App will officially launch o...

28/07/2026

Lawo Delivers Audio Excellence for Europes Largest Classical Open-Air Concert on Bastille Day

As more than tens of thousands of spectators filled Paris' Champ de Mars and...

28/07/2026

Appear Assists Chile's First Large-Scale 4K FIFA World Cup Viewing Experience

Appear's X Platform played a central role in Chile's first large-scale c...

28/07/2026

IBC 2026: Solid State Logic Highlights Transition to Software-Defined Production

Responding to the broadcast industry's shift to embrace more flexible production platforms, Solid State Logic (SSL) is evolving its comprehensive System T p...

28/07/2026

TNT Sports Goes to Greater Heights With New DUNKMAN League

Production leverages innovative camera technologies, AI, and data to capture the action in four-week inaugural competition The first-ever professional dunking ...

28/07/2026

Rogers, Prime Video Ink 12-Year Sublicensing Deal for NHL Rights in Canada

Prime Video to exclusively broadcast Wednesday night national NHL regular-season games in Canada...

28/07/2026

CBS Sports Snags U.S. English-Language Rights for CONCACAF Champions Cup

Every match will stream live on Paramount+ beginning in February,...

28/07/2026

TK Audio unveil the TK-Lizer 3

Baxandall-inspired hardware EQ overhauled TK Audio's Baxandall-inspired hardware EQ unit has just made a return, bringing the popular unit back into the...

28/07/2026

Asparion reveal the D700 Rack

D700 system gains new live-focused rackmount surface Asparion have just announced an expansion of their D700 control surface range, introducing a new model ...

28/07/2026

Six NFVF Presidential Employment Stimulus Programme (PESP)-Funded Films Selected for the 47th Durban International Film Festival (DIFF)

27 July 2026, Johannesburg - The National Film and Video Foundation (NFVF), an a...

28/07/2026

Nielsen Launches Ad Intel AI: the Only Product of its Kind that Transforms Fragmented Ad Data into Actionable Intelligence

Ad Intel AI is Nielsen's first in a new generation of AI products built to t...